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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E88D it is the complementary color #1A1772. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E88D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E88D shade: #EAE888, #FBFA9B, #FFFFAE, #FFFFC1 and #FFFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E88D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E88D shade: #E5E88D, #D4D67A, #C3C467, #B2B254 and #A1A041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E88D shade: #E5E88D, #E8D28D, #E8BA8D, #E8A18D and #E88D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E88D shade: #E5E88D, #CCE88D, #B4E88D, #9BE88D and #8DE897

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E88D shade matches the following richer shades: #E5E88D, #EFF382 and #F9FE76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E88D shade: #E5E88D, #DADC98, #D0D1A3, #C5C6AE and #BBBBB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E88D shade: #E8B98D, #E8D18D, #E6E88D, #CEE88D and #B6E88D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E88D shade: #D5DA48, #DDE16A, #E5E88D, #EDEFAF and #F4F6D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E88D shade: #E5E88D, #8DE8A0 and #C58DE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E88D shade: #E5E88D, #8DE6E8 and #E88DE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E88D shade: #E5E88D, #8DE8A0, #8E8DE8 and #E88DD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E88D shade: #E5E88D, #8DE8BC, #8E8DE8 and #E88DB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 39 / 9

HEX #E5E88D

RGB 229 232 141

HSL 61.98, 0.66%, 0.73%

LAB 90, -14.17, 43.88

 

Complementary color

CMYK 77 / 80 / 0 / 55

HEX #1A1772

RGB 26 23 114

HSL 241.98, 0.66%, 0.27%

LAB 15.73, 33.73, -51.08

 

CMYK 0 / 1 / 42 / 8

HEX #EAE888

RGB 234 232 136

HSL 58.78, 0.7%, 0.73%

LAB 90.31, -12.75, 46.81

 

CMYK 0 / 0 / 38 / 2

HEX #FBFA9B

RGB 251 250 155

HSL 59.38, 0.92%, 0.8%

LAB 96.51, -13.1, 45.66

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 1 / 0 / 39 / 9

HEX #E5E88D

RGB 229 232 141

HSL 61.98, 0.66%, 0.73%

LAB 90, -14.17, 43.88

 

CMYK 1 / 0 / 43 / 16

HEX #D4D67A

RGB 212 214 122

HSL 61.3, 0.53%, 0.66%

LAB 83.7, -13.83, 45.04

 

CMYK 1 / 0 / 47 / 23

HEX #C3C467

RGB 195 196 103

HSL 60.65, 0.44%, 0.59%

LAB 77.32, -13.42, 46.22

 

CMYK 0 / 0 / 53 / 30

HEX #B2B254

RGB 178 178 84

HSL 60, 0.38%, 0.51%

LAB 70.83, -12.92, 47.36

 

CMYK 0 / 1 / 60 / 37

HEX #A1A041

RGB 161 160 65

HSL 59.38, 0.42%, 0.44%

LAB 64.24, -12.3, 48.41

 

CMYK 1 / 0 / 39 / 9

HEX #E5E88D

RGB 229 232 141

HSL 61.98, 0.66%, 0.73%

LAB 90, -14.17, 43.88

 

CMYK 0 / 9 / 39 / 9

HEX #E8D28D

RGB 232 210 141

HSL 45.49, 0.66%, 0.73%

LAB 84.57, -1.9, 36.98

 

CMYK 0 / 20 / 39 / 9

HEX #E8BA8D

RGB 232 186 141

HSL 29.67, 0.66%, 0.73%

LAB 78.58, 10.62, 29.09

 

CMYK 0 / 31 / 39 / 9

HEX #E8A18D

RGB 232 161 141

HSL 13.19, 0.66%, 0.73%

LAB 72.61, 23.93, 21.02

 

CMYK 0 / 39 / 39 / 9

HEX #E88D8D

RGB 232 141 141

HSL 0, 0.66%, 0.73%

LAB 68.12, 34.53, 14.81

 

CMYK 1 / 0 / 39 / 9

HEX #E5E88D

RGB 229 232 141

HSL 61.98, 0.66%, 0.73%

LAB 90, -14.17, 43.88

 

CMYK 12 / 0 / 39 / 9

HEX #CCE88D

RGB 204 232 141

HSL 78.46, 0.66%, 0.73%

LAB 88.2, -23.65, 41.22

 

CMYK 22 / 0 / 39 / 9

HEX #B4E88D

RGB 180 232 141

HSL 94.29, 0.66%, 0.73%

LAB 86.67, -32.34, 38.96

 

CMYK 33 / 0 / 39 / 9

HEX #9BE88D

RGB 155 232 141

HSL 110.77, 0.66%, 0.73%

LAB 85.3, -40.76, 36.92

 

CMYK 39 / 0 / 35 / 9

HEX #8DE897

RGB 141 232 151

HSL 126.59, 0.66%, 0.73%

LAB 84.8, -43.54, 31.09

 

CMYK 1 / 0 / 39 / 9

HEX #E5E88D

RGB 229 232 141

HSL 61.98, 0.66%, 0.73%

LAB 90, -14.17, 43.88

 

CMYK 2 / 0 / 47 / 5

HEX #EFF382

RGB 239 243 130

HSL 62.12, 0.82%, 0.73%

LAB 93.48, -16.78, 53.65

 

CMYK 2 / 0 / 54 / 0

HEX #F9FE76

RGB 249 254 118

HSL 62.21, 0.99%, 0.73%

LAB 96.96, -19.2, 63.37

 

CMYK 1 / 0 / 39 / 9

HEX #E5E88D

RGB 229 232 141

HSL 61.98, 0.66%, 0.73%

LAB 90, -14.17, 43.88

 

CMYK 1 / 0 / 31 / 14

HEX #DADC98

RGB 218 220 152

HSL 61.76, 0.49%, 0.73%

LAB 86.19, -11.12, 33.27

 

CMYK 0 / 0 / 22 / 18

HEX #D0D1A3

RGB 208 209 163

HSL 61.3, 0.33%, 0.73%

LAB 82.73, -7.84, 22.78

 

CMYK 1 / 0 / 12 / 22

HEX #C5C6AE

RGB 197 198 174

HSL 62.5, 0.17%, 0.73%

LAB 79.22, -4.51, 11.92

 

CMYK 0 / 0 / 1 / 27

HEX #BBBBB9

RGB 187 187 185

HSL 60, 0.01%, 0.73%

LAB 75.83, -0.37, 1

 

CMYK 0 / 20 / 39 / 9

HEX #E8B98D

RGB 232 185 141

HSL 29.01, 0.66%, 0.73%

LAB 78.33, 11.15, 28.76

 

CMYK 0 / 10 / 39 / 9

HEX #E8D18D

RGB 232 209 141

HSL 44.84, 0.66%, 0.73%

LAB 84.32, -1.39, 36.65

 

CMYK 1 / 0 / 39 / 9

HEX #E6E88D

RGB 230 232 141

HSL 61.32, 0.66%, 0.73%

LAB 90.07, -13.78, 44

 

CMYK 11 / 0 / 39 / 9

HEX #CEE88D

RGB 206 232 141

HSL 77.14, 0.66%, 0.73%

LAB 88.33, -22.9, 41.42

 

CMYK 22 / 0 / 39 / 9

HEX #B6E88D

RGB 182 232 141

HSL 92.97, 0.66%, 0.73%

LAB 86.79, -31.64, 39.14

 

CMYK 2 / 0 / 67 / 15

HEX #D5DA48

RGB 213 218 72

HSL 62.05, 0.66%, 0.57%

LAB 84.36, -19.28, 67.93

 

CMYK 2 / 0 / 53 / 12

HEX #DDE16A

RGB 221 225 106

HSL 62.02, 0.66%, 0.65%

LAB 87.13, -17.15, 56.87

 

CMYK 1 / 0 / 39 / 9

HEX #E5E88D

RGB 229 232 141

HSL 61.98, 0.66%, 0.73%

LAB 90, -14.17, 43.88

 

CMYK 1 / 0 / 27 / 6

HEX #EDEFAF

RGB 237 239 175

HSL 61.88, 0.67%, 0.81%

LAB 92.94, -10.58, 30.83

 

CMYK 1 / 0 / 15 / 4

HEX #F4F6D1

RGB 244 246 209

HSL 63.24, 0.67%, 0.89%

LAB 95.89, -6.75, 17.6

 

CMYK 1 / 0 / 39 / 9

HEX #E5E88D

RGB 229 232 141

HSL 61.98, 0.66%, 0.73%

LAB 90, -14.17, 43.88

 

CMYK 39 / 0 / 31 / 9

HEX #8DE8A0

RGB 141 232 160

HSL 132.53, 0.66%, 0.73%

LAB 84.95, -42.05, 26.7

 

CMYK 15 / 39 / 0 / 9

HEX #C58DE8

RGB 197 141 232

HSL 276.92, 0.66%, 0.73%

LAB 67.09, 37.58, -37.93

 

CMYK 1 / 0 / 39 / 9

HEX #E5E88D

RGB 229 232 141

HSL 61.98, 0.66%, 0.73%

LAB 90, -14.17, 43.88

 

CMYK 39 / 1 / 0 / 9

HEX #8DE6E8

RGB 141 230 232

HSL 181.32, 0.66%, 0.73%

LAB 86.05, -26.14, -9.39

 

CMYK 0 / 39 / 1 / 9

HEX #E88DE6

RGB 232 141 230

HSL 301.32, 0.66%, 0.73%

LAB 70.81, 47.66, -30.75

 

CMYK 1 / 0 / 39 / 9

HEX #E5E88D

RGB 229 232 141

HSL 61.98, 0.66%, 0.73%

LAB 90, -14.17, 43.88

 

CMYK 39 / 0 / 31 / 9

HEX #8DE8A0

RGB 141 232 160

HSL 132.53, 0.66%, 0.73%

LAB 84.95, -42.05, 26.7

 

CMYK 39 / 39 / 0 / 9

HEX #8E8DE8

RGB 142 141 232

HSL 240.66, 0.66%, 0.73%

LAB 62.19, 22.19, -45.96

 

CMYK 0 / 39 / 9 / 9

HEX #E88DD4

RGB 232 141 212

HSL 313.19, 0.66%, 0.73%

LAB 70.15, 44.54, -21.85

 

CMYK 1 / 0 / 39 / 9

HEX #E5E88D

RGB 229 232 141

HSL 61.98, 0.66%, 0.73%

LAB 90, -14.17, 43.88

 

CMYK 39 / 0 / 19 / 9

HEX #8DE8BC

RGB 141 232 188

HSL 150.99, 0.66%, 0.73%

LAB 85.51, -36.84, 12.95

 

CMYK 39 / 39 / 0 / 9

HEX #8E8DE8

RGB 142 141 232

HSL 240.66, 0.66%, 0.73%

LAB 62.19, 22.19, -45.96

 

CMYK 0 / 39 / 20 / 9

HEX #E88DB9

RGB 232 141 185

HSL 330.99, 0.66%, 0.73%

LAB 69.26, 40.28, -8.16

 

Description

Color code: HEX #E5E88D | qconv.com Color code: HEX #E5E88D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 232 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 232 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 39 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 39% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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