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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E05B it is the complementary color #1A1FA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E05B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E05B shade: #EAE056, #FBF269, #FFFF7C, #FFFF8F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E05B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E05B shade: #E5E05B, #D4CE48, #C3BC35, #B2AA22 and #A1980F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E05B shade: #E5E05B, #E5BB5B, #E5965B, #E5715B and #E55B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E05B shade: #E5E05B, #C5E55B, #A0E55B, #7BE55B and #5BE561

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E05B shade matches the following richer shades: #E5E05B and #F4EE4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E05B shade: #E5E05B, #D6D26B, #C6C47A, #B7B689 and #A8A798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E05B shade: #E5955B, #E5B95B, #E5DE5B, #C7E55B and #A2E55B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E05B shade: #CEC820, #DFD938, #E5E05B, #EBE77F and #F0EDA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E05B shade: #E5E05B, #5BE570 and #A75BE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E05B shade: #E5E05B, #5BE5DE and #DE5BE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E05B shade: #E5E05B, #5BE570, #5B62E5 and #E55BD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E05B shade: #E5E05B, #5BE599, #5B62E5 and #E55BA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 60 / 10

HEX #E5E05B

RGB 229 224 91

HSL 57.83, 0.73%, 0.63%

LAB 87.35, -14.53, 63.86

 

Complementary color

CMYK 84 / 81 / 0 / 36

HEX #1A1FA4

RGB 26 31 164

HSL 237.83, 0.73%, 0.37%

LAB 23.27, 46.3, -69.91

 

CMYK 0 / 4 / 63 / 8

HEX #EAE056

RGB 234 224 86

HSL 55.95, 0.78%, 0.63%

LAB 87.72, -12.8, 66.44

 

CMYK 0 / 4 / 58 / 2

HEX #FBF269

RGB 251 242 105

HSL 56.3, 0.95%, 0.7%

LAB 93.9, -13.54, 65.6

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 2 / 60 / 10

HEX #E5E05B

RGB 229 224 91

HSL 57.83, 0.73%, 0.63%

LAB 87.35, -14.53, 63.86

 

CMYK 0 / 3 / 66 / 17

HEX #D4CE48

RGB 212 206 72

HSL 57.43, 0.62%, 0.56%

LAB 81.08, -13.75, 64.57

 

CMYK 0 / 4 / 73 / 24

HEX #C3BC35

RGB 195 188 53

HSL 57.04, 0.57%, 0.49%

LAB 74.71, -12.82, 64.89

 

CMYK 0 / 4 / 81 / 30

HEX #B2AA22

RGB 178 170 34

HSL 56.67, 0.68%, 0.42%

LAB 68.26, -11.7, 64.51

 

CMYK 0 / 6 / 91 / 37

HEX #A1980F

RGB 161 152 15

HSL 56.3, 0.83%, 0.35%

LAB 61.71, -10.34, 62.92

 

CMYK 0 / 2 / 60 / 10

HEX #E5E05B

RGB 229 224 91

HSL 57.83, 0.73%, 0.63%

LAB 87.35, -14.53, 63.86

 

CMYK 0 / 18 / 60 / 10

HEX #E5BB5B

RGB 229 187 91

HSL 41.74, 0.73%, 0.63%

LAB 77.85, 4.35, 53.32

 

CMYK 0 / 34 / 60 / 10

HEX #E5965B

RGB 229 150 91

HSL 25.65, 0.73%, 0.63%

LAB 68.91, 24, 42.9

 

CMYK 0 / 51 / 60 / 10

HEX #E5715B

RGB 229 113 91

HSL 9.57, 0.73%, 0.63%

LAB 60.98, 43.22, 33.18

 

CMYK 0 / 60 / 60 / 10

HEX #E55B5B

RGB 229 91 91

HSL 0, 0.73%, 0.63%

LAB 56.97, 53.62, 28.09

 

CMYK 0 / 2 / 60 / 10

HEX #E5E05B

RGB 229 224 91

HSL 57.83, 0.73%, 0.63%

LAB 87.35, -14.53, 63.86

 

CMYK 14 / 0 / 60 / 10

HEX #C5E55B

RGB 197 229 91

HSL 73.91, 0.73%, 0.63%

LAB 86.34, -29.74, 62.07

 

CMYK 30 / 0 / 60 / 10

HEX #A0E55B

RGB 160 229 91

HSL 90, 0.73%, 0.63%

LAB 84.1, -43.51, 58.98

 

CMYK 46 / 0 / 60 / 10

HEX #7BE55B

RGB 123 229 91

HSL 106.09, 0.73%, 0.63%

LAB 82.38, -55.47, 56.57

 

CMYK 60 / 0 / 58 / 10

HEX #5BE561

RGB 91 229 97

HSL 122.61, 0.73%, 0.63%

LAB 81.36, -63.02, 52.49

 

CMYK 0 / 2 / 60 / 10

HEX #E5E05B

RGB 229 224 91

HSL 57.83, 0.73%, 0.63%

LAB 87.35, -14.53, 63.86

 

CMYK 0 / 2 / 69 / 4

HEX #F4EE4C

RGB 244 238 76

HSL 57.86, 0.88%, 0.63%

LAB 92.09, -16.12, 74.98

 

CMYK 0 / 2 / 60 / 10

HEX #E5E05B

RGB 229 224 91

HSL 57.83, 0.73%, 0.63%

LAB 87.35, -14.53, 63.86

 

CMYK 0 / 2 / 50 / 16

HEX #D6D26B

RGB 214 210 107

HSL 57.76, 0.57%, 0.63%

LAB 82.62, -12.43, 51

 

CMYK 0 / 1 / 38 / 22

HEX #C6C47A

RGB 198 196 122

HSL 58.42, 0.4%, 0.63%

LAB 77.81, -10.26, 37.4

 

CMYK 0 / 1 / 25 / 28

HEX #B7B689

RGB 183 182 137

HSL 58.7, 0.24%, 0.63%

LAB 73.11, -7, 23.11

 

CMYK 0 / 1 / 10 / 34

HEX #A8A798

RGB 168 167 152

HSL 56.25, 0.08%, 0.63%

LAB 68.19, -2.35, 7.88

 

CMYK 0 / 35 / 60 / 10

HEX #E5955B

RGB 229 149 91

HSL 25.22, 0.73%, 0.63%

LAB 68.68, 24.53, 42.63

 

CMYK 0 / 19 / 60 / 10

HEX #E5B95B

RGB 229 185 91

HSL 40.87, 0.73%, 0.63%

LAB 77.35, 5.4, 52.75

 

CMYK 0 / 3 / 60 / 10

HEX #E5DE5B

RGB 229 222 91

HSL 56.96, 0.73%, 0.63%

LAB 86.83, -13.54, 63.29

 

CMYK 13 / 0 / 60 / 10

HEX #C7E55B

RGB 199 229 91

HSL 73.04, 0.73%, 0.63%

LAB 86.47, -28.96, 62.26

 

CMYK 29 / 0 / 60 / 10

HEX #A2E55B

RGB 162 229 91

HSL 89.13, 0.73%, 0.63%

LAB 84.21, -42.81, 59.13

 

CMYK 0 / 3 / 84 / 19

HEX #CEC820

RGB 206 200 32

HSL 57.93, 0.73%, 0.47%

LAB 78.77, -14.89, 74.85

 

CMYK 0 / 3 / 75 / 13

HEX #DFD938

RGB 223 217 56

HSL 57.84, 0.72%, 0.55%

LAB 84.79, -15.38, 74.16

 

CMYK 0 / 2 / 60 / 10

HEX #E5E05B

RGB 229 224 91

HSL 57.83, 0.73%, 0.63%

LAB 87.35, -14.53, 63.86

 

CMYK 0 / 2 / 46 / 8

HEX #EBE77F

RGB 235 231 127

HSL 57.78, 0.73%, 0.71%

LAB 90.02, -12.73, 50.8

 

CMYK 0 / 1 / 32 / 6

HEX #F0EDA3

RGB 240 237 163

HSL 57.66, 0.72%, 0.79%

LAB 92.46, -9.96, 36.29

 

CMYK 0 / 2 / 60 / 10

HEX #E5E05B

RGB 229 224 91

HSL 57.83, 0.73%, 0.63%

LAB 87.35, -14.53, 63.86

 

CMYK 60 / 0 / 51 / 10

HEX #5BE570

RGB 91 229 112

HSL 129.13, 0.73%, 0.63%

LAB 81.53, -61.12, 45.78

 

CMYK 27 / 60 / 0 / 10

HEX #A75BE5

RGB 167 91 229

HSL 273.04, 0.73%, 0.63%

LAB 53.34, 55.45, -58.23

 

CMYK 0 / 2 / 60 / 10

HEX #E5E05B

RGB 229 224 91

HSL 57.83, 0.73%, 0.63%

LAB 87.35, -14.53, 63.86

 

CMYK 60 / 0 / 3 / 10

HEX #5BE5DE

RGB 91 229 222

HSL 176.96, 0.73%, 0.63%

LAB 83.72, -38.66, -7.76

 

CMYK 3 / 60 / 0 / 10

HEX #DE5BE5

RGB 222 91 229

HSL 296.96, 0.73%, 0.63%

LAB 60.49, 68.5, -46.41

 

CMYK 0 / 2 / 60 / 10

HEX #E5E05B

RGB 229 224 91

HSL 57.83, 0.73%, 0.63%

LAB 87.35, -14.53, 63.86

 

CMYK 60 / 0 / 51 / 10

HEX #5BE570

RGB 91 229 112

HSL 129.13, 0.73%, 0.63%

LAB 81.53, -61.12, 45.78

 

CMYK 60 / 57 / 0 / 10

HEX #5B62E5

RGB 91 98 229

HSL 236.96, 0.73%, 0.63%

LAB 47.77, 35.9, -67.56

 

CMYK 0 / 60 / 9 / 10

HEX #E55BD0

RGB 229 91 208

HSL 309.13, 0.73%, 0.63%

LAB 60.51, 66.83, -34.49

 

CMYK 0 / 2 / 60 / 10

HEX #E5E05B

RGB 229 224 91

HSL 57.83, 0.73%, 0.63%

LAB 87.35, -14.53, 63.86

 

CMYK 60 / 0 / 33 / 10

HEX #5BE599

RGB 91 229 153

HSL 146.96, 0.73%, 0.63%

LAB 82.14, -54.42, 26.19

 

CMYK 60 / 57 / 0 / 10

HEX #5B62E5

RGB 91 98 229

HSL 236.96, 0.73%, 0.63%

LAB 47.77, 35.9, -67.56

 

CMYK 0 / 60 / 27 / 10

HEX #E55BA7

RGB 229 91 167

HSL 326.96, 0.73%, 0.63%

LAB 58.91, 61.04, -13.47

 

Description

Color code: HEX #E5E05B | qconv.com Color code: HEX #E5E05B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 224 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 224 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 60 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 60% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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