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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E975 it is the complementary color #1A168A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E975. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E975 shade: #EAE970, #FBFB83, #FFFF96, #FFFFA9 and #FFFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E975. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E975 shade: #E5E975, #D4D762, #C3C54F, #B2B33C and #A1A129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E975 shade: #E6EA76, #EACF76, #EAAF76, #EA9076 and #EA7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E975 shade: #E6EA76, #C7EA76, #A7EA76, #88EA76 and #76EA83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E975 shade matches the following richer shades: #E6EA76 and #F2F669

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E975 shade: #E6EA76, #DADD83, #CED090, #C2C39D and #B6B6A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E975 shade: #EAB076, #EACF76, #E6EA76, #C7EA76 and #A8EA76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E975 shade: #D8DF2F, #DFE453, #E6EA76, #ECEF9A and #F3F5BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E975 shade: #E5E975, #76EA91 and #BF76EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E975 shade: #E5E975, #76E6EA and #EA76E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E975 shade: #E5E975, #76EA91, #7A76EA and #EA76CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E975 shade: #E5E975, #76EAB4, #7A76EA and #EA76AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 50 / 9

HEX #E5E975

RGB 229 233 117

HSL 62.07, 0.73%, 0.69%

LAB 89.96, -16.98, 55.31

 

Complementary color

CMYK 81 / 84 / 0 / 46

HEX #1A168A

RGB 26 22 138

HSL 242.07, 0.73%, 0.31%

LAB 18.49, 42.36, -61.8

 

CMYK 0 / 0 / 52 / 8

HEX #EAE970

RGB 234 233 112

HSL 59.51, 0.74%, 0.68%

LAB 90.29, -15.41, 58.08

 

CMYK 0 / 0 / 48 / 2

HEX #FBFB83

RGB 251 251 131

HSL 60, 0.94%, 0.75%

LAB 96.47, -15.91, 56.99

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 2 / 0 / 50 / 9

HEX #E5E975

RGB 229 233 117

HSL 62.07, 0.73%, 0.69%

LAB 89.96, -16.98, 55.31

 

CMYK 1 / 0 / 54 / 16

HEX #D4D762

RGB 212 215 98

HSL 61.54, 0.59%, 0.61%

LAB 83.69, -16.48, 56.37

 

CMYK 1 / 0 / 60 / 23

HEX #C3C54F

RGB 195 197 79

HSL 61.02, 0.5%, 0.54%

LAB 77.34, -15.88, 57.32

 

CMYK 1 / 0 / 66 / 30

HEX #B2B33C

RGB 178 179 60

HSL 60.5, 0.5%, 0.47%

LAB 70.89, -15.15, 58.02

 

CMYK 0 / 0 / 75 / 37

HEX #A1A129

RGB 161 161 41

HSL 60, 0.59%, 0.4%

LAB 64.34, -14.24, 58.24

 

CMYK 2 / 0 / 50 / 8

HEX #E6EA76

RGB 230 234 118

HSL 62.07, 0.73%, 0.69%

LAB 90.31, -16.99, 55.28

 

CMYK 0 / 12 / 50 / 8

HEX #EACF76

RGB 234 207 118

HSL 46.03, 0.73%, 0.69%

LAB 83.67, -1.84, 47.37

 

CMYK 0 / 25 / 50 / 8

HEX #EAAF76

RGB 234 175 118

HSL 29.48, 0.73%, 0.69%

LAB 75.74, 14.91, 37.49

 

CMYK 0 / 38 / 50 / 8

HEX #EA9076

RGB 234 144 118

HSL 13.45, 0.73%, 0.69%

LAB 68.57, 31.36, 28.21

 

CMYK 0 / 50 / 50 / 8

HEX #EA7676

RGB 234 118 118

HSL 0, 0.73%, 0.69%

LAB 63.14, 44.72, 20.96

 

CMYK 2 / 0 / 50 / 8

HEX #E6EA76

RGB 230 234 118

HSL 62.07, 0.73%, 0.69%

LAB 90.31, -16.99, 55.28

 

CMYK 15 / 0 / 50 / 8

HEX #C7EA76

RGB 199 234 118

HSL 78.1, 0.73%, 0.69%

LAB 88.11, -28.97, 52.12

 

CMYK 29 / 0 / 50 / 8

HEX #A7EA76

RGB 167 234 118

HSL 94.66, 0.73%, 0.69%

LAB 86.19, -40.57, 49.35

 

CMYK 42 / 0 / 50 / 8

HEX #88EA76

RGB 136 234 118

HSL 110.69, 0.73%, 0.69%

LAB 84.68, -50.6, 47.17

 

CMYK 50 / 0 / 44 / 8

HEX #76EA83

RGB 118 234 131

HSL 126.72, 0.73%, 0.69%

LAB 84.14, -53.88, 40.06

 

CMYK 2 / 0 / 50 / 8

HEX #E6EA76

RGB 230 234 118

HSL 62.07, 0.73%, 0.69%

LAB 90.31, -16.99, 55.28

 

CMYK 2 / 0 / 57 / 4

HEX #F2F669

RGB 242 246 105

HSL 61.7, 0.89%, 0.69%

LAB 94.23, -19.08, 65.77

 

CMYK 2 / 0 / 50 / 8

HEX #E6EA76

RGB 230 234 118

HSL 62.07, 0.73%, 0.69%

LAB 90.31, -16.99, 55.28

 

CMYK 1 / 0 / 41 / 13

HEX #DADD83

RGB 218 221 131

HSL 62, 0.57%, 0.69%

LAB 86.13, -14.04, 43.76

 

CMYK 1 / 0 / 31 / 18

HEX #CED090

RGB 206 208 144

HSL 61.88, 0.41%, 0.69%

LAB 81.97, -10.64, 31.63

 

CMYK 1 / 0 / 19 / 24

HEX #C2C39D

RGB 194 195 157

HSL 61.58, 0.24%, 0.69%

LAB 77.84, -6.71, 19.03

 

CMYK 0 / 0 / 7 / 29

HEX #B6B6A9

RGB 182 182 169

HSL 60, 0.08%, 0.69%

LAB 73.72, -2.34, 6.61

 

CMYK 0 / 25 / 50 / 8

HEX #EAB076

RGB 234 176 118

HSL 30, 0.73%, 0.69%

LAB 75.98, 14.38, 37.8

 

CMYK 0 / 12 / 50 / 8

HEX #EACF76

RGB 234 207 118

HSL 46.03, 0.73%, 0.69%

LAB 83.67, -1.84, 47.37

 

CMYK 2 / 0 / 50 / 8

HEX #E6EA76

RGB 230 234 118

HSL 62.07, 0.73%, 0.69%

LAB 90.31, -16.99, 55.28

 

CMYK 15 / 0 / 50 / 8

HEX #C7EA76

RGB 199 234 118

HSL 78.1, 0.73%, 0.69%

LAB 88.11, -28.97, 52.12

 

CMYK 28 / 0 / 50 / 8

HEX #A8EA76

RGB 168 234 118

HSL 94.14, 0.73%, 0.69%

LAB 86.25, -40.23, 49.43

 

CMYK 3 / 0 / 79 / 13

HEX #D8DF2F

RGB 216 223 47

HSL 62.39, 0.73%, 0.53%

LAB 85.8, -21.56, 77.48

 

CMYK 2 / 0 / 64 / 11

HEX #DFE453

RGB 223 228 83

HSL 62.07, 0.73%, 0.61%

LAB 87.87, -19.44, 67.54

 

CMYK 2 / 0 / 50 / 8

HEX #E6EA76

RGB 230 234 118

HSL 62.07, 0.73%, 0.69%

LAB 90.31, -16.99, 55.28

 

CMYK 1 / 0 / 36 / 6

HEX #ECEF9A

RGB 236 239 154

HSL 62.12, 0.73%, 0.77%

LAB 92.53, -13.51, 40.82

 

CMYK 1 / 0 / 22 / 4

HEX #F3F5BE

RGB 243 245 190

HSL 62.18, 0.73%, 0.85%

LAB 95.19, -9.35, 26.34

 

CMYK 2 / 0 / 50 / 9

HEX #E5E975

RGB 229 233 117

HSL 62.07, 0.73%, 0.69%

LAB 89.96, -16.98, 55.31

 

CMYK 50 / 0 / 38 / 8

HEX #76EA91

RGB 118 234 145

HSL 133.97, 0.73%, 0.69%

LAB 84.35, -51.69, 33.36

 

CMYK 18 / 50 / 0 / 8

HEX #BF76EA

RGB 191 118 234

HSL 277.76, 0.73%, 0.69%

LAB 61.63, 48.67, -47.65

 

CMYK 2 / 0 / 50 / 9

HEX #E5E975

RGB 229 233 117

HSL 62.07, 0.73%, 0.69%

LAB 89.96, -16.98, 55.31

 

CMYK 50 / 2 / 0 / 8

HEX #76E6EA

RGB 118 230 234

HSL 182.07, 0.73%, 0.69%

LAB 85.19, -30.89, -11.82

 

CMYK 0 / 50 / 2 / 8

HEX #EA76E6

RGB 234 118 230

HSL 302.07, 0.73%, 0.69%

LAB 66.64, 59.66, -37.2

 

CMYK 2 / 0 / 50 / 9

HEX #E5E975

RGB 229 233 117

HSL 62.07, 0.73%, 0.69%

LAB 89.96, -16.98, 55.31

 

CMYK 50 / 0 / 38 / 8

HEX #76EA91

RGB 118 234 145

HSL 133.97, 0.73%, 0.69%

LAB 84.35, -51.69, 33.36

 

CMYK 48 / 50 / 0 / 8

HEX #7A76EA

RGB 122 118 234

HSL 242.07, 0.73%, 0.69%

LAB 55.11, 31.48, -58.43

 

CMYK 0 / 50 / 12 / 8

HEX #EA76CF

RGB 234 118 207

HSL 313.97, 0.73%, 0.69%

LAB 65.71, 55.87, -25.82

 

CMYK 2 / 0 / 50 / 9

HEX #E5E975

RGB 229 233 117

HSL 62.07, 0.73%, 0.69%

LAB 89.96, -16.98, 55.31

 

CMYK 50 / 0 / 23 / 8

HEX #76EAB4

RGB 118 234 180

HSL 152.07, 0.73%, 0.69%

LAB 84.99, -45.23, 16.27

 

CMYK 48 / 50 / 0 / 8

HEX #7A76EA

RGB 122 118 234

HSL 242.07, 0.73%, 0.69%

LAB 55.11, 31.48, -58.43

 

CMYK 0 / 50 / 26 / 8

HEX #EA76AC

RGB 234 118 172

HSL 332.07, 0.73%, 0.69%

LAB 64.51, 50.77, -7.89

 

Description

Color code: HEX #E5E975 | qconv.com Color code: HEX #E5E975 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 233 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 233 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 50 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 50% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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