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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E115 it is the complementary color #1A1EEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E115 shade: #EAE110, #FBF323, #FFFF36, #FFFF49 and #FFFF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E115 shade: #E5E115, #D4CF02, #C3BD00, #B2AB00 and #A19900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E115 shade: #E4E015, #E4A815, #E47015, #E43815 and #E41515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E115 shade: #E4E015, #B0E415, #78E415, #40E415 and #15E421

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E115 shade matches the following richer shades: #E4E015 and #F8F401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E115 shade: #E4E015, #D0CD29, #BCB93D, #A8A651 and #939266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E115 shade: #E46F15, #E4A615, #E4DD15, #B4E415 and #7CE415

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E115 shade: #99960E, #BEBB11, #E4E015, #ECE836 and #EFED5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E115 shade: #E5E115, #15E437 and #8A15E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E115 shade: #E5E115, #15E4DD and #DD15E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E115 shade: #E5E115, #15E437, #151CE4 and #E415C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E115 shade: #E5E115, #15E476, #151CE4 and #E41583

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 91 / 10

HEX #E5E115

RGB 229 225 21

HSL 58.85, 0.83%, 0.49%

LAB 87.27, -17.72, 84.35

 

Complementary color

CMYK 89 / 87 / 0 / 8

HEX #1A1EEA

RGB 26 30 234

HSL 238.85, 0.83%, 0.51%

LAB 32.01, 67.65, -96.47

 

CMYK 0 / 4 / 93 / 8

HEX #EAE110

RGB 234 225 16

HSL 57.52, 0.87%, 0.49%

LAB 87.67, -15.68, 85.44

 

CMYK 0 / 3 / 86 / 2

HEX #FBF323

RGB 251 243 35

HSL 57.78, 0.96%, 0.56%

LAB 93.77, -17.05, 87.97

 

CMYK 0 / 0 / 79 / 0

HEX #FFFF36

RGB 255 255 54

HSL 60, 1%, 0.61%

LAB 97.25, -20.68, 86.81

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF49

RGB 255 255 73

HSL 60, 1%, 0.64%

LAB 97.33, -19.98, 81.37

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 0 / 2 / 91 / 10

HEX #E5E115

RGB 229 225 21

HSL 58.85, 0.83%, 0.49%

LAB 87.27, -17.72, 84.35

 

CMYK 0 / 2 / 99 / 17

HEX #D4CF02

RGB 212 207 2

HSL 58.57, 0.98%, 0.42%

LAB 81.09, -16.26, 81.03

 

CMYK 0 / 3 / 100 / 24

HEX #C3BD00

RGB 195 189 0

HSL 58.15, 1%, 0.38%

LAB 74.82, -14.6, 76.02

 

CMYK 0 / 4 / 100 / 30

HEX #B2AB00

RGB 178 171 0

HSL 57.64, 1%, 0.35%

LAB 68.45, -12.88, 70.73

 

CMYK 0 / 5 / 100 / 37

HEX #A19900

RGB 161 153 0

HSL 57.02, 1%, 0.32%

LAB 61.96, -11.1, 65.35

 

CMYK 0 / 2 / 91 / 11

HEX #E4E015

RGB 228 224 21

HSL 58.84, 0.83%, 0.49%

LAB 86.93, -17.65, 84.05

 

CMYK 0 / 26 / 91 / 11

HEX #E4A815

RGB 228 168 21

HSL 42.61, 0.83%, 0.49%

LAB 72.6, 11.06, 73.1

 

CMYK 0 / 51 / 91 / 11

HEX #E47015

RGB 228 112 21

HSL 26.38, 0.83%, 0.49%

LAB 60.01, 40.46, 63.79

 

CMYK 0 / 75 / 91 / 11

HEX #E43815

RGB 228 56 21

HSL 10.14, 0.83%, 0.49%

LAB 51.12, 64.01, 57.54

 

CMYK 0 / 91 / 91 / 11

HEX #E41515

RGB 228 21 21

HSL 0, 0.83%, 0.49%

LAB 48.37, 71.83, 55.69

 

CMYK 0 / 2 / 91 / 11

HEX #E4E015

RGB 228 224 21

HSL 58.84, 0.83%, 0.49%

LAB 86.93, -17.65, 84.05

 

CMYK 23 / 0 / 91 / 11

HEX #B0E415

RGB 176 228 21

HSL 75.07, 0.83%, 0.49%

LAB 84.37, -40.66, 80.47

 

CMYK 47 / 0 / 91 / 11

HEX #78E415

RGB 120 228 21

HSL 91.3, 0.83%, 0.49%

LAB 81.58, -60.12, 77.05

 

CMYK 72 / 0 / 91 / 11

HEX #40E415

RGB 64 228 21

HSL 107.54, 0.83%, 0.49%

LAB 79.97, -73.26, 75.05

 

CMYK 91 / 0 / 86 / 11

HEX #15E421

RGB 21 228 33

HSL 123.48, 0.83%, 0.49%

LAB 79.47, -77.55, 72.3

 

CMYK 0 / 2 / 91 / 11

HEX #E4E015

RGB 228 224 21

HSL 58.84, 0.83%, 0.49%

LAB 86.93, -17.65, 84.05

 

CMYK 0 / 2 / 100 / 3

HEX #F8F401

RGB 248 244 1

HSL 59.03, 0.99%, 0.49%

LAB 93.74, -19.18, 91.68

 

CMYK 0 / 2 / 91 / 11

HEX #E4E015

RGB 228 224 21

HSL 58.84, 0.83%, 0.49%

LAB 86.93, -17.65, 84.05

 

CMYK 0 / 1 / 80 / 18

HEX #D0CD29

RGB 208 205 41

HSL 58.92, 0.67%, 0.49%

LAB 80.31, -16.28, 74.04

 

CMYK 0 / 2 / 68 / 26

HEX #BCB93D

RGB 188 185 61

HSL 58.58, 0.51%, 0.49%

LAB 73.37, -13.88, 60.4

 

CMYK 0 / 1 / 52 / 34

HEX #A8A651

RGB 168 166 81

HSL 58.62, 0.35%, 0.49%

LAB 66.67, -11.15, 43.74

 

CMYK 0 / 1 / 31 / 42

HEX #939266

RGB 147 146 102

HSL 58.67, 0.18%, 0.49%

LAB 59.64, -6.9, 23.52

 

CMYK 0 / 51 / 91 / 11

HEX #E46F15

RGB 228 111 21

HSL 26.09, 0.83%, 0.49%

LAB 59.81, 40.96, 63.65

 

CMYK 0 / 27 / 91 / 11

HEX #E4A615

RGB 228 166 21

HSL 42.03, 0.83%, 0.49%

LAB 72.11, 12.12, 72.73

 

CMYK 0 / 3 / 91 / 11

HEX #E4DD15

RGB 228 221 21

HSL 57.97, 0.83%, 0.49%

LAB 86.14, -16.18, 83.44

 

CMYK 21 / 0 / 91 / 11

HEX #B4E415

RGB 180 228 21

HSL 73.91, 0.83%, 0.49%

LAB 84.61, -39.11, 80.77

 

CMYK 46 / 0 / 91 / 11

HEX #7CE415

RGB 124 228 21

HSL 90.14, 0.83%, 0.49%

LAB 81.74, -58.91, 77.25

 

CMYK 0 / 2 / 91 / 40

HEX #99960E

RGB 153 150 14

HSL 58.71, 0.83%, 0.33%

LAB 60.44, -12.92, 61.8

 

CMYK 0 / 2 / 91 / 25

HEX #BEBB11

RGB 190 187 17

HSL 58.96, 0.84%, 0.41%

LAB 73.89, -15.56, 73.18

 

CMYK 0 / 2 / 91 / 11

HEX #E4E015

RGB 228 224 21

HSL 58.84, 0.83%, 0.49%

LAB 86.93, -17.65, 84.05

 

CMYK 0 / 2 / 77 / 7

HEX #ECE836

RGB 236 232 54

HSL 58.68, 0.83%, 0.57%

LAB 89.77, -17.41, 79.66

 

CMYK 0 / 1 / 62 / 6

HEX #EFED5C

RGB 239 237 92

HSL 59.18, 0.82%, 0.65%

LAB 91.55, -16.78, 68.18

 

CMYK 0 / 2 / 91 / 10

HEX #E5E115

RGB 229 225 21

HSL 58.85, 0.83%, 0.49%

LAB 87.27, -17.72, 84.35

 

CMYK 91 / 0 / 76 / 11

HEX #15E437

RGB 21 228 55

HSL 129.86, 0.83%, 0.49%

LAB 79.57, -76.33, 66.56

 

CMYK 39 / 91 / 0 / 11

HEX #8A15E4

RGB 138 21 228

HSL 273.91, 0.83%, 0.49%

LAB 40.48, 75.86, -78.72

 

CMYK 0 / 2 / 91 / 10

HEX #E5E115

RGB 229 225 21

HSL 58.85, 0.83%, 0.49%

LAB 87.27, -17.72, 84.35

 

CMYK 91 / 0 / 3 / 11

HEX #15E4DD

RGB 21 228 221

HSL 177.97, 0.83%, 0.49%

LAB 82.31, -45.63, -9.45

 

CMYK 3 / 91 / 0 / 11

HEX #DD15E4

RGB 221 21 228

HSL 297.97, 0.83%, 0.49%

LAB 53.5, 87.47, -56.97

 

CMYK 0 / 2 / 91 / 10

HEX #E5E115

RGB 229 225 21

HSL 58.85, 0.83%, 0.49%

LAB 87.27, -17.72, 84.35

 

CMYK 91 / 0 / 76 / 11

HEX #15E437

RGB 21 228 55

HSL 129.86, 0.83%, 0.49%

LAB 79.57, -76.33, 66.56

 

CMYK 91 / 88 / 0 / 11

HEX #151CE4

RGB 21 28 228

HSL 237.97, 0.83%, 0.49%

LAB 30.86, 66.58, -94.97

 

CMYK 0 / 91 / 15 / 11

HEX #E415C2

RGB 228 21 194

HSL 309.86, 0.83%, 0.49%

LAB 52.87, 84, -38.45

 

CMYK 0 / 2 / 91 / 10

HEX #E5E115

RGB 229 225 21

HSL 58.85, 0.83%, 0.49%

LAB 87.27, -17.72, 84.35

 

CMYK 91 / 0 / 48 / 11

HEX #15E476

RGB 21 228 118

HSL 148.12, 0.83%, 0.49%

LAB 80.15, -69.09, 40.94

 

CMYK 91 / 88 / 0 / 11

HEX #151CE4

RGB 21 28 228

HSL 237.97, 0.83%, 0.49%

LAB 30.86, 66.58, -94.97

 

CMYK 0 / 91 / 43 / 11

HEX #E41583

RGB 228 21 131

HSL 328.12, 0.83%, 0.49%

LAB 50.3, 77.2, -5.08

 

Description

Color code: HEX #E5E115 | qconv.com Color code: HEX #E5E115 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 225 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 225 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 91 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 91% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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