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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E623DD it is the complementary color #19DC22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E623DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E623DD shade: #EB23D8, #FC35EB, #FF47FE, #FF59FF and #FF6BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E623DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E623DD shade: #E623DD, #D511CA, #C400B7, #B300A4 and #A20091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E623DD shade: #E723DD, #E723A9, #E72374, #E7233F and #E72323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E623DD shade: #E723DD, #BB23E7, #8623E7, #5123E7 and #2323E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E623DD shade matches the following richer shades: #E723DD and #FA0FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E623DD shade: #E723DD, #D336CC, #BF4ABA, #AB5EA8 and #977296

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E623DD shade: #8523E7, #B923E7, #E723E0, #E723AC and #E72378

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E623DD shade: #A4129E, #CA16C1, #E723DD, #EB48E3 and #EF6DE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E623DD shade: #E623DD, #E75023 and #23E79F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E623DD shade: #E623DD, #E0E723 and #23E0E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E623DD shade: #E623DD, #E75023, #23E729 and #23B9E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E623DD shade: #E623DD, #E78B23, #23E729 and #237EE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 4 / 10

HEX #E623DD

RGB 230 35 221

HSL 302.77, 0.8%, 0.52%

LAB 55.32, 85.94, -50.01

 

Complementary color

CMYK 89 / 0 / 85 / 14

HEX #19DC22

RGB 25 220 34

HSL 122.77, 0.8%, 0.48%

LAB 76.99, -75.05, 69.87

 

CMYK 0 / 85 / 8 / 8

HEX #EB23D8

RGB 235 35 216

HSL 305.7, 0.83%, 0.53%

LAB 55.91, 86.15, -46.19

 

CMYK 0 / 79 / 7 / 1

HEX #FC35EB

RGB 252 53 235

HSL 305.13, 0.97%, 0.6%

LAB 60.99, 88.33, -48.67

 

CMYK 0 / 72 / 0 / 0

HEX #FF47FE

RGB 255 71 254

HSL 300.33, 1%, 0.64%

LAB 64.1, 86.94, -54.27

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 85 / 4 / 10

HEX #E623DD

RGB 230 35 221

HSL 302.77, 0.8%, 0.52%

LAB 55.32, 85.94, -50.01

 

CMYK 0 / 92 / 5 / 16

HEX #D511CA

RGB 213 17 202

HSL 303.37, 0.85%, 0.45%

LAB 50.47, 82.82, -47.05

 

CMYK 0 / 100 / 7 / 23

HEX #C400B7

RGB 196 0 183

HSL 303.98, 1%, 0.38%

LAB 45.85, 78.75, -43.52

 

CMYK 0 / 100 / 8 / 30

HEX #B300A4

RGB 179 0 164

HSL 305.03, 1%, 0.35%

LAB 41.63, 73.18, -39.13

 

CMYK 0 / 100 / 10 / 36

HEX #A20091

RGB 162 0 145

HSL 306.3, 1%, 0.32%

LAB 37.35, 67.51, -34.62

 

CMYK 0 / 85 / 4 / 9

HEX #E723DD

RGB 231 35 221

HSL 303.06, 0.8%, 0.52%

LAB 55.49, 86.12, -49.73

 

CMYK 0 / 85 / 27 / 9

HEX #E723A9

RGB 231 35 169

HSL 318.98, 0.8%, 0.52%

LAB 53.01, 79.46, -23.6

 

CMYK 0 / 85 / 50 / 9

HEX #E72374

RGB 231 35 116

HSL 335.2, 0.8%, 0.52%

LAB 51.21, 74.41, 5.42

 

CMYK 0 / 85 / 73 / 9

HEX #E7233F

RGB 231 35 63

HSL 351.43, 0.8%, 0.52%

LAB 50.16, 71.35, 36.03

 

CMYK 0 / 85 / 85 / 9

HEX #E72323

RGB 231 35 35

HSL 0, 0.8%, 0.52%

LAB 49.87, 70.51, 50.97

 

CMYK 0 / 85 / 4 / 9

HEX #E723DD

RGB 231 35 221

HSL 303.06, 0.8%, 0.52%

LAB 55.49, 86.12, -49.73

 

CMYK 19 / 85 / 0 / 9

HEX #BB23E7

RGB 187 35 231

HSL 286.53, 0.8%, 0.52%

LAB 48.93, 80.28, -66.33

 

CMYK 42 / 85 / 0 / 9

HEX #8623E7

RGB 134 35 231

HSL 270.31, 0.8%, 0.52%

LAB 41.28, 72.85, -79.13

 

CMYK 65 / 85 / 0 / 9

HEX #5123E7

RGB 81 35 231

HSL 254.08, 0.8%, 0.52%

LAB 35.44, 67.61, -88.96

 

CMYK 85 / 85 / 0 / 9

HEX #2323E7

RGB 35 35 231

HSL 240, 0.8%, 0.52%

LAB 32.54, 65.2, -93.86

 

CMYK 0 / 85 / 4 / 9

HEX #E723DD

RGB 231 35 221

HSL 303.06, 0.8%, 0.52%

LAB 55.49, 86.12, -49.73

 

CMYK 0 / 94 / 4 / 2

HEX #FA0FEF

RGB 250 15 239

HSL 302.81, 0.96%, 0.52%

LAB 58.88, 94.34, -54.29

 

CMYK 0 / 85 / 4 / 9

HEX #E723DD

RGB 231 35 221

HSL 303.06, 0.8%, 0.52%

LAB 55.49, 86.12, -49.73

 

CMYK 0 / 74 / 3 / 17

HEX #D336CC

RGB 211 54 204

HSL 302.68, 0.64%, 0.52%

LAB 52.78, 75.33, -44.55

 

CMYK 0 / 61 / 3 / 25

HEX #BF4ABA

RGB 191 74 186

HSL 302.56, 0.48%, 0.52%

LAB 51.29, 60.66, -36.72

 

CMYK 0 / 45 / 2 / 33

HEX #AB5EA8

RGB 171 94 168

HSL 302.34, 0.31%, 0.52%

LAB 51.26, 42.26, -26.49

 

CMYK 0 / 25 / 1 / 41

HEX #977296

RGB 151 114 150

HSL 301.62, 0.15%, 0.52%

LAB 52.75, 20.95, -13.87

 

CMYK 42 / 85 / 0 / 9

HEX #8523E7

RGB 133 35 231

HSL 270, 0.8%, 0.52%

LAB 41.15, 72.73, -79.35

 

CMYK 20 / 85 / 0 / 9

HEX #B923E7

RGB 185 35 231

HSL 285.92, 0.8%, 0.52%

LAB 48.62, 79.97, -66.85

 

CMYK 0 / 85 / 3 / 9

HEX #E723E0

RGB 231 35 224

HSL 302.14, 0.8%, 0.52%

LAB 55.66, 86.55, -51.17

 

CMYK 0 / 85 / 26 / 9

HEX #E723AC

RGB 231 35 172

HSL 318.06, 0.8%, 0.52%

LAB 53.13, 79.8, -25.17

 

CMYK 0 / 85 / 48 / 9

HEX #E72378

RGB 231 35 120

HSL 333.98, 0.8%, 0.52%

LAB 51.32, 74.73, 3.15

 

CMYK 0 / 89 / 4 / 36

HEX #A4129E

RGB 164 18 158

HSL 302.47, 0.8%, 0.36%

LAB 39.23, 67.52, -39.51

 

CMYK 0 / 89 / 4 / 21

HEX #CA16C1

RGB 202 22 193

HSL 303, 0.8%, 0.44%

LAB 48.24, 78.99, -45.5

 

CMYK 0 / 85 / 4 / 9

HEX #E723DD

RGB 231 35 221

HSL 303.06, 0.8%, 0.52%

LAB 55.49, 86.12, -49.73

 

CMYK 0 / 69 / 3 / 8

HEX #EB48E3

RGB 235 72 227

HSL 302.94, 0.8%, 0.6%

LAB 59.75, 78.32, -46.34

 

CMYK 0 / 54 / 3 / 6

HEX #EF6DE9

RGB 239 109 233

HSL 302.77, 0.8%, 0.68%

LAB 65.88, 65.66, -40

 

CMYK 0 / 85 / 4 / 10

HEX #E623DD

RGB 230 35 221

HSL 302.77, 0.8%, 0.52%

LAB 55.32, 85.94, -50.01

 

CMYK 0 / 65 / 85 / 9

HEX #E75023

RGB 231 80 35

HSL 13.78, 0.8%, 0.52%

LAB 54.92, 56.52, 55.25

 

CMYK 85 / 0 / 31 / 9

HEX #23E79F

RGB 35 231 159

HSL 157.96, 0.8%, 0.52%

LAB 81.84, -61.57, 22.52

 

CMYK 0 / 85 / 4 / 10

HEX #E623DD

RGB 230 35 221

HSL 302.77, 0.8%, 0.52%

LAB 55.32, 85.94, -50.01

 

CMYK 3 / 0 / 85 / 9

HEX #E0E723

RGB 224 231 35

HSL 62.14, 0.8%, 0.52%

LAB 88.51, -22.44, 82.82

 

CMYK 85 / 3 / 0 / 9

HEX #23E0E7

RGB 35 224 231

HSL 182.14, 0.8%, 0.52%

LAB 81.53, -40.25, -15.9

 

CMYK 0 / 85 / 4 / 10

HEX #E623DD

RGB 230 35 221

HSL 302.77, 0.8%, 0.52%

LAB 55.32, 85.94, -50.01

 

CMYK 0 / 65 / 85 / 9

HEX #E75023

RGB 231 80 35

HSL 13.78, 0.8%, 0.52%

LAB 54.92, 56.52, 55.25

 

CMYK 85 / 0 / 82 / 9

HEX #23E729

RGB 35 231 41

HSL 121.84, 0.8%, 0.52%

LAB 80.55, -77.01, 71.48

 

CMYK 85 / 20 / 0 / 9

HEX #23B9E7

RGB 35 185 231

HSL 194.08, 0.8%, 0.52%

LAB 70.05, -21.4, -33.42

 

CMYK 0 / 85 / 4 / 10

HEX #E623DD

RGB 230 35 221

HSL 302.77, 0.8%, 0.52%

LAB 55.32, 85.94, -50.01

 

CMYK 0 / 40 / 85 / 9

HEX #E78B23

RGB 231 139 35

HSL 31.84, 0.8%, 0.52%

LAB 66.19, 28.03, 64.7

 

CMYK 85 / 0 / 82 / 9

HEX #23E729

RGB 35 231 41

HSL 121.84, 0.8%, 0.52%

LAB 80.55, -77.01, 71.48

 

CMYK 85 / 45 / 0 / 9

HEX #237EE7

RGB 35 126 231

HSL 212.14, 0.8%, 0.52%

LAB 53, 12.23, -60.35

 

Description

Color code: HEX #E623DD | qconv.com Color code: HEX #E623DD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 35 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 35 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 4 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 4% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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