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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5EE3E it is the complementary color #1A11C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5EE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5EE3E shade: #EAEE39, #FBFF4C, #FFFF5F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5EE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5EE3E shade: #E5EE3E, #D4DC2B, #C3CA18, #B2B805 and #A1A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5EE3E shade: #E5EE3E, #EEC73E, #EE983E, #EE693E and #EE3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5EE3E shade: #E5EE3E, #B5EE3E, #86EE3E, #57EE3E and #3EEE55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5EE3E shade matches the following richer shades: #E5EE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5EE3E shade: #E5EE3E, #D6DD4F, #C6CC60, #B7BB71 and #A8AA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5EE3E shade: #EE993E, #EEC83E, #E5EE3E, #B6EE3E and #87EE3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5EE3E shade: #BFC811, #E0EA18, #E5EE3E, #EAF164 and #EFF48A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5EE3E shade: #E5EE3E, #3EEE6A and #B03EEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5EE3E shade: #E5EE3E, #3EE5EE and #EE3EE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5EE3E shade: #E5EE3E, #3EEE6A, #473EEE and #EE3EC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5EE3E shade: #E5EE3E, #3EEE9F, #473EEE and #EE3E8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 74 / 7

HEX #E5EE3E

RGB 229 238 62

HSL 63.07, 0.84%, 0.59%

LAB 90.85, -22.87, 78.07

 

Complementary color

CMYK 87 / 91 / 0 / 24

HEX #1A11C1

RGB 26 17 193

HSL 243.07, 0.84%, 0.41%

LAB 25.17, 60.55, -84.11

 

CMYK 2 / 0 / 76 / 7

HEX #EAEE39

RGB 234 238 57

HSL 61.33, 0.84%, 0.58%

LAB 91.21, -21.03, 80.03

 

CMYK 2 / 0 / 70 / 0

HEX #FBFF4C

RGB 251 255 76

HSL 61.34, 1%, 0.65%

LAB 97.05, -21.46, 80

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 4 / 0 / 74 / 7

HEX #E5EE3E

RGB 229 238 62

HSL 63.07, 0.84%, 0.59%

LAB 90.85, -22.87, 78.07

 

CMYK 4 / 0 / 80 / 14

HEX #D4DC2B

RGB 212 220 43

HSL 62.71, 0.72%, 0.52%

LAB 84.67, -21.9, 77.42

 

CMYK 3 / 0 / 88 / 21

HEX #C3CA18

RGB 195 202 24

HSL 62.36, 0.79%, 0.44%

LAB 78.41, -20.76, 75.78

 

CMYK 3 / 0 / 97 / 28

HEX #B2B805

RGB 178 184 5

HSL 62.01, 0.95%, 0.37%

LAB 72.07, -19.42, 72.81

 

CMYK 3 / 0 / 100 / 35

HEX #A1A600

RGB 161 166 0

HSL 61.81, 1%, 0.33%

LAB 65.63, -17.85, 68.03

 

CMYK 4 / 0 / 74 / 7

HEX #E5EE3E

RGB 229 238 62

HSL 63.07, 0.84%, 0.59%

LAB 90.85, -22.87, 78.07

 

CMYK 0 / 16 / 74 / 7

HEX #EEC73E

RGB 238 199 62

HSL 46.7, 0.84%, 0.59%

LAB 81.5, 0.3, 69.52

 

CMYK 0 / 36 / 74 / 7

HEX #EE983E

RGB 238 152 62

HSL 30.68, 0.84%, 0.59%

LAB 70.16, 25, 58.41

 

CMYK 0 / 56 / 74 / 7

HEX #EE693E

RGB 238 105 62

HSL 14.66, 0.84%, 0.59%

LAB 60.45, 48.81, 48.35

 

CMYK 0 / 74 / 74 / 7

HEX #EE3E3E

RGB 238 62 62

HSL 0, 0.84%, 0.59%

LAB 54, 66.16, 41.32

 

CMYK 4 / 0 / 74 / 7

HEX #E5EE3E

RGB 229 238 62

HSL 63.07, 0.84%, 0.59%

LAB 90.85, -22.87, 78.07

 

CMYK 24 / 0 / 74 / 7

HEX #B5EE3E

RGB 181 238 62

HSL 79.43, 0.84%, 0.59%

LAB 87.64, -41.76, 73.9

 

CMYK 44 / 0 / 74 / 7

HEX #86EE3E

RGB 134 238 62

HSL 95.45, 0.84%, 0.59%

LAB 85.28, -57.93, 70.81

 

CMYK 63 / 0 / 74 / 7

HEX #57EE3E

RGB 87 238 62

HSL 111.48, 0.84%, 0.59%

LAB 83.72, -70.16, 68.74

 

CMYK 74 / 0 / 64 / 7

HEX #3EEE55

RGB 62 238 85

HSL 127.84, 0.84%, 0.59%

LAB 83.35, -72.61, 59.69

 

CMYK 4 / 0 / 74 / 7

HEX #E5EE3E

RGB 229 238 62

HSL 63.07, 0.84%, 0.59%

LAB 90.85, -22.87, 78.07

 

CMYK 4 / 0 / 74 / 7

HEX #E5EE3E

RGB 229 238 62

HSL 63.07, 0.84%, 0.59%

LAB 90.85, -22.87, 78.07

 

CMYK 3 / 0 / 64 / 13

HEX #D6DD4F

RGB 214 221 79

HSL 62.96, 0.68%, 0.59%

LAB 85.29, -19.93, 66.21

 

CMYK 3 / 0 / 53 / 20

HEX #C6CC60

RGB 198 204 96

HSL 63.33, 0.51%, 0.59%

LAB 79.63, -16.85, 52.34

 

CMYK 2 / 0 / 40 / 27

HEX #B7BB71

RGB 183 187 113

HSL 63.24, 0.35%, 0.59%

LAB 74.06, -12.63, 36.98

 

CMYK 1 / 0 / 24 / 33

HEX #A8AA82

RGB 168 170 130

HSL 63, 0.19%, 0.59%

LAB 68.52, -7.48, 20.44

 

CMYK 0 / 36 / 74 / 7

HEX #EE993E

RGB 238 153 62

HSL 31.02, 0.84%, 0.59%

LAB 70.39, 24.47, 58.64

 

CMYK 0 / 16 / 74 / 7

HEX #EEC83E

RGB 238 200 62

HSL 47.05, 0.84%, 0.59%

LAB 81.75, -0.21, 69.76

 

CMYK 4 / 0 / 74 / 7

HEX #E5EE3E

RGB 229 238 62

HSL 63.07, 0.84%, 0.59%

LAB 90.85, -22.87, 78.07

 

CMYK 24 / 0 / 74 / 7

HEX #B6EE3E

RGB 182 238 62

HSL 79.09, 0.84%, 0.59%

LAB 87.7, -41.38, 73.98

 

CMYK 43 / 0 / 74 / 7

HEX #87EE3E

RGB 135 238 62

HSL 95.11, 0.84%, 0.59%

LAB 85.33, -57.62, 70.86

 

CMYK 5 / 0 / 92 / 22

HEX #BFC811

RGB 191 200 17

HSL 62.95, 0.84%, 0.43%

LAB 77.53, -21.6, 76.05

 

CMYK 4 / 0 / 90 / 8

HEX #E0EA18

RGB 224 234 24

HSL 62.86, 0.83%, 0.51%

LAB 89.28, -24.09, 85.32

 

CMYK 4 / 0 / 74 / 7

HEX #E5EE3E

RGB 229 238 62

HSL 63.07, 0.84%, 0.59%

LAB 90.85, -22.87, 78.07

 

CMYK 3 / 0 / 59 / 5

HEX #EAF164

RGB 234 241 100

HSL 62.98, 0.83%, 0.67%

LAB 92.28, -20.2, 65.56

 

CMYK 2 / 0 / 43 / 4

HEX #EFF48A

RGB 239 244 138

HSL 62.83, 0.83%, 0.75%

LAB 93.83, -16.51, 50.3

 

CMYK 4 / 0 / 74 / 7

HEX #E5EE3E

RGB 229 238 62

HSL 63.07, 0.84%, 0.59%

LAB 90.85, -22.87, 78.07

 

CMYK 74 / 0 / 55 / 7

HEX #3EEE6A

RGB 62 238 106

HSL 135, 0.84%, 0.59%

LAB 83.55, -70.18, 50.86

 

CMYK 26 / 74 / 0 / 7

HEX #B03EEE

RGB 176 62 238

HSL 278.86, 0.84%, 0.59%

LAB 50.51, 71.91, -67.79

 

CMYK 4 / 0 / 74 / 7

HEX #E5EE3E

RGB 229 238 62

HSL 63.07, 0.84%, 0.59%

LAB 90.85, -22.87, 78.07

 

CMYK 74 / 4 / 0 / 7

HEX #3EE5EE

RGB 62 229 238

HSL 183.07, 0.84%, 0.59%

LAB 83.57, -38.21, -16.52

 

CMYK 0 / 74 / 4 / 7

HEX #EE3EE5

RGB 238 62 229

HSL 303.07, 0.84%, 0.59%

LAB 59.23, 82.36, -48.24

 

CMYK 4 / 0 / 74 / 7

HEX #E5EE3E

RGB 229 238 62

HSL 63.07, 0.84%, 0.59%

LAB 90.85, -22.87, 78.07

 

CMYK 74 / 0 / 55 / 7

HEX #3EEE6A

RGB 62 238 106

HSL 135, 0.84%, 0.59%

LAB 83.55, -70.18, 50.86

 

CMYK 70 / 74 / 0 / 7

HEX #473EEE

RGB 71 62 238

HSL 243.07, 0.84%, 0.59%

LAB 39.51, 56.9, -86.23

 

CMYK 0 / 74 / 18 / 7

HEX #EE3EC2

RGB 238 62 194

HSL 315, 0.84%, 0.59%

LAB 57.58, 77.46, -30.97

 

CMYK 4 / 0 / 74 / 7

HEX #E5EE3E

RGB 229 238 62

HSL 63.07, 0.84%, 0.59%

LAB 90.85, -22.87, 78.07

 

CMYK 74 / 0 / 33 / 7

HEX #3EEE9F

RGB 62 238 159

HSL 153.07, 0.84%, 0.59%

LAB 84.32, -61.43, 25.95

 

CMYK 70 / 74 / 0 / 7

HEX #473EEE

RGB 71 62 238

HSL 243.07, 0.84%, 0.59%

LAB 39.51, 56.9, -86.23

 

CMYK 0 / 74 / 41 / 7

HEX #EE3E8D

RGB 238 62 141

HSL 333.07, 0.84%, 0.59%

LAB 55.63, 71.45, -2.99

 

Description

Color code: HEX #E5EE3E | qconv.com Color code: HEX #E5EE3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 238 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 238 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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