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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5EAA3 it is the complementary color #1A155C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5EAA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5EAA3 shade: #EAEA9E, #FBFCB1, #FFFFC4, #FFFFD7 and #FFFFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5EAA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5EAA3 shade: #E5EAA3, #D4D890, #C3C67D, #B2B46A and #A1A257

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5EAA3 shade: #E5EAA3, #EADCA3, #EAC9A3, #EAB6A3 and #EAA3A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5EAA3 shade: #E5EAA3, #D2EAA3, #BFEAA3, #ACEAA3 and #A3EAAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5EAA3 shade matches the following richer shades: #E5EAA3, #EDF39A and #F4FC91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5EAA3 shade: #E5EAA3, #DDE1AC, #D5D8B5, #CDCFBE and #C6C5C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5EAA3 shade: #EAC9A3, #EADCA3, #E5EAA3, #D2EAA3 and #BFEAA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5EAA3 shade: #D2DA60, #DBE281, #E5EAA3, #EEF1C5 and #F8F9E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5EAA3 shade: #E5EAA3, #A3EAB6 and #D2A3EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5EAA3 shade: #E5EAA3, #A3E5EA and #EAA3E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5EAA3 shade: #E5EAA3, #A3EAB6, #A8A3EA and #EAA3D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5EAA3 shade: #E5EAA3, #A3EACB, #A8A3EA and #EAA3C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 30 / 8

HEX #E5EAA3

RGB 229 234 163

HSL 64.23, 0.63%, 0.78%

LAB 90.85, -12.6, 34.01

 

Complementary color

CMYK 72 / 77 / 0 / 64

HEX #1A155C

RGB 26 21 92

HSL 244.23, 0.63%, 0.22%

LAB 12.79, 27.06, -41.44

 

CMYK 0 / 0 / 32 / 8

HEX #EAEA9E

RGB 234 234 158

HSL 60, 0.64%, 0.77%

LAB 91.15, -11.33, 36.99

 

CMYK 0 / 0 / 30 / 1

HEX #FBFCB1

RGB 251 252 177

HSL 60.8, 0.93%, 0.84%

LAB 97.35, -11.57, 35.91

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 2 / 0 / 30 / 8

HEX #E5EAA3

RGB 229 234 163

HSL 64.23, 0.63%, 0.78%

LAB 90.85, -12.6, 34.01

 

CMYK 2 / 0 / 33 / 15

HEX #D4D890

RGB 212 216 144

HSL 63.33, 0.48%, 0.71%

LAB 84.55, -12.38, 35.11

 

CMYK 2 / 0 / 37 / 22

HEX #C3C67D

RGB 195 198 125

HSL 62.47, 0.39%, 0.63%

LAB 78.15, -12.13, 36.25

 

CMYK 1 / 0 / 41 / 29

HEX #B2B46A

RGB 178 180 106

HSL 61.62, 0.33%, 0.56%

LAB 71.66, -11.81, 37.44

 

CMYK 1 / 0 / 46 / 36

HEX #A1A257

RGB 161 162 87

HSL 60.8, 0.3%, 0.49%

LAB 65.05, -11.43, 38.66

 

CMYK 2 / 0 / 30 / 8

HEX #E5EAA3

RGB 229 234 163

HSL 64.23, 0.63%, 0.78%

LAB 90.85, -12.6, 34.01

 

CMYK 0 / 6 / 30 / 8

HEX #EADCA3

RGB 234 220 163

HSL 48.17, 0.63%, 0.78%

LAB 87.64, -3.66, 29.79

 

CMYK 0 / 14 / 30 / 8

HEX #EAC9A3

RGB 234 201 163

HSL 32.11, 0.63%, 0.78%

LAB 82.87, 6.15, 23.31

 

CMYK 0 / 22 / 30 / 8

HEX #EAB6A3

RGB 234 182 163

HSL 16.06, 0.63%, 0.78%

LAB 78.22, 16.18, 16.89

 

CMYK 0 / 30 / 30 / 8

HEX #EAA3A3

RGB 234 163 163

HSL 0, 0.63%, 0.78%

LAB 73.76, 26.3, 10.61

 

CMYK 2 / 0 / 30 / 8

HEX #E5EAA3

RGB 229 234 163

HSL 64.23, 0.63%, 0.78%

LAB 90.85, -12.6, 34.01

 

CMYK 10 / 0 / 30 / 8

HEX #D2EAA3

RGB 210 234 163

HSL 80.28, 0.63%, 0.78%

LAB 89.48, -19.61, 31.94

 

CMYK 18 / 0 / 30 / 8

HEX #BFEAA3

RGB 191 234 163

HSL 96.34, 0.63%, 0.78%

LAB 88.24, -26.39, 30.06

 

CMYK 26 / 0 / 30 / 8

HEX #ACEAA3

RGB 172 234 163

HSL 112.39, 0.63%, 0.78%

LAB 87.12, -32.84, 28.37

 

CMYK 30 / 0 / 26 / 8

HEX #A3EAAE

RGB 163 234 174

HSL 129.3, 0.63%, 0.78%

LAB 86.84, -33.92, 22.25

 

CMYK 2 / 0 / 30 / 8

HEX #E5EAA3

RGB 229 234 163

HSL 64.23, 0.63%, 0.78%

LAB 90.85, -12.6, 34.01

 

CMYK 2 / 0 / 37 / 5

HEX #EDF39A

RGB 237 243 154

HSL 64.04, 0.79%, 0.78%

LAB 93.64, -15.1, 42.26

 

CMYK 3 / 0 / 42 / 1

HEX #F4FC91

RGB 244 252 145

HSL 64.49, 0.95%, 0.78%

LAB 96.37, -17.77, 50.19

 

CMYK 2 / 0 / 30 / 8

HEX #E5EAA3

RGB 229 234 163

HSL 64.23, 0.63%, 0.78%

LAB 90.85, -12.6, 34.01

 

CMYK 2 / 0 / 24 / 12

HEX #DDE1AC

RGB 221 225 172

HSL 64.53, 0.47%, 0.78%

LAB 88.07, -9.88, 25.55

 

CMYK 1 / 0 / 16 / 15

HEX #D5D8B5

RGB 213 216 181

HSL 65.14, 0.31%, 0.78%

LAB 85.3, -6.91, 16.94

 

CMYK 1 / 0 / 8 / 19

HEX #CDCFBE

RGB 205 207 190

HSL 67.06, 0.15%, 0.78%

LAB 82.55, -3.68, 8.2

 

CMYK 1 / 1 / 0 / 22

HEX #C6C5C7

RGB 198 197 199

HSL 270, 0.02%, 0.78%

LAB 79.65, 0.72, -0.89

 

CMYK 0 / 14 / 30 / 8

HEX #EAC9A3

RGB 234 201 163

HSL 32.11, 0.63%, 0.78%

LAB 82.87, 6.15, 23.31

 

CMYK 0 / 6 / 30 / 8

HEX #EADCA3

RGB 234 220 163

HSL 48.17, 0.63%, 0.78%

LAB 87.64, -3.66, 29.79

 

CMYK 2 / 0 / 30 / 8

HEX #E5EAA3

RGB 229 234 163

HSL 64.23, 0.63%, 0.78%

LAB 90.85, -12.6, 34.01

 

CMYK 10 / 0 / 30 / 8

HEX #D2EAA3

RGB 210 234 163

HSL 80.28, 0.63%, 0.78%

LAB 89.48, -19.61, 31.94

 

CMYK 18 / 0 / 30 / 8

HEX #BFEAA3

RGB 191 234 163

HSL 96.34, 0.63%, 0.78%

LAB 88.24, -26.39, 30.06

 

CMYK 4 / 0 / 56 / 15

HEX #D2DA60

RGB 210 218 96

HSL 63.93, 0.62%, 0.62%

LAB 84.32, -18.92, 57.94

 

CMYK 3 / 0 / 43 / 11

HEX #DBE281

RGB 219 226 129

HSL 64.33, 0.63%, 0.7%

LAB 87.5, -16.33, 46.46

 

CMYK 2 / 0 / 30 / 8

HEX #E5EAA3

RGB 229 234 163

HSL 64.23, 0.63%, 0.78%

LAB 90.85, -12.6, 34.01

 

CMYK 1 / 0 / 18 / 5

HEX #EEF1C5

RGB 238 241 197

HSL 64.09, 0.61%, 0.86%

LAB 93.93, -8.16, 20.96

 

CMYK 0 / 0 / 8 / 2

HEX #F8F9E6

RGB 248 249 230

HSL 63.16, 0.61%, 0.94%

LAB 97.4, -3.56, 8.99

 

CMYK 2 / 0 / 30 / 8

HEX #E5EAA3

RGB 229 234 163

HSL 64.23, 0.63%, 0.78%

LAB 90.85, -12.6, 34.01

 

CMYK 30 / 0 / 22 / 8

HEX #A3EAB6

RGB 163 234 182

HSL 136.06, 0.63%, 0.78%

LAB 87, -32.5, 18.33

 

CMYK 10 / 30 / 0 / 8

HEX #D2A3EA

RGB 210 163 234

HSL 279.72, 0.63%, 0.78%

LAB 73.44, 29.94, -29.09

 

CMYK 2 / 0 / 30 / 8

HEX #E5EAA3

RGB 229 234 163

HSL 64.23, 0.63%, 0.78%

LAB 90.85, -12.6, 34.01

 

CMYK 30 / 2 / 0 / 8

HEX #A3E5EA

RGB 163 229 234

HSL 184.23, 0.63%, 0.78%

LAB 86.88, -19.42, -9.09

 

CMYK 0 / 30 / 2 / 8

HEX #EAA3E5

RGB 234 163 229

HSL 304.23, 0.63%, 0.78%

LAB 75.66, 36.59, -22.75

 

CMYK 2 / 0 / 30 / 8

HEX #E5EAA3

RGB 229 234 163

HSL 64.23, 0.63%, 0.78%

LAB 90.85, -12.6, 34.01

 

CMYK 30 / 0 / 22 / 8

HEX #A3EAB6

RGB 163 234 182

HSL 136.06, 0.63%, 0.78%

LAB 87, -32.5, 18.33

 

CMYK 28 / 30 / 0 / 8

HEX #A8A3EA

RGB 168 163 234

HSL 244.23, 0.63%, 0.78%

LAB 69.8, 17.26, -35.02

 

CMYK 0 / 30 / 8 / 8

HEX #EAA3D7

RGB 234 163 215

HSL 316.06, 0.63%, 0.78%

LAB 75.2, 34.14, -15.82

 

CMYK 2 / 0 / 30 / 8

HEX #E5EAA3

RGB 229 234 163

HSL 64.23, 0.63%, 0.78%

LAB 90.85, -12.6, 34.01

 

CMYK 30 / 0 / 13 / 8

HEX #A3EACB

RGB 163 234 203

HSL 153.8, 0.63%, 0.78%

LAB 87.46, -28.51, 8.03

 

CMYK 28 / 30 / 0 / 8

HEX #A8A3EA

RGB 168 163 234

HSL 244.23, 0.63%, 0.78%

LAB 69.8, 17.26, -35.02

 

CMYK 0 / 30 / 17 / 8

HEX #EAA3C2

RGB 234 163 194

HSL 333.8, 0.63%, 0.78%

LAB 74.56, 30.72, -5.27

 

Description

Color code: HEX #E5EAA3 | qconv.com Color code: HEX #E5EAA3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 234 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 234 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 30 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 30% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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