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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5F199 it is the complementary color #1A0E66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5F199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5F199 shade: #EAF194, #FBFFA7, #FFFFBA, #FFFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5F199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5F199 shade: #E5F199, #D4DF86, #C3CD73, #B2BB60 and #A1A94D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5F199 shade: #E5F198, #F1E598, #F1CD98, #F1B598 and #F19D98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5F199 shade: #E5F198, #CDF198, #B5F198, #9DF198 and #98F1AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5F199 shade matches the following richer shades: #E5F198 and #ECFA8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5F199 shade: #E5F198, #DEE7A1, #D7DEAB, #D0D4B4 and #C9CBBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5F199 shade: #F1CD98, #F1E598, #E5F198, #CDF198 and #B5F198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5F199 shade: #D2E74F, #DCEC73, #E5F198, #EEF6BC and #F7FBE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5F199 shade: #E5F199, #98F1B5 and #D998F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5F199 shade: #E5F199, #98E5F1 and #F198E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5F199 shade: #E5F199, #98F1B5, #A498F1 and #F198D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5F199 shade: #E5F199, #98F1D0, #A498F1 and #F198B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 37 / 5

HEX #E5F199

RGB 229 241 153

HSL 68.18, 0.76%, 0.77%

LAB 92.52, -17.25, 41.19

 

Complementary color

CMYK 75 / 86 / 0 / 60

HEX #1A0E66

RGB 26 14 102

HSL 248.18, 0.76%, 0.23%

LAB 12.56, 34.57, -48.48

 

CMYK 3 / 0 / 39 / 5

HEX #EAF194

RGB 234 241 148

HSL 64.52, 0.77%, 0.76%

LAB 92.81, -15.92, 44.11

 

CMYK 2 / 0 / 35 / 0

HEX #FBFFA7

RGB 251 255 167

HSL 62.73, 1%, 0.83%

LAB 97.96, -14.22, 41.66

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 5 / 0 / 37 / 5

HEX #E5F199

RGB 229 241 153

HSL 68.18, 0.76%, 0.77%

LAB 92.52, -17.25, 41.19

 

CMYK 5 / 0 / 40 / 13

HEX #D4DF86

RGB 212 223 134

HSL 67.42, 0.58%, 0.7%

LAB 86.25, -17.03, 42.33

 

CMYK 5 / 0 / 44 / 20

HEX #C3CD73

RGB 195 205 115

HSL 66.67, 0.47%, 0.63%

LAB 79.9, -16.76, 43.49

 

CMYK 5 / 0 / 49 / 27

HEX #B2BB60

RGB 178 187 96

HSL 65.93, 0.4%, 0.55%

LAB 73.45, -16.43, 44.66

 

CMYK 5 / 0 / 54 / 34

HEX #A1A94D

RGB 161 169 77

HSL 65.22, 0.37%, 0.48%

LAB 66.89, -16.01, 45.79

 

CMYK 5 / 0 / 37 / 5

HEX #E5F198

RGB 229 241 152

HSL 68.09, 0.76%, 0.77%

LAB 92.5, -17.36, 41.67

 

CMYK 0 / 5 / 37 / 5

HEX #F1E598

RGB 241 229 152

HSL 51.91, 0.76%, 0.77%

LAB 90.32, -6.84, 39.03

 

CMYK 0 / 15 / 37 / 5

HEX #F1CD98

RGB 241 205 152

HSL 35.73, 0.76%, 0.77%

LAB 84.29, 5.43, 31.1

 

CMYK 0 / 25 / 37 / 5

HEX #F1B598

RGB 241 181 152

HSL 19.55, 0.76%, 0.77%

LAB 78.47, 18.03, 23.25

 

CMYK 0 / 35 / 37 / 5

HEX #F19D98

RGB 241 157 152

HSL 3.37, 0.76%, 0.77%

LAB 72.95, 30.73, 15.62

 

CMYK 5 / 0 / 37 / 5

HEX #E5F198

RGB 229 241 152

HSL 68.09, 0.76%, 0.77%

LAB 92.5, -17.36, 41.67

 

CMYK 15 / 0 / 37 / 5

HEX #CDF198

RGB 205 241 152

HSL 84.27, 0.76%, 0.77%

LAB 90.85, -26.24, 39.21

 

CMYK 25 / 0 / 37 / 5

HEX #B5F198

RGB 181 241 152

HSL 100.45, 0.76%, 0.77%

LAB 89.39, -34.67, 37.03

 

CMYK 35 / 0 / 37 / 5

HEX #9DF198

RGB 157 241 152

HSL 116.63, 0.76%, 0.77%

LAB 88.13, -42.48, 35.14

 

CMYK 37 / 0 / 29 / 5

HEX #98F1AB

RGB 152 241 171

HSL 132.81, 0.76%, 0.77%

LAB 88.22, -40.93, 25.6

 

CMYK 5 / 0 / 37 / 5

HEX #E5F198

RGB 229 241 152

HSL 68.09, 0.76%, 0.77%

LAB 92.5, -17.36, 41.67

 

CMYK 6 / 0 / 43 / 2

HEX #ECFA8E

RGB 236 250 142

HSL 67.78, 0.92%, 0.77%

LAB 95.23, -20.16, 50.07

 

CMYK 5 / 0 / 37 / 5

HEX #E5F198

RGB 229 241 152

HSL 68.09, 0.76%, 0.77%

LAB 92.5, -17.36, 41.67

 

CMYK 4 / 0 / 30 / 9

HEX #DEE7A1

RGB 222 231 161

HSL 67.71, 0.59%, 0.77%

LAB 89.51, -13.98, 33.15

 

CMYK 3 / 0 / 23 / 13

HEX #D7DEAB

RGB 215 222 171

HSL 68.24, 0.44%, 0.77%

LAB 86.82, -10.71, 24.29

 

CMYK 2 / 0 / 15 / 17

HEX #D0D4B4

RGB 208 212 180

HSL 67.5, 0.27%, 0.77%

LAB 83.86, -6.82, 15.39

 

CMYK 1 / 0 / 6 / 20

HEX #C9CBBE

RGB 201 203 190

HSL 69.23, 0.11%, 0.77%

LAB 81.21, -3, 6.23

 

CMYK 0 / 15 / 37 / 5

HEX #F1CD98

RGB 241 205 152

HSL 35.73, 0.76%, 0.77%

LAB 84.29, 5.43, 31.1

 

CMYK 0 / 5 / 37 / 5

HEX #F1E598

RGB 241 229 152

HSL 51.91, 0.76%, 0.77%

LAB 90.32, -6.84, 39.03

 

CMYK 5 / 0 / 37 / 5

HEX #E5F198

RGB 229 241 152

HSL 68.09, 0.76%, 0.77%

LAB 92.5, -17.36, 41.67

 

CMYK 15 / 0 / 37 / 5

HEX #CDF198

RGB 205 241 152

HSL 84.27, 0.76%, 0.77%

LAB 90.85, -26.24, 39.21

 

CMYK 25 / 0 / 37 / 5

HEX #B5F198

RGB 181 241 152

HSL 100.45, 0.76%, 0.77%

LAB 89.39, -34.67, 37.03

 

CMYK 9 / 0 / 66 / 9

HEX #D2E74F

RGB 210 231 79

HSL 68.29, 0.76%, 0.61%

LAB 87.69, -26.36, 68.6

 

CMYK 7 / 0 / 51 / 7

HEX #DCEC73

RGB 220 236 115

HSL 67.93, 0.76%, 0.69%

LAB 90.07, -22.14, 56.18

 

CMYK 5 / 0 / 37 / 5

HEX #E5F198

RGB 229 241 152

HSL 68.09, 0.76%, 0.77%

LAB 92.5, -17.36, 41.67

 

CMYK 3 / 0 / 24 / 4

HEX #EEF6BC

RGB 238 246 188

HSL 68.28, 0.76%, 0.85%

LAB 95.04, -11.93, 27.09

 

CMYK 2 / 0 / 11 / 2

HEX #F7FBE0

RGB 247 251 224

HSL 68.89, 0.77%, 0.93%

LAB 97.69, -5.87, 12.49

 

CMYK 5 / 0 / 37 / 5

HEX #E5F199

RGB 229 241 153

HSL 68.18, 0.76%, 0.77%

LAB 92.52, -17.25, 41.19

 

CMYK 37 / 0 / 25 / 5

HEX #98F1B5

RGB 152 241 181

HSL 139.55, 0.76%, 0.77%

LAB 88.41, -39.16, 20.73

 

CMYK 10 / 37 / 0 / 5

HEX #D998F1

RGB 217 152 241

HSL 283.82, 0.76%, 0.77%

LAB 71.93, 39.45, -35.17

 

CMYK 5 / 0 / 37 / 5

HEX #E5F199

RGB 229 241 153

HSL 68.18, 0.76%, 0.77%

LAB 92.52, -17.25, 41.19

 

CMYK 37 / 5 / 0 / 5

HEX #98E5F1

RGB 152 229 241

HSL 188.09, 0.76%, 0.77%

LAB 86.54, -20.7, -13.35

 

CMYK 0 / 37 / 5 / 5

HEX #F198E5

RGB 241 152 229

HSL 308.09, 0.76%, 0.77%

LAB 74.07, 44.57, -25.11

 

CMYK 5 / 0 / 37 / 5

HEX #E5F199

RGB 229 241 153

HSL 68.18, 0.76%, 0.77%

LAB 92.52, -17.25, 41.19

 

CMYK 37 / 0 / 25 / 5

HEX #98F1B5

RGB 152 241 181

HSL 139.55, 0.76%, 0.77%

LAB 88.41, -39.16, 20.73

 

CMYK 32 / 37 / 0 / 5

HEX #A498F1

RGB 164 152 241

HSL 248.09, 0.76%, 0.77%

LAB 67.05, 24.11, -43.15

 

CMYK 0 / 37 / 12 / 5

HEX #F198D3

RGB 241 152 211

HSL 320.22, 0.76%, 0.77%

LAB 73.45, 41.57, -16.18

 

CMYK 5 / 0 / 37 / 5

HEX #E5F199

RGB 229 241 153

HSL 68.18, 0.76%, 0.77%

LAB 92.52, -17.25, 41.19

 

CMYK 37 / 0 / 14 / 5

HEX #98F1D0

RGB 152 241 208

HSL 157.75, 0.76%, 0.77%

LAB 88.99, -33.9, 7.55

 

CMYK 32 / 37 / 0 / 5

HEX #A498F1

RGB 164 152 241

HSL 248.09, 0.76%, 0.77%

LAB 67.05, 24.11, -43.15

 

CMYK 0 / 37 / 24 / 5

HEX #F198B8

RGB 241 152 184

HSL 338.43, 0.76%, 0.77%

LAB 72.64, 37.49, -2.5

 

Description

Color code: HEX #E5F199 | qconv.com Color code: HEX #E5F199 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 241 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 241 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 37 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 37% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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