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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E9AF it is the complementary color #1A1650. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E9AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E9AF shade: #EAE9AA, #FBFBBD, #FFFFD0, #FFFFE3 and #FFFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E9AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E9AF shade: #E5E9AF, #D4D79C, #C3C589, #B2B376 and #A1A163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E9AF shade: #E5E9AF, #E9DDAF, #E9CEAF, #E9BEAF and #E9AFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E9AF shade: #E5E9AF, #D5E9AF, #C6E9AF, #B6E9AF and #AFE9B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E9AF shade matches the following richer shades: #E5E9AF, #ECF1A7 and #F3FA9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E9AF shade: #E5E9AF, #DEE1B7, #D7D9BF, #D0D0C8 and #C9C8D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E9AF shade: #E9CEAF, #E9DDAF, #E5E9AF, #D6E9AF and #C6E9AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E9AF shade: #D0D76E, #DBE08F, #E5E9AF, #F0F2CF and #FAFBF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E9AF shade: #E5E9AF, #AFE9BE and #D6AFE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E9AF shade: #E5E9AF, #AFE5E9 and #E9AFE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E9AF shade: #E5E9AF, #AFE9BE, #B3AFE9 and #E9AFDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E9AF shade: #E5E9AF, #AFE9D0, #B3AFE9 and #E9AFC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 25 / 9

HEX #E5E9AF

RGB 229 233 175

HSL 64.14, 0.57%, 0.8%

LAB 90.79, -10.53, 27.82

 

Complementary color

CMYK 68 / 73 / 0 / 69

HEX #1A1650

RGB 26 22 80

HSL 244.14, 0.57%, 0.2%

LAB 11.77, 21.93, -34.96

 

CMYK 0 / 0 / 27 / 8

HEX #EAE9AA

RGB 234 233 170

HSL 59.06, 0.6%, 0.79%

LAB 91.09, -9.34, 30.84

 

CMYK 0 / 0 / 25 / 2

HEX #FBFBBD

RGB 251 251 189

HSL 60, 0.89%, 0.86%

LAB 97.3, -9.55, 29.81

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 2 / 0 / 25 / 9

HEX #E5E9AF

RGB 229 233 175

HSL 64.14, 0.57%, 0.8%

LAB 90.79, -10.53, 27.82

 

CMYK 1 / 0 / 27 / 16

HEX #D4D79C

RGB 212 215 156

HSL 63.05, 0.42%, 0.73%

LAB 84.48, -10.36, 28.86

 

CMYK 1 / 0 / 30 / 23

HEX #C3C589

RGB 195 197 137

HSL 62, 0.34%, 0.65%

LAB 78.08, -10.15, 29.94

 

CMYK 1 / 0 / 34 / 30

HEX #B2B376

RGB 178 179 118

HSL 60.98, 0.29%, 0.58%

LAB 71.56, -9.9, 31.09

 

CMYK 0 / 0 / 39 / 37

HEX #A1A163

RGB 161 161 99

HSL 60, 0.25%, 0.51%

LAB 64.94, -9.59, 32.29

 

CMYK 2 / 0 / 25 / 9

HEX #E5E9AF

RGB 229 233 175

HSL 64.14, 0.57%, 0.8%

LAB 90.79, -10.53, 27.82

 

CMYK 0 / 5 / 25 / 9

HEX #E9DDAF

RGB 233 221 175

HSL 47.59, 0.57%, 0.8%

LAB 88.03, -2.99, 24.11

 

CMYK 0 / 12 / 25 / 9

HEX #E9CEAF

RGB 233 206 175

HSL 32.07, 0.57%, 0.8%

LAB 84.26, 4.76, 18.89

 

CMYK 0 / 18 / 25 / 9

HEX #E9BEAF

RGB 233 190 175

HSL 15.52, 0.57%, 0.8%

LAB 80.32, 13.17, 13.37

 

CMYK 0 / 25 / 25 / 9

HEX #E9AFAF

RGB 233 175 175

HSL 0, 0.57%, 0.8%

LAB 76.73, 21.15, 8.26

 

CMYK 2 / 0 / 25 / 9

HEX #E5E9AF

RGB 229 233 175

HSL 64.14, 0.57%, 0.8%

LAB 90.79, -10.53, 27.82

 

CMYK 9 / 0 / 25 / 9

HEX #D5E9AF

RGB 213 233 175

HSL 80.69, 0.57%, 0.8%

LAB 89.64, -16.36, 26.06

 

CMYK 15 / 0 / 25 / 9

HEX #C6E9AF

RGB 198 233 175

HSL 96.21, 0.57%, 0.8%

LAB 88.63, -21.67, 24.51

 

CMYK 22 / 0 / 25 / 9

HEX #B6E9AF

RGB 182 233 175

HSL 112.76, 0.57%, 0.8%

LAB 87.64, -27.14, 23

 

CMYK 25 / 0 / 21 / 9

HEX #AFE9B8

RGB 175 233 184

HSL 129.31, 0.57%, 0.8%

LAB 87.41, -27.91, 17.96

 

CMYK 2 / 0 / 25 / 9

HEX #E5E9AF

RGB 229 233 175

HSL 64.14, 0.57%, 0.8%

LAB 90.79, -10.53, 27.82

 

CMYK 2 / 0 / 31 / 5

HEX #ECF1A7

RGB 236 241 167

HSL 64.05, 0.73%, 0.8%

LAB 93.25, -12.95, 35.27

 

CMYK 3 / 0 / 37 / 2

HEX #F3FA9E

RGB 243 250 158

HSL 64.57, 0.9%, 0.8%

LAB 95.95, -15.8, 43.36

 

CMYK 2 / 0 / 25 / 9

HEX #E5E9AF

RGB 229 233 175

HSL 64.14, 0.57%, 0.8%

LAB 90.79, -10.53, 27.82

 

CMYK 1 / 0 / 19 / 12

HEX #DEE1B7

RGB 222 225 183

HSL 64.29, 0.41%, 0.8%

LAB 88.35, -7.93, 20.26

 

CMYK 1 / 0 / 12 / 15

HEX #D7D9BF

RGB 215 217 191

HSL 64.62, 0.25%, 0.8%

LAB 85.92, -5.13, 12.58

 

CMYK 0 / 0 / 4 / 18

HEX #D0D0C8

RGB 208 208 200

HSL 60, 0.08%, 0.8%

LAB 83.28, -1.42, 3.96

 

CMYK 3 / 4 / 0 / 18

HEX #C9C8D0

RGB 201 200 208

HSL 247.5, 0.08%, 0.8%

LAB 80.89, 1.83, -3.87

 

CMYK 0 / 12 / 25 / 9

HEX #E9CEAF

RGB 233 206 175

HSL 32.07, 0.57%, 0.8%

LAB 84.26, 4.76, 18.89

 

CMYK 0 / 5 / 25 / 9

HEX #E9DDAF

RGB 233 221 175

HSL 47.59, 0.57%, 0.8%

LAB 88.03, -2.99, 24.11

 

CMYK 2 / 0 / 25 / 9

HEX #E5E9AF

RGB 229 233 175

HSL 64.14, 0.57%, 0.8%

LAB 90.79, -10.53, 27.82

 

CMYK 8 / 0 / 25 / 9

HEX #D6E9AF

RGB 214 233 175

HSL 79.66, 0.57%, 0.8%

LAB 89.71, -16, 26.16

 

CMYK 15 / 0 / 25 / 9

HEX #C6E9AF

RGB 198 233 175

HSL 96.21, 0.57%, 0.8%

LAB 88.63, -21.67, 24.51

 

CMYK 3 / 0 / 49 / 16

HEX #D0D76E

RGB 208 215 110

HSL 64, 0.57%, 0.64%

LAB 83.51, -17.07, 50.53

 

CMYK 2 / 0 / 36 / 12

HEX #DBE08F

RGB 219 224 143

HSL 63.7, 0.57%, 0.72%

LAB 87.17, -13.82, 39.12

 

CMYK 2 / 0 / 25 / 9

HEX #E5E9AF

RGB 229 233 175

HSL 64.14, 0.57%, 0.8%

LAB 90.79, -10.53, 27.82

 

CMYK 1 / 0 / 14 / 5

HEX #F0F2CF

RGB 240 242 207

HSL 63.43, 0.57%, 0.88%

LAB 94.54, -6.46, 16.69

 

CMYK 0 / 0 / 4 / 2

HEX #FAFBF0

RGB 250 251 240

HSL 65.45, 0.58%, 0.96%

LAB 98.28, -2.22, 5.14

 

CMYK 2 / 0 / 25 / 9

HEX #E5E9AF

RGB 229 233 175

HSL 64.14, 0.57%, 0.8%

LAB 90.79, -10.53, 27.82

 

CMYK 25 / 0 / 18 / 9

HEX #AFE9BE

RGB 175 233 190

HSL 135.52, 0.57%, 0.8%

LAB 87.54, -26.84, 15.02

 

CMYK 8 / 25 / 0 / 9

HEX #D6AFE9

RGB 214 175 233

HSL 280.34, 0.57%, 0.8%

LAB 76.58, 24.48, -23.7

 

CMYK 2 / 0 / 25 / 9

HEX #E5E9AF

RGB 229 233 175

HSL 64.14, 0.57%, 0.8%

LAB 90.79, -10.53, 27.82

 

CMYK 25 / 2 / 0 / 9

HEX #AFE5E9

RGB 175 229 233

HSL 184.14, 0.57%, 0.8%

LAB 87.5, -16.25, -7.57

 

CMYK 0 / 25 / 2 / 9

HEX #E9AFE5

RGB 233 175 229

HSL 304.14, 0.57%, 0.8%

LAB 78.25, 29.87, -18.83

 

CMYK 2 / 0 / 25 / 9

HEX #E5E9AF

RGB 229 233 175

HSL 64.14, 0.57%, 0.8%

LAB 90.79, -10.53, 27.82

 

CMYK 25 / 0 / 18 / 9

HEX #AFE9BE

RGB 175 233 190

HSL 135.52, 0.57%, 0.8%

LAB 87.54, -26.84, 15.02

 

CMYK 23 / 25 / 0 / 9

HEX #B3AFE9

RGB 179 175 233

HSL 244.14, 0.57%, 0.8%

LAB 73.63, 13.58, -28.48

 

CMYK 0 / 25 / 6 / 9

HEX #E9AFDA

RGB 233 175 218

HSL 315.52, 0.57%, 0.8%

LAB 77.9, 27.92, -13.4

 

CMYK 2 / 0 / 25 / 9

HEX #E5E9AF

RGB 229 233 175

HSL 64.14, 0.57%, 0.8%

LAB 90.79, -10.53, 27.82

 

CMYK 25 / 0 / 11 / 9

HEX #AFE9D0

RGB 175 233 208

HSL 154.14, 0.57%, 0.8%

LAB 87.94, -23.43, 6.19

 

CMYK 23 / 25 / 0 / 9

HEX #B3AFE9

RGB 179 175 233

HSL 244.14, 0.57%, 0.8%

LAB 73.63, 13.58, -28.48

 

CMYK 0 / 25 / 14 / 9

HEX #E9AFC8

RGB 233 175 200

HSL 334.14, 0.57%, 0.8%

LAB 77.37, 24.92, -4.41

 

Description

Color code: HEX #E5E9AF | qconv.com Color code: HEX #E5E9AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 233 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 233 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 25 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 25% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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