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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E59991 it is the complementary color #1A666E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E59991. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E59991 shade: #EA998C, #FBAB9F, #FFBDB2, #FFCFC5 and #FFE1D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E59991. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E59991 shade: #E59991, #D4877E, #C3756B, #B26358 and #A15145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E59991 shade: #E5988F and #E58F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E59991 shade: #E5988F, #E5AF8F, #E5C68F, #E5DD8F and #D6E58F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E59991 shade matches the following richer shades: #E5988F, #F08F84 and #FB8679

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E59991 shade: #E5988F, #DAA19B, #CFAAA6, #C3B3B1 and #B8BCBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E59991 shade: #E58FB6, #E58F9F, #E5978F, #E5AD8F and #E5C48F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E59991 shade: #D55A4D, #DD796E, #E5988F, #EDB7B1 and #F5D6D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E59991 shade: #E59991, #CDE58F and #8FAAE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E59991 shade: #E59991, #8FE597 and #978FE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E59991 shade: #E59991, #CDE58F, #8FDEE5 and #A88FE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E59991 shade: #E59991, #B3E58F, #8FDEE5 and #C18FE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 37 / 10

HEX #E59991

RGB 229 153 145

HSL 5.71, 0.62%, 0.73%

LAB 70.51, 27.51, 15.88

 

Complementary color

CMYK 76 / 7 / 0 / 57

HEX #1A666E

RGB 26 102 110

HSL 185.71, 0.62%, 0.27%

LAB 39.32, -19.42, -11.08

 

CMYK 0 / 35 / 40 / 8

HEX #EA998C

RGB 234 153 140

HSL 8.3, 0.69%, 0.73%

LAB 70.99, 28.84, 19.39

 

CMYK 0 / 32 / 37 / 2

HEX #FBAB9F

RGB 251 171 159

HSL 7.83, 0.92%, 0.8%

LAB 77.36, 27.93, 18.13

 

CMYK 0 / 26 / 30 / 0

HEX #FFBDB2

RGB 255 189 178

HSL 8.57, 1%, 0.85%

LAB 82.31, 22.29, 14.88

 

CMYK 0 / 19 / 23 / 0

HEX #FFCFC5

RGB 255 207 197

HSL 10.34, 1%, 0.89%

LAB 86.96, 15.43, 11.35

 

CMYK 0 / 12 / 15 / 0

HEX #FFE1D8

RGB 255 225 216

HSL 13.85, 1%, 0.92%

LAB 91.72, 8.89, 8.17

 

CMYK 0 / 33 / 37 / 10

HEX #E59991

RGB 229 153 145

HSL 5.71, 0.62%, 0.73%

LAB 70.51, 27.51, 15.88

 

CMYK 0 / 36 / 41 / 17

HEX #D4877E

RGB 212 135 126

HSL 6.28, 0.5%, 0.66%

LAB 64.02, 28.45, 17.18

 

CMYK 0 / 40 / 45 / 24

HEX #C3756B

RGB 195 117 107

HSL 6.82, 0.42%, 0.59%

LAB 57.45, 29.5, 18.63

 

CMYK 0 / 44 / 51 / 30

HEX #B26358

RGB 178 99 88

HSL 7.33, 0.37%, 0.52%

LAB 50.8, 30.66, 20.29

 

CMYK 0 / 50 / 57 / 37

HEX #A15145

RGB 161 81 69

HSL 7.83, 0.4%, 0.45%

LAB 44.08, 31.93, 22.24

 

CMYK 0 / 34 / 38 / 10

HEX #E5988F

RGB 229 152 143

HSL 6.28, 0.62%, 0.73%

LAB 70.24, 27.81, 16.61

 

CMYK 0 / 38 / 38 / 10

HEX #E58F8F

RGB 229 143 143

HSL 0, 0.62%, 0.73%

LAB 68.23, 32.59, 13.8

 

CMYK 0 / 34 / 38 / 10

HEX #E5988F

RGB 229 152 143

HSL 6.28, 0.62%, 0.73%

LAB 70.24, 27.81, 16.61

 

CMYK 0 / 24 / 38 / 10

HEX #E5AF8F

RGB 229 175 143

HSL 22.33, 0.62%, 0.73%

LAB 75.64, 15.52, 24.02

 

CMYK 0 / 14 / 38 / 10

HEX #E5C68F

RGB 229 198 143

HSL 38.37, 0.62%, 0.73%

LAB 81.31, 3.36, 31.62

 

CMYK 0 / 3 / 38 / 10

HEX #E5DD8F

RGB 229 221 143

HSL 54.42, 0.62%, 0.73%

LAB 87.17, -8.45, 39.28

 

CMYK 7 / 0 / 38 / 10

HEX #D6E58F

RGB 214 229 143

HSL 70.47, 0.62%, 0.73%

LAB 88.12, -18.2, 40.27

 

CMYK 0 / 34 / 38 / 10

HEX #E5988F

RGB 229 152 143

HSL 6.28, 0.62%, 0.73%

LAB 70.24, 27.81, 16.61

 

CMYK 0 / 40 / 45 / 6

HEX #F08F84

RGB 240 143 132

HSL 6.11, 0.78%, 0.73%

LAB 69.35, 35.52, 21.68

 

CMYK 0 / 47 / 52 / 2

HEX #FB8679

RGB 251 134 121

HSL 6, 0.94%, 0.73%

LAB 68.71, 43.19, 27.15

 

CMYK 0 / 34 / 38 / 10

HEX #E5988F

RGB 229 152 143

HSL 6.28, 0.62%, 0.73%

LAB 70.24, 27.81, 16.61

 

CMYK 0 / 26 / 29 / 15

HEX #DAA19B

RGB 218 161 155

HSL 5.71, 0.46%, 0.73%

LAB 71.39, 20.3, 11.42

 

CMYK 0 / 18 / 20 / 19

HEX #CFAAA6

RGB 207 170 166

HSL 5.85, 0.3%, 0.73%

LAB 72.74, 12.86, 7.13

 

CMYK 0 / 8 / 9 / 24

HEX #C3B3B1

RGB 195 179 177

HSL 6.67, 0.13%, 0.73%

LAB 74.2, 5.36, 3.08

 

CMYK 2 / 0 / 0 / 26

HEX #B8BCBC

RGB 184 188 188

HSL 180, 0.03%, 0.73%

LAB 75.94, -1.38, -0.49

 

CMYK 0 / 38 / 21 / 10

HEX #E58FB6

RGB 229 143 182

HSL 332.79, 0.62%, 0.73%

LAB 69.24, 37.76, -6.56

 

CMYK 0 / 38 / 31 / 10

HEX #E58F9F

RGB 229 143 159

HSL 348.84, 0.62%, 0.73%

LAB 68.61, 34.56, 5.39

 

CMYK 0 / 34 / 38 / 10

HEX #E5978F

RGB 229 151 143

HSL 5.58, 0.62%, 0.73%

LAB 70.02, 28.34, 16.3

 

CMYK 0 / 24 / 38 / 10

HEX #E5AD8F

RGB 229 173 143

HSL 20.93, 0.62%, 0.73%

LAB 75.16, 16.58, 23.37

 

CMYK 0 / 14 / 38 / 10

HEX #E5C48F

RGB 229 196 143

HSL 36.98, 0.62%, 0.73%

LAB 80.81, 4.41, 30.95

 

CMYK 0 / 58 / 64 / 16

HEX #D55A4D

RGB 213 90 77

HSL 5.74, 0.62%, 0.57%

LAB 54.02, 47.59, 31.84

 

CMYK 0 / 45 / 50 / 13

HEX #DD796E

RGB 221 121 110

HSL 5.95, 0.62%, 0.65%

LAB 61.8, 37.68, 23.38

 

CMYK 0 / 34 / 38 / 10

HEX #E5988F

RGB 229 152 143

HSL 6.28, 0.62%, 0.73%

LAB 70.24, 27.81, 16.61

 

CMYK 0 / 23 / 25 / 7

HEX #EDB7B1

RGB 237 183 177

HSL 6, 0.63%, 0.81%

LAB 79.07, 18.65, 10.57

 

CMYK 0 / 13 / 14 / 4

HEX #F5D6D2

RGB 245 214 210

HSL 6.86, 0.64%, 0.89%

LAB 88.04, 10.12, 5.93

 

CMYK 0 / 33 / 37 / 10

HEX #E59991

RGB 229 153 145

HSL 5.71, 0.62%, 0.73%

LAB 70.51, 27.51, 15.88

 

CMYK 10 / 0 / 38 / 10

HEX #CDE58F

RGB 205 229 143

HSL 76.74, 0.62%, 0.73%

LAB 87.49, -21.58, 39.33

 

CMYK 38 / 26 / 0 / 10

HEX #8FAAE5

RGB 143 170 229

HSL 221.16, 0.62%, 0.73%

LAB 69.64, 5.05, -32.65

 

CMYK 0 / 33 / 37 / 10

HEX #E59991

RGB 229 153 145

HSL 5.71, 0.62%, 0.73%

LAB 70.51, 27.51, 15.88

 

CMYK 38 / 0 / 34 / 10

HEX #8FE597

RGB 143 229 151

HSL 125.58, 0.62%, 0.73%

LAB 84.02, -41.64, 30.07

 

CMYK 34 / 38 / 0 / 10

HEX #978FE5

RGB 151 143 229

HSL 245.58, 0.62%, 0.73%

LAB 63.24, 22.61, -42.59

 

CMYK 0 / 33 / 37 / 10

HEX #E59991

RGB 229 153 145

HSL 5.71, 0.62%, 0.73%

LAB 70.51, 27.51, 15.88

 

CMYK 10 / 0 / 38 / 10

HEX #CDE58F

RGB 205 229 143

HSL 76.74, 0.62%, 0.73%

LAB 87.49, -21.58, 39.33

 

CMYK 38 / 3 / 0 / 10

HEX #8FDEE5

RGB 143 222 229

HSL 184.88, 0.62%, 0.73%

LAB 83.83, -22.44, -11.1

 

CMYK 27 / 38 / 0 / 10

HEX #A88FE5

RGB 168 143 229

HSL 257.44, 0.62%, 0.73%

LAB 64.67, 27.35, -40.26

 

CMYK 0 / 33 / 37 / 10

HEX #E59991

RGB 229 153 145

HSL 5.71, 0.62%, 0.73%

LAB 70.51, 27.51, 15.88

 

CMYK 22 / 0 / 38 / 10

HEX #B3E58F

RGB 179 229 143

HSL 94.88, 0.62%, 0.73%

LAB 85.81, -31.03, 36.83

 

CMYK 38 / 3 / 0 / 10

HEX #8FDEE5

RGB 143 222 229

HSL 184.88, 0.62%, 0.73%

LAB 83.83, -22.44, -11.1

 

CMYK 16 / 38 / 0 / 10

HEX #C18FE5

RGB 193 143 229

HSL 274.88, 0.62%, 0.73%

LAB 67.01, 34.66, -36.43

 

Description

Color code: HEX #E59991 | qconv.com Color code: HEX #E59991 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 153 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 153 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 37 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 37% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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