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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5DA6C it is the complementary color #1A2593. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5DA6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5DA6C shade: #EADA67, #FBEC7A, #FFFE8D, #FFFFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5DA6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5DA6C shade: #E5DA6C, #D4C859, #C3B646, #B2A433 and #A19220

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5DA6C shade: #E4D96B, #E4B96B, #E4986B, #E4776B and #E46B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5DA6C shade: #E4D96B, #CFE46B, #AEE46B, #8DE46B and #6DE46B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5DA6C shade matches the following richer shades: #E4D96B and #F3E55D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5DA6C shade: #E4D96B, #D6CE79, #C8C387, #BAB795 and #ACACA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5DA6C shade: #E4986B, #E4B86B, #E4D86B, #D0E46B and #B0E46B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5DA6C shade: #D7C726, #DED148, #E4D96B, #EBE28E and #F1EBB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5DA6C shade: #E5DA6C, #6BE477 and #A86BE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5DA6C shade: #E5DA6C, #6BE4D8 and #D86BE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5DA6C shade: #E5DA6C, #6BE477, #6B77E4 and #E46BD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5DA6C shade: #E5DA6C, #6BE49C, #6B77E4 and #E46BB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 53 / 10

HEX #E5DA6C

RGB 229 218 108

HSL 54.55, 0.7%, 0.66%

LAB 85.95, -10.3, 54.75

 

Complementary color

CMYK 82 / 75 / 0 / 42

HEX #1A2593

RGB 26 37 147

HSL 234.55, 0.7%, 0.34%

LAB 22.48, 37.08, -60.8

 

CMYK 0 / 7 / 56 / 8

HEX #EADA67

RGB 234 218 103

HSL 52.67, 0.76%, 0.66%

LAB 86.31, -8.65, 57.57

 

CMYK 0 / 6 / 51 / 2

HEX #FBEC7A

RGB 251 236 122

HSL 53.02, 0.94%, 0.73%

LAB 92.53, -9.31, 56.47

 

CMYK 0 / 0 / 45 / 0

HEX #FFFE8D

RGB 255 254 141

HSL 59.47, 1%, 0.78%

LAB 97.66, -14.91, 53.85

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 5 / 53 / 10

HEX #E5DA6C

RGB 229 218 108

HSL 54.55, 0.7%, 0.66%

LAB 85.95, -10.3, 54.75

 

CMYK 0 / 6 / 58 / 17

HEX #D4C859

RGB 212 200 89

HSL 54.15, 0.59%, 0.59%

LAB 79.63, -9.62, 55.83

 

CMYK 0 / 7 / 64 / 24

HEX #C3B646

RGB 195 182 70

HSL 53.76, 0.51%, 0.52%

LAB 73.22, -8.82, 56.75

 

CMYK 0 / 8 / 71 / 30

HEX #B2A433

RGB 178 164 51

HSL 53.39, 0.55%, 0.45%

LAB 66.71, -7.85, 57.37

 

CMYK 0 / 9 / 80 / 37

HEX #A19220

RGB 161 146 32

HSL 53.02, 0.67%, 0.38%

LAB 60.1, -6.66, 57.34

 

CMYK 0 / 5 / 53 / 11

HEX #E4D96B

RGB 228 217 107

HSL 54.55, 0.69%, 0.66%

LAB 85.6, -10.28, 54.78

 

CMYK 0 / 19 / 53 / 11

HEX #E4B96B

RGB 228 185 107

HSL 38.68, 0.69%, 0.66%

LAB 77.43, 6.21, 45.07

 

CMYK 0 / 33 / 53 / 11

HEX #E4986B

RGB 228 152 107

HSL 22.31, 0.69%, 0.66%

LAB 69.48, 23.77, 35.19

 

CMYK 0 / 48 / 53 / 11

HEX #E4776B

RGB 228 119 107

HSL 5.95, 0.69%, 0.66%

LAB 62.3, 41.06, 25.9

 

CMYK 0 / 53 / 53 / 11

HEX #E46B6B

RGB 228 107 107

HSL 0, 0.69%, 0.66%

LAB 59.95, 47.02, 22.79

 

CMYK 0 / 5 / 53 / 11

HEX #E4D96B

RGB 228 217 107

HSL 54.55, 0.69%, 0.66%

LAB 85.6, -10.28, 54.78

 

CMYK 9 / 0 / 53 / 11

HEX #CFE46B

RGB 207 228 107

HSL 70.41, 0.69%, 0.66%

LAB 86.91, -24.07, 55.9

 

CMYK 24 / 0 / 53 / 11

HEX #AEE46B

RGB 174 228 107

HSL 86.78, 0.69%, 0.66%

LAB 84.76, -36.57, 52.85

 

CMYK 38 / 0 / 53 / 11

HEX #8DE46B

RGB 141 228 107

HSL 103.14, 0.69%, 0.66%

LAB 83.03, -47.87, 50.36

 

CMYK 52 / 0 / 53 / 11

HEX #6DE46B

RGB 109 228 107

HSL 119.01, 0.69%, 0.66%

LAB 81.73, -57.14, 48.5

 

CMYK 0 / 5 / 53 / 11

HEX #E4D96B

RGB 228 217 107

HSL 54.55, 0.69%, 0.66%

LAB 85.6, -10.28, 54.78

 

CMYK 0 / 6 / 62 / 5

HEX #F3E55D

RGB 243 229 93

HSL 54.4, 0.86%, 0.66%

LAB 89.81, -11.16, 66.01

 

CMYK 0 / 5 / 53 / 11

HEX #E4D96B

RGB 228 217 107

HSL 54.55, 0.69%, 0.66%

LAB 85.6, -10.28, 54.78

 

CMYK 0 / 4 / 43 / 16

HEX #D6CE79

RGB 214 206 121

HSL 54.84, 0.53%, 0.66%

LAB 81.74, -9.09, 43.13

 

CMYK 0 / 3 / 33 / 22

HEX #C8C387

RGB 200 195 135

HSL 55.38, 0.37%, 0.66%

LAB 77.91, -7.42, 30.84

 

CMYK 0 / 2 / 20 / 27

HEX #BAB795

RGB 186 183 149

HSL 55.14, 0.21%, 0.66%

LAB 73.85, -4.63, 17.71

 

CMYK 0 / 0 / 5 / 33

HEX #ACACA3

RGB 172 172 163

HSL 60, 0.05%, 0.66%

LAB 70.12, -1.65, 4.62

 

CMYK 0 / 33 / 53 / 11

HEX #E4986B

RGB 228 152 107

HSL 22.31, 0.69%, 0.66%

LAB 69.48, 23.77, 35.19

 

CMYK 0 / 19 / 53 / 11

HEX #E4B86B

RGB 228 184 107

HSL 38.18, 0.69%, 0.66%

LAB 77.18, 6.73, 44.77

 

CMYK 0 / 5 / 53 / 11

HEX #E4D86B

RGB 228 216 107

HSL 54.05, 0.69%, 0.66%

LAB 85.34, -9.78, 54.48

 

CMYK 9 / 0 / 53 / 11

HEX #D0E46B

RGB 208 228 107

HSL 69.92, 0.69%, 0.66%

LAB 86.98, -23.68, 56

 

CMYK 23 / 0 / 53 / 11

HEX #B0E46B

RGB 176 228 107

HSL 85.79, 0.69%, 0.66%

LAB 84.88, -35.84, 53.02

 

CMYK 0 / 7 / 82 / 16

HEX #D7C726

RGB 215 199 38

HSL 54.58, 0.7%, 0.5%

LAB 79.29, -10.37, 74.17

 

CMYK 0 / 6 / 68 / 13

HEX #DED148

RGB 222 209 72

HSL 54.8, 0.69%, 0.58%

LAB 82.7, -11.07, 66.49

 

CMYK 0 / 5 / 53 / 11

HEX #E4D96B

RGB 228 217 107

HSL 54.55, 0.69%, 0.66%

LAB 85.6, -10.28, 54.78

 

CMYK 0 / 4 / 40 / 8

HEX #EBE28E

RGB 235 226 142

HSL 54.19, 0.7%, 0.74%

LAB 88.93, -8.75, 42.13

 

CMYK 0 / 2 / 27 / 5

HEX #F1EBB1

RGB 241 235 177

HSL 54.38, 0.7%, 0.82%

LAB 92.26, -6.83, 28.95

 

CMYK 0 / 5 / 53 / 10

HEX #E5DA6C

RGB 229 218 108

HSL 54.55, 0.7%, 0.66%

LAB 85.95, -10.3, 54.75

 

CMYK 53 / 0 / 48 / 11

HEX #6BE477

RGB 107 228 119

HSL 125.95, 0.69%, 0.66%

LAB 81.81, -56.06, 42.88

 

CMYK 26 / 53 / 0 / 11

HEX #A86BE4

RGB 168 107 228

HSL 270.25, 0.69%, 0.66%

LAB 56.53, 47.16, -52.56

 

CMYK 0 / 5 / 53 / 10

HEX #E5DA6C

RGB 229 218 108

HSL 54.55, 0.7%, 0.66%

LAB 85.95, -10.3, 54.75

 

CMYK 53 / 0 / 5 / 11

HEX #6BE4D8

RGB 107 228 216

HSL 174.05, 0.69%, 0.66%

LAB 83.74, -36.79, -4.51

 

CMYK 5 / 53 / 0 / 11

HEX #D86BE4

RGB 216 107 228

HSL 294.05, 0.69%, 0.66%

LAB 62.27, 59.65, -43.1

 

CMYK 0 / 5 / 53 / 10

HEX #E5DA6C

RGB 229 218 108

HSL 54.55, 0.7%, 0.66%

LAB 85.95, -10.3, 54.75

 

CMYK 53 / 0 / 48 / 11

HEX #6BE477

RGB 107 228 119

HSL 125.95, 0.69%, 0.66%

LAB 81.81, -56.06, 42.88

 

CMYK 53 / 48 / 0 / 11

HEX #6B77E4

RGB 107 119 228

HSL 234.05, 0.69%, 0.66%

LAB 53.94, 25.84, -56.99

 

CMYK 0 / 53 / 5 / 11

HEX #E46BD8

RGB 228 107 216

HSL 305.95, 0.69%, 0.66%

LAB 63.32, 60.8, -34.64

 

CMYK 0 / 5 / 53 / 10

HEX #E5DA6C

RGB 229 218 108

HSL 54.55, 0.7%, 0.66%

LAB 85.95, -10.3, 54.75

 

CMYK 53 / 0 / 32 / 11

HEX #6BE49C

RGB 107 228 156

HSL 144.3, 0.69%, 0.66%

LAB 82.39, -49.98, 25.05

 

CMYK 53 / 48 / 0 / 11

HEX #6B77E4

RGB 107 119 228

HSL 234.05, 0.69%, 0.66%

LAB 53.94, 25.84, -56.99

 

CMYK 0 / 53 / 21 / 11

HEX #E46BB4

RGB 228 107 180

HSL 323.8, 0.69%, 0.66%

LAB 61.92, 55.26, -16.42

 

Description

Color code: HEX #E5DA6C | qconv.com Color code: HEX #E5DA6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 218 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 218 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 53 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 53% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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