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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E063 it is the complementary color #1A1F9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E063. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E063 shade: #EAE05E, #FBF271, #FFFF84, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E063. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E063 shade: #E5E063, #D4CE50, #C3BC3D, #B2AA2A and #A19817

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E063 shade: #E4DF62, #E4BC62, #E49962, #E47562 and #E46262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E063 shade: #E4DF62, #C6E462, #A3E462, #7FE462 and #62E467

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E063 shade matches the following richer shades: #E4DF62 and #F3ED53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E063 shade: #E4DF62, #D5D170, #C6C37F, #B7B68E and #A8A89D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E063 shade: #E49862, #E4BB62, #E4DD62, #C8E462 and #A5E462

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E063 shade: #D0C923, #DED83E, #E4DF62, #EAE685 and #F0EDA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E063 shade: #E5E063, #62E475 and #A962E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E063 shade: #E5E063, #62E4DD and #DD62E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E063 shade: #E5E063, #62E475, #6268E4 and #E462D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E063 shade: #E5E063, #62E49C, #6268E4 and #E462A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 57 / 10

HEX #E5E063

RGB 229 224 99

HSL 57.69, 0.71%, 0.64%

LAB 87.42, -13.98, 60.5

 

Complementary color

CMYK 83 / 80 / 0 / 39

HEX #1A1F9C

RGB 26 31 156

HSL 237.69, 0.71%, 0.36%

LAB 22.3, 43.65, -66.63

 

CMYK 0 / 4 / 60 / 8

HEX #EAE05E

RGB 234 224 94

HSL 55.71, 0.77%, 0.64%

LAB 87.78, -12.29, 63.17

 

CMYK 0 / 4 / 55 / 2

HEX #FBF271

RGB 251 242 113

HSL 56.09, 0.95%, 0.71%

LAB 93.97, -12.97, 62.21

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 2 / 57 / 10

HEX #E5E063

RGB 229 224 99

HSL 57.69, 0.71%, 0.64%

LAB 87.42, -13.98, 60.5

 

CMYK 0 / 3 / 62 / 17

HEX #D4CE50

RGB 212 206 80

HSL 57.27, 0.61%, 0.57%

LAB 81.14, -13.27, 61.38

 

CMYK 0 / 4 / 69 / 24

HEX #C3BC3D

RGB 195 188 61

HSL 56.87, 0.53%, 0.5%

LAB 74.77, -12.42, 62

 

CMYK 0 / 4 / 76 / 30

HEX #B2AA2A

RGB 178 170 42

HSL 56.47, 0.62%, 0.43%

LAB 68.3, -11.4, 62.1

 

CMYK 0 / 6 / 86 / 37

HEX #A19817

RGB 161 152 23

HSL 56.09, 0.75%, 0.36%

LAB 61.74, -10.16, 61.26

 

CMYK 0 / 2 / 57 / 11

HEX #E4DF62

RGB 228 223 98

HSL 57.69, 0.71%, 0.64%

LAB 87.07, -13.96, 60.52

 

CMYK 0 / 18 / 57 / 11

HEX #E4BC62

RGB 228 188 98

HSL 41.54, 0.71%, 0.64%

LAB 78.08, 3.91, 50.24

 

CMYK 0 / 33 / 57 / 11

HEX #E49962

RGB 228 153 98

HSL 25.38, 0.71%, 0.64%

LAB 69.58, 22.51, 40.06

 

CMYK 0 / 49 / 57 / 11

HEX #E47562

RGB 228 117 98

HSL 8.77, 0.71%, 0.64%

LAB 61.74, 41.36, 30.22

 

CMYK 0 / 57 / 57 / 11

HEX #E46262

RGB 228 98 98

HSL 0, 0.71%, 0.64%

LAB 58.14, 50.59, 25.55

 

CMYK 0 / 2 / 57 / 11

HEX #E4DF62

RGB 228 223 98

HSL 57.69, 0.71%, 0.64%

LAB 87.07, -13.96, 60.52

 

CMYK 13 / 0 / 57 / 11

HEX #C6E462

RGB 198 228 98

HSL 73.85, 0.71%, 0.64%

LAB 86.19, -28.33, 58.93

 

CMYK 29 / 0 / 57 / 11

HEX #A3E462

RGB 163 228 98

HSL 90, 0.71%, 0.64%

LAB 84.05, -41.39, 55.92

 

CMYK 44 / 0 / 57 / 11

HEX #7FE462

RGB 127 228 98

HSL 106.62, 0.71%, 0.64%

LAB 82.31, -53.18, 53.47

 

CMYK 57 / 0 / 55 / 11

HEX #62E467

RGB 98 228 103

HSL 122.31, 0.71%, 0.64%

LAB 81.33, -60.35, 49.78

 

CMYK 0 / 2 / 57 / 11

HEX #E4DF62

RGB 228 223 98

HSL 57.69, 0.71%, 0.64%

LAB 87.07, -13.96, 60.52

 

CMYK 0 / 2 / 66 / 5

HEX #F3ED53

RGB 243 237 83

HSL 57.75, 0.87%, 0.64%

LAB 91.8, -15.68, 72.08

 

CMYK 0 / 2 / 57 / 11

HEX #E4DF62

RGB 228 223 98

HSL 57.69, 0.71%, 0.64%

LAB 87.07, -13.96, 60.52

 

CMYK 0 / 2 / 47 / 16

HEX #D5D170

RGB 213 209 112

HSL 57.62, 0.55%, 0.64%

LAB 82.33, -11.88, 48.25

 

CMYK 0 / 2 / 36 / 22

HEX #C6C37F

RGB 198 195 127

HSL 57.46, 0.38%, 0.64%

LAB 77.62, -9.17, 34.58

 

CMYK 0 / 1 / 22 / 28

HEX #B7B68E

RGB 183 182 142

HSL 58.54, 0.22%, 0.64%

LAB 73.2, -6.28, 20.55

 

CMYK 0 / 0 / 7 / 34

HEX #A8A89D

RGB 168 168 157

HSL 60, 0.06%, 0.64%

LAB 68.58, -2.01, 5.67

 

CMYK 0 / 33 / 57 / 11

HEX #E49862

RGB 228 152 98

HSL 24.92, 0.71%, 0.64%

LAB 69.35, 23.04, 39.78

 

CMYK 0 / 18 / 57 / 11

HEX #E4BB62

RGB 228 187 98

HSL 41.08, 0.71%, 0.64%

LAB 77.83, 4.44, 49.95

 

CMYK 0 / 3 / 57 / 11

HEX #E4DD62

RGB 228 221 98

HSL 56.77, 0.71%, 0.64%

LAB 86.55, -12.97, 59.94

 

CMYK 12 / 0 / 57 / 11

HEX #C8E462

RGB 200 228 98

HSL 72.92, 0.71%, 0.64%

LAB 86.33, -27.55, 59.12

 

CMYK 28 / 0 / 57 / 11

HEX #A5E462

RGB 165 228 98

HSL 89.08, 0.71%, 0.64%

LAB 84.16, -40.68, 56.07

 

CMYK 0 / 3 / 83 / 18

HEX #D0C923

RGB 208 201 35

HSL 57.57, 0.71%, 0.48%

LAB 79.22, -14.46, 74.61

 

CMYK 0 / 3 / 72 / 13

HEX #DED83E

RGB 222 216 62

HSL 57.75, 0.71%, 0.56%

LAB 84.48, -15.06, 71.88

 

CMYK 0 / 2 / 57 / 11

HEX #E4DF62

RGB 228 223 98

HSL 57.69, 0.71%, 0.64%

LAB 87.07, -13.96, 60.52

 

CMYK 0 / 2 / 43 / 8

HEX #EAE685

RGB 234 230 133

HSL 57.62, 0.71%, 0.72%

LAB 89.76, -12.05, 47.57

 

CMYK 0 / 1 / 30 / 6

HEX #F0EDA8

RGB 240 237 168

HSL 57.5, 0.71%, 0.8%

LAB 92.54, -9.35, 33.88

 

CMYK 0 / 2 / 57 / 10

HEX #E5E063

RGB 229 224 99

HSL 57.69, 0.71%, 0.64%

LAB 87.42, -13.98, 60.5

 

CMYK 57 / 0 / 49 / 11

HEX #62E475

RGB 98 228 117

HSL 128.77, 0.71%, 0.64%

LAB 81.49, -58.5, 43.39

 

CMYK 26 / 57 / 0 / 11

HEX #A962E4

RGB 169 98 228

HSL 272.77, 0.71%, 0.64%

LAB 54.84, 52.14, -55.25

 

CMYK 0 / 2 / 57 / 10

HEX #E5E063

RGB 229 224 99

HSL 57.69, 0.71%, 0.64%

LAB 87.42, -13.98, 60.5

 

CMYK 57 / 0 / 3 / 11

HEX #62E4DD

RGB 98 228 221

HSL 176.77, 0.71%, 0.64%

LAB 83.6, -37.24, -7.39

 

CMYK 3 / 57 / 0 / 11

HEX #DD62E4

RGB 221 98 228

HSL 296.77, 0.71%, 0.64%

LAB 61.4, 65.07, -44.42

 

CMYK 0 / 2 / 57 / 10

HEX #E5E063

RGB 229 224 99

HSL 57.69, 0.71%, 0.64%

LAB 87.42, -13.98, 60.5

 

CMYK 57 / 0 / 49 / 11

HEX #62E475

RGB 98 228 117

HSL 128.77, 0.71%, 0.64%

LAB 81.49, -58.5, 43.39

 

CMYK 57 / 54 / 0 / 11

HEX #6268E4

RGB 98 104 228

HSL 237.23, 0.71%, 0.64%

LAB 49.62, 33.16, -63.99

 

CMYK 0 / 57 / 9 / 11

HEX #E462D0

RGB 228 98 208

HSL 309.23, 0.71%, 0.64%

LAB 61.47, 63.56, -33.01

 

CMYK 0 / 2 / 57 / 10

HEX #E5E063

RGB 229 224 99

HSL 57.69, 0.71%, 0.64%

LAB 87.42, -13.98, 60.5

 

CMYK 57 / 0 / 32 / 11

HEX #62E49C

RGB 98 228 156

HSL 146.77, 0.71%, 0.64%

LAB 82.1, -52, 24.62

 

CMYK 57 / 54 / 0 / 11

HEX #6268E4

RGB 98 104 228

HSL 237.23, 0.71%, 0.64%

LAB 49.62, 33.16, -63.99

 

CMYK 0 / 57 / 26 / 11

HEX #E462A9

RGB 228 98 169

HSL 327.23, 0.71%, 0.64%

LAB 59.97, 57.92, -13.04

 

Description

Color code: HEX #E5E063 | qconv.com Color code: HEX #E5E063 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 224 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 224 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 57 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 57% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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