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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E77D it is the complementary color #1A1882. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E77D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E77D shade: #EAE778, #FBF98B, #FFFF9E, #FFFFB1 and #FFFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E77D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E77D shade: #E5E77D, #D4D56A, #C3C357, #B2B144 and #A19F31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E77D shade: #E5E77D, #E7CC7D, #E7B07D, #E7937D and #E77D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E77D shade: #E5E77D, #C8E77D, #ACE77D, #8FE77D and #7DE788

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E77D shade matches the following richer shades: #E5E77D and #F1F371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E77D shade: #E5E77D, #D9DA8A, #CDCE96, #C1C2A2 and #B5B5AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E77D shade: #E7B07D, #E7CC7D, #E5E77D, #C9E77D and #ADE77D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E77D shade: #D7DA37, #DEE05A, #E5E77D, #ECEDA0 and #F3F4C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E77D shade: #E5E77D, #7DE794 and #BE7DE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E77D shade: #E5E77D, #7DE5E7 and #E77DE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E77D shade: #E5E77D, #7DE794, #7F7DE7 and #E77DD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E77D shade: #E5E77D, #7DE7B4, #7F7DE7 and #E77DB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 46 / 9

HEX #E5E77D

RGB 229 231 125

HSL 61.13, 0.69%, 0.7%

LAB 89.53, -15.28, 51.04

 

Complementary color

CMYK 80 / 82 / 0 / 49

HEX #1A1882

RGB 26 24 130

HSL 241.13, 0.69%, 0.3%

LAB 17.85, 38.68, -57.83

 

CMYK 0 / 1 / 49 / 8

HEX #EAE778

RGB 234 231 120

HSL 58.42, 0.73%, 0.69%

LAB 89.86, -13.76, 53.89

 

CMYK 0 / 1 / 45 / 2

HEX #FBF98B

RGB 251 249 139

HSL 58.93, 0.93%, 0.76%

LAB 96.05, -14.21, 52.75

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 1 / 0 / 46 / 9

HEX #E5E77D

RGB 229 231 125

HSL 61.13, 0.69%, 0.7%

LAB 89.53, -15.28, 51.04

 

CMYK 0 / 0 / 50 / 16

HEX #D4D56A

RGB 212 213 106

HSL 60.56, 0.56%, 0.63%

LAB 83.25, -14.83, 52.17

 

CMYK 0 / 0 / 55 / 24

HEX #C3C357

RGB 195 195 87

HSL 60, 0.47%, 0.55%

LAB 76.87, -14.28, 53.25

 

CMYK 0 / 1 / 62 / 30

HEX #B2B144

RGB 178 177 68

HSL 59.45, 0.45%, 0.48%

LAB 70.4, -13.62, 54.18

 

CMYK 0 / 1 / 70 / 37

HEX #A19F31

RGB 161 159 49

HSL 58.93, 0.53%, 0.41%

LAB 63.83, -12.8, 54.79

 

CMYK 1 / 0 / 46 / 9

HEX #E5E77D

RGB 229 231 125

HSL 61.13, 0.69%, 0.7%

LAB 89.53, -15.28, 51.04

 

CMYK 0 / 12 / 46 / 9

HEX #E7CC7D

RGB 231 204 125

HSL 44.72, 0.69%, 0.7%

LAB 82.73, -0.85, 42.69

 

CMYK 0 / 24 / 46 / 9

HEX #E7B07D

RGB 231 176 125

HSL 28.87, 0.69%, 0.7%

LAB 75.77, 13.84, 33.82

 

CMYK 0 / 36 / 46 / 9

HEX #E7937D

RGB 231 147 125

HSL 12.45, 0.69%, 0.7%

LAB 68.99, 29.28, 24.87

 

CMYK 0 / 46 / 46 / 9

HEX #E77D7D

RGB 231 125 125

HSL 0, 0.69%, 0.7%

LAB 64.27, 40.76, 18.47

 

CMYK 1 / 0 / 46 / 9

HEX #E5E77D

RGB 229 231 125

HSL 61.13, 0.69%, 0.7%

LAB 89.53, -15.28, 51.04

 

CMYK 13 / 0 / 46 / 9

HEX #C8E77D

RGB 200 231 125

HSL 77.55, 0.69%, 0.7%

LAB 87.44, -26.46, 48.01

 

CMYK 26 / 0 / 46 / 9

HEX #ACE77D

RGB 172 231 125

HSL 93.4, 0.69%, 0.7%

LAB 85.71, -36.68, 45.48

 

CMYK 38 / 0 / 46 / 9

HEX #8FE77D

RGB 143 231 125

HSL 109.81, 0.69%, 0.7%

LAB 84.21, -46.31, 43.29

 

CMYK 46 / 0 / 41 / 9

HEX #7DE788

RGB 125 231 136

HSL 126.23, 0.69%, 0.7%

LAB 83.59, -50.03, 36.94

 

CMYK 1 / 0 / 46 / 9

HEX #E5E77D

RGB 229 231 125

HSL 61.13, 0.69%, 0.7%

LAB 89.53, -15.28, 51.04

 

CMYK 1 / 0 / 53 / 5

HEX #F1F371

RGB 241 243 113

HSL 60.92, 0.84%, 0.7%

LAB 93.45, -17.43, 61.4

 

CMYK 1 / 0 / 46 / 9

HEX #E5E77D

RGB 229 231 125

HSL 61.13, 0.69%, 0.7%

LAB 89.53, -15.28, 51.04

 

CMYK 0 / 0 / 37 / 15

HEX #D9DA8A

RGB 217 218 138

HSL 60.75, 0.52%, 0.7%

LAB 85.37, -12.16, 39.28

 

CMYK 0 / 0 / 27 / 19

HEX #CDCE96

RGB 205 206 150

HSL 61.07, 0.36%, 0.7%

LAB 81.47, -9.22, 27.83

 

CMYK 1 / 0 / 16 / 24

HEX #C1C2A2

RGB 193 194 162

HSL 61.88, 0.21%, 0.7%

LAB 77.6, -5.8, 16.01

 

CMYK 0 / 0 / 3 / 29

HEX #B5B5AF

RGB 181 181 175

HSL 60, 0.04%, 0.7%

LAB 73.52, -1.1, 3.04

 

CMYK 0 / 24 / 46 / 9

HEX #E7B07D

RGB 231 176 125

HSL 28.87, 0.69%, 0.7%

LAB 75.77, 13.84, 33.82

 

CMYK 0 / 12 / 46 / 9

HEX #E7CC7D

RGB 231 204 125

HSL 44.72, 0.69%, 0.7%

LAB 82.73, -0.85, 42.69

 

CMYK 1 / 0 / 46 / 9

HEX #E5E77D

RGB 229 231 125

HSL 61.13, 0.69%, 0.7%

LAB 89.53, -15.28, 51.04

 

CMYK 13 / 0 / 46 / 9

HEX #C9E77D

RGB 201 231 125

HSL 76.98, 0.69%, 0.7%

LAB 87.51, -26.09, 48.11

 

CMYK 25 / 0 / 46 / 9

HEX #ADE77D

RGB 173 231 125

HSL 92.83, 0.69%, 0.7%

LAB 85.76, -36.33, 45.57

 

CMYK 1 / 0 / 75 / 15

HEX #D7DA37

RGB 215 218 55

HSL 61.1, 0.69%, 0.54%

LAB 84.41, -19.25, 73.89

 

CMYK 1 / 0 / 60 / 12

HEX #DEE05A

RGB 222 224 90

HSL 60.9, 0.68%, 0.62%

LAB 86.79, -17.44, 63.51

 

CMYK 1 / 0 / 46 / 9

HEX #E5E77D

RGB 229 231 125

HSL 61.13, 0.69%, 0.7%

LAB 89.53, -15.28, 51.04

 

CMYK 0 / 0 / 32 / 7

HEX #ECEDA0

RGB 236 237 160

HSL 60.78, 0.68%, 0.78%

LAB 92.1, -11.82, 37.27

 

CMYK 0 / 0 / 20 / 4

HEX #F3F4C3

RGB 243 244 195

HSL 61.22, 0.69%, 0.86%

LAB 95.03, -8.16, 23.57

 

CMYK 1 / 0 / 46 / 9

HEX #E5E77D

RGB 229 231 125

HSL 61.13, 0.69%, 0.7%

LAB 89.53, -15.28, 51.04

 

CMYK 46 / 0 / 36 / 9

HEX #7DE794

RGB 125 231 148

HSL 133.02, 0.69%, 0.7%

LAB 83.78, -48.12, 31.14

 

CMYK 18 / 46 / 0 / 9

HEX #BE7DE7

RGB 190 125 231

HSL 276.79, 0.69%, 0.7%

LAB 62.83, 44.03, -44.1

 

CMYK 1 / 0 / 46 / 9

HEX #E5E77D

RGB 229 231 125

HSL 61.13, 0.69%, 0.7%

LAB 89.53, -15.28, 51.04

 

CMYK 46 / 1 / 0 / 9

HEX #7DE5E7

RGB 125 229 231

HSL 181.13, 0.69%, 0.7%

LAB 85.08, -29.66, -10.37

 

CMYK 0 / 46 / 1 / 9

HEX #E77DE5

RGB 231 125 229

HSL 301.13, 0.69%, 0.7%

LAB 67.51, 55.25, -35.32

 

CMYK 1 / 0 / 46 / 9

HEX #E5E77D

RGB 229 231 125

HSL 61.13, 0.69%, 0.7%

LAB 89.53, -15.28, 51.04

 

CMYK 46 / 0 / 36 / 9

HEX #7DE794

RGB 125 231 148

HSL 133.02, 0.69%, 0.7%

LAB 83.78, -48.12, 31.14

 

CMYK 45 / 46 / 0 / 9

HEX #7F7DE7

RGB 127 125 231

HSL 241.13, 0.69%, 0.7%

LAB 57.03, 27.59, -53.66

 

CMYK 0 / 46 / 10 / 9

HEX #E77DD0

RGB 231 125 208

HSL 313.02, 0.69%, 0.7%

LAB 66.68, 51.7, -24.93

 

CMYK 1 / 0 / 46 / 9

HEX #E5E77D

RGB 229 231 125

HSL 61.13, 0.69%, 0.7%

LAB 89.53, -15.28, 51.04

 

CMYK 46 / 0 / 22 / 9

HEX #7DE7B4

RGB 125 231 180

HSL 151.13, 0.69%, 0.7%

LAB 84.38, -42.21, 15.45

 

CMYK 45 / 46 / 0 / 9

HEX #7F7DE7

RGB 127 125 231

HSL 241.13, 0.69%, 0.7%

LAB 57.03, 27.59, -53.66

 

CMYK 0 / 46 / 24 / 9

HEX #E77DB0

RGB 231 125 176

HSL 331.13, 0.69%, 0.7%

LAB 65.59, 46.86, -8.59

 

Description

Color code: HEX #E5E77D | qconv.com Color code: HEX #E5E77D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 231 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 231 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 46 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 46% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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