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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E790 it is the complementary color #1A186F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E790. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E790 shade: #EAE78B, #FBF99E, #FFFFB1, #FFFFC4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E790. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E790 shade: #E5E790, #D4D57D, #C3C36A, #B2B157 and #A19F44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E790 shade: #E5E792, #E7D292, #E7BB92, #E7A492 and #E79292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E790 shade: #E5E792, #CEE792, #B7E792, #A0E792 and #92E79A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E790 shade matches the following richer shades: #E5E792, #EFF187 and #F9FC7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E790 shade: #E5E792, #DADC9C, #D0D1A7, #C6C6B2 and #BCBCBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E790 shade: #E7BB92, #E7D192, #E5E792, #CFE792 and #B8E792

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E790 shade: #D5D84E, #DDDF70, #E5E792, #EDEEB4 and #F5F5D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E790 shade: #E5E790, #92E7A4 and #C692E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E790 shade: #E5E790, #92E5E7 and #E792E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E790 shade: #E5E790, #92E7A4, #9392E7 and #E792D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E790 shade: #E5E790, #92E7BE, #9392E7 and #E792BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 38 / 9

HEX #E5E790

RGB 229 231 144

HSL 61.38, 0.64%, 0.74%

LAB 89.78, -13.35, 42.13

 

Complementary color

CMYK 77 / 78 / 0 / 56

HEX #1A186F

RGB 26 24 111

HSL 241.38, 0.64%, 0.26%

LAB 15.59, 32.07, -49.36

 

CMYK 0 / 1 / 41 / 8

HEX #EAE78B

RGB 234 231 139

HSL 58.11, 0.69%, 0.73%

LAB 90.09, -11.95, 45.07

 

CMYK 0 / 1 / 37 / 2

HEX #FBF99E

RGB 251 249 158

HSL 58.71, 0.92%, 0.8%

LAB 96.3, -12.29, 43.93

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 1 / 0 / 38 / 9

HEX #E5E790

RGB 229 231 144

HSL 61.38, 0.64%, 0.74%

LAB 89.78, -13.35, 42.13

 

CMYK 0 / 0 / 41 / 16

HEX #D4D57D

RGB 212 213 125

HSL 60.68, 0.51%, 0.66%

LAB 83.48, -13.02, 43.29

 

CMYK 0 / 0 / 46 / 24

HEX #C3C36A

RGB 195 195 106

HSL 60, 0.43%, 0.59%

LAB 77.08, -12.62, 44.47

 

CMYK 0 / 1 / 51 / 30

HEX #B2B157

RGB 178 177 87

HSL 59.34, 0.37%, 0.52%

LAB 70.59, -12.14, 45.64

 

CMYK 0 / 1 / 58 / 37

HEX #A19F44

RGB 161 159 68

HSL 58.71, 0.41%, 0.45%

LAB 63.99, -11.55, 46.74

 

CMYK 1 / 0 / 37 / 9

HEX #E5E792

RGB 229 231 146

HSL 61.41, 0.64%, 0.74%

LAB 89.81, -13.12, 41.17

 

CMYK 0 / 9 / 37 / 9

HEX #E7D292

RGB 231 210 146

HSL 45.18, 0.64%, 0.74%

LAB 84.56, -1.73, 34.4

 

CMYK 0 / 19 / 37 / 9

HEX #E7BB92

RGB 231 187 146

HSL 28.94, 0.64%, 0.74%

LAB 78.81, 10.27, 26.75

 

CMYK 0 / 29 / 37 / 9

HEX #E7A492

RGB 231 164 146

HSL 12.71, 0.64%, 0.74%

LAB 73.3, 22.52, 19.22

 

CMYK 0 / 37 / 37 / 9

HEX #E79292

RGB 231 146 146

HSL 0, 0.64%, 0.74%

LAB 69.2, 32.1, 13.52

 

CMYK 1 / 0 / 37 / 9

HEX #E5E792

RGB 229 231 146

HSL 61.41, 0.64%, 0.74%

LAB 89.81, -13.12, 41.17

 

CMYK 11 / 0 / 37 / 9

HEX #CEE792

RGB 206 231 146

HSL 77.65, 0.64%, 0.74%

LAB 88.14, -21.82, 38.69

 

CMYK 21 / 0 / 37 / 9

HEX #B7E792

RGB 183 231 146

HSL 93.88, 0.64%, 0.74%

LAB 86.65, -30.16, 36.47

 

CMYK 31 / 0 / 37 / 9

HEX #A0E792

RGB 160 231 146

HSL 110.12, 0.64%, 0.74%

LAB 85.35, -37.97, 34.52

 

CMYK 37 / 0 / 33 / 9

HEX #92E79A

RGB 146 231 154

HSL 125.65, 0.64%, 0.74%

LAB 84.79, -41.13, 29.59

 

CMYK 1 / 0 / 37 / 9

HEX #E5E792

RGB 229 231 146

HSL 61.41, 0.64%, 0.74%

LAB 89.81, -13.12, 41.17

 

CMYK 1 / 0 / 44 / 5

HEX #EFF187

RGB 239 241 135

HSL 61.13, 0.79%, 0.74%

LAB 93.02, -15.33, 50.73

 

CMYK 1 / 0 / 51 / 1

HEX #F9FC7C

RGB 249 252 124

HSL 61.41, 0.96%, 0.74%

LAB 96.5, -17.76, 60.18

 

CMYK 1 / 0 / 37 / 9

HEX #E5E792

RGB 229 231 146

HSL 61.41, 0.64%, 0.74%

LAB 89.81, -13.12, 41.17

 

CMYK 1 / 0 / 29 / 14

HEX #DADC9C

RGB 218 220 156

HSL 61.88, 0.48%, 0.74%

LAB 86.25, -10.62, 31.31

 

CMYK 0 / 0 / 20 / 18

HEX #D0D1A7

RGB 208 209 167

HSL 61.43, 0.31%, 0.74%

LAB 82.81, -7.26, 20.78

 

CMYK 0 / 0 / 10 / 22

HEX #C6C6B2

RGB 198 198 178

HSL 60, 0.15%, 0.74%

LAB 79.39, -3.49, 10.02

 

CMYK 1 / 1 / 0 / 26

HEX #BCBCBD

RGB 188 188 189

HSL 240, 0.01%, 0.74%

LAB 76.27, 0.19, -0.51

 

CMYK 0 / 19 / 37 / 9

HEX #E7BB92

RGB 231 187 146

HSL 28.94, 0.64%, 0.74%

LAB 78.81, 10.27, 26.75

 

CMYK 0 / 10 / 37 / 9

HEX #E7D192

RGB 231 209 146

HSL 44.47, 0.64%, 0.74%

LAB 84.31, -1.22, 34.06

 

CMYK 1 / 0 / 37 / 9

HEX #E5E792

RGB 229 231 146

HSL 61.41, 0.64%, 0.74%

LAB 89.81, -13.12, 41.17

 

CMYK 10 / 0 / 37 / 9

HEX #CFE792

RGB 207 231 146

HSL 76.94, 0.64%, 0.74%

LAB 88.21, -21.45, 38.79

 

CMYK 20 / 0 / 37 / 9

HEX #B8E792

RGB 184 231 146

HSL 93.18, 0.64%, 0.74%

LAB 86.71, -29.8, 36.56

 

CMYK 1 / 0 / 64 / 15

HEX #D5D84E

RGB 213 216 78

HSL 61.3, 0.64%, 0.58%

LAB 83.87, -17.95, 65.1

 

CMYK 1 / 0 / 50 / 13

HEX #DDDF70

RGB 221 223 112

HSL 61.08, 0.63%, 0.66%

LAB 86.66, -15.67, 53.57

 

CMYK 1 / 0 / 37 / 9

HEX #E5E792

RGB 229 231 146

HSL 61.41, 0.64%, 0.74%

LAB 89.81, -13.12, 41.17

 

CMYK 0 / 0 / 24 / 7

HEX #EDEEB4

RGB 237 238 180

HSL 61.03, 0.63%, 0.82%

LAB 92.77, -9.42, 28.06

 

CMYK 0 / 0 / 13 / 4

HEX #F5F5D5

RGB 245 245 213

HSL 60, 0.62%, 0.9%

LAB 95.8, -5.28, 15.43

 

CMYK 1 / 0 / 38 / 9

HEX #E5E790

RGB 229 231 144

HSL 61.38, 0.64%, 0.74%

LAB 89.78, -13.35, 42.13

 

CMYK 37 / 0 / 29 / 9

HEX #92E7A4

RGB 146 231 164

HSL 132.71, 0.64%, 0.74%

LAB 84.97, -39.45, 24.7

 

CMYK 14 / 37 / 0 / 9

HEX #C692E7

RGB 198 146 231

HSL 276.71, 0.64%, 0.74%

LAB 68.27, 34.94, -35.54

 

CMYK 1 / 0 / 38 / 9

HEX #E5E790

RGB 229 231 144

HSL 61.38, 0.64%, 0.74%

LAB 89.78, -13.35, 42.13

 

CMYK 37 / 1 / 0 / 9

HEX #92E5E7

RGB 146 229 231

HSL 181.41, 0.64%, 0.74%

LAB 85.97, -24.63, -8.96

 

CMYK 0 / 37 / 1 / 9

HEX #E792E5

RGB 231 146 229

HSL 301.41, 0.64%, 0.74%

LAB 71.69, 44.59, -28.86

 

CMYK 1 / 0 / 38 / 9

HEX #E5E790

RGB 229 231 144

HSL 61.38, 0.64%, 0.74%

LAB 89.78, -13.35, 42.13

 

CMYK 37 / 0 / 29 / 9

HEX #92E7A4

RGB 146 231 164

HSL 132.71, 0.64%, 0.74%

LAB 84.97, -39.45, 24.7

 

CMYK 36 / 37 / 0 / 9

HEX #9392E7

RGB 147 146 231

HSL 240.71, 0.64%, 0.74%

LAB 63.78, 20.34, -42.88

 

CMYK 0 / 37 / 8 / 9

HEX #E792D4

RGB 231 146 212

HSL 313.41, 0.64%, 0.74%

LAB 71.08, 41.62, -20.44

 

CMYK 1 / 0 / 38 / 9

HEX #E5E790

RGB 229 231 144

HSL 61.38, 0.64%, 0.74%

LAB 89.78, -13.35, 42.13

 

CMYK 37 / 0 / 18 / 9

HEX #92E7BE

RGB 146 231 190

HSL 151.06, 0.64%, 0.74%

LAB 85.49, -34.59, 11.92

 

CMYK 36 / 37 / 0 / 9

HEX #9392E7

RGB 147 146 231

HSL 240.71, 0.64%, 0.74%

LAB 63.78, 20.34, -42.88

 

CMYK 0 / 37 / 19 / 9

HEX #E792BB

RGB 231 146 187

HSL 331.06, 0.64%, 0.74%

LAB 70.27, 37.62, -7.79

 

Description

Color code: HEX #E5E790 | qconv.com Color code: HEX #E5E790 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 231 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 231 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 38 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 38% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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