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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5DBD300 it is the complementary color #1A242C00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5DBD300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5DBD300 shade: #EADBCE00, #FBEDE100 and #FFFFF400

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5DBD300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5DBD300 shade: #E5DBD300, #D4C9C000, #C3B7AD00, #B2A59A00 and #A1938700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5DBD300 shade: #E5DAD2, #E5D5D2 and #E5D2D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5DBD300 shade: #E5DAD2, #E5DFD2, #E5E4D2, #E0E5D2 and #DBE5D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5DBD300 shade matches the following richer shades: #E5DAD2, #EADACC, #F0D9C6, #F6D8C1 and #FCD8BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5DBD300 shade: #E5DAD2, #DFDBD8, #D9DCDE, #D3DCE3 and #CDDDE9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5DBD300 shade: #E5D2D4, #E5D5D2, #E5DAD2, #E5DFD2 and #E5E4D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5DBD300 shade: #C6B09E, #D5C5B8, #E5DAD2, #F4EFEC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5DBD300 shade: #E5DBD3, #D9E5D2 and #D3D2E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5DBD300 shade: #E5DBD3, #D2E5DA and #DAD2E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5DBD300 shade: #E5DBD3, #D9E5D2, #D2DDE5 and #DED2E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5DBD300 shade: #E5DBD3, #D3E5D2, #D2DDE5 and #E3D2E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #E5DBD300

RGBA 229 219 211 0

HSLA 26.67, 0.26%, 0.86%, 0

LABA 87.98, 2.05, 5.14, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #1A242C00

RGBA 26 36 44 0

HSLA 206.67, 0.26%, 0.14%, 0

LABA 13.61, -1.89, -6.72, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EADBCE00

RGBA 234 219 206 0

HSLA 27.86, 0.4%, 0.86%, 0

LABA 88.26, 2.99, 8.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FBEDE100

RGBA 251 237 225 0

HSLA 27.69, 0.76%, 0.93%, 0

LABA 94.53, 2.75, 7.49, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFF400

RGBA 255 255 244 0

HSLA 60, 1%, 0.98%, 0

LABA 99.73, -1.88, 5.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E5DBD300

RGBA 229 219 211 0

HSLA 26.67, 0.26%, 0.86%, 0

LABA 87.98, 2.05, 5.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D4C9C000

RGBA 212 201 192 0

HSLA 27, 0.19%, 0.79%, 0

LABA 81.61, 2.28, 5.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C3B7AD00

RGBA 195 183 173 0

HSLA 27.27, 0.15%, 0.72%, 0

LABA 75.13, 2.53, 6.6, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B2A59A00

RGBA 178 165 154 0

HSLA 27.5, 0.13%, 0.65%, 0

LABA 68.54, 2.81, 7.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A1938700

RGBA 161 147 135 0

HSLA 27.69, 0.12%, 0.58%, 0

LABA 61.82, 3.11, 8.22, 0

 

CMYK 0 / 5 / 8 / 10

HEX #E5DAD2

RGB 229 218 210

HSL 25.26, 0.27%, 0.86%

LAB 87.71, 2.41, 5.27

 

CMYK 0 / 7 / 8 / 10

HEX #E5D5D2

RGB 229 213 210

HSL 9.47, 0.27%, 0.86%

LAB 86.45, 5.01, 3.46

 

CMYK 0 / 8 / 8 / 10

HEX #E5D2D2

RGB 229 210 210

HSL 0, 0.27%, 0.86%

LAB 85.71, 6.58, 2.37

 

CMYK 0 / 5 / 8 / 10

HEX #E5DAD2

RGB 229 218 210

HSL 25.26, 0.27%, 0.86%

LAB 87.71, 2.41, 5.27

 

CMYK 0 / 3 / 8 / 10

HEX #E5DFD2

RGB 229 223 210

HSL 41.05, 0.27%, 0.86%

LAB 88.96, -0.18, 7.08

HEX #E5DFD2

CMYK 0 / 0 / 8 / 10

HEX #E5E4D2

RGB 229 228 210

HSL 56.84, 0.27%, 0.86%

LAB 90.23, -2.74, 8.9

HEX #E5E4D2

CMYK 2 / 0 / 8 / 10

HEX #E0E5D2

RGB 224 229 210

HSL 75.79, 0.27%, 0.86%

LAB 90.11, -4.99, 8.67

HEX #E0E5D2

CMYK 4 / 0 / 8 / 10

HEX #DBE5D2

RGB 219 229 210

HSL 91.58, 0.27%, 0.86%

LAB 89.74, -6.71, 8.1

HEX #DBE5D2

CMYK 0 / 5 / 8 / 10

HEX #E5DAD2

RGB 229 218 210

HSL 25.26, 0.27%, 0.86%

LAB 87.71, 2.41, 5.27

 

CMYK 0 / 7 / 13 / 8

HEX #EADACC

RGB 234 218 204

HSL 28, 0.42%, 0.86%

LAB 87.97, 3.19, 8.85

 

CMYK 0 / 10 / 18 / 6

HEX #F0D9C6

RGB 240 217 198

HSL 27.14, 0.58%, 0.86%

LAB 88.08, 4.93, 12.24

 

CMYK 0 / 12 / 22 / 4

HEX #F6D8C1

RGB 246 216 193

HSL 26.04, 0.75%, 0.86%

LAB 88.23, 6.9, 15.16

 

CMYK 0 / 14 / 26 / 1

HEX #FCD8BB

RGB 252 216 187

HSL 26.77, 0.92%, 0.86%

LAB 88.64, 8.27, 18.94

 

CMYK 0 / 5 / 8 / 10

HEX #E5DAD2

RGB 229 218 210

HSL 25.26, 0.27%, 0.86%

LAB 87.71, 2.41, 5.27

 

CMYK 0 / 2 / 3 / 13

HEX #DFDBD8

RGB 223 219 216

HSL 25.71, 0.1%, 0.86%

LAB 87.63, 0.83, 1.94

 

CMYK 2 / 1 / 0 / 13

HEX #D9DCDE

RGB 217 220 222

HSL 204, 0.07%, 0.86%

LAB 87.59, -0.64, -1.34

 

CMYK 7 / 3 / 0 / 11

HEX #D3DCE3

RGB 211 220 227

HSL 206.25, 0.22%, 0.86%

LAB 87.28, -1.69, -4.48

 

CMYK 12 / 5 / 0 / 9

HEX #CDDDE9

RGB 205 221 233

HSL 205.71, 0.39%, 0.86%

LAB 87.28, -2.98, -7.7

 

CMYK 0 / 8 / 7 / 10

HEX #E5D2D4

RGB 229 210 212

HSL 353.68, 0.27%, 0.86%

LAB 85.76, 6.91, 1.39

 

CMYK 0 / 7 / 8 / 10

HEX #E5D5D2

RGB 229 213 210

HSL 9.47, 0.27%, 0.86%

LAB 86.45, 5.01, 3.46

 

CMYK 0 / 5 / 8 / 10

HEX #E5DAD2

RGB 229 218 210

HSL 25.26, 0.27%, 0.86%

LAB 87.71, 2.41, 5.27

 

CMYK 0 / 3 / 8 / 10

HEX #E5DFD2

RGB 229 223 210

HSL 41.05, 0.27%, 0.86%

LAB 88.96, -0.18, 7.08

HEX #E5DFD2

CMYK 0 / 0 / 8 / 10

HEX #E5E4D2

RGB 229 228 210

HSL 56.84, 0.27%, 0.86%

LAB 90.23, -2.74, 8.9

HEX #E5E4D2

CMYK 0 / 11 / 20 / 22

HEX #C6B09E

RGB 198 176 158

HSL 27, 0.26%, 0.7%

LAB 73.24, 5.02, 12.11

 

CMYK 0 / 8 / 14 / 16

HEX #D5C5B8

RGB 213 197 184

HSL 26.9, 0.26%, 0.78%

LAB 80.48, 3.44, 8.53

 

CMYK 0 / 5 / 8 / 10

HEX #E5DAD2

RGB 229 218 210

HSL 25.26, 0.27%, 0.86%

LAB 87.71, 2.41, 5.27

 

CMYK 0 / 2 / 3 / 4

HEX #F4EFEC

RGB 244 239 236

HSL 22.5, 0.27%, 0.94%

LAB 94.75, 1.16, 2.03

 

CMYK 0 / 4 / 8 / 10

HEX #E5DBD3

RGB 229 219 211

HSL 26.67, 0.26%, 0.86%

LAB 87.98, 2.05, 5.14

 

CMYK 5 / 0 / 8 / 10

HEX #D9E5D2

RGB 217 229 210

HSL 97.89, 0.27%, 0.86%

LAB 89.6, -7.4, 7.88

 

CMYK 8 / 8 / 0 / 10

HEX #D3D2E5

RGB 211 210 229

HSL 243.16, 0.27%, 0.86%

LAB 84.79, 3.92, -9.22

 

CMYK 0 / 4 / 8 / 10

HEX #E5DBD3

RGB 229 219 211

HSL 26.67, 0.26%, 0.86%

LAB 87.98, 2.05, 5.14

 

CMYK 8 / 0 / 5 / 10

HEX #D2E5DA

RGB 210 229 218

HSL 145.26, 0.27%, 0.86%

LAB 89.3, -8.33, 3.19

 

CMYK 5 / 8 / 0 / 10

HEX #DAD2E5

RGB 218 210 229

HSL 265.26, 0.27%, 0.86%

LAB 85.33, 6.23, -8.37

 

CMYK 0 / 4 / 8 / 10

HEX #E5DBD3

RGB 229 219 211

HSL 26.67, 0.26%, 0.86%

LAB 87.98, 2.05, 5.14

 

CMYK 5 / 0 / 8 / 10

HEX #D9E5D2

RGB 217 229 210

HSL 97.89, 0.27%, 0.86%

LAB 89.6, -7.4, 7.88

 

CMYK 8 / 3 / 0 / 10

HEX #D2DDE5

RGB 210 221 229

HSL 205.26, 0.27%, 0.86%

LAB 87.52, -2.15, -5.19

 

CMYK 3 / 8 / 0 / 10

HEX #DED2E5

RGB 222 210 229

HSL 277.89, 0.27%, 0.86%

LAB 85.65, 7.56, -7.86

 

CMYK 0 / 4 / 8 / 10

HEX #E5DBD3

RGB 229 219 211

HSL 26.67, 0.26%, 0.86%

LAB 87.98, 2.05, 5.14

 

CMYK 8 / 0 / 8 / 10

HEX #D3E5D2

RGB 211 229 210

HSL 116.84, 0.27%, 0.86%

LAB 89.18, -9.44, 7.22

 

CMYK 8 / 3 / 0 / 10

HEX #D2DDE5

RGB 210 221 229

HSL 205.26, 0.27%, 0.86%

LAB 87.52, -2.15, -5.19

 

CMYK 1 / 8 / 0 / 10

HEX #E3D2E5

RGB 227 210 229

HSL 293.68, 0.27%, 0.86%

LAB 86.05, 9.23, -7.22

 

Description

Color code: HEX #E5DBD300 | qconv.com Color code: HEX #E5DBD300 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 219 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 219 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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