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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E61BBC it is the complementary color #19E443. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E61BBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E61BBC shade: #EB1BB7, #FC2DCA, #FF3FDD, #FF51F0 and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E61BBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E61BBC shade: #E61BBC, #D509A9, #C40096, #B30083 and #A20070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E61BBC shade: #E61ABB, #E61A84, #E61A4D and #E61A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E61BBC shade: #E61ABB, #D91AE6, #A21AE6, #6B1AE6 and #341AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E61BBC shade matches the following richer shades: #E61ABB and #FA05C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E61BBC shade: #E61ABB, #D12EAF, #BC43A3, #A85797 and #936C8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E61BBC shade: #A21AE6, #D81AE6, #E61ABD, #E61A86 and #E61A50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E61BBC shade: #9B117F, #C0159D, #E61ABB, #EA3FC6 and #EE64D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E61BBC shade: #E61BBC, #E66B1A and #1AE6BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E61BBC shade: #E61BBC, #BDE61A and #1ABDE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E61BBC shade: #E61BBC, #E66B1A, #1AE642 and #1A94E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E61BBC shade: #E61BBC, #E6A81A, #1AE642 and #1A57E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 18 / 10

HEX #E61BBC

RGB 230 27 188

HSL 312.41, 0.8%, 0.5%

LAB 53.21, 82.83, -34.41

 

Complementary color

CMYK 89 / 0 / 71 / 11

HEX #19E443

RGB 25 228 67

HSL 132.41, 0.8%, 0.5%

LAB 79.67, -75.16, 62.58

 

CMYK 0 / 89 / 22 / 8

HEX #EB1BB7

RGB 235 27 183

HSL 315, 0.84%, 0.51%

LAB 53.88, 83.21, -30.39

 

CMYK 0 / 82 / 20 / 1

HEX #FC2DCA

RGB 252 45 202

HSL 314.49, 0.97%, 0.58%

LAB 58.82, 85.75, -33.43

 

CMYK 0 / 75 / 13 / 0

HEX #FF3FDD

RGB 255 63 221

HSL 310.63, 1%, 0.62%

LAB 61.68, 84.49, -39.7

 

CMYK 0 / 68 / 6 / 0

HEX #FF51F0

RGB 255 81 240

HSL 305.17, 1%, 0.66%

LAB 64.51, 81.67, -45.87

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 88 / 18 / 10

HEX #E61BBC

RGB 230 27 188

HSL 312.41, 0.8%, 0.5%

LAB 53.21, 82.83, -34.41

 

CMYK 0 / 96 / 21 / 16

HEX #D509A9

RGB 213 9 169

HSL 312.94, 0.92%, 0.44%

LAB 48.52, 79.26, -30.83

 

CMYK 0 / 100 / 23 / 23

HEX #C40096

RGB 196 0 150

HSL 314.08, 1%, 0.38%

LAB 44.14, 74.52, -26.52

 

CMYK 0 / 100 / 27 / 30

HEX #B30083

RGB 179 0 131

HSL 316.09, 1%, 0.35%

LAB 39.95, 68.98, -21.67

 

CMYK 0 / 100 / 31 / 36

HEX #A20070

RGB 162 0 112

HSL 318.52, 1%, 0.32%

LAB 35.7, 63.37, -16.62

 

CMYK 0 / 89 / 19 / 10

HEX #E61ABB

RGB 230 26 187

HSL 312.65, 0.8%, 0.5%

LAB 53.11, 82.85, -33.98

 

CMYK 0 / 89 / 43 / 10

HEX #E61A84

RGB 230 26 132

HSL 328.82, 0.8%, 0.5%

LAB 50.95, 77.04, -4.67

 

CMYK 0 / 89 / 67 / 10

HEX #E61A4D

RGB 230 26 77

HSL 345, 0.8%, 0.5%

LAB 49.61, 73.3, 26.97

 

CMYK 0 / 89 / 89 / 10

HEX #E61A1A

RGB 230 26 26

HSL 0, 0.8%, 0.5%

LAB 49.05, 71.69, 54.33

 

CMYK 0 / 89 / 19 / 10

HEX #E61ABB

RGB 230 26 187

HSL 312.65, 0.8%, 0.5%

LAB 53.11, 82.85, -33.98

 

CMYK 6 / 89 / 0 / 10

HEX #D91AE6

RGB 217 26 230

HSL 296.18, 0.8%, 0.5%

LAB 53.17, 86.48, -58.67

 

CMYK 30 / 89 / 0 / 10

HEX #A21AE6

RGB 162 26 230

HSL 280, 0.8%, 0.5%

LAB 44.42, 78.29, -73.26

 

CMYK 53 / 89 / 0 / 10

HEX #6B1AE6

RGB 107 26 230

HSL 263.82, 0.8%, 0.5%

LAB 37.07, 72.14, -85.61

 

CMYK 77 / 89 / 0 / 10

HEX #341AE6

RGB 52 26 230

HSL 247.65, 0.8%, 0.5%

LAB 32.22, 68.64, -93.81

 

CMYK 0 / 89 / 19 / 10

HEX #E61ABB

RGB 230 26 187

HSL 312.65, 0.8%, 0.5%

LAB 53.11, 82.85, -33.98

 

CMYK 0 / 98 / 20 / 2

HEX #FA05C7

RGB 250 5 199

HSL 312.49, 0.96%, 0.5%

LAB 56.64, 89.95, -35.14

 

CMYK 0 / 89 / 19 / 10

HEX #E61ABB

RGB 230 26 187

HSL 312.65, 0.8%, 0.5%

LAB 53.11, 82.85, -33.98

 

CMYK 0 / 78 / 16 / 18

HEX #D12EAF

RGB 209 46 175

HSL 312.52, 0.64%, 0.5%

LAB 50.22, 72.98, -31.76

 

CMYK 0 / 64 / 13 / 26

HEX #BC43A3

RGB 188 67 163

HSL 312.4, 0.47%, 0.5%

LAB 48.7, 59.11, -27.32

 

CMYK 0 / 48 / 10 / 34

HEX #A85797

RGB 168 87 151

HSL 312.59, 0.32%, 0.5%

LAB 48.73, 41.96, -20.4

 

CMYK 0 / 27 / 5 / 42

HEX #936C8B

RGB 147 108 139

HSL 312.31, 0.15%, 0.5%

LAB 50.44, 20.86, -10.92

 

CMYK 30 / 89 / 0 / 10

HEX #A21AE6

RGB 162 26 230

HSL 280, 0.8%, 0.5%

LAB 44.42, 78.29, -73.26

 

CMYK 6 / 89 / 0 / 10

HEX #D81AE6

RGB 216 26 230

HSL 295.88, 0.8%, 0.5%

LAB 53.01, 86.32, -58.95

 

CMYK 0 / 89 / 18 / 10

HEX #E61ABD

RGB 230 26 189

HSL 312.06, 0.8%, 0.5%

LAB 53.21, 83.1, -35

 

CMYK 0 / 89 / 42 / 10

HEX #E61A86

RGB 230 26 134

HSL 328.24, 0.8%, 0.5%

LAB 51.02, 77.22, -5.78

 

CMYK 0 / 89 / 65 / 10

HEX #E61A50

RGB 230 26 80

HSL 344.12, 0.8%, 0.5%

LAB 49.67, 73.45, 25.22

 

CMYK 0 / 89 / 18 / 39

HEX #9B117F

RGB 155 17 127

HSL 312.17, 0.8%, 0.34%

LAB 35.79, 61.46, -26.02

 

CMYK 0 / 89 / 18 / 25

HEX #C0159D

RGB 192 21 157

HSL 312.28, 0.8%, 0.42%

LAB 44.49, 72.34, -30.27

 

CMYK 0 / 89 / 19 / 10

HEX #E61ABB

RGB 230 26 187

HSL 312.65, 0.8%, 0.5%

LAB 53.11, 82.85, -33.98

 

CMYK 0 / 73 / 15 / 8

HEX #EA3FC6

RGB 234 63 198

HSL 312.63, 0.8%, 0.58%

LAB 57.2, 76.78, -33.9

 

CMYK 0 / 58 / 12 / 7

HEX #EE64D1

RGB 238 100 209

HSL 312.61, 0.8%, 0.66%

LAB 63.26, 65.54, -30.69

 

CMYK 0 / 88 / 18 / 10

HEX #E61BBC

RGB 230 27 188

HSL 312.41, 0.8%, 0.5%

LAB 53.21, 82.83, -34.41

 

CMYK 0 / 53 / 89 / 10

HEX #E66B1A

RGB 230 107 26

HSL 23.82, 0.8%, 0.5%

LAB 59.35, 43.79, 62.02

 

CMYK 89 / 0 / 18 / 10

HEX #1AE6BD

RGB 26 230 189

HSL 167.94, 0.8%, 0.5%

LAB 82.1, -54.81, 7.18

 

CMYK 0 / 88 / 18 / 10

HEX #E61BBC

RGB 230 27 188

HSL 312.41, 0.8%, 0.5%

LAB 53.21, 82.83, -34.41

 

CMYK 18 / 0 / 89 / 10

HEX #BDE61A

RGB 189 230 26

HSL 72.06, 0.8%, 0.5%

LAB 85.75, -36.38, 81.18

 

CMYK 89 / 18 / 0 / 10

HEX #1ABDE6

RGB 26 189 230

HSL 192.06, 0.8%, 0.5%

LAB 71.1, -24.33, -31.28

 

CMYK 0 / 88 / 18 / 10

HEX #E61BBC

RGB 230 27 188

HSL 312.41, 0.8%, 0.5%

LAB 53.21, 82.83, -34.41

 

CMYK 0 / 53 / 89 / 10

HEX #E66B1A

RGB 230 107 26

HSL 23.82, 0.8%, 0.5%

LAB 59.35, 43.79, 62.02

 

CMYK 89 / 0 / 71 / 10

HEX #1AE642

RGB 26 230 66

HSL 131.76, 0.8%, 0.5%

LAB 80.3, -75.75, 63.59

 

CMYK 89 / 36 / 0 / 10

HEX #1A94E6

RGB 26 148 230

HSL 204.12, 0.8%, 0.5%

LAB 59.08, -1.98, -50.09

 

CMYK 0 / 88 / 18 / 10

HEX #E61BBC

RGB 230 27 188

HSL 312.41, 0.8%, 0.5%

LAB 53.21, 82.83, -34.41

 

CMYK 0 / 27 / 89 / 10

HEX #E6A81A

RGB 230 168 26

HSL 41.76, 0.8%, 0.5%

LAB 72.83, 12.01, 72.36

 

CMYK 89 / 0 / 71 / 10

HEX #1AE642

RGB 26 230 66

HSL 131.76, 0.8%, 0.5%

LAB 80.3, -75.75, 63.59

 

CMYK 89 / 62 / 0 / 10

HEX #1A57E6

RGB 26 87 230

HSL 222.06, 0.8%, 0.5%

LAB 42.38, 36.1, -77.04

 

Description

Color code: HEX #E61BBC | qconv.com Color code: HEX #E61BBC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 27 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 27 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 18 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 18% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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