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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E8AB it is the complementary color #1A1754. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E8AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E8AB shade: #EAE8A6, #FBFAB9, #FFFFCC, #FFFFDF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E8AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E8AB shade: #E5E8AB, #D4D698, #C3C485, #B2B272 and #A1A05F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E8AB shade: #E5E8AB, #E8DBAB, #E8CAAB, #E8BAAB and #E8ABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E8AB shade: #E5E8AB, #D5E8AB, #C4E8AB, #B4E8AB and #ABE8B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E8AB shade matches the following richer shades: #E5E8AB, #EDF1A2 and #F5F99A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E8AB shade: #E5E8AB, #DDDFB4, #D5D7BC, #CECEC5 and #C6C5CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E8AB shade: #E8C9AB, #E8DAAB, #E6E8AB, #D6E8AB and #C5E8AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E8AB shade: #D1D66A, #DBDF8B, #E5E8AB, #EFF1CB and #F9FAEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E8AB shade: #E5E8AB, #ABE8B9 and #D2ABE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E8AB shade: #E5E8AB, #ABE6E8 and #E8ABE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E8AB shade: #E5E8AB, #ABE8B9, #ADABE8 and #E8ABDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E8AB shade: #E5E8AB, #ABE8CB, #ADABE8 and #E8ABC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 26 / 9

HEX #E5E8AB

RGB 229 232 171

HSL 62.95, 0.57%, 0.79%

LAB 90.46, -10.57, 29.43

 

Complementary color

CMYK 69 / 73 / 0 / 67

HEX #1A1754

RGB 26 23 84

HSL 242.95, 0.57%, 0.21%

LAB 12.43, 22.75, -36.62

 

CMYK 0 / 1 / 29 / 8

HEX #EAE8A6

RGB 234 232 166

HSL 58.24, 0.62%, 0.78%

LAB 90.76, -9.35, 32.44

 

CMYK 0 / 0 / 26 / 2

HEX #FBFAB9

RGB 251 250 185

HSL 59.09, 0.89%, 0.85%

LAB 96.98, -9.58, 31.39

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 1 / 0 / 26 / 9

HEX #E5E8AB

RGB 229 232 171

HSL 62.95, 0.57%, 0.79%

LAB 90.46, -10.57, 29.43

 

CMYK 1 / 0 / 29 / 16

HEX #D4D698

RGB 212 214 152

HSL 61.94, 0.43%, 0.72%

LAB 84.15, -10.37, 30.48

 

CMYK 1 / 0 / 32 / 23

HEX #C3C485

RGB 195 196 133

HSL 60.95, 0.35%, 0.65%

LAB 77.74, -10.14, 31.59

 

CMYK 0 / 0 / 36 / 30

HEX #B2B272

RGB 178 178 114

HSL 60, 0.29%, 0.57%

LAB 71.23, -9.86, 32.75

 

CMYK 0 / 1 / 41 / 37

HEX #A1A05F

RGB 161 160 95

HSL 59.09, 0.26%, 0.5%

LAB 64.6, -9.52, 33.97

 

CMYK 1 / 0 / 26 / 9

HEX #E5E8AB

RGB 229 232 171

HSL 62.95, 0.57%, 0.79%

LAB 90.46, -10.57, 29.43

 

CMYK 0 / 6 / 26 / 9

HEX #E8DBAB

RGB 232 219 171

HSL 47.21, 0.57%, 0.79%

LAB 87.37, -2.87, 25.26

 

CMYK 0 / 13 / 26 / 9

HEX #E8CAAB

RGB 232 202 171

HSL 30.49, 0.57%, 0.79%

LAB 83.09, 5.93, 19.37

 

CMYK 0 / 20 / 26 / 9

HEX #E8BAAB

RGB 232 186 171

HSL 14.75, 0.57%, 0.79%

LAB 79.16, 14.37, 13.88

 

CMYK 0 / 26 / 26 / 9

HEX #E8ABAB

RGB 232 171 171

HSL 0, 0.57%, 0.79%

LAB 75.59, 22.36, 8.8

 

CMYK 1 / 0 / 26 / 9

HEX #E5E8AB

RGB 229 232 171

HSL 62.95, 0.57%, 0.79%

LAB 90.46, -10.57, 29.43

 

CMYK 8 / 0 / 26 / 9

HEX #D5E8AB

RGB 213 232 171

HSL 78.69, 0.57%, 0.79%

LAB 89.3, -16.44, 27.65

 

CMYK 16 / 0 / 26 / 9

HEX #C4E8AB

RGB 196 232 171

HSL 95.41, 0.57%, 0.79%

LAB 88.16, -22.49, 25.91

 

CMYK 22 / 0 / 26 / 9

HEX #B4E8AB

RGB 180 232 171

HSL 111.15, 0.57%, 0.79%

LAB 87.17, -27.97, 24.4

 

CMYK 26 / 0 / 23 / 9

HEX #ABE8B3

RGB 171 232 179

HSL 127.87, 0.57%, 0.79%

LAB 86.81, -29.59, 19.69

 

CMYK 1 / 0 / 26 / 9

HEX #E5E8AB

RGB 229 232 171

HSL 62.95, 0.57%, 0.79%

LAB 90.46, -10.57, 29.43

 

CMYK 2 / 0 / 33 / 5

HEX #EDF1A2

RGB 237 241 162

HSL 63.04, 0.74%, 0.79%

LAB 93.24, -13.19, 37.78

 

CMYK 2 / 0 / 38 / 2

HEX #F5F99A

RGB 245 249 154

HSL 62.53, 0.89%, 0.79%

LAB 95.79, -15, 45.13

 

CMYK 1 / 0 / 26 / 9

HEX #E5E8AB

RGB 229 232 171

HSL 62.95, 0.57%, 0.79%

LAB 90.46, -10.57, 29.43

 

CMYK 1 / 0 / 19 / 13

HEX #DDDFB4

RGB 221 223 180

HSL 62.79, 0.4%, 0.79%

LAB 87.7, -7.72, 20.9

 

CMYK 1 / 0 / 13 / 16

HEX #D5D7BC

RGB 213 215 188

HSL 64.44, 0.25%, 0.79%

LAB 85.19, -5.3, 13.1

 

CMYK 0 / 0 / 4 / 19

HEX #CECEC5

RGB 206 206 197

HSL 60, 0.08%, 0.79%

LAB 82.54, -1.6, 4.46

 

CMYK 4 / 4 / 0 / 19

HEX #C6C5CE

RGB 198 197 206

HSL 246.67, 0.08%, 0.79%

LAB 79.84, 2.03, -4.37

 

CMYK 0 / 13 / 26 / 9

HEX #E8C9AB

RGB 232 201 171

HSL 29.51, 0.57%, 0.79%

LAB 82.84, 6.45, 19.03

 

CMYK 0 / 6 / 26 / 9

HEX #E8DAAB

RGB 232 218 171

HSL 46.23, 0.57%, 0.79%

LAB 87.11, -2.36, 24.91

 

CMYK 1 / 0 / 26 / 9

HEX #E6E8AB

RGB 230 232 171

HSL 61.97, 0.57%, 0.79%

LAB 90.54, -10.2, 29.54

 

CMYK 8 / 0 / 26 / 9

HEX #D6E8AB

RGB 214 232 171

HSL 77.7, 0.57%, 0.79%

LAB 89.37, -16.07, 27.76

 

CMYK 15 / 0 / 26 / 9

HEX #C5E8AB

RGB 197 232 171

HSL 94.43, 0.57%, 0.79%

LAB 88.22, -22.14, 26

 

CMYK 2 / 0 / 50 / 16

HEX #D1D66A

RGB 209 214 106

HSL 62.78, 0.57%, 0.63%

LAB 83.28, -16.53, 52.15

 

CMYK 2 / 0 / 38 / 13

HEX #DBDF8B

RGB 219 223 139

HSL 62.86, 0.57%, 0.71%

LAB 86.85, -13.78, 40.71

 

CMYK 1 / 0 / 26 / 9

HEX #E5E8AB

RGB 229 232 171

HSL 62.95, 0.57%, 0.79%

LAB 90.46, -10.57, 29.43

 

CMYK 1 / 0 / 16 / 5

HEX #EFF1CB

RGB 239 241 203

HSL 63.16, 0.58%, 0.87%

LAB 94.13, -6.92, 18.16

 

CMYK 0 / 0 / 6 / 2

HEX #F9FAEC

RGB 249 250 236

HSL 64.29, 0.58%, 0.95%

LAB 97.86, -2.73, 6.58

 

CMYK 1 / 0 / 26 / 9

HEX #E5E8AB

RGB 229 232 171

HSL 62.95, 0.57%, 0.79%

LAB 90.46, -10.57, 29.43

 

CMYK 26 / 0 / 20 / 9

HEX #ABE8B9

RGB 171 232 185

HSL 133.77, 0.57%, 0.79%

LAB 86.93, -28.53, 16.74

 

CMYK 9 / 26 / 0 / 9

HEX #D2ABE8

RGB 210 171 232

HSL 278.36, 0.57%, 0.79%

LAB 75.24, 25.18, -25.25

 

CMYK 1 / 0 / 26 / 9

HEX #E5E8AB

RGB 229 232 171

HSL 62.95, 0.57%, 0.79%

LAB 90.46, -10.57, 29.43

 

CMYK 26 / 1 / 0 / 9

HEX #ABE6E8

RGB 171 230 232

HSL 181.97, 0.57%, 0.79%

LAB 87.52, -18.12, -7.04

 

CMYK 0 / 26 / 1 / 9

HEX #E8ABE6

RGB 232 171 230

HSL 301.97, 0.57%, 0.79%

LAB 77.28, 31.86, -20.86

 

CMYK 1 / 0 / 26 / 9

HEX #E5E8AB

RGB 229 232 171

HSL 62.95, 0.57%, 0.79%

LAB 90.46, -10.57, 29.43

 

CMYK 26 / 0 / 20 / 9

HEX #ABE8B9

RGB 171 232 185

HSL 133.77, 0.57%, 0.79%

LAB 86.93, -28.53, 16.74

 

CMYK 25 / 26 / 0 / 9

HEX #ADABE8

RGB 173 171 232

HSL 241.97, 0.57%, 0.79%

LAB 72.12, 13.77, -30.3

 

CMYK 0 / 26 / 6 / 9

HEX #E8ABDA

RGB 232 171 218

HSL 313.77, 0.57%, 0.79%

LAB 76.89, 29.72, -14.94

 

CMYK 1 / 0 / 26 / 9

HEX #E5E8AB

RGB 229 232 171

HSL 62.95, 0.57%, 0.79%

LAB 90.46, -10.57, 29.43

 

CMYK 26 / 0 / 13 / 9

HEX #ABE8CB

RGB 171 232 203

HSL 151.48, 0.57%, 0.79%

LAB 87.33, -25.15, 7.9

 

CMYK 25 / 26 / 0 / 9

HEX #ADABE8

RGB 173 171 232

HSL 241.97, 0.57%, 0.79%

LAB 72.12, 13.77, -30.3

 

CMYK 0 / 26 / 14 / 9

HEX #E8ABC7

RGB 232 171 199

HSL 332.46, 0.57%, 0.79%

LAB 76.32, 26.55, -5.43

 

Description

Color code: HEX #E5E8AB | qconv.com Color code: HEX #E5E8AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 232 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 232 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 26 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 26% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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