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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5CE7E it is the complementary color #1A3181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5CE7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5CE7E shade: #EACE79, #FBE08C, #FFF29F, #FFFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5CE7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5CE7E shade: #E5CE7E, #D4BC6B, #C3AA58, #B29845 and #A18632

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5CE7E shade: #E4CE80, #E4B380, #E49780 and #E48080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5CE7E shade: #E4CE80, #E0E480, #C5E480, #A9E480 and #8EE480

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5CE7E shade matches the following richer shades: #E4CE80, #F1D573 and #FDDC67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5CE7E shade: #E4CE80, #D8C78C, #CCC098, #BFB9A5 and #B3B3B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5CE7E shade: #E49780, #E4B280, #E4CD80, #E1E480 and #C6E480

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5CE7E shade: #D6B43B, #DDC15D, #E4CE80, #ECDBA2 and #F3E8C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5CE7E shade: #E5CE7E, #83E480 and #A580E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5CE7E shade: #E5CE7E, #80E4CD and #CD80E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5CE7E shade: #E5CE7E, #83E480, #8097E4 and #E180E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5CE7E shade: #E5CE7E, #80E49A, #8097E4 and #E480CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 45 / 10

HEX #E5CE7E

RGB 229 206 126

HSL 46.6, 0.66%, 0.7%

LAB 83.08, -2.59, 42.59

 

Complementary color

CMYK 80 / 62 / 0 / 49

HEX #1A3181

RGB 26 49 129

HSL 226.6, 0.66%, 0.3%

LAB 23.68, 22.22, -47.61

 

CMYK 0 / 12 / 48 / 8

HEX #EACE79

RGB 234 206 121

HSL 45.13, 0.73%, 0.7%

LAB 83.45, -1.05, 45.63

 

CMYK 0 / 11 / 44 / 2

HEX #FBE08C

RGB 251 224 140

HSL 45.41, 0.93%, 0.77%

LAB 89.73, -1.68, 44.41

 

CMYK 0 / 5 / 38 / 0

HEX #FFF29F

RGB 255 242 159

HSL 51.88, 1%, 0.81%

LAB 94.85, -7.2, 41.63

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 10 / 45 / 10

HEX #E5CE7E

RGB 229 206 126

HSL 46.6, 0.66%, 0.7%

LAB 83.08, -2.59, 42.59

 

CMYK 0 / 11 / 50 / 17

HEX #D4BC6B

RGB 212 188 107

HSL 46.29, 0.55%, 0.63%

LAB 76.69, -1.96, 43.83

 

CMYK 0 / 13 / 55 / 24

HEX #C3AA58

RGB 195 170 88

HSL 45.98, 0.47%, 0.55%

LAB 70.22, -1.21, 45.08

 

CMYK 0 / 15 / 61 / 30

HEX #B29845

RGB 178 152 69

HSL 45.69, 0.44%, 0.48%

LAB 63.63, -0.32, 46.29

 

CMYK 0 / 17 / 69 / 37

HEX #A18632

RGB 161 134 50

HSL 45.41, 0.53%, 0.41%

LAB 56.94, 0.76, 47.34

 

CMYK 0 / 10 / 44 / 11

HEX #E4CE80

RGB 228 206 128

HSL 46.8, 0.65%, 0.7%

LAB 83.02, -2.79, 41.49

 

CMYK 0 / 21 / 44 / 11

HEX #E4B380

RGB 228 179 128

HSL 30.6, 0.65%, 0.7%

LAB 76.25, 11.35, 32.8

 

CMYK 0 / 34 / 44 / 11

HEX #E49780

RGB 228 151 128

HSL 13.8, 0.65%, 0.7%

LAB 69.6, 26.3, 23.98

HEX #E49780

CMYK 0 / 44 / 44 / 11

HEX #E48080

RGB 228 128 128

HSL 0, 0.65%, 0.7%

LAB 64.56, 38.42, 17.1

HEX #E48080

CMYK 0 / 10 / 44 / 11

HEX #E4CE80

RGB 228 206 128

HSL 46.8, 0.65%, 0.7%

LAB 83.02, -2.79, 41.49

 

CMYK 2 / 0 / 44 / 11

HEX #E0E480

RGB 224 228 128

HSL 62.4, 0.65%, 0.7%

LAB 88.4, -15.47, 48.13

 

CMYK 14 / 0 / 44 / 11

HEX #C5E480

RGB 197 228 128

HSL 78.6, 0.65%, 0.7%

LAB 86.46, -25.84, 45.31

 

CMYK 26 / 0 / 44 / 11

HEX #A9E480

RGB 169 228 128

HSL 95.4, 0.65%, 0.7%

LAB 84.73, -36.01, 42.77

 

CMYK 38 / 0 / 44 / 11

HEX #8EE480

RGB 142 228 128

HSL 111.6, 0.65%, 0.7%

LAB 83.33, -44.94, 40.71

 

CMYK 0 / 10 / 44 / 11

HEX #E4CE80

RGB 228 206 128

HSL 46.8, 0.65%, 0.7%

LAB 83.02, -2.79, 41.49

 

CMYK 0 / 12 / 52 / 5

HEX #F1D573

RGB 241 213 115

HSL 46.67, 0.82%, 0.7%

LAB 85.77, -2.33, 51.5

 

CMYK 0 / 13 / 59 / 1

HEX #FDDC67

RGB 253 220 103

HSL 46.8, 0.97%, 0.7%

LAB 88.47, -1.91, 60.46

 

CMYK 0 / 10 / 44 / 11

HEX #E4CE80

RGB 228 206 128

HSL 46.8, 0.65%, 0.7%

LAB 83.02, -2.79, 41.49

 

CMYK 0 / 8 / 35 / 15

HEX #D8C78C

RGB 216 199 140

HSL 46.58, 0.49%, 0.7%

LAB 80.37, -2.62, 31.73

 

CMYK 0 / 6 / 25 / 20

HEX #CCC098

RGB 204 192 152

HSL 46.15, 0.34%, 0.7%

LAB 77.76, -2.08, 21.72

 

CMYK 0 / 3 / 14 / 25

HEX #BFB9A5

RGB 191 185 165

HSL 46.15, 0.17%, 0.7%

LAB 75.13, -1.32, 10.9

 

CMYK 0 / 0 / 1 / 30

HEX #B3B3B1

RGB 179 179 177

HSL 60, 0.01%, 0.7%

LAB 72.89, -0.37, 1.01

 

CMYK 0 / 34 / 44 / 11

HEX #E49780

RGB 228 151 128

HSL 13.8, 0.65%, 0.7%

LAB 69.6, 26.3, 23.98

HEX #E49780

CMYK 0 / 22 / 44 / 11

HEX #E4B280

RGB 228 178 128

HSL 30, 0.65%, 0.7%

LAB 76, 11.88, 32.48

HEX #E4B280

CMYK 0 / 10 / 44 / 11

HEX #E4CD80

RGB 228 205 128

HSL 46.2, 0.65%, 0.7%

LAB 82.76, -2.28, 41.17

HEX #E4CD80

CMYK 1 / 0 / 44 / 11

HEX #E1E480

RGB 225 228 128

HSL 61.8, 0.65%, 0.7%

LAB 88.47, -15.08, 48.25

HEX #E1E480

CMYK 13 / 0 / 44 / 11

HEX #C6E480

RGB 198 228 128

HSL 78, 0.65%, 0.7%

LAB 86.53, -25.46, 45.41

HEX #C6E480

CMYK 0 / 16 / 72 / 16

HEX #D6B43B

RGB 214 180 59

HSL 46.84, 0.65%, 0.54%

LAB 74.35, -0.21, 62.93

 

CMYK 0 / 13 / 58 / 13

HEX #DDC15D

RGB 221 193 93

HSL 46.88, 0.65%, 0.62%

LAB 78.64, -1.98, 53.09

 

CMYK 0 / 10 / 44 / 11

HEX #E4CE80

RGB 228 206 128

HSL 46.8, 0.65%, 0.7%

LAB 83.02, -2.79, 41.49

 

CMYK 0 / 7 / 31 / 7

HEX #ECDBA2

RGB 236 219 162

HSL 46.22, 0.66%, 0.78%

LAB 87.54, -2.52, 30.19

 

CMYK 0 / 5 / 19 / 5

HEX #F3E8C4

RGB 243 232 196

HSL 45.96, 0.66%, 0.86%

LAB 92.02, -1.97, 18.87

 

CMYK 0 / 10 / 45 / 10

HEX #E5CE7E

RGB 229 206 126

HSL 46.6, 0.66%, 0.7%

LAB 83.08, -2.59, 42.59

 

CMYK 43 / 0 / 44 / 11

HEX #83E480

RGB 131 228 128

HSL 118.2, 0.65%, 0.7%

LAB 82.84, -48.26, 39.99

 

CMYK 28 / 44 / 0 / 11

HEX #A580E4

RGB 165 128 228

HSL 262.2, 0.65%, 0.7%

LAB 60.82, 34.77, -45.78

 

CMYK 0 / 10 / 45 / 10

HEX #E5CE7E

RGB 229 206 126

HSL 46.6, 0.66%, 0.7%

LAB 83.08, -2.59, 42.59

 

CMYK 44 / 0 / 10 / 11

HEX #80E4CD

RGB 128 228 205

HSL 166.2, 0.65%, 0.7%

LAB 84.22, -34.73, 2.09

 

CMYK 10 / 44 / 0 / 11

HEX #CD80E4

RGB 205 128 228

HSL 286.2, 0.65%, 0.7%

LAB 64.98, 46.06, -38.95

 

CMYK 0 / 10 / 45 / 10

HEX #E5CE7E

RGB 229 206 126

HSL 46.6, 0.66%, 0.7%

LAB 83.08, -2.59, 42.59

 

CMYK 43 / 0 / 44 / 11

HEX #83E480

RGB 131 228 128

HSL 118.2, 0.65%, 0.7%

LAB 82.84, -48.26, 39.99

 

CMYK 44 / 34 / 0 / 11

HEX #8097E4

RGB 128 151 228

HSL 226.2, 0.65%, 0.7%

LAB 63.61, 11.69, -41.58

 

CMYK 1 / 44 / 0 / 11

HEX #E180E4

RGB 225 128 228

HSL 298.2, 0.65%, 0.7%

LAB 67.31, 51.85, -35.13

 

CMYK 0 / 10 / 45 / 10

HEX #E5CE7E

RGB 229 206 126

HSL 46.6, 0.66%, 0.7%

LAB 83.08, -2.59, 42.59

 

CMYK 44 / 0 / 32 / 11

HEX #80E49A

RGB 128 228 154

HSL 135.6, 0.65%, 0.7%

LAB 83.13, -45.01, 27.22

 

CMYK 44 / 34 / 0 / 11

HEX #8097E4

RGB 128 151 228

HSL 226.2, 0.65%, 0.7%

LAB 63.61, 11.69, -41.58

 

CMYK 0 / 44 / 11 / 11

HEX #E480CA

RGB 228 128 202

HSL 315.6, 0.65%, 0.7%

LAB 66.67, 48.3, -21.62

 

Description

Color code: HEX #E5CE7E | qconv.com Color code: HEX #E5CE7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 206 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 206 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 45 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 45% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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