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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5C08A it is the complementary color #1A3F75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5C08A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5C08A shade: #EAC085, #FBD298, #FFE4AB, #FFF6BE and #FFFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5C08A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5C08A shade: #E5C08A, #D4AE77, #C39C64, #B28A51 and #A1783E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5C08A shade: #E5C08A, #E5A78A, #E58F8A and #E58A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5C08A shade: #E5C08A, #E5D98A, #D9E58A, #C1E58A and #A8E58A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5C08A shade matches the following richer shades: #E5C08A, #F1C27E and #FCC473

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5C08A shade: #E5C08A, #DABE95, #CEBCA1, #C3BAAD and #B7B8B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5C08A shade: #E58E8A, #E5A78A, #E5BF8A, #E5D88A and #DBE58A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5C08A shade: #D69C46, #DEAE68, #E5C08A, #EDD2AC and #F4E4CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5C08A shade: #E5C08A, #9EE58A and #9B8AE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5C08A shade: #E5C08A, #8AE5BF and #BF8AE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5C08A shade: #E5C08A, #9EE58A, #8AB0E5 and #D18AE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5C08A shade: #E5C08A, #8AE592, #8AB0E5 and #E58ADE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 40 / 10

HEX #E5C08A

RGB 229 192 138

HSL 35.6, 0.64%, 0.72%

LAB 79.72, 5.94, 32.13

 

Complementary color

CMYK 78 / 46 / 0 / 54

HEX #1A3F75

RGB 26 63 117

HSL 215.6, 0.64%, 0.28%

LAB 26.9, 7.46, -34.81

 

CMYK 0 / 18 / 43 / 8

HEX #EAC085

RGB 234 192 133

HSL 35.05, 0.71%, 0.72%

LAB 80.11, 7.4, 35.34

 

CMYK 0 / 16 / 39 / 2

HEX #FBD298

RGB 251 210 152

HSL 35.15, 0.93%, 0.79%

LAB 86.44, 6.73, 34.11

 

CMYK 0 / 11 / 33 / 0

HEX #FFE4AB

RGB 255 228 171

HSL 40.71, 1%, 0.84%

LAB 91.54, 1.21, 31.24

 

CMYK 0 / 4 / 25 / 0

HEX #FFF6BE

RGB 255 246 190

HSL 51.69, 1%, 0.87%

LAB 96.36, -5.48, 28.09

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 16 / 40 / 10

HEX #E5C08A

RGB 229 192 138

HSL 35.6, 0.64%, 0.72%

LAB 79.72, 5.94, 32.13

 

CMYK 0 / 18 / 44 / 17

HEX #D4AE77

RGB 212 174 119

HSL 35.48, 0.52%, 0.65%

LAB 73.29, 6.62, 33.38

 

CMYK 0 / 20 / 49 / 24

HEX #C39C64

RGB 195 156 100

HSL 35.37, 0.44%, 0.58%

LAB 66.75, 7.4, 34.7

 

CMYK 0 / 22 / 54 / 30

HEX #B28A51

RGB 178 138 81

HSL 35.26, 0.39%, 0.51%

LAB 60.1, 8.33, 36.1

 

CMYK 0 / 25 / 61 / 37

HEX #A1783E

RGB 161 120 62

HSL 35.15, 0.44%, 0.44%

LAB 53.34, 9.44, 37.55

 

CMYK 0 / 16 / 40 / 10

HEX #E5C08A

RGB 229 192 138

HSL 35.6, 0.64%, 0.72%

LAB 79.72, 5.94, 32.13

 

CMYK 0 / 27 / 40 / 10

HEX #E5A78A

RGB 229 167 138

HSL 19.12, 0.64%, 0.72%

LAB 73.63, 19.22, 24

 

CMYK 0 / 38 / 40 / 10

HEX #E58F8A

RGB 229 143 138

HSL 3.3, 0.64%, 0.72%

LAB 68.12, 32.01, 16.44

 

CMYK 0 / 40 / 40 / 10

HEX #E58A8A

RGB 229 138 138

HSL 0, 0.64%, 0.72%

LAB 67.03, 34.65, 14.92

 

CMYK 0 / 16 / 40 / 10

HEX #E5C08A

RGB 229 192 138

HSL 35.6, 0.64%, 0.72%

LAB 79.72, 5.94, 32.13

 

CMYK 0 / 5 / 40 / 10

HEX #E5D98A

RGB 229 217 138

HSL 52.09, 0.64%, 0.72%

LAB 86.07, -6.98, 40.37

 

CMYK 5 / 0 / 40 / 10

HEX #D9E58A

RGB 217 229 138

HSL 67.91, 0.64%, 0.72%

LAB 88.27, -17.62, 42.98

 

CMYK 16 / 0 / 40 / 10

HEX #C1E58A

RGB 193 229 138

HSL 83.74, 0.64%, 0.72%

LAB 86.61, -26.64, 40.53

 

CMYK 27 / 0 / 40 / 10

HEX #A8E58A

RGB 168 229 138

HSL 100.22, 0.64%, 0.72%

LAB 85.1, -35.52, 38.28

 

CMYK 0 / 16 / 40 / 10

HEX #E5C08A

RGB 229 192 138

HSL 35.6, 0.64%, 0.72%

LAB 79.72, 5.94, 32.13

 

CMYK 0 / 20 / 48 / 5

HEX #F1C27E

RGB 241 194 126

HSL 35.48, 0.8%, 0.72%

LAB 81.18, 8.46, 40.42

 

CMYK 0 / 22 / 54 / 1

HEX #FCC473

RGB 252 196 115

HSL 35.47, 0.96%, 0.72%

LAB 82.6, 10.9, 47.94

 

CMYK 0 / 16 / 40 / 10

HEX #E5C08A

RGB 229 192 138

HSL 35.6, 0.64%, 0.72%

LAB 79.72, 5.94, 32.13

 

CMYK 0 / 13 / 32 / 15

HEX #DABE95

RGB 218 190 149

HSL 35.65, 0.48%, 0.72%

LAB 78.4, 3.98, 24.4

 

CMYK 0 / 9 / 22 / 19

HEX #CEBCA1

RGB 206 188 161

HSL 36, 0.31%, 0.72%

LAB 77.08, 2.08, 15.98

 

CMYK 0 / 5 / 11 / 24

HEX #C3BAAD

RGB 195 186 173

HSL 35.45, 0.15%, 0.72%

LAB 75.91, 0.93, 7.71

 

CMYK 1 / 0 / 0 / 28

HEX #B7B8B8

RGB 183 184 184

HSL 180, 0.01%, 0.72%

LAB 74.7, -0.35, -0.13

 

CMYK 0 / 38 / 40 / 10

HEX #E58E8A

RGB 229 142 138

HSL 2.64, 0.64%, 0.72%

LAB 67.9, 32.54, 16.14

 

CMYK 0 / 27 / 40 / 10

HEX #E5A78A

RGB 229 167 138

HSL 19.12, 0.64%, 0.72%

LAB 73.63, 19.22, 24

 

CMYK 0 / 17 / 40 / 10

HEX #E5BF8A

RGB 229 191 138

HSL 34.95, 0.64%, 0.72%

LAB 79.47, 6.47, 31.81

 

CMYK 0 / 6 / 40 / 10

HEX #E5D88A

RGB 229 216 138

HSL 51.43, 0.64%, 0.72%

LAB 85.81, -6.47, 40.04

 

CMYK 4 / 0 / 40 / 10

HEX #DBE58A

RGB 219 229 138

HSL 66.59, 0.64%, 0.72%

LAB 88.42, -16.86, 43.2

 

CMYK 0 / 27 / 67 / 16

HEX #D69C46

RGB 214 156 70

HSL 35.83, 0.64%, 0.56%

LAB 68.4, 13.16, 52.14

 

CMYK 0 / 22 / 53 / 13

HEX #DEAE68

RGB 222 174 104

HSL 35.59, 0.64%, 0.64%

LAB 74.06, 9.3, 42.33

 

CMYK 0 / 16 / 40 / 10

HEX #E5C08A

RGB 229 192 138

HSL 35.6, 0.64%, 0.72%

LAB 79.72, 5.94, 32.13

 

CMYK 0 / 11 / 27 / 7

HEX #EDD2AC

RGB 237 210 172

HSL 35.08, 0.64%, 0.8%

LAB 85.54, 3.78, 22.3

 

CMYK 0 / 7 / 16 / 4

HEX #F4E4CE

RGB 244 228 206

HSL 34.74, 0.63%, 0.88%

LAB 91.31, 1.91, 12.69

 

CMYK 0 / 16 / 40 / 10

HEX #E5C08A

RGB 229 192 138

HSL 35.6, 0.64%, 0.72%

LAB 79.72, 5.94, 32.13

 

CMYK 31 / 0 / 40 / 10

HEX #9EE58A

RGB 158 229 138

HSL 106.81, 0.64%, 0.72%

LAB 84.56, -38.87, 37.48

 

CMYK 32 / 40 / 0 / 10

HEX #9B8AE5

RGB 155 138 229

HSL 251.21, 0.64%, 0.72%

LAB 62.34, 26.58, -43.99

 

CMYK 0 / 16 / 40 / 10

HEX #E5C08A

RGB 229 192 138

HSL 35.6, 0.64%, 0.72%

LAB 79.72, 5.94, 32.13

 

CMYK 40 / 0 / 17 / 10

HEX #8AE5BF

RGB 138 229 191

HSL 154.95, 0.64%, 0.72%

LAB 84.59, -35.66, 10.05

 

CMYK 17 / 40 / 0 / 10

HEX #BF8AE5

RGB 191 138 229

HSL 274.95, 0.64%, 0.72%

LAB 65.68, 36.82, -38.52

 

CMYK 0 / 16 / 40 / 10

HEX #E5C08A

RGB 229 192 138

HSL 35.6, 0.64%, 0.72%

LAB 79.72, 5.94, 32.13

 

CMYK 31 / 0 / 40 / 10

HEX #9EE58A

RGB 158 229 138

HSL 106.81, 0.64%, 0.72%

LAB 84.56, -38.87, 37.48

 

CMYK 40 / 23 / 0 / 10

HEX #8AB0E5

RGB 138 176 229

HSL 214.95, 0.64%, 0.72%

LAB 70.95, 0.39, -30.67

 

CMYK 9 / 40 / 0 / 10

HEX #D18AE5

RGB 209 138 229

HSL 286.81, 0.64%, 0.72%

LAB 67.57, 42.14, -35.43

 

CMYK 0 / 16 / 40 / 10

HEX #E5C08A

RGB 229 192 138

HSL 35.6, 0.64%, 0.72%

LAB 79.72, 5.94, 32.13

 

CMYK 40 / 0 / 36 / 10

HEX #8AE592

RGB 138 229 146

HSL 125.27, 0.64%, 0.72%

LAB 83.71, -43.93, 32.16

 

CMYK 40 / 23 / 0 / 10

HEX #8AB0E5

RGB 138 176 229

HSL 214.95, 0.64%, 0.72%

LAB 70.95, 0.39, -30.67

 

CMYK 0 / 40 / 3 / 10

HEX #E58ADE

RGB 229 138 222

HSL 304.62, 0.64%, 0.72%

LAB 69.55, 46.87, -28.32

 

Description

Color code: HEX #E5C08A | qconv.com Color code: HEX #E5C08A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 192 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 192 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 40 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 40% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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