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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E48F it is the complementary color #1A1B70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E48F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E48F shade: #EAE48A, #FBF69D, #FFFFB0, #FFFFC3 and #FFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E48F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E48F shade: #E5E48F, #D4D27C, #C3C069, #B2AE56 and #A19C43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E48F shade: #E4E38F, #E4CC8F, #E4B58F, #E49E8F and #E48F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E48F shade: #E4E38F, #CEE48F, #B7E48F, #A0E48F and #8FE495

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E48F shade matches the following richer shades: #E4E38F, #EFEE84 and #FBF979

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E48F shade: #E4E38F, #D9D89A, #CECEA5, #C3C3B0 and #B8B8BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E48F shade: #E4B58F, #E4CC8F, #E4E38F, #CFE48F and #B8E48F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E48F shade: #D5D34C, #DCDB6E, #E4E38F, #ECEBB0 and #F4F4D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E48F shade: #E5E48F, #8FE49F and #C18FE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E48F shade: #E5E48F, #8FE4E3 and #E38FE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E48F shade: #E5E48F, #8FE49F, #8F90E4 and #E48FD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E48F shade: #E5E48F, #8FE4B8, #8F90E4 and #E48FBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 38 / 10

HEX #E5E48F

RGB 229 228 143

HSL 59.3, 0.62%, 0.73%

LAB 88.98, -11.96, 41.61

 

Complementary color

CMYK 77 / 76 / 0 / 56

HEX #1A1B70

RGB 26 27 112

HSL 239.3, 0.62%, 0.27%

LAB 16.37, 30.57, -48.73

 

CMYK 0 / 3 / 41 / 8

HEX #EAE48A

RGB 234 228 138

HSL 56.25, 0.7%, 0.73%

LAB 89.31, -10.55, 44.57

 

CMYK 0 / 2 / 37 / 2

HEX #FBF69D

RGB 251 246 157

HSL 56.81, 0.92%, 0.8%

LAB 95.52, -10.93, 43.42

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 38 / 10

HEX #E5E48F

RGB 229 228 143

HSL 59.3, 0.62%, 0.73%

LAB 88.98, -11.96, 41.61

 

CMYK 0 / 1 / 42 / 17

HEX #D4D27C

RGB 212 210 124

HSL 58.64, 0.51%, 0.66%

LAB 82.67, -11.61, 42.77

 

CMYK 0 / 2 / 46 / 24

HEX #C3C069

RGB 195 192 105

HSL 58, 0.43%, 0.59%

LAB 76.27, -11.19, 43.96

 

CMYK 0 / 2 / 52 / 30

HEX #B2AE56

RGB 178 174 86

HSL 57.39, 0.37%, 0.52%

LAB 69.76, -10.67, 45.15

 

CMYK 0 / 3 / 58 / 37

HEX #A19C43

RGB 161 156 67

HSL 56.81, 0.41%, 0.45%

LAB 63.14, -10.04, 46.26

 

CMYK 0 / 0 / 37 / 11

HEX #E4E38F

RGB 228 227 143

HSL 59.29, 0.61%, 0.73%

LAB 88.65, -11.85, 41.16

 

CMYK 0 / 11 / 37 / 11

HEX #E4CC8F

RGB 228 204 143

HSL 43.06, 0.61%, 0.73%

LAB 82.73, -0.15, 33.48

 

CMYK 0 / 21 / 37 / 11

HEX #E4B58F

RGB 228 181 143

HSL 26.82, 0.61%, 0.73%

LAB 77, 11.93, 25.84

 

CMYK 0 / 31 / 37 / 11

HEX #E49E8F

RGB 228 158 143

HSL 10.59, 0.61%, 0.73%

LAB 71.51, 24.22, 18.35

 

CMYK 0 / 37 / 37 / 11

HEX #E48F8F

RGB 228 143 143

HSL 0, 0.61%, 0.73%

LAB 68.11, 32.21, 13.62

 

CMYK 0 / 0 / 37 / 11

HEX #E4E38F

RGB 228 227 143

HSL 59.29, 0.61%, 0.73%

LAB 88.65, -11.85, 41.16

 

CMYK 10 / 0 / 37 / 11

HEX #CEE48F

RGB 206 228 143

HSL 75.53, 0.61%, 0.73%

LAB 87.29, -20.72, 39.09

 

CMYK 20 / 0 / 37 / 11

HEX #B7E48F

RGB 183 228 143

HSL 91.76, 0.61%, 0.73%

LAB 85.77, -29.14, 36.83

 

CMYK 30 / 0 / 37 / 11

HEX #A0E48F

RGB 160 228 143

HSL 108, 0.61%, 0.73%

LAB 84.45, -37.05, 34.86

 

CMYK 37 / 0 / 35 / 11

HEX #8FE495

RGB 143 228 149

HSL 124.24, 0.61%, 0.73%

LAB 83.7, -41.52, 30.67

 

CMYK 0 / 0 / 37 / 11

HEX #E4E38F

RGB 228 227 143

HSL 59.29, 0.61%, 0.73%

LAB 88.65, -11.85, 41.16

 

CMYK 0 / 0 / 45 / 6

HEX #EFEE84

RGB 239 238 132

HSL 59.44, 0.77%, 0.73%

LAB 92.21, -14.15, 51.16

 

CMYK 0 / 1 / 52 / 2

HEX #FBF979

RGB 251 249 121

HSL 59.08, 0.94%, 0.73%

LAB 95.85, -15.77, 60.81

 

CMYK 0 / 0 / 37 / 11

HEX #E4E38F

RGB 228 227 143

HSL 59.29, 0.61%, 0.73%

LAB 88.65, -11.85, 41.16

 

CMYK 0 / 0 / 29 / 15

HEX #D9D89A

RGB 217 216 154

HSL 59.05, 0.45%, 0.73%

LAB 85.1, -9.23, 30.78

 

CMYK 0 / 0 / 20 / 19

HEX #CECEA5

RGB 206 206 165

HSL 60, 0.29%, 0.73%

LAB 81.83, -6.75, 20.46

 

CMYK 0 / 0 / 10 / 24

HEX #C3C3B0

RGB 195 195 176

HSL 60, 0.14%, 0.73%

LAB 78.33, -3.33, 9.55

 

CMYK 2 / 2 / 0 / 26

HEX #B8B8BC

RGB 184 184 188

HSL 240, 0.03%, 0.73%

LAB 74.89, 0.76, -2.03

 

CMYK 0 / 21 / 37 / 11

HEX #E4B58F

RGB 228 181 143

HSL 26.82, 0.61%, 0.73%

LAB 77, 11.93, 25.84

 

CMYK 0 / 11 / 37 / 11

HEX #E4CC8F

RGB 228 204 143

HSL 43.06, 0.61%, 0.73%

LAB 82.73, -0.15, 33.48

 

CMYK 0 / 0 / 37 / 11

HEX #E4E38F

RGB 228 227 143

HSL 59.29, 0.61%, 0.73%

LAB 88.65, -11.85, 41.16

 

CMYK 9 / 0 / 37 / 11

HEX #CFE48F

RGB 207 228 143

HSL 74.82, 0.61%, 0.73%

LAB 87.36, -20.35, 39.19

 

CMYK 19 / 0 / 37 / 11

HEX #B8E48F

RGB 184 228 143

HSL 91.06, 0.61%, 0.73%

LAB 85.84, -28.79, 36.92

 

CMYK 0 / 1 / 64 / 16

HEX #D5D34C

RGB 213 211 76

HSL 59.12, 0.62%, 0.57%

LAB 82.52, -15.6, 64.5

 

CMYK 0 / 0 / 50 / 14

HEX #DCDB6E

RGB 220 219 110

HSL 59.45, 0.61%, 0.65%

LAB 85.51, -14.26, 53.12

 

CMYK 0 / 0 / 37 / 11

HEX #E4E38F

RGB 228 227 143

HSL 59.29, 0.61%, 0.73%

LAB 88.65, -11.85, 41.16

 

CMYK 0 / 0 / 25 / 7

HEX #ECEBB0

RGB 236 235 176

HSL 59, 0.61%, 0.81%

LAB 91.86, -8.82, 28.84

 

CMYK 0 / 0 / 14 / 4

HEX #F4F4D2

RGB 244 244 210

HSL 60, 0.61%, 0.89%

LAB 95.41, -5.59, 16.41

 

CMYK 0 / 0 / 38 / 10

HEX #E5E48F

RGB 229 228 143

HSL 59.3, 0.62%, 0.73%

LAB 88.98, -11.96, 41.61

 

CMYK 37 / 0 / 30 / 11

HEX #8FE49F

RGB 143 228 159

HSL 131.29, 0.61%, 0.73%

LAB 83.88, -39.86, 25.77

 

CMYK 15 / 37 / 0 / 11

HEX #C18FE4

RGB 193 143 228

HSL 275.29, 0.61%, 0.73%

LAB 66.96, 34.44, -35.95

 

CMYK 0 / 0 / 38 / 10

HEX #E5E48F

RGB 229 228 143

HSL 59.3, 0.62%, 0.73%

LAB 88.98, -11.96, 41.61

 

CMYK 37 / 0 / 0 / 11

HEX #8FE4E3

RGB 143 228 227

HSL 179.29, 0.61%, 0.73%

LAB 85.44, -25.86, -7.65

 

CMYK 0 / 37 / 0 / 11

HEX #E38FE4

RGB 227 143 228

HSL 299.29, 0.61%, 0.73%

LAB 70.58, 44.74, -30.06

 

CMYK 0 / 0 / 38 / 10

HEX #E5E48F

RGB 229 228 143

HSL 59.3, 0.62%, 0.73%

LAB 88.98, -11.96, 41.61

 

CMYK 37 / 0 / 30 / 11

HEX #8FE49F

RGB 143 228 159

HSL 131.29, 0.61%, 0.73%

LAB 83.88, -39.86, 25.77

 

CMYK 37 / 37 / 0 / 11

HEX #8F90E4

RGB 143 144 228

HSL 239.29, 0.61%, 0.73%

LAB 62.83, 19.62, -42.73

 

CMYK 0 / 37 / 7 / 11

HEX #E48FD5

RGB 228 143 213

HSL 310.59, 0.61%, 0.73%

LAB 70.14, 42.4, -22.46

 

CMYK 0 / 0 / 38 / 10

HEX #E5E48F

RGB 229 228 143

HSL 59.3, 0.62%, 0.73%

LAB 88.98, -11.96, 41.61

 

CMYK 37 / 0 / 19 / 11

HEX #8FE4B8

RGB 143 228 184

HSL 148.94, 0.61%, 0.73%

LAB 84.37, -35.24, 13.45

 

CMYK 37 / 37 / 0 / 11

HEX #8F90E4

RGB 143 144 228

HSL 239.29, 0.61%, 0.73%

LAB 62.83, 19.62, -42.73

 

CMYK 0 / 37 / 18 / 11

HEX #E48FBB

RGB 228 143 187

HSL 328.94, 0.61%, 0.73%

LAB 69.27, 38.17, -9.31

 

Description

Color code: HEX #E5E48F | qconv.com Color code: HEX #E5E48F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 228 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 228 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 38 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 38% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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