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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5C428 it is the complementary color #1A3BD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5C428. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5C428 shade: #EAC423, #FBD636, #FFE849, #FFFA5C and #FFFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5C428. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5C428 shade: #E5C428, #D4B215, #C3A002, #B28E00 and #A17C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5C428 shade: #E4C329, #E49129, #E45F29, #E42C29 and #E42929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5C428 shade: #E4C329, #D2E429, #A0E429, #6EE429 and #3BE429

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5C428 shade matches the following richer shades: #E4C329 and #F8D016

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5C428 shade: #E4C329, #D1B73D, #BDAA50, #AA9E63 and #979177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5C428 shade: #E45E29, #E49029, #E4C229, #D5E429 and #A3E429

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5C428 shade: #A78D14, #CBAC19, #E4C329, #E9CE4E and #EDD873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5C428 shade: #E5C428, #29E42C and #7729E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5C428 shade: #E5C428, #29E4C2 and #C229E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5C428 shade: #E5C428, #29E42C, #294BE4 and #E429E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5C428 shade: #E5C428, #29E464, #294BE4 and #E429A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 83 / 10

HEX #E5C428

RGB 229 196 40

HSL 49.52, 0.78%, 0.53%

LAB 79.78, -2.76, 74.57

 

Complementary color

CMYK 88 / 73 / 0 / 16

HEX #1A3BD7

RGB 26 59 215

HSL 229.52, 0.78%, 0.47%

LAB 34.51, 47.96, -81.44

 

CMYK 0 / 16 / 85 / 8

HEX #EAC423

RGB 234 196 35

HSL 48.54, 0.83%, 0.53%

LAB 80.23, -0.74, 76.39

 

CMYK 0 / 15 / 78 / 2

HEX #FBD636

RGB 251 214 54

HSL 48.73, 0.96%, 0.6%

LAB 86.44, -2.17, 77.18

 

CMYK 0 / 9 / 71 / 0

HEX #FFE849

RGB 255 232 73

HSL 52.42, 1%, 0.64%

LAB 91.44, -8.79, 75.72

 

CMYK 0 / 2 / 64 / 0

HEX #FFFA5C

RGB 255 250 92

HSL 58.16, 1%, 0.68%

LAB 96.16, -16.64, 73.42

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 14 / 83 / 10

HEX #E5C428

RGB 229 196 40

HSL 49.52, 0.78%, 0.53%

LAB 79.78, -2.76, 74.57

 

CMYK 0 / 16 / 90 / 17

HEX #D4B215

RGB 212 178 21

HSL 49.32, 0.82%, 0.46%

LAB 73.48, -1.22, 73.06

 

CMYK 0 / 18 / 99 / 24

HEX #C3A002

RGB 195 160 2

HSL 49.12, 0.98%, 0.39%

LAB 67.09, 0.54, 70.22

 

CMYK 0 / 20 / 100 / 30

HEX #B28E00

RGB 178 142 0

HSL 47.87, 1%, 0.35%

LAB 60.61, 2.59, 65.15

 

CMYK 0 / 23 / 100 / 37

HEX #A17C00

RGB 161 124 0

HSL 46.21, 1%, 0.32%

LAB 54.02, 4.75, 59.71

 

CMYK 0 / 14 / 82 / 11

HEX #E4C329

RGB 228 195 41

HSL 49.41, 0.78%, 0.53%

LAB 79.43, -2.65, 73.98

 

CMYK 0 / 36 / 82 / 11

HEX #E49129

RGB 228 145 41

HSL 33.37, 0.78%, 0.53%

LAB 67.21, 23.76, 63.41

 

CMYK 0 / 58 / 82 / 11

HEX #E45F29

RGB 228 95 41

HSL 17.33, 0.78%, 0.53%

LAB 56.92, 49.09, 54.25

 

CMYK 0 / 81 / 82 / 11

HEX #E42C29

RGB 228 44 41

HSL 0.96, 0.78%, 0.53%

LAB 50.04, 67.8, 47.91

 

CMYK 0 / 82 / 82 / 11

HEX #E42929

RGB 228 41 41

HSL 0, 0.78%, 0.53%

LAB 49.79, 68.53, 47.67

 

CMYK 0 / 14 / 82 / 11

HEX #E4C329

RGB 228 195 41

HSL 49.41, 0.78%, 0.53%

LAB 79.43, -2.65, 73.98

 

CMYK 8 / 0 / 82 / 11

HEX #D2E429

RGB 210 228 41

HSL 65.78, 0.78%, 0.53%

LAB 86.68, -26.62, 79.57

 

CMYK 30 / 0 / 82 / 11

HEX #A0E429

RGB 160 228 41

HSL 81.82, 0.78%, 0.53%

LAB 83.51, -46.14, 75.58

 

CMYK 52 / 0 / 82 / 11

HEX #6EE429

RGB 110 228 41

HSL 97.86, 0.78%, 0.53%

LAB 81.27, -62.35, 72.74

 

CMYK 74 / 0 / 82 / 11

HEX #3BE429

RGB 59 228 41

HSL 114.22, 0.78%, 0.53%

LAB 79.94, -73.31, 71.04

 

CMYK 0 / 14 / 82 / 11

HEX #E4C329

RGB 228 195 41

HSL 49.41, 0.78%, 0.53%

LAB 79.43, -2.65, 73.98

 

CMYK 0 / 16 / 91 / 3

HEX #F8D016

RGB 248 208 22

HSL 49.38, 0.94%, 0.53%

LAB 84.55, -1.14, 82.85

 

CMYK 0 / 14 / 82 / 11

HEX #E4C329

RGB 228 195 41

HSL 49.41, 0.78%, 0.53%

LAB 79.43, -2.65, 73.98

 

CMYK 0 / 12 / 71 / 18

HEX #D1B73D

RGB 209 183 61

HSL 49.46, 0.62%, 0.53%

LAB 74.67, -3.84, 62.32

 

CMYK 0 / 10 / 58 / 26

HEX #BDAA50

RGB 189 170 80

HSL 49.54, 0.45%, 0.53%

LAB 69.57, -4.4, 48.06

 

CMYK 0 / 7 / 42 / 33

HEX #AA9E63

RGB 170 158 99

HSL 49.86, 0.29%, 0.53%

LAB 64.88, -4.25, 32.37

 

CMYK 0 / 4 / 21 / 41

HEX #979177

RGB 151 145 119

HSL 48.75, 0.13%, 0.53%

LAB 60.03, -2.26, 14.62

 

CMYK 0 / 59 / 82 / 11

HEX #E45E29

RGB 228 94 41

HSL 17.01, 0.78%, 0.53%

LAB 56.74, 49.55, 54.09

 

CMYK 0 / 37 / 82 / 11

HEX #E49029

RGB 228 144 41

HSL 33.05, 0.78%, 0.53%

LAB 66.98, 24.29, 63.21

 

CMYK 0 / 15 / 82 / 11

HEX #E4C229

RGB 228 194 41

HSL 49.09, 0.78%, 0.53%

LAB 79.18, -2.13, 73.76

 

CMYK 7 / 0 / 82 / 11

HEX #D5E429

RGB 213 228 41

HSL 64.81, 0.78%, 0.53%

LAB 86.9, -25.39, 79.84

 

CMYK 29 / 0 / 82 / 11

HEX #A3E429

RGB 163 228 41

HSL 80.86, 0.78%, 0.53%

LAB 83.67, -45.04, 75.79

 

CMYK 0 / 16 / 88 / 35

HEX #A78D14

RGB 167 141 20

HSL 49.39, 0.79%, 0.37%

LAB 59.27, -1.57, 60.18

 

CMYK 0 / 15 / 88 / 20

HEX #CBAC19

RGB 203 172 25

HSL 49.55, 0.78%, 0.45%

LAB 71.06, -1.94, 70

 

CMYK 0 / 14 / 82 / 11

HEX #E4C329

RGB 228 195 41

HSL 49.41, 0.78%, 0.53%

LAB 79.43, -2.65, 73.98

 

CMYK 0 / 12 / 67 / 9

HEX #E9CE4E

RGB 233 206 78

HSL 49.55, 0.78%, 0.61%

LAB 82.92, -4.62, 64.64

 

CMYK 0 / 9 / 51 / 7

HEX #EDD873

RGB 237 216 115

HSL 49.67, 0.77%, 0.69%

LAB 86.18, -5.48, 51.92

 

CMYK 0 / 14 / 83 / 10

HEX #E5C428

RGB 229 196 40

HSL 49.52, 0.78%, 0.53%

LAB 79.78, -2.76, 74.57

 

CMYK 82 / 0 / 81 / 11

HEX #29E42C

RGB 41 228 44

HSL 120.96, 0.78%, 0.53%

LAB 79.69, -75.43, 69.95

 

CMYK 48 / 82 / 0 / 11

HEX #7729E4

RGB 119 41 228

HSL 265.03, 0.78%, 0.53%

LAB 39.76, 68.5, -79.98

 

CMYK 0 / 14 / 83 / 10

HEX #E5C428

RGB 229 196 40

HSL 49.52, 0.78%, 0.53%

LAB 79.78, -2.76, 74.57

 

CMYK 82 / 0 / 15 / 11

HEX #29E4C2

RGB 41 228 194

HSL 169.09, 0.78%, 0.53%

LAB 81.76, -51.76, 4.06

 

CMYK 15 / 82 / 0 / 11

HEX #C229E4

RGB 194 41 228

HSL 289.09, 0.78%, 0.53%

LAB 50.28, 79.53, -62.39

 

CMYK 0 / 14 / 83 / 10

HEX #E5C428

RGB 229 196 40

HSL 49.52, 0.78%, 0.53%

LAB 79.78, -2.76, 74.57

 

CMYK 82 / 0 / 81 / 11

HEX #29E42C

RGB 41 228 44

HSL 120.96, 0.78%, 0.53%

LAB 79.69, -75.43, 69.95

 

CMYK 82 / 67 / 0 / 11

HEX #294BE4

RGB 41 75 228

HSL 229.09, 0.78%, 0.53%

LAB 39.76, 43.76, -80.2

 

CMYK 0 / 82 / 1 / 11

HEX #E429E1

RGB 228 41 225

HSL 300.96, 0.78%, 0.53%

LAB 55.6, 85.02, -51.86

 

CMYK 0 / 14 / 83 / 10

HEX #E5C428

RGB 229 196 40

HSL 49.52, 0.78%, 0.53%

LAB 79.78, -2.76, 74.57

 

CMYK 82 / 0 / 56 / 11

HEX #29E464

RGB 41 228 100

HSL 138.93, 0.78%, 0.53%

LAB 80.11, -70.25, 49.42

 

CMYK 82 / 67 / 0 / 11

HEX #294BE4

RGB 41 75 228

HSL 229.09, 0.78%, 0.53%

LAB 39.76, 43.76, -80.2

 

CMYK 0 / 82 / 26 / 11

HEX #E429A9

RGB 228 41 169

HSL 318.93, 0.78%, 0.53%

LAB 52.89, 77.6, -23.83

 

Description

Color code: HEX #E5C428 | qconv.com Color code: HEX #E5C428 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 196 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 196 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 83 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 83% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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