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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5A00ABF it is the complementary color #1A5FF5BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5A00ABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5A00ABF shade: #EAA005BF, #FBB218BF, #FFC42BBF, #FFD63EBF and #FFE851BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5A00ABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5A00ABF shade: #E5A00ABF, #D48E00BF, #C37C00BF, #B26A00BF and #A15800BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5A00ABF shade: #E6A10A, #E6650A, #E62A0A and #E60A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5A00ABF shade: #E6A10A, #E6DC0A, #B5E60A, #79E60A and #3EE60A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5A00ABF shade matches the following richer shades: #E6A10A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5A00ABF shade: #E6A10A, #D3991D, #BF9230, #AC8B44 and #998457

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5A00ABF shade: #E62B0A, #E6650A, #E6A00A, #E6DB0A and #B6E60A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5A00ABF shade: #976906, #BF8508, #E6A10A, #F6B323 and #F7C14B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5A00ABF shade: #E5A00A, #23E60A and #480AE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5A00ABF shade: #E5A00A, #0AE6A0 and #A00AE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5A00ABF shade: #E5A00A, #23E60A, #0A4FE6 and #CC0AE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5A00ABF shade: #E5A00A, #0AE632, #0A4FE6 and #E60ABE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 72 / 8

HEX #E5A00ABF

RGBA 229 160 10 0.75

HSLA 41.1, 0.92%, 0.47%, 0.75

LABA 70.75, 15.61, 73.5, 0.75

 

Complementary color

CMYK 67 / 46 / 0 / 3

HEX #1A5FF5BF

RGBA 26 95 245 0.75

HSLA 221.1, 0.92%, 0.53%, 0.75

LABA 45.63, 36.63, -80.16, 0.75

 

CMYK 0 / 24 / 73 / 6

HEX #EAA005BF

RGBA 234 160 5 0.75

HSLA 40.61, 0.96%, 0.47%, 0.75

LABA 71.31, 17.71, 74.76, 0.75

 

CMYK 0 / 22 / 68 / 1

HEX #FBB218BF

RGBA 251 178 24 0.75

HSLA 40.7, 0.97%, 0.54%, 0.75

LABA 77.53, 15.7, 77.36, 0.75

 

CMYK 0 / 17 / 62 / 0

HEX #FFC42BBF

RGBA 255 196 43 0.75

HSLA 43.3, 1%, 0.58%, 0.75

LABA 82.33, 8.42, 76.94, 0.75

 

CMYK 0 / 12 / 57 / 0

HEX #FFD63EBF

RGBA 255 214 62 0.75

HSLA 47.25, 1%, 0.62%, 0.75

LABA 86.85, -0.21, 75.14, 0.75

 

CMYK 0 / 7 / 51 / 0

HEX #FFE851BF

RGBA 255 232 81 0.75

HSLA 52.07, 1%, 0.66%, 0.75

LABA 91.49, -8.41, 72.85, 0.75

 

CMYK 0 / 23 / 72 / 8

HEX #E5A00ABF

RGBA 229 160 10 0.75

HSLA 41.1, 0.92%, 0.47%, 0.75

LABA 70.75, 15.61, 73.5, 0.75

 

CMYK 0 / 25 / 75 / 13

HEX #D48E00BF

RGBA 212 142 0 0.75

HSLA 40.19, 1%, 0.42%, 0.75

LABA 64.44, 17.79, 69.56, 0.75

 

CMYK 0 / 27 / 75 / 18

HEX #C37C00BF

RGBA 195 124 0 0.75

HSLA 38.15, 1%, 0.38%, 0.75

LABA 58.05, 20.15, 64.36, 0.75

 

CMYK 0 / 30 / 75 / 23

HEX #B26A00BF

RGBA 178 106 0 0.75

HSLA 35.73, 1%, 0.35%, 0.75

LABA 51.58, 22.59, 59.09, 0.75

 

CMYK 0 / 34 / 75 / 28

HEX #A15800BF

RGBA 161 88 0 0.75

HSLA 32.8, 1%, 0.32%, 0.75

LABA 45.02, 25.11, 53.78, 0.75

 

CMYK 0 / 30 / 96 / 10

HEX #E6A10A

RGB 230 161 10

HSL 41.18, 0.92%, 0.47%

LAB 71.1, 15.51, 73.8

 

CMYK 0 / 56 / 96 / 10

HEX #E6650A

RGB 230 101 10

HSL 24.82, 0.92%, 0.47%

LAB 58.18, 46.46, 65.12

 

CMYK 0 / 82 / 96 / 10

HEX #E62A0A

RGB 230 42 10

HSL 8.73, 0.92%, 0.47%

LAB 50.1, 68.34, 60.4

 

CMYK 0 / 96 / 96 / 10

HEX #E60A0A

RGB 230 10 10

HSL 0, 0.92%, 0.47%

LAB 48.34, 73.38, 59.49

 

CMYK 0 / 30 / 96 / 10

HEX #E6A10A

RGB 230 161 10

HSL 41.18, 0.92%, 0.47%

LAB 71.1, 15.51, 73.8

 

CMYK 0 / 4 / 96 / 10

HEX #E6DC0A

RGB 230 220 10

HSL 57.27, 0.92%, 0.47%

LAB 86.02, -14.97, 84.63

 

CMYK 21 / 0 / 96 / 10

HEX #B5E60A

RGB 181 230 10

HSL 73.36, 0.92%, 0.47%

LAB 85.22, -39.77, 82.48

 

CMYK 47 / 0 / 96 / 10

HEX #79E60A

RGB 121 230 10

HSL 89.73, 0.92%, 0.47%

LAB 82.21, -60.75, 78.82

 

CMYK 73 / 0 / 96 / 10

HEX #3EE60A

RGB 62 230 10

HSL 105.82, 0.92%, 0.47%

LAB 80.54, -74.41, 76.77

 

CMYK 0 / 30 / 96 / 10

HEX #E6A10A

RGB 230 161 10

HSL 41.18, 0.92%, 0.47%

LAB 71.1, 15.51, 73.8

 

CMYK 0 / 30 / 96 / 10

HEX #E6A10A

RGB 230 161 10

HSL 41.18, 0.92%, 0.47%

LAB 71.1, 15.51, 73.8

 

CMYK 0 / 27 / 86 / 17

HEX #D3991D

RGB 211 153 29

HSL 40.88, 0.76%, 0.47%

LAB 67.07, 11.83, 66.18

 

CMYK 0 / 24 / 75 / 25

HEX #BF9230

RGB 191 146 48

HSL 41.12, 0.6%, 0.47%

LAB 63.22, 7.46, 55.55

 

CMYK 0 / 19 / 60 / 33

HEX #AC8B44

RGB 172 139 68

HSL 40.96, 0.43%, 0.47%

LAB 59.57, 4.1, 42.01

 

CMYK 0 / 14 / 43 / 40

HEX #998457

RGB 153 132 87

HSL 40.91, 0.28%, 0.47%

LAB 56.05, 1.5, 27.22

 

CMYK 0 / 81 / 96 / 10

HEX #E62B0A

RGB 230 43 10

HSL 9, 0.92%, 0.47%

LAB 50.18, 68.1, 60.44

 

CMYK 0 / 56 / 96 / 10

HEX #E6650A

RGB 230 101 10

HSL 24.82, 0.92%, 0.47%

LAB 58.18, 46.46, 65.12

 

CMYK 0 / 30 / 96 / 10

HEX #E6A00A

RGB 230 160 10

HSL 40.91, 0.92%, 0.47%

LAB 70.86, 16.04, 73.63

 

CMYK 0 / 5 / 96 / 10

HEX #E6DB0A

RGB 230 219 10

HSL 57, 0.92%, 0.47%

LAB 85.76, -14.47, 84.44

 

CMYK 21 / 0 / 96 / 10

HEX #B6E60A

RGB 182 230 10

HSL 73.09, 0.92%, 0.47%

LAB 85.28, -39.38, 82.55

 

CMYK 0 / 30 / 96 / 41

HEX #976906

RGB 151 105 6

HSL 40.97, 0.92%, 0.31%

LAB 47.87, 11, 53.63

 

CMYK 0 / 30 / 96 / 25

HEX #BF8508

RGB 191 133 8

HSL 40.98, 0.92%, 0.39%

LAB 59.77, 13.52, 63.97

 

CMYK 0 / 30 / 96 / 10

HEX #E6A10A

RGB 230 161 10

HSL 41.18, 0.92%, 0.47%

LAB 71.1, 15.51, 73.8

 

CMYK 0 / 27 / 86 / 4

HEX #F6B323

RGB 246 179 35

HSL 40.95, 0.92%, 0.55%

LAB 77.25, 13.26, 74.48

 

CMYK 0 / 22 / 70 / 3

HEX #F7C14B

RGB 247 193 75

HSL 41.16, 0.91%, 0.63%

LAB 80.97, 7.81, 64.27

 

CMYK 0 / 30 / 96 / 10

HEX #E5A00A

RGB 229 160 10

HSL 41.1, 0.92%, 0.47%

LAB 70.75, 15.61, 73.5

 

CMYK 85 / 0 / 96 / 10

HEX #23E60A

RGB 35 230 10

HSL 113.18, 0.92%, 0.47%

LAB 80.16, -77.72, 76.31

 

CMYK 69 / 96 / 0 / 10

HEX #480AE6

RGB 72 10 230

HSL 256.91, 0.92%, 0.47%

LAB 32.5, 73.02, -93.31

 

CMYK 0 / 30 / 96 / 10

HEX #E5A00A

RGB 229 160 10

HSL 41.1, 0.92%, 0.47%

LAB 70.75, 15.61, 73.5

 

CMYK 96 / 0 / 30 / 10

HEX #0AE6A0

RGB 10 230 160

HSL 160.91, 0.92%, 0.47%

LAB 81.4, -62.24, 21.36

 

CMYK 30 / 96 / 0 / 10

HEX #A00AE6

RGB 160 10 230

HSL 280.91, 0.92%, 0.47%

LAB 43.37, 80.29, -75

 

CMYK 0 / 30 / 96 / 10

HEX #E5A00A

RGB 229 160 10

HSL 41.1, 0.92%, 0.47%

LAB 70.75, 15.61, 73.5

 

CMYK 85 / 0 / 96 / 10

HEX #23E60A

RGB 35 230 10

HSL 113.18, 0.92%, 0.47%

LAB 80.16, -77.72, 76.31

 

CMYK 96 / 66 / 0 / 10

HEX #0A4FE6

RGB 10 79 230

HSL 221.18, 0.92%, 0.47%

LAB 40.2, 40.61, -80.64

 

CMYK 11 / 96 / 0 / 10

HEX #CC0AE6

RGB 204 10 230

HSL 292.91, 0.92%, 0.47%

LAB 50.41, 86.21, -63.23

 

CMYK 0 / 30 / 96 / 10

HEX #E5A00A

RGB 229 160 10

HSL 41.1, 0.92%, 0.47%

LAB 70.75, 15.61, 73.5

 

CMYK 96 / 0 / 78 / 10

HEX #0AE632

RGB 10 230 50

HSL 130.91, 0.92%, 0.47%

LAB 80.12, -77.7, 68.59

 

CMYK 96 / 66 / 0 / 10

HEX #0A4FE6

RGB 10 79 230

HSL 221.18, 0.92%, 0.47%

LAB 40.2, 40.61, -80.64

 

CMYK 0 / 96 / 17 / 10

HEX #E60ABE

RGB 230 10 190

HSL 310.91, 0.92%, 0.47%

LAB 52.68, 84.9, -36.4

 

Description

Color code: HEX #E5A00ABF | qconv.com Color code: HEX #E5A00ABF | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 160 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 160 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 72 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 72% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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