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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5F387 it is the complementary color #1A0C78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5F387. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5F387 shade: #EAF382, #FBFF95, #FFFFA8, #FFFFBB and #FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5F387. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5F387 shade: #E5F387, #D4E174, #C3CF61, #B2BD4E and #A1AB3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5F387 shade: #E5F386, #F3E486, #F3C786, #F3A986 and #F38C86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5F387 shade: #E5F386, #C8F386, #AAF386, #8DF386 and #86F39D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5F387 shade matches the following richer shades: #E5F386 and #EDFE7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5F387 shade: #E5F386, #DDE891, #D5DE9C, #CDD3A7 and #C5C8B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5F387 shade: #F3C686, #F3E386, #E6F386, #C9F386 and #ACF386

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5F387 shade: #D5EC3B, #DDEF61, #E5F386, #EDF7AC and #F5FAD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5F387 shade: #E5F387, #86F3A9 and #D486F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5F387 shade: #E5F387, #86E6F3 and #F386E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5F387 shade: #E5F387, #86F3A9, #9386F3 and #F386D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5F387 shade: #E5F387, #86F3C9, #9386F3 and #F386B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 44 / 5

HEX #E5F387

RGB 229 243 135

HSL 67.78, 0.82%, 0.74%

LAB 92.8, -20.16, 50.29

 

Complementary color

CMYK 78 / 90 / 0 / 53

HEX #1A0C78

RGB 26 12 120

HSL 247.78, 0.82%, 0.26%

LAB 14.62, 41.19, -56.81

 

CMYK 4 / 0 / 47 / 5

HEX #EAF382

RGB 234 243 130

HSL 64.78, 0.82%, 0.73%

LAB 93.1, -18.72, 53.11

 

CMYK 2 / 0 / 42 / 0

HEX #FBFF95

RGB 251 255 149

HSL 62.26, 1%, 0.79%

LAB 97.71, -16.16, 50.07

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 6 / 0 / 44 / 5

HEX #E5F387

RGB 229 243 135

HSL 67.78, 0.82%, 0.74%

LAB 92.8, -20.16, 50.29

 

CMYK 6 / 0 / 48 / 12

HEX #D4E174

RGB 212 225 116

HSL 67.16, 0.64%, 0.67%

LAB 86.56, -19.85, 51.41

 

CMYK 6 / 0 / 53 / 19

HEX #C3CF61

RGB 195 207 97

HSL 66.55, 0.53%, 0.6%

LAB 80.23, -19.47, 52.5

 

CMYK 6 / 0 / 59 / 26

HEX #B2BD4E

RGB 178 189 78

HSL 65.95, 0.46%, 0.52%

LAB 73.81, -18.99, 53.5

 

CMYK 6 / 0 / 65 / 33

HEX #A1AB3B

RGB 161 171 59

HSL 65.36, 0.49%, 0.45%

LAB 67.29, -18.39, 54.28

 

CMYK 6 / 0 / 45 / 5

HEX #E5F386

RGB 229 243 134

HSL 67.71, 0.82%, 0.74%

LAB 92.79, -20.26, 50.75

 

CMYK 0 / 6 / 45 / 5

HEX #F3E486

RGB 243 228 134

HSL 51.74, 0.82%, 0.74%

LAB 89.98, -7.42, 47.52

 

CMYK 0 / 18 / 45 / 5

HEX #F3C786

RGB 243 199 134

HSL 35.78, 0.82%, 0.74%

LAB 82.71, 7.42, 38.34

 

CMYK 0 / 30 / 45 / 5

HEX #F3A986

RGB 243 169 134

HSL 19.27, 0.82%, 0.74%

LAB 75.55, 23.2, 28.98

 

CMYK 0 / 42 / 45 / 5

HEX #F38C86

RGB 243 140 134

HSL 3.3, 0.82%, 0.74%

LAB 69.13, 38.39, 20.34

 

CMYK 6 / 0 / 45 / 5

HEX #E5F386

RGB 229 243 134

HSL 67.71, 0.82%, 0.74%

LAB 92.79, -20.26, 50.75

 

CMYK 18 / 0 / 45 / 5

HEX #C8F386

RGB 200 243 134

HSL 83.67, 0.82%, 0.74%

LAB 90.83, -31.13, 47.89

 

CMYK 30 / 0 / 45 / 5

HEX #AAF386

RGB 170 243 134

HSL 100.18, 0.82%, 0.74%

LAB 89.1, -41.64, 45.36

 

CMYK 42 / 0 / 45 / 5

HEX #8DF386

RGB 141 243 134

HSL 116.15, 0.82%, 0.74%

LAB 87.72, -50.74, 43.33

 

CMYK 45 / 0 / 35 / 5

HEX #86F39D

RGB 134 243 157

HSL 132.66, 0.82%, 0.74%

LAB 87.78, -49.23, 31.98

 

CMYK 6 / 0 / 45 / 5

HEX #E5F386

RGB 229 243 134

HSL 67.71, 0.82%, 0.74%

LAB 92.79, -20.26, 50.75

 

CMYK 7 / 0 / 51 / 0

HEX #EDFE7C

RGB 237 254 124

HSL 67.85, 0.98%, 0.74%

LAB 96.14, -23.37, 59.54

 

CMYK 6 / 0 / 45 / 5

HEX #E5F386

RGB 229 243 134

HSL 67.71, 0.82%, 0.74%

LAB 92.79, -20.26, 50.75

 

CMYK 5 / 0 / 38 / 9

HEX #DDE891

RGB 221 232 145

HSL 67.59, 0.65%, 0.74%

LAB 89.45, -16.79, 41.09

 

CMYK 4 / 0 / 30 / 13

HEX #D5DE9C

RGB 213 222 156

HSL 68.18, 0.5%, 0.74%

LAB 86.4, -13.5, 31.44

 

CMYK 3 / 0 / 21 / 17

HEX #CDD3A7

RGB 205 211 167

HSL 68.18, 0.33%, 0.74%

LAB 83.1, -9.39, 21.15

 

CMYK 1 / 0 / 12 / 22

HEX #C5C8B1

RGB 197 200 177

HSL 67.83, 0.17%, 0.74%

LAB 79.81, -5.06, 11.15

 

CMYK 0 / 19 / 45 / 5

HEX #F3C686

RGB 243 198 134

HSL 35.23, 0.82%, 0.74%

LAB 82.47, 7.94, 38.03

 

CMYK 0 / 7 / 45 / 5

HEX #F3E386

RGB 243 227 134

HSL 51.19, 0.82%, 0.74%

LAB 89.73, -6.92, 47.21

 

CMYK 5 / 0 / 45 / 5

HEX #E6F386

RGB 230 243 134

HSL 67.16, 0.82%, 0.74%

LAB 92.86, -19.88, 50.85

 

CMYK 17 / 0 / 45 / 5

HEX #C9F386

RGB 201 243 134

HSL 83.12, 0.82%, 0.74%

LAB 90.89, -30.76, 47.98

 

CMYK 29 / 0 / 45 / 5

HEX #ACF386

RGB 172 243 134

HSL 99.08, 0.82%, 0.74%

LAB 89.2, -40.97, 45.51

 

CMYK 10 / 0 / 75 / 7

HEX #D5EC3B

RGB 213 236 59

HSL 67.8, 0.82%, 0.58%

LAB 89.14, -28.53, 76.98

 

CMYK 8 / 0 / 59 / 6

HEX #DDEF61

RGB 221 239 97

HSL 67.61, 0.82%, 0.66%

LAB 90.77, -24.61, 64.89

 

CMYK 6 / 0 / 45 / 5

HEX #E5F386

RGB 229 243 134

HSL 67.71, 0.82%, 0.74%

LAB 92.79, -20.26, 50.75

 

CMYK 4 / 0 / 30 / 3

HEX #EDF7AC

RGB 237 247 172

HSL 68, 0.82%, 0.82%

LAB 94.95, -14.91, 35.03

 

CMYK 2 / 0 / 16 / 2

HEX #F5FAD1

RGB 245 250 209

HSL 67.32, 0.8%, 0.9%

LAB 96.98, -8.39, 19.14

 

CMYK 6 / 0 / 44 / 5

HEX #E5F387

RGB 229 243 135

HSL 67.78, 0.82%, 0.74%

LAB 92.8, -20.16, 50.29

 

CMYK 45 / 0 / 30 / 5

HEX #86F3A9

RGB 134 243 169

HSL 139.27, 0.82%, 0.74%

LAB 87.98, -47.17, 26.17

 

CMYK 13 / 45 / 0 / 5

HEX #D486F3

RGB 212 134 243

HSL 282.94, 0.82%, 0.74%

LAB 67.66, 47.94, -42.96

 

CMYK 6 / 0 / 44 / 5

HEX #E5F387

RGB 229 243 135

HSL 67.78, 0.82%, 0.74%

LAB 92.8, -20.16, 50.29

 

CMYK 45 / 5 / 0 / 5

HEX #86E6F3

RGB 134 230 243

HSL 187.16, 0.82%, 0.74%

LAB 86.07, -25.07, -15.18

 

CMYK 0 / 45 / 5 / 5

HEX #F386E6

RGB 243 134 230

HSL 307.16, 0.82%, 0.74%

LAB 70.75, 54.47, -30.75

 

CMYK 6 / 0 / 44 / 5

HEX #E5F387

RGB 229 243 135

HSL 67.78, 0.82%, 0.74%

LAB 92.8, -20.16, 50.29

 

CMYK 45 / 0 / 30 / 5

HEX #86F3A9

RGB 134 243 169

HSL 139.27, 0.82%, 0.74%

LAB 87.98, -47.17, 26.17

 

CMYK 40 / 45 / 0 / 5

HEX #9386F3

RGB 147 134 243

HSL 247.16, 0.82%, 0.74%

LAB 61.42, 30.52, -53.24

 

CMYK 0 / 45 / 14 / 5

HEX #F386D1

RGB 243 134 209

HSL 318.72, 0.82%, 0.74%

LAB 69.97, 51.07, -20.33

 

CMYK 6 / 0 / 44 / 5

HEX #E5F387

RGB 229 243 135

HSL 67.78, 0.82%, 0.74%

LAB 92.8, -20.16, 50.29

 

CMYK 45 / 0 / 17 / 5

HEX #86F3C9

RGB 134 243 201

HSL 156.88, 0.82%, 0.74%

LAB 88.63, -40.95, 10.58

 

CMYK 40 / 45 / 0 / 5

HEX #9386F3

RGB 147 134 243

HSL 247.16, 0.82%, 0.74%

LAB 61.42, 30.52, -53.24

 

CMYK 0 / 45 / 28 / 5

HEX #F386B0

RGB 243 134 176

HSL 336.88, 0.82%, 0.74%

LAB 68.92, 46.33, -3.47

 

Description

Color code: HEX #E5F387 | qconv.com Color code: HEX #E5F387 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 243 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 243 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 44 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 44% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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