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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5AF7E7F it is the complementary color #1A50817F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5AF7E7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5AF7E7F shade: #EAAF797F, #FBC18C7F, #FFD39F7F, #FFE5B27F and #FFF7C57F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5AF7E7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5AF7E7F shade: #E5AF7E7F, #D49D6B7F, #C38B587F, #B279457F and #A167327F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5AF7E7F shade: #E5B080, #E59580 and #E58080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5AF7E7F shade: #E5B080, #E5CB80, #E3E580, #C8E580 and #ADE580

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5AF7E7F shade matches the following richer shades: #E5B080, #F1AF74 and #FEAF67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5AF7E7F shade: #E5B080, #D9B18C, #CCB199, #C0B2A5 and #B3B2B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5AF7E7F shade: #E58087, #E59480, #E5AF80, #E5CA80 and #E5E580

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5AF7E7F shade: #D7853C, #DE9B5E, #E5B080, #ECC5A2 and #F3DBC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5AF7E7F shade: #E5AF7E, #A2E580 and #8780E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5AF7E7F shade: #E5AF7E, #80E5AF and #AF80E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5AF7E7F shade: #E5AF7E, #A2E580, #80B6E5 and #C380E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5AF7E7F shade: #E5AF7E, #83E580, #80B6E5 and #E280E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 22 / 5

HEX #E5AF7E7F

RGBA 229 175 126 0.5

HSLA 28.54, 0.66%, 0.7%, 0.5

LABA 75.34, 13.67, 32.69, 0.5

 

Complementary color

CMYK 40 / 19 / 0 / 25

HEX #1A50817F

RGBA 26 80 129 0.5

HSLA 208.54, 0.66%, 0.3%, 0.5

LABA 33.01, 0.87, -32.58, 0.5

 

CMYK 0 / 13 / 24 / 4

HEX #EAAF797F

RGBA 234 175 121 0.5

HSLA 28.67, 0.73%, 0.7%, 0.5

LABA 75.78, 15.19, 35.99, 0.5

 

CMYK 0 / 12 / 22 / 1

HEX #FBC18C7F

RGBA 251 193 140 0.5

HSLA 28.65, 0.93%, 0.77%, 0.5

LABA 82.13, 14.32, 34.65, 0.5

 

CMYK 0 / 9 / 19 / 0

HEX #FFD39F7F

RGBA 255 211 159 0.5

HSLA 32.5, 1%, 0.81%, 0.5

LABA 87.17, 8.54, 31.54, 0.5

 

CMYK 0 / 5 / 15 / 0

HEX #FFE5B27F

RGBA 255 229 178 0.5

HSLA 39.74, 1%, 0.85%, 0.5

LABA 91.91, 1.55, 28.16, 0.5

 

CMYK 0 / 2 / 11 / 0

HEX #FFF7C57F

RGBA 255 247 197 0.5

HSLA 51.72, 1%, 0.89%, 0.5

LABA 96.74, -5.04, 25.05, 0.5

 

CMYK 0 / 12 / 22 / 5

HEX #E5AF7E7F

RGBA 229 175 126 0.5

HSLA 28.54, 0.66%, 0.7%, 0.5

LABA 75.34, 13.67, 32.69, 0.5

 

CMYK 0 / 13 / 25 / 8

HEX #D49D6B7F

RGBA 212 157 107 0.5

HSLA 28.57, 0.55%, 0.63%, 0.5

LABA 68.88, 14.58, 34.06, 0.5

 

CMYK 0 / 14 / 27 / 12

HEX #C38B587F

RGBA 195 139 88 0.5

HSLA 28.6, 0.47%, 0.55%, 0.5

LABA 62.31, 15.62, 35.53, 0.5

 

CMYK 0 / 16 / 31 / 15

HEX #B279457F

RGBA 178 121 69 0.5

HSLA 28.62, 0.44%, 0.48%, 0.5

LABA 55.65, 16.85, 37.09, 0.5

 

CMYK 0 / 18 / 34 / 18

HEX #A167327F

RGBA 161 103 50 0.5

HSLA 28.65, 0.53%, 0.41%, 0.5

LABA 48.89, 18.29, 38.69, 0.5

 

CMYK 0 / 23 / 44 / 10

HEX #E5B080

RGB 229 176 128

HSL 28.51, 0.66%, 0.7%

LAB 75.62, 13.34, 31.99

 

CMYK 0 / 35 / 44 / 10

HEX #E59580

RGB 229 149 128

HSL 12.48, 0.66%, 0.7%

LAB 69.26, 27.75, 23.55

 

CMYK 0 / 44 / 44 / 10

HEX #E58080

RGB 229 128 128

HSL 0, 0.66%, 0.7%

LAB 64.69, 38.79, 17.3

 

CMYK 0 / 23 / 44 / 10

HEX #E5B080

RGB 229 176 128

HSL 28.51, 0.66%, 0.7%

LAB 75.62, 13.34, 31.99

 

CMYK 0 / 11 / 44 / 10

HEX #E5CB80

RGB 229 203 128

HSL 44.55, 0.66%, 0.7%

LAB 82.34, -0.84, 40.65

 

CMYK 1 / 0 / 44 / 10

HEX #E3E580

RGB 227 229 128

HSL 61.19, 0.66%, 0.7%

LAB 88.89, -14.79, 48.79

 

CMYK 13 / 0 / 44 / 10

HEX #C8E580

RGB 200 229 128

HSL 77.23, 0.66%, 0.7%

LAB 86.94, -25.19, 45.94

 

CMYK 24 / 0 / 44 / 10

HEX #ADE580

RGB 173 229 128

HSL 93.27, 0.66%, 0.7%

LAB 85.24, -35.06, 43.46

 

CMYK 0 / 23 / 44 / 10

HEX #E5B080

RGB 229 176 128

HSL 28.51, 0.66%, 0.7%

LAB 75.62, 13.34, 31.99

 

CMYK 0 / 27 / 52 / 5

HEX #F1AF74

RGB 241 175 116

HSL 28.32, 0.82%, 0.7%

LAB 76.45, 17.56, 39.58

 

CMYK 0 / 31 / 59 / 0

HEX #FEAF67

RGB 254 175 103

HSL 28.61, 0.99%, 0.7%

LAB 77.7, 21.79, 48.03

 

CMYK 0 / 23 / 44 / 10

HEX #E5B080

RGB 229 176 128

HSL 28.51, 0.66%, 0.7%

LAB 75.62, 13.34, 31.99

 

CMYK 0 / 18 / 35 / 15

HEX #D9B18C

RGB 217 177 140

HSL 28.83, 0.5%, 0.7%

LAB 74.88, 9.38, 24.41

 

CMYK 0 / 13 / 25 / 20

HEX #CCB199

RGB 204 177 153

HSL 28.24, 0.33%, 0.7%

LAB 73.92, 6.03, 15.87

 

CMYK 0 / 7 / 14 / 25

HEX #C0B2A5

RGB 192 178 165

HSL 28.89, 0.18%, 0.7%

LAB 73.39, 2.79, 8.43

 

CMYK 0 / 1 / 1 / 30

HEX #B3B2B2

RGB 179 178 178

HSL 0, 0.01%, 0.7%

LAB 72.65, 0.36, 0.12

 

CMYK 0 / 44 / 41 / 10

HEX #E58087

RGB 229 128 135

HSL 355.84, 0.66%, 0.7%

LAB 64.84, 39.53, 13.55

 

CMYK 0 / 35 / 44 / 10

HEX #E59480

RGB 229 148 128

HSL 11.88, 0.66%, 0.7%

LAB 69.04, 28.28, 23.24

 

CMYK 0 / 24 / 44 / 10

HEX #E5AF80

RGB 229 175 128

HSL 27.92, 0.66%, 0.7%

LAB 75.37, 13.87, 31.68

 

CMYK 0 / 12 / 44 / 10

HEX #E5CA80

RGB 229 202 128

HSL 43.96, 0.66%, 0.7%

LAB 82.09, -0.33, 40.33

 

CMYK 0 / 0 / 44 / 10

HEX #E5E580

RGB 229 229 128

HSL 60, 0.66%, 0.7%

LAB 89.04, -14, 49.02

 

CMYK 0 / 38 / 72 / 16

HEX #D7853C

RGB 215 133 60

HSL 28.26, 0.66%, 0.54%

LAB 62.97, 25.45, 51

 

CMYK 0 / 30 / 58 / 13

HEX #DE9B5E

RGB 222 155 94

HSL 28.59, 0.66%, 0.62%

LAB 69.31, 18.67, 41.65

 

CMYK 0 / 23 / 44 / 10

HEX #E5B080

RGB 229 176 128

HSL 28.51, 0.66%, 0.7%

LAB 75.62, 13.34, 31.99

 

CMYK 0 / 17 / 31 / 7

HEX #ECC5A2

RGB 236 197 162

HSL 28.38, 0.66%, 0.78%

LAB 82.04, 8.89, 22.74

 

CMYK 0 / 10 / 19 / 5

HEX #F3DBC4

RGB 243 219 196

HSL 29.36, 0.66%, 0.86%

LAB 88.78, 4.69, 14.32

 

CMYK 0 / 24 / 45 / 10

HEX #E5AF7E

RGB 229 175 126

HSL 28.54, 0.66%, 0.7%

LAB 75.34, 13.67, 32.69

 

CMYK 29 / 0 / 44 / 10

HEX #A2E580

RGB 162 229 128

HSL 99.8, 0.66%, 0.7%

LAB 84.63, -38.87, 42.56

 

CMYK 41 / 44 / 0 / 10

HEX #8780E5

RGB 135 128 229

HSL 244.16, 0.66%, 0.7%

LAB 58.27, 27.17, -50.53

 

CMYK 0 / 24 / 45 / 10

HEX #E5AF7E

RGB 229 175 126

HSL 28.54, 0.66%, 0.7%

LAB 75.34, 13.67, 32.69

 

CMYK 44 / 0 / 24 / 10

HEX #80E5AF

RGB 128 229 175

HSL 147.92, 0.66%, 0.7%

LAB 83.82, -41.55, 17.29

 

CMYK 24 / 44 / 0 / 10

HEX #AF80E5

RGB 175 128 229

HSL 267.92, 0.66%, 0.7%

LAB 61.83, 37.76, -44.66

 

CMYK 0 / 24 / 45 / 10

HEX #E5AF7E

RGB 229 175 126

HSL 28.54, 0.66%, 0.7%

LAB 75.34, 13.67, 32.69

 

CMYK 29 / 0 / 44 / 10

HEX #A2E580

RGB 162 229 128

HSL 99.8, 0.66%, 0.7%

LAB 84.63, -38.87, 42.56

 

CMYK 44 / 21 / 0 / 10

HEX #80B6E5

RGB 128 182 229

HSL 207.92, 0.66%, 0.7%

LAB 72.03, -5.45, -29.05

 

CMYK 15 / 44 / 0 / 10

HEX #C380E5

RGB 195 128 229

HSL 279.8, 0.66%, 0.7%

LAB 63.92, 43.4, -41.25

 

CMYK 0 / 24 / 45 / 10

HEX #E5AF7E

RGB 229 175 126

HSL 28.54, 0.66%, 0.7%

LAB 75.34, 13.67, 32.69

 

CMYK 43 / 0 / 44 / 10

HEX #83E580

RGB 131 229 128

HSL 118.22, 0.66%, 0.7%

LAB 83.14, -48.68, 40.36

 

CMYK 44 / 21 / 0 / 10

HEX #80B6E5

RGB 128 182 229

HSL 207.92, 0.66%, 0.7%

LAB 72.03, -5.45, -29.05

 

CMYK 1 / 44 / 0 / 10

HEX #E280E5

RGB 226 128 229

HSL 298.22, 0.66%, 0.7%

LAB 67.47, 52.32, -35.43

 

Description

Color code: HEX #E5AF7E7F | qconv.com Color code: HEX #E5AF7E7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 175 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 175 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 22 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 22% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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