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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E123 it is the complementary color #1A1EDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E123 shade: #EAE11E, #FBF331, #FFFF44, #FFFF57 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E123 shade: #E5E123, #D4CF10, #C3BD00, #B2AB00 and #A19900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E123 shade: #E5E124, #E5AD24, #E57924, #E54524 and #E52424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E123 shade: #E5E124, #B5E524, #81E524, #4DE524 and #24E52F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E123 shade matches the following richer shades: #E5E124 and #F9F410

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E123 shade: #E5E124, #D1CE38, #BEBB4C, #AAA85F and #969573

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E123 shade: #E57824, #E5AB24, #E5DF24, #B8E524 and #85E524

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E123 shade: #A4A113, #C8C518, #E5E124, #EAE649 and #EEEB6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E123 shade: #E5E123, #24E544 and #9124E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E123 shade: #E5E123, #24E5DF and #DF24E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E123 shade: #E5E123, #24E544, #242AE5 and #E524C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E123 shade: #E5E123, #24E57E, #242AE5 and #E5248B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 85 / 10

HEX #E5E123

RGB 229 225 35

HSL 58.76, 0.79%, 0.52%

LAB 87.3, -17.46, 82

 

Complementary color

CMYK 88 / 86 / 0 / 14

HEX #1A1EDC

RGB 26 30 220

HSL 238.76, 0.79%, 0.48%

LAB 30.19, 63.73, -91.48

 

CMYK 0 / 4 / 87 / 8

HEX #EAE11E

RGB 234 225 30

HSL 57.35, 0.83%, 0.52%

LAB 87.7, -15.47, 83.44

 

CMYK 0 / 3 / 80 / 2

HEX #FBF331

RGB 251 243 49

HSL 57.62, 0.96%, 0.59%

LAB 93.81, -16.71, 84.98

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF44

RGB 255 255 68

HSL 60, 1%, 0.63%

LAB 97.31, -20.19, 82.92

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 2 / 85 / 10

HEX #E5E123

RGB 229 225 35

HSL 58.76, 0.79%, 0.52%

LAB 87.3, -17.46, 82

 

CMYK 0 / 2 / 92 / 17

HEX #D4CF10

RGB 212 207 16

HSL 58.47, 0.86%, 0.45%

LAB 81.1, -16.12, 79.66

 

CMYK 0 / 3 / 100 / 24

HEX #C3BD00

RGB 195 189 0

HSL 58.15, 1%, 0.38%

LAB 74.82, -14.6, 76.02

 

CMYK 0 / 4 / 100 / 30

HEX #B2AB00

RGB 178 171 0

HSL 57.64, 1%, 0.35%

LAB 68.45, -12.88, 70.73

 

CMYK 0 / 5 / 100 / 37

HEX #A19900

RGB 161 153 0

HSL 57.02, 1%, 0.32%

LAB 61.96, -11.1, 65.35

 

CMYK 0 / 2 / 84 / 10

HEX #E5E124

RGB 229 225 36

HSL 58.76, 0.79%, 0.52%

LAB 87.31, -17.43, 81.79

 

CMYK 0 / 24 / 84 / 10

HEX #E5AD24

RGB 229 173 36

HSL 42.59, 0.79%, 0.52%

LAB 73.98, 9.15, 70.78

 

CMYK 0 / 47 / 84 / 10

HEX #E57924

RGB 229 121 36

HSL 26.42, 0.79%, 0.52%

LAB 62.05, 36.61, 60.78

 

CMYK 0 / 70 / 84 / 10

HEX #E54524

RGB 229 69 36

HSL 10.26, 0.79%, 0.52%

LAB 53, 60.17, 53.04

 

CMYK 0 / 84 / 84 / 10

HEX #E52424

RGB 229 36 36

HSL 0, 0.79%, 0.52%

LAB 49.55, 69.79, 50.05

 

CMYK 0 / 2 / 84 / 10

HEX #E5E124

RGB 229 225 36

HSL 58.76, 0.79%, 0.52%

LAB 87.31, -17.43, 81.79

 

CMYK 21 / 0 / 84 / 10

HEX #B5E524

RGB 181 229 36

HSL 74.92, 0.79%, 0.52%

LAB 84.99, -38.82, 78.48

 

CMYK 44 / 0 / 84 / 10

HEX #81E524

RGB 129 229 36

HSL 91.09, 0.79%, 0.52%

LAB 82.29, -57.3, 75.09

 

CMYK 66 / 0 / 84 / 10

HEX #4DE524

RGB 77 229 36

HSL 107.25, 0.79%, 0.52%

LAB 80.6, -70.72, 72.95

 

CMYK 84 / 0 / 79 / 10

HEX #24E52F

RGB 36 229 47

HSL 123.42, 0.79%, 0.52%

LAB 79.96, -76.03, 69.37

 

CMYK 0 / 2 / 84 / 10

HEX #E5E124

RGB 229 225 36

HSL 58.76, 0.79%, 0.52%

LAB 87.31, -17.43, 81.79

 

CMYK 0 / 2 / 94 / 2

HEX #F9F410

RGB 249 244 16

HSL 58.71, 0.95%, 0.52%

LAB 93.83, -18.65, 90.62

 

CMYK 0 / 2 / 84 / 10

HEX #E5E124

RGB 229 225 36

HSL 58.76, 0.79%, 0.52%

LAB 87.31, -17.43, 81.79

 

CMYK 0 / 1 / 73 / 18

HEX #D1CE38

RGB 209 206 56

HSL 58.82, 0.62%, 0.52%

LAB 80.73, -15.8, 69.97

 

CMYK 0 / 2 / 60 / 25

HEX #BEBB4C

RGB 190 187 76

HSL 58.42, 0.47%, 0.52%

LAB 74.2, -13.12, 55.08

 

CMYK 0 / 1 / 44 / 33

HEX #AAA85F

RGB 170 168 95

HSL 58.4, 0.31%, 0.52%

LAB 67.56, -10.01, 37.83

 

CMYK 0 / 1 / 23 / 41

HEX #969573

RGB 150 149 115

HSL 58.29, 0.14%, 0.52%

LAB 60.97, -5.47, 18.14

 

CMYK 0 / 48 / 84 / 10

HEX #E57824

RGB 229 120 36

HSL 26.11, 0.79%, 0.52%

LAB 61.84, 37.12, 60.6

 

CMYK 0 / 25 / 84 / 10

HEX #E5AB24

RGB 229 171 36

HSL 41.97, 0.79%, 0.52%

LAB 73.49, 10.21, 70.37

 

CMYK 0 / 3 / 84 / 10

HEX #E5DF24

RGB 229 223 36

HSL 58.13, 0.79%, 0.52%

LAB 86.78, -16.45, 81.36

 

CMYK 20 / 0 / 84 / 10

HEX #B8E524

RGB 184 229 36

HSL 73.99, 0.79%, 0.52%

LAB 85.18, -37.65, 78.71

 

CMYK 42 / 0 / 84 / 10

HEX #85E524

RGB 133 229 36

HSL 89.84, 0.79%, 0.52%

LAB 82.46, -56.02, 75.31

 

CMYK 0 / 2 / 88 / 36

HEX #A4A113

RGB 164 161 19

HSL 58.76, 0.79%, 0.36%

LAB 64.51, -13.64, 64.5

 

CMYK 0 / 1 / 88 / 22

HEX #C8C518

RGB 200 197 24

HSL 58.98, 0.79%, 0.44%

LAB 77.45, -16.14, 75.18

 

CMYK 0 / 2 / 84 / 10

HEX #E5E124

RGB 229 225 36

HSL 58.76, 0.79%, 0.52%

LAB 87.31, -17.43, 81.79

 

CMYK 0 / 2 / 69 / 8

HEX #EAE649

RGB 234 230 73

HSL 58.51, 0.79%, 0.6%

LAB 89.19, -16.46, 72.93

 

CMYK 0 / 1 / 54 / 7

HEX #EEEB6E

RGB 238 235 110

HSL 58.59, 0.79%, 0.68%

LAB 91.11, -14.95, 60

 

CMYK 0 / 2 / 85 / 10

HEX #E5E123

RGB 229 225 35

HSL 58.76, 0.79%, 0.52%

LAB 87.3, -17.46, 82

 

CMYK 84 / 0 / 70 / 10

HEX #24E544

RGB 36 229 68

HSL 129.95, 0.79%, 0.52%

LAB 80.08, -74.52, 62.67

 

CMYK 37 / 84 / 0 / 10

HEX #9124E5

RGB 145 36 229

HSL 273.89, 0.79%, 0.52%

LAB 42.67, 73.55, -75.66

 

CMYK 0 / 2 / 85 / 10

HEX #E5E123

RGB 229 225 35

HSL 58.76, 0.79%, 0.52%

LAB 87.3, -17.46, 82

 

CMYK 84 / 0 / 3 / 10

HEX #24E5DF

RGB 36 229 223

HSL 178.13, 0.79%, 0.52%

LAB 82.78, -44.72, -9.8

 

CMYK 3 / 84 / 0 / 10

HEX #DF24E5

RGB 223 36 229

HSL 298.13, 0.79%, 0.52%

LAB 54.67, 85.7, -55.66

 

CMYK 0 / 2 / 85 / 10

HEX #E5E123

RGB 229 225 35

HSL 58.76, 0.79%, 0.52%

LAB 87.3, -17.46, 82

 

CMYK 84 / 0 / 70 / 10

HEX #24E544

RGB 36 229 68

HSL 129.95, 0.79%, 0.52%

LAB 80.08, -74.52, 62.67

 

CMYK 84 / 82 / 0 / 10

HEX #242AE5

RGB 36 42 229

HSL 238.13, 0.79%, 0.52%

LAB 33.32, 61.72, -91.42

 

CMYK 0 / 84 / 14 / 10

HEX #E524C5

RGB 229 36 197

HSL 309.95, 0.79%, 0.52%

LAB 53.97, 82.29, -38.43

 

CMYK 0 / 2 / 85 / 10

HEX #E5E123

RGB 229 225 35

HSL 58.76, 0.79%, 0.52%

LAB 87.3, -17.46, 82

 

CMYK 84 / 0 / 45 / 10

HEX #24E57E

RGB 36 229 126

HSL 147.98, 0.79%, 0.52%

LAB 80.69, -67.1, 37.73

 

CMYK 84 / 82 / 0 / 10

HEX #242AE5

RGB 36 42 229

HSL 238.13, 0.79%, 0.52%

LAB 33.32, 61.72, -91.42

 

CMYK 0 / 84 / 39 / 10

HEX #E5248B

RGB 229 36 139

HSL 327.98, 0.79%, 0.52%

LAB 51.59, 75.71, -7.96

 

Description

Color code: HEX #E5E123 | qconv.com Color code: HEX #E5E123 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 225 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 225 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 85 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 85% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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