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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E60AD7 it is the complementary color #19F528. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E60AD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E60AD7 shade: #EB0AD2, #FC1CE5, #FF2EF8, #FF40FF and #FF52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E60AD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E60AD7 shade: #E60AD7, #D500C4, #C400B1, #B3009E and #A2008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E60AD7 shade: #E60AD7, #E60A9C, #E60A60, #E60A25 and #E60A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E60AD7 shade: #E60AD7, #BA0AE6, #7E0AE6, #430AE6 and #0A0AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E60AD7 shade matches the following richer shades: #E60AD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E60AD7 shade: #E60AD7, #D31DC6, #BF30B6, #AC44A5 and #995794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E60AD7 shade: #7F0AE6, #BA0AE6, #E60AD7, #E60A9D and #E60A62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E60AD7 shade: #97068D, #BF08B2, #E60AD7, #F623E7 and #F74BEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E60AD7 shade: #E60AD7, #E6440A and #0AE69D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E60AD7 shade: #E60AD7, #D7E60A and #0AD7E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E60AD7 shade: #E60AD7, #E6440A, #0AE618 and #0AABE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E60AD7 shade: #E60AD7, #E6870A, #0AE618 and #0A69E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 7 / 10

HEX #E60AD7

RGB 230 10 215

HSL 304.09, 0.92%, 0.47%

LAB 53.97, 88.12, -48.75

 

Complementary color

CMYK 90 / 0 / 84 / 4

HEX #19F528

RGB 25 245 40

HSL 124.09, 0.92%, 0.53%

LAB 84.83, -81.63, 75.56

 

CMYK 0 / 96 / 11 / 8

HEX #EB0AD2

RGB 235 10 210

HSL 306.67, 0.92%, 0.48%

LAB 54.59, 88.31, -44.86

 

CMYK 0 / 89 / 9 / 1

HEX #FC1CE5

RGB 252 28 229

HSL 306.16, 0.97%, 0.55%

LAB 59.14, 92.01, -48.24

 

CMYK 0 / 82 / 3 / 0

HEX #FF2EF8

RGB 255 46 248

HSL 302.01, 1%, 0.59%

LAB 61.65, 92.22, -54.85

 

CMYK 0 / 75 / 0 / 0

HEX #FF40FF

RGB 255 64 255

HSL 300, 1%, 0.63%

LAB 63.46, 89.06, -55.83

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 96 / 7 / 10

HEX #E60AD7

RGB 230 10 215

HSL 304.09, 0.92%, 0.47%

LAB 53.97, 88.12, -48.75

 

CMYK 0 / 100 / 8 / 16

HEX #D500C4

RGB 213 0 196

HSL 304.79, 1%, 0.42%

LAB 49.66, 83.41, -44.87

 

CMYK 0 / 100 / 10 / 23

HEX #C400B1

RGB 196 0 177

HSL 305.82, 1%, 0.38%

LAB 45.51, 77.93, -40.52

 

CMYK 0 / 100 / 12 / 30

HEX #B3009E

RGB 179 0 158

HSL 307.04, 1%, 0.35%

LAB 41.3, 72.36, -36.05

 

CMYK 0 / 100 / 14 / 36

HEX #A2008B

RGB 162 0 139

HSL 308.52, 1%, 0.32%

LAB 37.01, 66.69, -31.45

 

CMYK 0 / 96 / 7 / 10

HEX #E60AD7

RGB 230 10 215

HSL 304.09, 0.92%, 0.47%

LAB 53.97, 88.12, -48.75

 

CMYK 0 / 96 / 32 / 10

HEX #E60A9C

RGB 230 10 156

HSL 320.18, 0.92%, 0.47%

LAB 51.2, 81.08, -18.7

 

CMYK 0 / 96 / 58 / 10

HEX #E60A60

RGB 230 10 96

HSL 336.55, 0.92%, 0.47%

LAB 49.36, 76.17, 15.01

 

CMYK 0 / 96 / 84 / 10

HEX #E60A25

RGB 230 10 37

HSL 352.64, 0.92%, 0.47%

LAB 48.48, 73.77, 48.68

 

CMYK 0 / 96 / 96 / 10

HEX #E60A0A

RGB 230 10 10

HSL 0, 0.92%, 0.47%

LAB 48.34, 73.38, 59.49

 

CMYK 0 / 96 / 7 / 10

HEX #E60AD7

RGB 230 10 215

HSL 304.09, 0.92%, 0.47%

LAB 53.97, 88.12, -48.75

 

CMYK 19 / 96 / 0 / 10

HEX #BA0AE6

RGB 186 10 230

HSL 288, 0.92%, 0.47%

LAB 47.46, 83.64, -68.16

 

CMYK 45 / 96 / 0 / 10

HEX #7E0AE6

RGB 126 10 230

HSL 271.64, 0.92%, 0.47%

LAB 38.49, 76.68, -83.19

 

CMYK 71 / 96 / 0 / 10

HEX #430AE6

RGB 67 10 230

HSL 255.55, 0.92%, 0.47%

LAB 32.09, 72.81, -94

 

CMYK 96 / 96 / 0 / 10

HEX #0A0AE6

RGB 10 10 230

HSL 240, 0.92%, 0.47%

LAB 29.4, 71.58, -98.55

 

CMYK 0 / 96 / 7 / 10

HEX #E60AD7

RGB 230 10 215

HSL 304.09, 0.92%, 0.47%

LAB 53.97, 88.12, -48.75

 

CMYK 0 / 96 / 7 / 10

HEX #E60AD7

RGB 230 10 215

HSL 304.09, 0.92%, 0.47%

LAB 53.97, 88.12, -48.75

 

CMYK 0 / 86 / 6 / 17

HEX #D31DC6

RGB 211 29 198

HSL 304.29, 0.76%, 0.47%

LAB 50.46, 80.25, -44.77

 

CMYK 0 / 75 / 5 / 25

HEX #BF30B6

RGB 191 48 182

HSL 303.78, 0.6%, 0.47%

LAB 47.71, 69.51, -40.03

 

CMYK 0 / 60 / 4 / 33

HEX #AC44A5

RGB 172 68 165

HSL 304.04, 0.43%, 0.47%

LAB 46.47, 54.76, -32.16

 

CMYK 0 / 43 / 3 / 40

HEX #995794

RGB 153 87 148

HSL 304.55, 0.28%, 0.47%

LAB 46.61, 36.6, -22.04

 

CMYK 45 / 96 / 0 / 10

HEX #7F0AE6

RGB 127 10 230

HSL 271.91, 0.92%, 0.47%

LAB 38.62, 76.77, -82.96

 

CMYK 19 / 96 / 0 / 10

HEX #BA0AE6

RGB 186 10 230

HSL 288, 0.92%, 0.47%

LAB 47.46, 83.64, -68.16

 

CMYK 0 / 96 / 7 / 10

HEX #E60AD7

RGB 230 10 215

HSL 304.09, 0.92%, 0.47%

LAB 53.97, 88.12, -48.75

 

CMYK 0 / 96 / 32 / 10

HEX #E60A9D

RGB 230 10 157

HSL 319.91, 0.92%, 0.47%

LAB 51.24, 81.18, -19.24

 

CMYK 0 / 96 / 57 / 10

HEX #E60A62

RGB 230 10 98

HSL 336, 0.92%, 0.47%

LAB 49.4, 76.3, 13.84

 

CMYK 0 / 96 / 7 / 41

HEX #97068D

RGB 151 6 141

HSL 304.14, 0.92%, 0.31%

LAB 35.27, 64.2, -35.59

 

CMYK 0 / 96 / 7 / 25

HEX #BF08B2

RGB 191 8 178

HSL 304.26, 0.92%, 0.39%

LAB 44.89, 76.48, -42.15

 

CMYK 0 / 96 / 7 / 10

HEX #E60AD7

RGB 230 10 215

HSL 304.09, 0.92%, 0.47%

LAB 53.97, 88.12, -48.75

 

CMYK 0 / 86 / 6 / 4

HEX #F623E7

RGB 246 35 231

HSL 304.27, 0.92%, 0.55%

LAB 58.57, 90.21, -50.34

 

CMYK 0 / 70 / 4 / 3

HEX #F74BEC

RGB 247 75 236

HSL 303.84, 0.91%, 0.63%

LAB 62.39, 81.31, -47.07

 

CMYK 0 / 96 / 7 / 10

HEX #E60AD7

RGB 230 10 215

HSL 304.09, 0.92%, 0.47%

LAB 53.97, 88.12, -48.75

 

CMYK 0 / 70 / 96 / 10

HEX #E6440A

RGB 230 68 10

HSL 15.82, 0.92%, 0.47%

LAB 52.93, 60.45, 61.96

 

CMYK 96 / 0 / 32 / 10

HEX #0AE69D

RGB 10 230 157

HSL 160.09, 0.92%, 0.47%

LAB 81.34, -62.88, 22.84

 

CMYK 0 / 96 / 7 / 10

HEX #E60AD7

RGB 230 10 215

HSL 304.09, 0.92%, 0.47%

LAB 53.97, 88.12, -48.75

 

CMYK 7 / 0 / 96 / 10

HEX #D7E60A

RGB 215 230 10

HSL 64.09, 0.92%, 0.47%

LAB 87.52, -26.08, 85.24

 

CMYK 96 / 7 / 0 / 10

HEX #0AD7E6

RGB 10 215 230

HSL 184.09, 0.92%, 0.47%

LAB 78.68, -37.49, -19.69

 

CMYK 0 / 96 / 7 / 10

HEX #E60AD7

RGB 230 10 215

HSL 304.09, 0.92%, 0.47%

LAB 53.97, 88.12, -48.75

 

CMYK 0 / 70 / 96 / 10

HEX #E6440A

RGB 230 68 10

HSL 15.82, 0.92%, 0.47%

LAB 52.93, 60.45, 61.96

 

CMYK 96 / 0 / 90 / 10

HEX #0AE618

RGB 10 230 24

HSL 123.82, 0.92%, 0.47%

LAB 80.02, -78.9, 74.41

 

CMYK 96 / 26 / 0 / 10

HEX #0AABE6

RGB 10 171 230

HSL 196.09, 0.92%, 0.47%

LAB 65.67, -15.55, -39.71

 

CMYK 0 / 96 / 7 / 10

HEX #E60AD7

RGB 230 10 215

HSL 304.09, 0.92%, 0.47%

LAB 53.97, 88.12, -48.75

 

CMYK 0 / 41 / 96 / 10

HEX #E6870A

RGB 230 135 10

HSL 34.09, 0.92%, 0.47%

LAB 65.1, 29.3, 69.65

 

CMYK 96 / 0 / 90 / 10

HEX #0AE618

RGB 10 230 24

HSL 123.82, 0.92%, 0.47%

LAB 80.02, -78.9, 74.41

 

CMYK 96 / 54 / 0 / 10

HEX #0A69E6

RGB 10 105 230

HSL 214.09, 0.92%, 0.47%

LAB 46.82, 23.93, -69.8

 

Description

Color code: HEX #E60AD7 | qconv.com Color code: HEX #E60AD7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 10 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 10 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 7 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 7% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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