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Color name
HEX #E59B2F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E59B2F it is the complementary color #1A64D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E59B2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E59B2F shade: #EA9B2A, #FBAD3D, #FFBF50, #FFD163 and #FFE376

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E59B2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E59B2F shade: #E59B2F, #D4891C, #C37709, #B26500 and #A15300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E59B2F shade: #E59B2E, #E5692E, #E5382E and #E52E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E59B2F shade: #E59B2E, #E5CC2E, #CDE52E, #9CE52E and #6AE52E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E59B2F shade matches the following richer shades: #E59B2E and #F89E1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E59B2F shade: #E59B2E, #D29741, #BF9454, #AC9067 and #998D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E59B2F shade: #E5372E, #E5682E, #E5992E, #E5CA2E and #D0E52E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E59B2F shade: #AC6E15, #D0861A, #E59B2E, #EAAC53 and #EEBE78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E59B2F shade: #E59B2F, #56E52E and #502EE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E59B2F shade: #E59B2F, #2EE599 and #992EE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E59B2F shade: #E59B2F, #56E52E, #2E7AE5 and #BE2EE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E59B2F shade: #E59B2F, #2EE53D, #2E7AE5 and #E52ED6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 79 / 10

HEX #E59B2F

RGB 229 155 47

HSL 35.6, 0.78%, 0.54%

LAB 69.69, 19.05, 63.55

 

Complementary color

CMYK 88 / 52 / 0 / 18

HEX #1A64D0

RGB 26 100 208

HSL 215.6, 0.78%, 0.46%

LAB 44.07, 19.25, -61.74

 

CMYK 0 / 34 / 82 / 8

HEX #EA9B2A

RGB 234 155 42

HSL 35.31, 0.82%, 0.54%

LAB 70.25, 21.01, 66.01

 

CMYK 0 / 31 / 76 / 2

HEX #FBAD3D

RGB 251 173 61

HSL 35.37, 0.96%, 0.61%

LAB 76.52, 19.31, 65.58

 

CMYK 0 / 25 / 69 / 0

HEX #FFBF50

RGB 255 191 80

HSL 38.06, 1%, 0.66%

LAB 81.35, 12.44, 62.82

 

CMYK 0 / 18 / 61 / 0

HEX #FFD163

RGB 255 209 99

HSL 42.31, 1%, 0.69%

LAB 85.89, 4.25, 59.4

 

CMYK 0 / 11 / 54 / 0

HEX #FFE376

RGB 255 227 118

HSL 47.74, 1%, 0.73%

LAB 90.55, -3.54, 56.07

 

CMYK 0 / 32 / 79 / 10

HEX #E59B2F

RGB 229 155 47

HSL 35.6, 0.78%, 0.54%

LAB 69.69, 19.05, 63.55

 

CMYK 0 / 35 / 87 / 17

HEX #D4891C

RGB 212 137 28

HSL 35.54, 0.77%, 0.47%

LAB 63.32, 20.89, 63.48

 

CMYK 0 / 39 / 95 / 24

HEX #C37709

RGB 195 119 9

HSL 35.48, 0.91%, 0.4%

LAB 56.9, 22.99, 62.02

 

CMYK 0 / 43 / 100 / 30

HEX #B26500

RGB 178 101 0

HSL 34.04, 1%, 0.35%

LAB 50.42, 25.35, 58.36

 

CMYK 0 / 48 / 100 / 37

HEX #A15300

RGB 161 83 0

HSL 30.93, 1%, 0.32%

LAB 43.89, 27.86, 53.09

 

CMYK 0 / 32 / 80 / 10

HEX #E59B2E

RGB 229 155 46

HSL 35.74, 0.78%, 0.54%

LAB 69.68, 19.01, 63.9

 

CMYK 0 / 54 / 80 / 10

HEX #E5692E

RGB 229 105 46

HSL 19.34, 0.78%, 0.54%

LAB 58.94, 44.88, 53.98

 

CMYK 0 / 76 / 80 / 10

HEX #E5382E

RGB 229 56 46

HSL 3.28, 0.78%, 0.54%

LAB 51.48, 64.85, 46.78

 

CMYK 0 / 80 / 80 / 10

HEX #E52E2E

RGB 229 46 46

HSL 0, 0.78%, 0.54%

LAB 50.46, 67.7, 45.78

 

CMYK 0 / 32 / 80 / 10

HEX #E59B2E

RGB 229 155 46

HSL 35.74, 0.78%, 0.54%

LAB 69.68, 19.01, 63.9

 

CMYK 0 / 11 / 80 / 10

HEX #E5CC2E

RGB 229 204 46

HSL 51.8, 0.78%, 0.54%

LAB 81.86, -6.68, 74.72

 

CMYK 10 / 0 / 80 / 10

HEX #CDE52E

RGB 205 229 46

HSL 67.87, 0.78%, 0.54%

LAB 86.61, -28.97, 78.14

 

CMYK 32 / 0 / 80 / 10

HEX #9CE52E

RGB 156 229 46

HSL 83.93, 0.78%, 0.54%

LAB 83.6, -47.81, 74.32

 

CMYK 54 / 0 / 80 / 10

HEX #6AE52E

RGB 106 229 46

HSL 100.33, 0.78%, 0.54%

LAB 81.46, -63.55, 71.57

 

CMYK 0 / 32 / 80 / 10

HEX #E59B2E

RGB 229 155 46

HSL 35.74, 0.78%, 0.54%

LAB 69.68, 19.01, 63.9

 

CMYK 0 / 36 / 89 / 3

HEX #F89E1B

RGB 248 158 27

HSL 35.57, 0.94%, 0.54%

LAB 72.55, 24.96, 72.83

 

CMYK 0 / 32 / 80 / 10

HEX #E59B2E

RGB 229 155 46

HSL 35.74, 0.78%, 0.54%

LAB 69.68, 19.01, 63.9

 

CMYK 0 / 28 / 69 / 18

HEX #D29741

RGB 210 151 65

HSL 35.59, 0.62%, 0.54%

LAB 66.69, 13.87, 52.45

 

CMYK 0 / 23 / 56 / 25

HEX #BF9454

RGB 191 148 84

HSL 35.89, 0.46%, 0.54%

LAB 64.08, 8.65, 39.68

 

CMYK 0 / 16 / 40 / 33

HEX #AC9067

RGB 172 144 103

HSL 35.65, 0.29%, 0.54%

LAB 61.39, 4.7, 25.71

 

CMYK 0 / 8 / 20 / 40

HEX #998D7A

RGB 153 141 122

HSL 36.77, 0.13%, 0.54%

LAB 59.18, 1.23, 11.76

 

CMYK 0 / 76 / 80 / 10

HEX #E5372E

RGB 229 55 46

HSL 2.95, 0.78%, 0.54%

LAB 51.37, 65.16, 46.67

 

CMYK 0 / 55 / 80 / 10

HEX #E5682E

RGB 229 104 46

HSL 19.02, 0.78%, 0.54%

LAB 58.75, 45.37, 53.8

 

CMYK 0 / 33 / 80 / 10

HEX #E5992E

RGB 229 153 46

HSL 35.08, 0.78%, 0.54%

LAB 69.21, 20.08, 63.48

 

CMYK 0 / 12 / 80 / 10

HEX #E5CA2E

RGB 229 202 46

HSL 51.15, 0.78%, 0.54%

LAB 81.34, -5.66, 74.27

 

CMYK 9 / 0 / 80 / 10

HEX #D0E52E

RGB 208 229 46

HSL 66.89, 0.78%, 0.54%

LAB 86.82, -27.75, 78.41

 

CMYK 0 / 36 / 88 / 33

HEX #AC6E15

RGB 172 110 21

HSL 35.36, 0.78%, 0.38%

LAB 51.81, 18.04, 54.14

 

CMYK 0 / 36 / 88 / 18

HEX #D0861A

RGB 208 134 26

HSL 35.6, 0.78%, 0.46%

LAB 62.11, 20.74, 62.86

 

CMYK 0 / 32 / 80 / 10

HEX #E59B2E

RGB 229 155 46

HSL 35.74, 0.78%, 0.54%

LAB 69.68, 19.01, 63.9

 

CMYK 0 / 26 / 65 / 8

HEX #EAAC53

RGB 234 172 83

HSL 35.36, 0.78%, 0.62%

LAB 74.59, 13.83, 53.52

 

CMYK 0 / 20 / 50 / 7

HEX #EEBE78

RGB 238 190 120

HSL 35.59, 0.78%, 0.7%

LAB 79.82, 8.79, 41.7

 

CMYK 0 / 32 / 79 / 10

HEX #E59B2F

RGB 229 155 47

HSL 35.6, 0.78%, 0.54%

LAB 69.69, 19.05, 63.55

 

CMYK 62 / 0 / 80 / 10

HEX #56E52E

RGB 86 229 46

HSL 106.89, 0.78%, 0.54%

LAB 80.86, -68.39, 70.8

 

CMYK 65 / 80 / 0 / 10

HEX #502EE5

RGB 80 46 229

HSL 251.15, 0.78%, 0.54%

LAB 36.59, 62.72, -85.93

 

CMYK 0 / 32 / 79 / 10

HEX #E59B2F

RGB 229 155 47

HSL 35.6, 0.78%, 0.54%

LAB 69.69, 19.05, 63.55

 

CMYK 80 / 0 / 33 / 10

HEX #2EE599

RGB 46 229 153

HSL 155.08, 0.78%, 0.54%

LAB 81.25, -61.14, 24.82

 

CMYK 33 / 80 / 0 / 10

HEX #992EE5

RGB 153 46 229

HSL 275.08, 0.78%, 0.54%

LAB 44.78, 71.73, -72.17

 

CMYK 0 / 32 / 79 / 10

HEX #E59B2F

RGB 229 155 47

HSL 35.6, 0.78%, 0.54%

LAB 69.69, 19.05, 63.55

 

CMYK 62 / 0 / 80 / 10

HEX #56E52E

RGB 86 229 46

HSL 106.89, 0.78%, 0.54%

LAB 80.86, -68.39, 70.8

 

CMYK 80 / 47 / 0 / 10

HEX #2E7AE5

RGB 46 122 229

HSL 215.08, 0.78%, 0.54%

LAB 52.01, 14.89, -60.8

 

CMYK 17 / 80 / 0 / 10

HEX #BE2EE5

RGB 190 46 229

HSL 287.21, 0.78%, 0.54%

LAB 50.17, 77.75, -63.17

 

CMYK 0 / 32 / 79 / 10

HEX #E59B2F

RGB 229 155 47

HSL 35.6, 0.78%, 0.54%

LAB 69.69, 19.05, 63.55

 

CMYK 80 / 0 / 73 / 10

HEX #2EE53D

RGB 46 229 61

HSL 124.92, 0.78%, 0.54%

LAB 80.16, -74.07, 65.25

 

CMYK 80 / 47 / 0 / 10

HEX #2E7AE5

RGB 46 122 229

HSL 215.08, 0.78%, 0.54%

LAB 52.01, 14.89, -60.8

 

CMYK 0 / 80 / 7 / 10

HEX #E52ED6

RGB 229 46 214

HSL 304.92, 0.78%, 0.54%

LAB 55.55, 82.52, -45.69

 

Description

Color code: HEX #E59B2F | qconv.com Color code: HEX #E59B2F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 155 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 155 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 79 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 79% 10% C M Y K

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Provide designers and agencies with accurate color values.

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