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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E63AA7 it is the complementary color #19C558. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E63AA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E63AA7 shade: #EB3AA2, #FC4CB5, #FF5EC8, #FF70DB and #FF82EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E63AA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E63AA7 shade: #E63AA7, #D52894, #C41681, #B3046E and #A2005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E63AA7 shade: #E538A6, #E53877, #E53849 and #E53838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E63AA7 shade: #E538A6, #E538D4, #C738E5, #9938E5 and #6A38E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E63AA7 shade matches the following richer shades: #E538A6 and #F726AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E63AA7 shade: #E538A6, #D34BA1, #C15D9C, #AF6F97 and #9D8192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E63AA7 shade: #C638E5, #E538D7, #E538A9, #E5387B and #E5384D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E63AA7 shade: #B4177A, #D81C93, #E538A6, #EA5DB6 and #EF81C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E63AA7 shade: #E63AA7, #E59738 and #38E5DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E63AA7 shade: #E63AA7, #A9E538 and #38A9E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E63AA7 shade: #E63AA7, #E59738, #38E575 and #3886E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E63AA7 shade: #E63AA7, #E5CB38, #38E575 and #3852E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 27 / 10

HEX #E63AA7

RGB 230 58 167

HSL 321.98, 0.77%, 0.56%

LAB 54.7, 73.43, -19.85

 

Complementary color

CMYK 87 / 0 / 55 / 23

HEX #19C558

RGB 25 197 88

HSL 141.98, 0.77%, 0.44%

LAB 70.07, -63.38, 42.96

 

CMYK 0 / 75 / 31 / 8

HEX #EB3AA2

RGB 235 58 162

HSL 324.75, 0.82%, 0.57%

LAB 55.38, 74.07, -15.81

 

CMYK 0 / 70 / 28 / 1

HEX #FC4CB5

RGB 252 76 181

HSL 324.2, 0.97%, 0.64%

LAB 60.96, 74.77, -18.1

 

CMYK 0 / 63 / 22 / 0

HEX #FF5EC8

RGB 255 94 200

HSL 320.5, 1%, 0.68%

LAB 64.51, 71.3, -23.46

 

CMYK 0 / 56 / 14 / 0

HEX #FF70DB

RGB 255 112 219

HSL 315.1, 1%, 0.72%

LAB 67.99, 66.45, -28.77

 

CMYK 0 / 49 / 7 / 0

HEX #FF82EE

RGB 255 130 238

HSL 308.16, 1%, 0.75%

LAB 71.82, 61.18, -33.35

 

CMYK 0 / 75 / 27 / 10

HEX #E63AA7

RGB 230 58 167

HSL 321.98, 0.77%, 0.56%

LAB 54.7, 73.43, -19.85

 

CMYK 0 / 81 / 31 / 16

HEX #D52894

RGB 213 40 148

HSL 322.54, 0.68%, 0.5%

LAB 49.25, 72.07, -17.18

 

CMYK 0 / 89 / 34 / 23

HEX #C41681

RGB 196 22 129

HSL 323.1, 0.8%, 0.43%

LAB 44.08, 69.77, -13.82

 

CMYK 0 / 98 / 39 / 30

HEX #B3046E

RGB 179 4 110

HSL 323.66, 0.96%, 0.36%

LAB 39.24, 66.32, -9.65

 

CMYK 0 / 100 / 44 / 36

HEX #A2005B

RGB 162 0 91

HSL 326.3, 1%, 0.32%

LAB 34.88, 61.25, -4.41

 

CMYK 0 / 76 / 28 / 10

HEX #E538A6

RGB 229 56 166

HSL 321.85, 0.77%, 0.56%

LAB 54.28, 73.66, -19.92

 

CMYK 0 / 76 / 48 / 10

HEX #E53877

RGB 229 56 119

HSL 338.15, 0.77%, 0.56%

LAB 52.75, 68.93, 5.77

 

CMYK 0 / 76 / 68 / 10

HEX #E53849

RGB 229 56 73

HSL 354.1, 0.77%, 0.56%

LAB 51.8, 65.9, 32.04

 

CMYK 0 / 76 / 76 / 10

HEX #E53838

RGB 229 56 56

HSL 0, 0.77%, 0.56%

LAB 51.58, 65.18, 41.51

 

CMYK 0 / 76 / 28 / 10

HEX #E538A6

RGB 229 56 166

HSL 321.85, 0.77%, 0.56%

LAB 54.28, 73.66, -19.92

 

CMYK 0 / 76 / 7 / 10

HEX #E538D4

RGB 229 56 212

HSL 305.9, 0.77%, 0.56%

LAB 56.33, 79.7, -43.32

 

CMYK 13 / 76 / 0 / 10

HEX #C738E5

RGB 199 56 229

HSL 289.6, 0.77%, 0.56%

LAB 52.54, 76.47, -59.28

 

CMYK 33 / 76 / 0 / 10

HEX #9938E5

RGB 153 56 229

HSL 273.64, 0.77%, 0.56%

LAB 45.99, 68.24, -70.2

 

CMYK 54 / 76 / 0 / 10

HEX #6A38E5

RGB 106 56 229

HSL 257.34, 0.77%, 0.56%

LAB 40.49, 61.16, -79.41

 

CMYK 0 / 76 / 28 / 10

HEX #E538A6

RGB 229 56 166

HSL 321.85, 0.77%, 0.56%

LAB 54.28, 73.66, -19.92

 

CMYK 0 / 85 / 31 / 3

HEX #F726AB

RGB 247 38 171

HSL 321.82, 0.93%, 0.56%

LAB 56.19, 82.55, -19.65

 

CMYK 0 / 76 / 28 / 10

HEX #E538A6

RGB 229 56 166

HSL 321.85, 0.77%, 0.56%

LAB 54.28, 73.66, -19.92

 

CMYK 0 / 64 / 24 / 17

HEX #D34BA1

RGB 211 75 161

HSL 322.06, 0.61%, 0.56%

LAB 53.44, 61.81, -18.53

 

CMYK 0 / 52 / 19 / 24

HEX #C15D9C

RGB 193 93 156

HSL 322.2, 0.45%, 0.56%

LAB 53.56, 47.66, -15.66

 

CMYK 0 / 37 / 14 / 31

HEX #AF6F97

RGB 175 111 151

HSL 322.5, 0.29%, 0.56%

LAB 54.78, 31.33, -11.13

 

CMYK 0 / 18 / 7 / 38

HEX #9D8192

RGB 157 129 146

HSL 323.57, 0.13%, 0.56%

LAB 57.02, 13.71, -5.09

 

CMYK 14 / 76 / 0 / 10

HEX #C638E5

RGB 198 56 229

HSL 289.25, 0.77%, 0.56%

LAB 52.39, 76.28, -59.53

 

CMYK 0 / 76 / 6 / 10

HEX #E538D7

RGB 229 56 215

HSL 304.86, 0.77%, 0.56%

LAB 56.48, 80.13, -44.79

 

CMYK 0 / 76 / 26 / 10

HEX #E538A9

RGB 229 56 169

HSL 320.81, 0.77%, 0.56%

LAB 54.4, 74.01, -21.5

 

CMYK 0 / 76 / 46 / 10

HEX #E5387B

RGB 229 56 123

HSL 336.76, 0.77%, 0.56%

LAB 52.86, 69.27, 3.52

 

CMYK 0 / 76 / 66 / 10

HEX #E5384D

RGB 229 56 77

HSL 352.72, 0.77%, 0.56%

LAB 51.86, 66.1, 29.76

 

CMYK 0 / 87 / 32 / 29

HEX #B4177A

RGB 180 23 122

HSL 322.17, 0.77%, 0.4%

LAB 40.77, 65.25, -14.82

 

CMYK 0 / 87 / 32 / 15

HEX #D81C93

RGB 216 28 147

HSL 322.02, 0.77%, 0.48%

LAB 48.93, 75.07, -17.02

 

CMYK 0 / 76 / 28 / 10

HEX #E538A6

RGB 229 56 166

HSL 321.85, 0.77%, 0.56%

LAB 54.28, 73.66, -19.92

 

CMYK 0 / 60 / 22 / 8

HEX #EA5DB6

RGB 234 93 182

HSL 322.13, 0.77%, 0.64%

LAB 60.51, 63.58, -19.61

 

CMYK 0 / 46 / 17 / 6

HEX #EF81C7

RGB 239 129 199

HSL 321.82, 0.77%, 0.72%

LAB 68.15, 50.78, -17.57

 

CMYK 0 / 75 / 27 / 10

HEX #E63AA7

RGB 230 58 167

HSL 321.98, 0.77%, 0.56%

LAB 54.7, 73.43, -19.85

 

CMYK 0 / 34 / 76 / 10

HEX #E59738

RGB 229 151 56

HSL 32.95, 0.77%, 0.56%

LAB 68.81, 21.52, 59.23

 

CMYK 76 / 0 / 3 / 10

HEX #38E5DD

RGB 56 229 221

HSL 177.23, 0.77%, 0.56%

LAB 82.97, -43.63, -8.43

 

CMYK 0 / 75 / 27 / 10

HEX #E63AA7

RGB 230 58 167

HSL 321.98, 0.77%, 0.56%

LAB 54.7, 73.43, -19.85

 

CMYK 26 / 0 / 76 / 10

HEX #A9E538

RGB 169 229 56

HSL 80.81, 0.77%, 0.56%

LAB 84.36, -42.61, 72.42

 

CMYK 76 / 26 / 0 / 10

HEX #38A9E5

RGB 56 169 229

HSL 200.81, 0.77%, 0.56%

LAB 65.65, -11.65, -39.15

 

CMYK 0 / 75 / 27 / 10

HEX #E63AA7

RGB 230 58 167

HSL 321.98, 0.77%, 0.56%

LAB 54.7, 73.43, -19.85

 

CMYK 0 / 34 / 76 / 10

HEX #E59738

RGB 229 151 56

HSL 32.95, 0.77%, 0.56%

LAB 68.81, 21.52, 59.23

 

CMYK 76 / 0 / 49 / 10

HEX #38E575

RGB 56 229 117

HSL 141.16, 0.77%, 0.56%

LAB 80.83, -66.44, 42.35

 

CMYK 76 / 41 / 0 / 10

HEX #3886E5

RGB 56 134 229

HSL 212.95, 0.77%, 0.56%

LAB 55.63, 8.58, -54.98

 

CMYK 0 / 75 / 27 / 10

HEX #E63AA7

RGB 230 58 167

HSL 321.98, 0.77%, 0.56%

LAB 54.7, 73.43, -19.85

 

CMYK 0 / 11 / 76 / 10

HEX #E5CB38

RGB 229 203 56

HSL 50.98, 0.77%, 0.56%

LAB 81.65, -5.82, 71.45

 

CMYK 76 / 0 / 49 / 10

HEX #38E575

RGB 56 229 117

HSL 141.16, 0.77%, 0.56%

LAB 80.83, -66.44, 42.35

 

CMYK 76 / 64 / 0 / 10

HEX #3852E5

RGB 56 82 229

HSL 230.98, 0.77%, 0.56%

LAB 42.05, 41.06, -76.98

 

Description

Color code: HEX #E63AA7 | qconv.com Color code: HEX #E63AA7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 58 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 58 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 27 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 27% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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