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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E59CB5 it is the complementary color #1A634A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E59CB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E59CB5 shade: #EA9CB0, #FBAEC3, #FFC0D6, #FFD2E9 and #FFE4FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E59CB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E59CB5 shade: #E59CB5, #D48AA2, #C3788F, #B2667C and #A15469

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E59CB5 shade: #E49AB4, #E49AA0 and #E49A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E59CB5 shade: #E49AB4, #E49AC8, #E49ADB, #D99AE4 and #C59AE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E59CB5 shade matches the following richer shades: #E49AB4, #EF90B0 and #F986AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E59CB5 shade: #E49AB4, #DAA5B7, #D0AFBA, #C5B9BD and #BBC4C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E59CB5 shade: #E49ADC, #E49AC8, #E49AB4, #E49AA0 and #E4A89A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E59CB5 shade: #D35983, #DC7A9B, #E49AB4, #EDBBCC and #F6DBE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E59CB5 shade: #E59CB5, #E4D99A and #9AD2E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E59CB5 shade: #E59CB5, #B4E49A and #9AB4E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E59CB5 shade: #E59CB5, #E4D99A, #9AE4CA and #9AA5E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E59CB5 shade: #E59CB5, #D9E49A, #9AE4CA and #A59AE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 21 / 10

HEX #E59CB5

RGB 229 156 181

HSL 339.45, 0.58%, 0.75%

LAB 72.08, 30.72, -1.82

 

Complementary color

CMYK 74 / 0 / 25 / 61

HEX #1A634A

RGB 26 99 74

HSL 159.45, 0.58%, 0.25%

LAB 37.18, -28.8, 7.87

 

CMYK 0 / 33 / 25 / 8

HEX #EA9CB0

RGB 234 156 176

HSL 344.62, 0.65%, 0.76%

LAB 72.5, 31.78, 1.63

 

CMYK 0 / 31 / 22 / 2

HEX #FBAEC3

RGB 251 174 195

HSL 343.64, 0.91%, 0.83%

LAB 78.88, 31.03, 0.74

 

CMYK 0 / 25 / 16 / 0

HEX #FFC0D6

RGB 255 192 214

HSL 339.05, 1%, 0.88%

LAB 83.87, 25.8, -2.16

 

CMYK 0 / 18 / 9 / 0

HEX #FFD2E9

RGB 255 210 233

HSL 329.33, 1%, 0.91%

LAB 88.56, 19.41, -5.36

 

CMYK 0 / 11 / 1 / 0

HEX #FFE4FC

RGB 255 228 252

HSL 306.67, 1%, 0.95%

LAB 93.35, 13.29, -8.24

 

CMYK 0 / 32 / 21 / 10

HEX #E59CB5

RGB 229 156 181

HSL 339.45, 0.58%, 0.75%

LAB 72.08, 30.72, -1.82

 

CMYK 0 / 35 / 24 / 17

HEX #D48AA2

RGB 212 138 162

HSL 340.54, 0.46%, 0.69%

LAB 65.58, 31.49, -0.95

 

CMYK 0 / 38 / 27 / 24

HEX #C3788F

RGB 195 120 143

HSL 341.6, 0.38%, 0.62%

LAB 58.99, 32.32, 0.03

 

CMYK 0 / 43 / 30 / 30

HEX #B2667C

RGB 178 102 124

HSL 342.63, 0.33%, 0.55%

LAB 52.31, 33.22, 1.13

 

CMYK 0 / 48 / 35 / 37

HEX #A15469

RGB 161 84 105

HSL 343.64, 0.31%, 0.48%

LAB 45.55, 34.16, 2.43

 

CMYK 0 / 32 / 21 / 11

HEX #E49AB4

RGB 228 154 180

HSL 338.92, 0.58%, 0.75%

LAB 71.49, 31.28, -2.14

 

CMYK 0 / 32 / 30 / 11

HEX #E49AA0

RGB 228 154 160

HSL 355.14, 0.58%, 0.75%

LAB 70.97, 28.48, 8.2

 

CMYK 0 / 32 / 32 / 11

HEX #E49A9A

RGB 228 154 154

HSL 0, 0.58%, 0.75%

LAB 70.83, 27.7, 11.33

 

CMYK 0 / 32 / 21 / 11

HEX #E49AB4

RGB 228 154 180

HSL 338.92, 0.58%, 0.75%

LAB 71.49, 31.28, -2.14

 

CMYK 0 / 32 / 12 / 11

HEX #E49AC8

RGB 228 154 200

HSL 322.7, 0.58%, 0.75%

LAB 72.08, 34.41, -12.34

 

CMYK 0 / 32 / 4 / 11

HEX #E49ADB

RGB 228 154 219

HSL 307.3, 0.58%, 0.75%

LAB 72.71, 37.65, -21.85

 

CMYK 5 / 32 / 0 / 11

HEX #D99AE4

RGB 217 154 228

HSL 291.08, 0.58%, 0.75%

LAB 71.87, 35.82, -28.17

 

CMYK 14 / 32 / 0 / 11

HEX #C59AE4

RGB 197 154 228

HSL 274.86, 0.58%, 0.75%

LAB 69.88, 29.6, -31.39

 

CMYK 0 / 32 / 21 / 11

HEX #E49AB4

RGB 228 154 180

HSL 338.92, 0.58%, 0.75%

LAB 71.49, 31.28, -2.14

 

CMYK 0 / 40 / 26 / 6

HEX #EF90B0

RGB 239 144 176

HSL 339.79, 0.75%, 0.75%

LAB 70.48, 39.85, -1.25

 

CMYK 0 / 46 / 31 / 2

HEX #F986AD

RGB 249 134 173

HSL 339.65, 0.91%, 0.75%

LAB 69.62, 47.96, -0.68

 

CMYK 0 / 32 / 21 / 11

HEX #E49AB4

RGB 228 154 180

HSL 338.92, 0.58%, 0.75%

LAB 71.49, 31.28, -2.14

 

CMYK 0 / 24 / 16 / 15

HEX #DAA5B7

RGB 218 165 183

HSL 339.62, 0.42%, 0.75%

LAB 73.05, 22.26, -1.64

 

CMYK 0 / 16 / 11 / 18

HEX #D0AFBA

RGB 208 175 186

HSL 340, 0.26%, 0.75%

LAB 74.58, 13.74, -1.15

 

CMYK 0 / 6 / 4 / 23

HEX #C5B9BD

RGB 197 185 189

HSL 340, 0.09%, 0.75%

LAB 76.22, 4.95, -0.51

 

CMYK 5 / 0 / 2 / 23

HEX #BBC4C1

RGB 187 196 193

HSL 160, 0.07%, 0.75%

LAB 78.4, -3.65, 0.42

 

CMYK 0 / 32 / 4 / 11

HEX #E49ADC

RGB 228 154 220

HSL 306.49, 0.58%, 0.75%

LAB 72.74, 37.82, -22.34

 

CMYK 0 / 32 / 12 / 11

HEX #E49AC8

RGB 228 154 200

HSL 322.7, 0.58%, 0.75%

LAB 72.08, 34.41, -12.34

 

CMYK 0 / 32 / 21 / 11

HEX #E49AB4

RGB 228 154 180

HSL 338.92, 0.58%, 0.75%

LAB 71.49, 31.28, -2.14

 

CMYK 0 / 32 / 30 / 11

HEX #E49AA0

RGB 228 154 160

HSL 355.14, 0.58%, 0.75%

LAB 70.97, 28.48, 8.2

 

CMYK 0 / 26 / 32 / 11

HEX #E4A89A

RGB 228 168 154

HSL 11.35, 0.58%, 0.75%

LAB 74.08, 20.21, 15.9

 

CMYK 0 / 58 / 38 / 17

HEX #D35983

RGB 211 89 131

HSL 339.34, 0.58%, 0.59%

LAB 54.69, 52.08, 1.03

 

CMYK 0 / 45 / 30 / 14

HEX #DC7A9B

RGB 220 122 155

HSL 339.8, 0.58%, 0.67%

LAB 62.93, 41.81, -0.73

 

CMYK 0 / 32 / 21 / 11

HEX #E49AB4

RGB 228 154 180

HSL 338.92, 0.58%, 0.75%

LAB 71.49, 31.28, -2.14

 

CMYK 0 / 21 / 14 / 7

HEX #EDBBCC

RGB 237 187 204

HSL 339.6, 0.58%, 0.83%

LAB 80.69, 20.57, -1.66

 

CMYK 0 / 11 / 7 / 4

HEX #F6DBE4

RGB 246 219 228

HSL 340, 0.6%, 0.91%

LAB 89.79, 10.79, -1

 

CMYK 0 / 32 / 21 / 10

HEX #E59CB5

RGB 229 156 181

HSL 339.45, 0.58%, 0.75%

LAB 72.08, 30.72, -1.82

 

CMYK 0 / 5 / 32 / 11

HEX #E4D99A

RGB 228 217 154

HSL 51.08, 0.58%, 0.75%

LAB 86.23, -5.54, 32.45

 

CMYK 32 / 8 / 0 / 11

HEX #9AD2E4

RGB 154 210 228

HSL 194.59, 0.58%, 0.75%

LAB 81.05, -13.69, -14.67

 

CMYK 0 / 32 / 21 / 10

HEX #E59CB5

RGB 229 156 181

HSL 339.45, 0.58%, 0.75%

LAB 72.08, 30.72, -1.82

 

CMYK 21 / 0 / 32 / 11

HEX #B4E49A

RGB 180 228 154

HSL 98.92, 0.58%, 0.75%

LAB 85.77, -28.67, 31.22

 

CMYK 32 / 21 / 0 / 11

HEX #9AB4E4

RGB 154 180 228

HSL 218.92, 0.58%, 0.75%

LAB 72.97, 2.29, -26.93

 

CMYK 0 / 32 / 21 / 10

HEX #E59CB5

RGB 229 156 181

HSL 339.45, 0.58%, 0.75%

LAB 72.08, 30.72, -1.82

 

CMYK 0 / 5 / 32 / 11

HEX #E4D99A

RGB 228 217 154

HSL 51.08, 0.58%, 0.75%

LAB 86.23, -5.54, 32.45

 

CMYK 32 / 0 / 11 / 11

HEX #9AE4CA

RGB 154 228 202

HSL 158.92, 0.58%, 0.75%

LAB 85.31, -28.46, 5.41

 

CMYK 32 / 28 / 0 / 11

HEX #9AA5E4

RGB 154 165 228

HSL 231.08, 0.58%, 0.75%

LAB 69.03, 10.63, -33

 

CMYK 0 / 32 / 21 / 10

HEX #E59CB5

RGB 229 156 181

HSL 339.45, 0.58%, 0.75%

LAB 72.08, 30.72, -1.82

 

CMYK 5 / 0 / 32 / 11

HEX #D9E49A

RGB 217 228 154

HSL 68.92, 0.58%, 0.75%

LAB 88.24, -15.25, 34.95

 

CMYK 32 / 0 / 11 / 11

HEX #9AE4CA

RGB 154 228 202

HSL 158.92, 0.58%, 0.75%

LAB 85.31, -28.46, 5.41

 

CMYK 28 / 32 / 0 / 11

HEX #A59AE4

RGB 165 154 228

HSL 248.92, 0.58%, 0.75%

LAB 67.06, 20.01, -35.99

 

Description

Color code: HEX #E59CB5 | qconv.com Color code: HEX #E59CB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 156 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 156 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 21 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 21% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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