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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E757 it is the complementary color #1A18A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E757. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E757 shade: #EAE752, #FBF965, #FFFF78, #FFFF8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E757. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E757 shade: #E5E757, #D4D544, #C3C331, #B2B11E and #A19F0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E757 shade: #E4E655, #E6C155, #E69A55, #E67355 and #E65555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E757 shade: #E4E655, #BDE655, #96E655, #6FE655 and #55E662

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E757 shade matches the following richer shades: #E4E655 and #F4F645

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E757 shade: #E4E655, #D5D765, #C6C774, #B7B784 and #A7A894

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E757 shade: #E69955, #E6C055, #E6E655, #C0E655 and #99E655

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E757 shade: #CACC1D, #DFE131, #E4E655, #EAEB79 and #EFF19D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E757 shade: #E5E757, #55E672 and #AC55E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E757 shade: #E5E757, #55E6E6 and #E655E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E757 shade: #E5E757, #55E672, #5555E6 and #E655C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E757 shade: #E5E757, #55E69E, #5555E6 and #E6559E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 62 / 9

HEX #E5E757

RGB 229 231 87

HSL 60.83, 0.75%, 0.62%

LAB 89.16, -18.22, 67.43

 

Complementary color

CMYK 85 / 86 / 0 / 34

HEX #1A18A8

RGB 26 24 168

HSL 240.83, 0.75%, 0.38%

LAB 22.65, 50.86, -73.36

 

CMYK 0 / 1 / 65 / 8

HEX #EAE752

RGB 234 231 82

HSL 58.82, 0.78%, 0.62%

LAB 89.51, -16.48, 69.89

 

CMYK 0 / 1 / 60 / 2

HEX #FBF965

RGB 251 249 101

HSL 59.2, 0.95%, 0.69%

LAB 95.66, -17.21, 69.21

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 1 / 0 / 62 / 9

HEX #E5E757

RGB 229 231 87

HSL 60.83, 0.75%, 0.62%

LAB 89.16, -18.22, 67.43

 

CMYK 0 / 0 / 68 / 16

HEX #D4D544

RGB 212 213 68

HSL 60.41, 0.63%, 0.55%

LAB 82.91, -17.45, 67.95

 

CMYK 0 / 0 / 75 / 24

HEX #C3C331

RGB 195 195 49

HSL 60, 0.6%, 0.48%

LAB 76.59, -16.53, 67.99

 

CMYK 0 / 1 / 83 / 30

HEX #B2B11E

RGB 178 177 30

HSL 59.59, 0.71%, 0.41%

LAB 70.18, -15.42, 67.21

 

CMYK 0 / 1 / 93 / 37

HEX #A19F0B

RGB 161 159 11

HSL 59.2, 0.87%, 0.34%

LAB 63.67, -14.09, 65.09

 

CMYK 1 / 0 / 63 / 10

HEX #E4E655

RGB 228 230 85

HSL 60.83, 0.74%, 0.62%

LAB 88.8, -18.26, 67.83

 

CMYK 0 / 16 / 63 / 10

HEX #E6C155

RGB 230 193 85

HSL 44.69, 0.74%, 0.62%

LAB 79.4, 1.24, 57.81

 

CMYK 0 / 33 / 63 / 10

HEX #E69A55

RGB 230 154 85

HSL 28.55, 0.74%, 0.62%

LAB 69.89, 21.87, 47.1

 

CMYK 0 / 50 / 63 / 10

HEX #E67355

RGB 230 115 85

HSL 12.41, 0.74%, 0.62%

LAB 61.43, 42.2, 37.07

 

CMYK 0 / 63 / 63 / 10

HEX #E65555

RGB 230 85 85

HSL 0, 0.74%, 0.62%

LAB 56.06, 56.17, 30.41

 

CMYK 1 / 0 / 63 / 10

HEX #E4E655

RGB 228 230 85

HSL 60.83, 0.74%, 0.62%

LAB 88.8, -18.26, 67.83

 

CMYK 18 / 0 / 63 / 10

HEX #BDE655

RGB 189 230 85

HSL 76.97, 0.74%, 0.62%

LAB 86.04, -33.73, 64.07

 

CMYK 35 / 0 / 63 / 10

HEX #96E655

RGB 150 230 85

HSL 93.1, 0.74%, 0.62%

LAB 83.83, -47.9, 61.03

 

CMYK 52 / 0 / 63 / 10

HEX #6FE655

RGB 111 230 85

HSL 109.24, 0.74%, 0.62%

LAB 82.18, -59.78, 58.75

 

CMYK 63 / 0 / 57 / 10

HEX #55E662

RGB 85 230 98

HSL 125.38, 0.74%, 0.62%

LAB 81.51, -64.53, 52.18

 

CMYK 1 / 0 / 63 / 10

HEX #E4E655

RGB 228 230 85

HSL 60.83, 0.74%, 0.62%

LAB 88.8, -18.26, 67.83

 

CMYK 1 / 0 / 72 / 4

HEX #F4F645

RGB 244 246 69

HSL 60.68, 0.91%, 0.62%

LAB 94.13, -20.31, 79.33

 

CMYK 1 / 0 / 63 / 10

HEX #E4E655

RGB 228 230 85

HSL 60.83, 0.74%, 0.62%

LAB 88.8, -18.26, 67.83

 

CMYK 1 / 0 / 53 / 16

HEX #D5D765

RGB 213 215 101

HSL 61.05, 0.59%, 0.62%

LAB 83.8, -15.84, 55.15

 

CMYK 1 / 0 / 42 / 22

HEX #C6C774

RGB 198 199 116

HSL 60.72, 0.43%, 0.62%

LAB 78.53, -12.44, 41.34

 

CMYK 0 / 0 / 28 / 28

HEX #B7B784

RGB 183 183 132

HSL 60, 0.26%, 0.62%

LAB 73.29, -8.21, 26.02

 

CMYK 1 / 0 / 12 / 34

HEX #A7A894

RGB 167 168 148

HSL 63, 0.1%, 0.62%

LAB 68.28, -3.94, 10.22

 

CMYK 0 / 33 / 63 / 10

HEX #E69955

RGB 230 153 85

HSL 28.14, 0.74%, 0.62%

LAB 69.66, 22.4, 46.84

 

CMYK 0 / 17 / 63 / 10

HEX #E6C055

RGB 230 192 85

HSL 44.28, 0.74%, 0.62%

LAB 79.14, 1.76, 57.53

 

CMYK 0 / 0 / 63 / 10

HEX #E6E655

RGB 230 230 85

HSL 60, 0.74%, 0.62%

LAB 88.96, -17.44, 68.05

 

CMYK 17 / 0 / 63 / 10

HEX #C0E655

RGB 192 230 85

HSL 75.72, 0.74%, 0.62%

LAB 86.23, -32.58, 64.34

 

CMYK 33 / 0 / 63 / 10

HEX #99E655

RGB 153 230 85

HSL 91.86, 0.74%, 0.62%

LAB 83.98, -46.88, 61.24

 

CMYK 1 / 0 / 86 / 20

HEX #CACC1D

RGB 202 204 29

HSL 60.69, 0.75%, 0.46%

LAB 79.52, -18.66, 75.96

 

CMYK 1 / 0 / 78 / 12

HEX #DFE131

RGB 223 225 49

HSL 60.68, 0.75%, 0.54%

LAB 86.88, -19.56, 78.1

 

CMYK 1 / 0 / 63 / 10

HEX #E4E655

RGB 228 230 85

HSL 60.83, 0.74%, 0.62%

LAB 88.8, -18.26, 67.83

 

CMYK 0 / 0 / 49 / 8

HEX #EAEB79

RGB 234 235 121

HSL 60.53, 0.74%, 0.7%

LAB 90.91, -15.64, 54.68

 

CMYK 1 / 0 / 35 / 5

HEX #EFF19D

RGB 239 241 157

HSL 61.43, 0.75%, 0.78%

LAB 93.32, -13.02, 40.39

 

CMYK 1 / 0 / 62 / 9

HEX #E5E757

RGB 229 231 87

HSL 60.83, 0.75%, 0.62%

LAB 89.16, -18.22, 67.43

 

CMYK 63 / 0 / 50 / 10

HEX #55E672

RGB 85 230 114

HSL 132, 0.74%, 0.62%

LAB 81.7, -62.45, 45

 

CMYK 25 / 63 / 0 / 10

HEX #AC55E6

RGB 172 85 230

HSL 276, 0.74%, 0.62%

LAB 52.93, 59.72, -59.41

 

CMYK 1 / 0 / 62 / 9

HEX #E5E757

RGB 229 231 87

HSL 60.83, 0.75%, 0.62%

LAB 89.16, -18.22, 67.43

 

CMYK 63 / 0 / 0 / 10

HEX #55E6E6

RGB 85 230 230

HSL 180, 0.74%, 0.62%

LAB 84.09, -37.93, -11.46

 

CMYK 0 / 63 / 0 / 10

HEX #E655E6

RGB 230 85 230

HSL 300, 0.74%, 0.62%

LAB 60.81, 72.99, -46.39

 

CMYK 1 / 0 / 62 / 9

HEX #E5E757

RGB 229 231 87

HSL 60.83, 0.75%, 0.62%

LAB 89.16, -18.22, 67.43

 

CMYK 63 / 0 / 50 / 10

HEX #55E672

RGB 85 230 114

HSL 132, 0.74%, 0.62%

LAB 81.7, -62.45, 45

 

CMYK 63 / 63 / 0 / 10

HEX #5555E6

RGB 85 85 230

HSL 240, 0.74%, 0.62%

LAB 44.44, 43.1, -73.58

 

CMYK 0 / 63 / 13 / 10

HEX #E655C9

RGB 230 85 201

HSL 312, 0.74%, 0.62%

LAB 59.47, 68.47, -32.13

 

CMYK 1 / 0 / 62 / 9

HEX #E5E757

RGB 229 231 87

HSL 60.83, 0.75%, 0.62%

LAB 89.16, -18.22, 67.43

 

CMYK 63 / 0 / 31 / 10

HEX #55E69E

RGB 85 230 158

HSL 150.21, 0.74%, 0.62%

LAB 82.38, -55, 23.9

 

CMYK 63 / 63 / 0 / 10

HEX #5555E6

RGB 85 85 230

HSL 240, 0.74%, 0.62%

LAB 44.44, 43.1, -73.58

 

CMYK 0 / 63 / 31 / 10

HEX #E6559E

RGB 230 85 158

HSL 329.79, 0.74%, 0.62%

LAB 57.84, 62.74, -9.84

 

Description

Color code: HEX #E5E757 | qconv.com Color code: HEX #E5E757 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 231 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 231 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 62 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 62% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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