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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5F874 it is the complementary color #1A078B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5F874. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5F874 shade: #EAF86F, #FBFF82, #FFFF95, #FFFFA8 and #FFFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5F874. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5F874 shade: #E5F874, #D4E661, #C3D44E, #B2C23B and #A1B028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5F874 shade: #E4F872, #F8E772, #F8C372, #F89F72 and #F87B72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5F874 shade: #E4F872, #C1F872, #9DF872, #79F872 and #72F890

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5F874 shade matches the following richer shades: #E4F872

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5F874 shade: #E4F872, #DCEC7E, #D3E08A, #CBD496 and #C2C8A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5F874 shade: #F8C272, #F8E672, #E6F872, #C2F872 and #9FF872

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5F874 shade: #D6F324, #DDF64B, #E4F872, #ECFA9A and #F3FCC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5F874 shade: #E5F874, #72F89F and #D472F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5F874 shade: #E5F874, #72E6F8 and #F872E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5F874 shade: #E5F874, #72F89F, #8472F8 and #F872CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5F874 shade: #E5F874, #72F8C7, #8472F8 and #F872A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 53 / 3

HEX #E5F874

RGB 229 248 116

HSL 68.64, 0.9%, 0.71%

LAB 93.91, -24.29, 60.37

 

Complementary color

CMYK 81 / 95 / 0 / 45

HEX #1A078B

RGB 26 7 139

HSL 248.64, 0.9%, 0.29%

LAB 16.68, 48.5, -65.45

 

CMYK 6 / 0 / 55 / 3

HEX #EAF86F

RGB 234 248 111

HSL 66.13, 0.91%, 0.7%

LAB 94.22, -22.75, 63.02

 

CMYK 2 / 0 / 49 / 0

HEX #FBFF82

RGB 251 255 130

HSL 61.92, 1%, 0.75%

LAB 97.49, -17.92, 58.66

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 8 / 0 / 53 / 3

HEX #E5F874

RGB 229 248 116

HSL 68.64, 0.9%, 0.71%

LAB 93.91, -24.29, 60.37

 

CMYK 8 / 0 / 58 / 10

HEX #D4E661

RGB 212 230 97

HSL 68.12, 0.73%, 0.64%

LAB 87.7, -23.87, 61.33

 

CMYK 8 / 0 / 63 / 17

HEX #C3D44E

RGB 195 212 78

HSL 67.61, 0.61%, 0.57%

LAB 81.42, -23.35, 62.12

 

CMYK 8 / 0 / 70 / 24

HEX #B2C23B

RGB 178 194 59

HSL 67.11, 0.53%, 0.5%

LAB 75.05, -22.71, 62.6

 

CMYK 9 / 0 / 77 / 31

HEX #A1B028

RGB 161 176 40

HSL 66.62, 0.63%, 0.42%

LAB 68.59, -21.91, 62.5

 

CMYK 8 / 0 / 54 / 3

HEX #E4F872

RGB 228 248 114

HSL 68.96, 0.91%, 0.71%

LAB 93.82, -24.84, 61.13

 

CMYK 0 / 7 / 54 / 3

HEX #F8E772

RGB 248 231 114

HSL 52.39, 0.91%, 0.71%

LAB 90.93, -8.66, 58.2

 

CMYK 0 / 21 / 54 / 3

HEX #F8C372

RGB 248 195 114

HSL 36.27, 0.91%, 0.71%

LAB 81.95, 9.72, 47.54

 

CMYK 0 / 36 / 54 / 3

HEX #F89F72

RGB 248 159 114

HSL 20.15, 0.91%, 0.71%

LAB 73.52, 28.61, 37.1

 

CMYK 0 / 50 / 54 / 3

HEX #F87B72

RGB 248 123 114

HSL 4.03, 0.91%, 0.71%

LAB 66.01, 46.97, 27.39

 

CMYK 8 / 0 / 54 / 3

HEX #E4F872

RGB 228 248 114

HSL 68.96, 0.91%, 0.71%

LAB 93.82, -24.84, 61.13

 

CMYK 22 / 0 / 54 / 3

HEX #C1F872

RGB 193 248 114

HSL 84.63, 0.91%, 0.71%

LAB 91.54, -38, 57.92

 

CMYK 37 / 0 / 54 / 3

HEX #9DF872

RGB 157 248 114

HSL 100.75, 0.91%, 0.71%

LAB 89.63, -50.33, 55.2

 

CMYK 51 / 0 / 54 / 3

HEX #79F872

RGB 121 248 114

HSL 116.87, 0.91%, 0.71%

LAB 88.17, -60.78, 53.1

 

CMYK 54 / 0 / 42 / 3

HEX #72F890

RGB 114 248 144

HSL 133.43, 0.91%, 0.71%

LAB 88.32, -58.39, 39.02

 

CMYK 8 / 0 / 54 / 3

HEX #E4F872

RGB 228 248 114

HSL 68.96, 0.91%, 0.71%

LAB 93.82, -24.84, 61.13

 

CMYK 8 / 0 / 54 / 3

HEX #E4F872

RGB 228 248 114

HSL 68.96, 0.91%, 0.71%

LAB 93.82, -24.84, 61.13

 

CMYK 7 / 0 / 47 / 7

HEX #DCEC7E

RGB 220 236 126

HSL 68.73, 0.74%, 0.71%

LAB 90.19, -21.12, 51.22

 

CMYK 6 / 0 / 38 / 12

HEX #D3E08A

RGB 211 224 138

HSL 69.07, 0.58%, 0.71%

LAB 86.5, -17.46, 40.64

 

CMYK 4 / 0 / 29 / 17

HEX #CBD496

RGB 203 212 150

HSL 68.71, 0.42%, 0.71%

LAB 82.91, -13.03, 29.73

 

CMYK 3 / 0 / 19 / 22

HEX #C2C8A2

RGB 194 200 162

HSL 69.47, 0.26%, 0.71%

LAB 79.26, -8.55, 18.35

 

CMYK 0 / 22 / 54 / 3

HEX #F8C272

RGB 248 194 114

HSL 35.82, 0.91%, 0.71%

LAB 81.7, 10.24, 47.25

 

CMYK 0 / 7 / 54 / 3

HEX #F8E672

RGB 248 230 114

HSL 51.94, 0.91%, 0.71%

LAB 90.67, -8.16, 57.9

 

CMYK 7 / 0 / 54 / 3

HEX #E6F872

RGB 230 248 114

HSL 68.06, 0.91%, 0.71%

LAB 93.96, -24.07, 61.33

 

CMYK 22 / 0 / 54 / 3

HEX #C2F872

RGB 194 248 114

HSL 84.18, 0.91%, 0.71%

LAB 91.6, -37.64, 58

 

CMYK 36 / 0 / 54 / 3

HEX #9FF872

RGB 159 248 114

HSL 99.85, 0.91%, 0.71%

LAB 89.73, -49.69, 55.33

 

CMYK 12 / 0 / 85 / 5

HEX #D6F324

RGB 214 243 36

HSL 68.41, 0.9%, 0.55%

LAB 91.02, -32.13, 84.4

 

CMYK 10 / 0 / 70 / 4

HEX #DDF64B

RGB 221 246 75

HSL 68.77, 0.9%, 0.63%

LAB 92.48, -29.25, 75.14

 

CMYK 8 / 0 / 54 / 3

HEX #E4F872

RGB 228 248 114

HSL 68.96, 0.91%, 0.71%

LAB 93.82, -24.84, 61.13

 

CMYK 6 / 0 / 38 / 2

HEX #ECFA9A

RGB 236 250 154

HSL 68.75, 0.91%, 0.79%

LAB 95.39, -18.88, 44.49

 

CMYK 4 / 0 / 23 / 1

HEX #F3FCC1

RGB 243 252 193

HSL 69.15, 0.91%, 0.87%

LAB 97.03, -12.4, 27.33

 

CMYK 8 / 0 / 53 / 3

HEX #E5F874

RGB 229 248 116

HSL 68.64, 0.9%, 0.71%

LAB 93.91, -24.29, 60.37

 

CMYK 54 / 0 / 36 / 3

HEX #72F89F

RGB 114 248 159

HSL 140.15, 0.91%, 0.71%

LAB 88.55, -55.92, 31.87

 

CMYK 15 / 54 / 0 / 3

HEX #D472F8

RGB 212 114 248

HSL 283.88, 0.91%, 0.71%

LAB 64.01, 59.08, -51.48

 

CMYK 8 / 0 / 53 / 3

HEX #E5F874

RGB 229 248 116

HSL 68.64, 0.9%, 0.71%

LAB 93.91, -24.29, 60.37

 

CMYK 54 / 7 / 0 / 3

HEX #72E6F8

RGB 114 230 248

HSL 188.06, 0.91%, 0.71%

LAB 85.48, -28, -18.78

 

CMYK 0 / 54 / 7 / 3

HEX #F872E6

RGB 248 114 230

HSL 308.06, 0.91%, 0.71%

LAB 67.8, 65.33, -35.25

 

CMYK 8 / 0 / 53 / 3

HEX #E5F874

RGB 229 248 116

HSL 68.64, 0.9%, 0.71%

LAB 93.91, -24.29, 60.37

 

CMYK 54 / 0 / 36 / 3

HEX #72F89F

RGB 114 248 159

HSL 140.15, 0.91%, 0.71%

LAB 88.55, -55.92, 31.87

 

CMYK 47 / 54 / 0 / 3

HEX #8472F8

RGB 132 114 248

HSL 248.06, 0.91%, 0.71%

LAB 55.8, 40.05, -65.05

 

CMYK 0 / 54 / 18 / 3

HEX #F872CB

RGB 248 114 203

HSL 320.15, 0.91%, 0.71%

LAB 66.75, 61.25, -21.82

 

CMYK 8 / 0 / 53 / 3

HEX #E5F874

RGB 229 248 116

HSL 68.64, 0.9%, 0.71%

LAB 93.91, -24.29, 60.37

 

CMYK 54 / 0 / 20 / 3

HEX #72F8C7

RGB 114 248 199

HSL 158.06, 0.91%, 0.71%

LAB 89.32, -48.14, 12.49

 

CMYK 47 / 54 / 0 / 3

HEX #8472F8

RGB 132 114 248

HSL 248.06, 0.91%, 0.71%

LAB 55.8, 40.05, -65.05

 

CMYK 0 / 54 / 34 / 3

HEX #F872A3

RGB 248 114 163

HSL 338.06, 0.91%, 0.71%

LAB 65.46, 56.06, -1.13

 

Description

Color code: HEX #E5F874 | qconv.com Color code: HEX #E5F874 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 248 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 248 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 53 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 53% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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