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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5BD96 it is the complementary color #1A4269. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5BD96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5BD96 shade: #EABD91, #FBCFA4, #FFE1B7, #FFF3CA and #FFFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5BD96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5BD96 shade: #E5BD96, #D4AB83, #C39970, #B2875D and #A1754A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5BD96 shade: #E4BC95, #E4A795 and #E49595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5BD96 shade: #E4BC95, #E4D295, #E2E495, #CCE495 and #B7E495

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5BD96 shade matches the following richer shades: #E4BC95, #EFBC8A and #FABC7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5BD96 shade: #E4BC95, #DABCA0, #CFBCAA, #C4BDB5 and #BABDC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5BD96 shade: #E49599, #E4A695, #E4BB95, #E4D195 and #E3E495

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5BD96 shade: #D49353, #DCA774, #E4BC95, #EDD1B6 and #F5E6D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5BD96 shade: #E5BD96, #AEE495 and #9C95E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5BD96 shade: #E5BD96, #95E4BB and #BB95E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5BD96 shade: #E5BD96, #AEE495, #95BEE4 and #CB95E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5BD96 shade: #E5BD96, #96E495, #95BEE4 and #E395E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 34 / 10

HEX #E5BD96

RGB 229 189 150

HSL 29.62, 0.6%, 0.74%

LAB 79.19, 8.91, 25.1

 

Complementary color

CMYK 75 / 37 / 0 / 59

HEX #1A4269

RGB 26 66 105

HSL 209.62, 0.6%, 0.26%

LAB 27.12, 0.54, -26.83

 

CMYK 0 / 19 / 38 / 8

HEX #EABD91

RGB 234 189 145

HSL 29.66, 0.68%, 0.74%

LAB 79.58, 10.28, 28.35

 

CMYK 0 / 18 / 35 / 2

HEX #FBCFA4

RGB 251 207 164

HSL 29.66, 0.92%, 0.81%

LAB 85.91, 9.65, 27.2

 

CMYK 0 / 12 / 28 / 0

HEX #FFE1B7

RGB 255 225 183

HSL 35, 1%, 0.86%

LAB 91.02, 4.23, 24.36

 

CMYK 0 / 5 / 21 / 0

HEX #FFF3CA

RGB 255 243 202

HSL 46.42, 1%, 0.9%

LAB 95.84, -2.34, 21.25

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 17 / 34 / 10

HEX #E5BD96

RGB 229 189 150

HSL 29.62, 0.6%, 0.74%

LAB 79.19, 8.91, 25.1

 

CMYK 0 / 19 / 38 / 17

HEX #D4AB83

RGB 212 171 131

HSL 29.63, 0.49%, 0.67%

LAB 72.73, 9.55, 26.27

 

CMYK 0 / 22 / 43 / 24

HEX #C39970

RGB 195 153 112

HSL 29.64, 0.41%, 0.6%

LAB 66.18, 10.28, 27.52

 

CMYK 0 / 24 / 48 / 30

HEX #B2875D

RGB 178 135 93

HSL 29.65, 0.36%, 0.53%

LAB 59.51, 11.13, 28.88

 

CMYK 0 / 27 / 54 / 37

HEX #A1754A

RGB 161 117 74

HSL 29.66, 0.37%, 0.46%

LAB 52.72, 12.14, 30.36

 

CMYK 0 / 18 / 35 / 11

HEX #E4BC95

RGB 228 188 149

HSL 29.62, 0.59%, 0.74%

LAB 78.83, 8.93, 25.13

 

CMYK 0 / 27 / 35 / 11

HEX #E4A795

RGB 228 167 149

HSL 13.67, 0.59%, 0.74%

LAB 73.74, 20.12, 18.15

 

CMYK 0 / 35 / 35 / 11

HEX #E49595

RGB 228 149 149

HSL 0, 0.59%, 0.74%

LAB 69.58, 29.74, 12.34

 

CMYK 0 / 18 / 35 / 11

HEX #E4BC95

RGB 228 188 149

HSL 29.62, 0.59%, 0.74%

LAB 78.83, 8.93, 25.13

 

CMYK 0 / 8 / 35 / 11

HEX #E4D295

RGB 228 210 149

HSL 46.33, 0.59%, 0.74%

LAB 84.36, -2.55, 32.53

 

CMYK 1 / 0 / 35 / 11

HEX #E2E495

RGB 226 228 149

HSL 61.52, 0.59%, 0.74%

LAB 88.84, -12.44, 38.38

 

CMYK 11 / 0 / 35 / 11

HEX #CCE495

RGB 204 228 149

HSL 78.23, 0.59%, 0.74%

LAB 87.24, -20.73, 35.99

 

CMYK 20 / 0 / 35 / 11

HEX #B7E495

RGB 183 228 149

HSL 94.18, 0.59%, 0.74%

LAB 85.87, -28.33, 33.93

 

CMYK 0 / 18 / 35 / 11

HEX #E4BC95

RGB 228 188 149

HSL 29.62, 0.59%, 0.74%

LAB 78.83, 8.93, 25.13

 

CMYK 0 / 21 / 42 / 6

HEX #EFBC8A

RGB 239 188 138

HSL 29.7, 0.76%, 0.74%

LAB 79.7, 12, 32.28

 

CMYK 0 / 25 / 49 / 2

HEX #FABC7F

RGB 250 188 127

HSL 29.76, 0.92%, 0.74%

LAB 80.64, 15.3, 39.42

 

CMYK 0 / 18 / 35 / 11

HEX #E4BC95

RGB 228 188 149

HSL 29.62, 0.59%, 0.74%

LAB 78.83, 8.93, 25.13

 

CMYK 0 / 14 / 27 / 15

HEX #DABCA0

RGB 218 188 160

HSL 28.97, 0.44%, 0.74%

LAB 78.12, 6.49, 18.13

 

CMYK 0 / 9 / 18 / 19

HEX #CFBCAA

RGB 207 188 170

HSL 29.19, 0.28%, 0.74%

LAB 77.36, 3.81, 11.54

 

CMYK 0 / 4 / 8 / 23

HEX #C4BDB5

RGB 196 189 181

HSL 32, 0.11%, 0.74%

LAB 76.96, 1.05, 4.9

 

CMYK 3 / 2 / 0 / 25

HEX #BABDC0

RGB 186 189 192

HSL 210, 0.05%, 0.74%

LAB 76.46, -0.47, -1.88

 

CMYK 0 / 35 / 33 / 11

HEX #E49599

RGB 228 149 153

HSL 356.96, 0.59%, 0.74%

LAB 69.67, 30.24, 10.25

 

CMYK 0 / 27 / 35 / 11

HEX #E4A695

RGB 228 166 149

HSL 12.91, 0.59%, 0.74%

LAB 73.5, 20.65, 17.83

 

CMYK 0 / 18 / 35 / 11

HEX #E4BB95

RGB 228 187 149

HSL 28.86, 0.59%, 0.74%

LAB 78.58, 9.46, 24.79

 

CMYK 0 / 8 / 35 / 11

HEX #E4D195

RGB 228 209 149

HSL 45.57, 0.59%, 0.74%

LAB 84.1, -2.04, 32.2

 

CMYK 0 / 0 / 35 / 11

HEX #E3E495

RGB 227 228 149

HSL 60.76, 0.59%, 0.74%

LAB 88.92, -12.06, 38.5

 

CMYK 0 / 31 / 61 / 17

HEX #D49353

RGB 212 147 83

HSL 29.77, 0.6%, 0.58%

LAB 66.13, 18.01, 43.19

 

CMYK 0 / 24 / 47 / 14

HEX #DCA774

RGB 220 167 116

HSL 29.42, 0.6%, 0.66%

LAB 72.3, 13.32, 33.85

 

CMYK 0 / 18 / 35 / 11

HEX #E4BC95

RGB 228 188 149

HSL 29.62, 0.59%, 0.74%

LAB 78.83, 8.93, 25.13

 

CMYK 0 / 12 / 23 / 7

HEX #EDD1B6

RGB 237 209 182

HSL 29.45, 0.6%, 0.82%

LAB 85.5, 5.66, 16.98

 

CMYK 0 / 6 / 12 / 4

HEX #F5E6D7

RGB 245 230 215

HSL 30, 0.6%, 0.9%

LAB 92.09, 2.64, 9.12

 

CMYK 0 / 17 / 34 / 10

HEX #E5BD96

RGB 229 189 150

HSL 29.62, 0.6%, 0.74%

LAB 79.19, 8.91, 25.1

 

CMYK 24 / 0 / 35 / 11

HEX #AEE495

RGB 174 228 149

HSL 101.01, 0.59%, 0.74%

LAB 85.33, -31.47, 33.12

 

CMYK 32 / 35 / 0 / 11

HEX #9C95E4

RGB 156 149 228

HSL 245.32, 0.59%, 0.74%

LAB 65.09, 20.29, -39.11

 

CMYK 0 / 17 / 34 / 10

HEX #E5BD96

RGB 229 189 150

HSL 29.62, 0.6%, 0.74%

LAB 79.19, 8.91, 25.1

 

CMYK 35 / 0 / 18 / 11

HEX #95E4BB

RGB 149 228 187

HSL 148.86, 0.59%, 0.74%

LAB 84.72, -32.94, 12.41

 

CMYK 18 / 35 / 0 / 11

HEX #BB95E4

RGB 187 149 228

HSL 268.86, 0.59%, 0.74%

LAB 67.77, 29.32, -34.74

 

CMYK 0 / 17 / 34 / 10

HEX #E5BD96

RGB 229 189 150

HSL 29.62, 0.6%, 0.74%

LAB 79.19, 8.91, 25.1

 

CMYK 24 / 0 / 35 / 11

HEX #AEE495

RGB 174 228 149

HSL 101.01, 0.59%, 0.74%

LAB 85.33, -31.47, 33.12

 

CMYK 35 / 17 / 0 / 11

HEX #95BEE4

RGB 149 190 228

HSL 208.86, 0.59%, 0.74%

LAB 75.34, -4.54, -23.34

 

CMYK 11 / 35 / 0 / 11

HEX #CB95E4

RGB 203 149 228

HSL 281.01, 0.59%, 0.74%

LAB 69.32, 34.18, -32.21

 

CMYK 0 / 17 / 34 / 10

HEX #E5BD96

RGB 229 189 150

HSL 29.62, 0.6%, 0.74%

LAB 79.19, 8.91, 25.1

 

CMYK 34 / 0 / 35 / 11

HEX #96E495

RGB 150 228 149

HSL 119.24, 0.59%, 0.74%

LAB 84.04, -39.36, 31.17

 

CMYK 35 / 17 / 0 / 11

HEX #95BEE4

RGB 149 190 228

HSL 208.86, 0.59%, 0.74%

LAB 75.34, -4.54, -23.34

 

CMYK 0 / 35 / 0 / 11

HEX #E395E4

RGB 227 149 228

HSL 299.24, 0.59%, 0.74%

LAB 71.84, 41.6, -28.11

 

Description

Color code: HEX #E5BD96 | qconv.com Color code: HEX #E5BD96 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 189 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 189 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 34 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 34% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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