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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5938BCE it is the complementary color #1A6C74CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5938BCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5938BCE shade: #EA9386CE, #FBA599CE, #FFB7ACCE, #FFC9BFCE and #FFDBD2CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5938BCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5938BCE shade: #E5938BCE, #D48178CE, #C36F65CE, #B25D52CE and #A14B3FCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5938BCE shade: #E5938B and #E58B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5938BCE shade: #E5938B, #E5AB8B, #E5C38B, #E5DB8B and #D6E58B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5938BCE shade matches the following richer shades: #E5938B, #F0897F and #FC8074

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5938BCE shade: #E5938B, #D99C96, #CDA6A2, #C2AFAD and #B6B9B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5938BCE shade: #E58BB3, #E58B9B, #E5928B, #E5AA8B and #E5C28B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5938BCE shade: #D55447, #DD7369, #E5938B, #ECB2AC and #F4D1CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5938BCE shade: #E5938B, #CBE58B and #8BA7E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5938BCE shade: #E5938B, #8BE592 and #928BE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5938BCE shade: #E5938B, #CBE58B, #8BDDE5 and #A48BE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5938BCE shade: #E5938B, #B0E58B, #8BDDE5 and #BF8BE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 32 / 8

HEX #E5938BCE

RGBA 229 147 139 0.81

HSLA 5.33, 0.63%, 0.72%, 0.81

LABA 69.03, 30.01, 17.15, 0.81

 

Complementary color

CMYK 63 / 6 / 0 / 44

HEX #1A6C74CE

RGBA 26 108 116 0.81

HSLA 185.33, 0.63%, 0.28%, 0.81

LABA 41.54, -20.63, -11.38, 0.81

 

CMYK 0 / 30 / 35 / 7

HEX #EA9386CE

RGBA 234 147 134 0.81

HSLA 7.8, 0.7%, 0.72%, 0.81

LABA 69.53, 31.36, 20.69, 0.81

 

CMYK 0 / 28 / 32 / 1

HEX #FBA599CE

RGBA 251 165 153 0.81

HSLA 7.35, 0.92%, 0.79%, 0.81

LABA 75.9, 30.39, 19.35, 0.81

 

CMYK 0 / 23 / 26 / 0

HEX #FFB7ACCE

RGBA 255 183 172 0.81

HSLA 7.95, 1%, 0.84%, 0.81

LABA 80.8, 24.68, 15.97, 0.81

 

CMYK 0 / 17 / 20 / 0

HEX #FFC9BFCE

RGBA 255 201 191 0.81

HSLA 9.37, 1%, 0.87%, 0.81

LABA 85.4, 17.73, 12.32, 0.81

 

CMYK 0 / 11 / 14 / 0

HEX #FFDBD2CE

RGBA 255 219 210 0.81

HSLA 12, 1%, 0.91%, 0.81

LABA 90.13, 11.09, 9.03, 0.81

 

CMYK 0 / 29 / 32 / 8

HEX #E5938BCE

RGBA 229 147 139 0.81

HSLA 5.33, 0.63%, 0.72%, 0.81

LABA 69.03, 30.01, 17.15, 0.81

 

CMYK 0 / 32 / 35 / 14

HEX #D48178CE

RGBA 212 129 120 0.81

HSLA 5.87, 0.52%, 0.65%, 0.81

LABA 62.55, 31.01, 18.54, 0.81

 

CMYK 0 / 35 / 39 / 19

HEX #C36F65CE

RGBA 195 111 101 0.81

HSLA 6.38, 0.44%, 0.58%, 0.81

LABA 56, 32.12, 20.12, 0.81

 

CMYK 0 / 39 / 44 / 24

HEX #B25D52CE

RGBA 178 93 82 0.81

HSLA 6.88, 0.38%, 0.51%, 0.81

LABA 49.38, 33.34, 21.94, 0.81

 

CMYK 0 / 43 / 49 / 30

HEX #A14B3FCE

RGBA 161 75 63 0.81

HSLA 7.35, 0.44%, 0.44%, 0.81

LABA 42.72, 34.64, 24.08, 0.81

 

CMYK 0 / 36 / 39 / 10

HEX #E5938B

RGB 229 147 139

HSL 5.33, 0.63%, 0.72%

LAB 69.03, 30.01, 17.15

 

CMYK 0 / 39 / 39 / 10

HEX #E58B8B

RGB 229 139 139

HSL 0, 0.63%, 0.72%

LAB 67.27, 34.24, 14.69

 

CMYK 0 / 36 / 39 / 10

HEX #E5938B

RGB 229 147 139

HSL 5.33, 0.63%, 0.72%

LAB 69.03, 30.01, 17.15

 

CMYK 0 / 25 / 39 / 10

HEX #E5AB8B

RGB 229 171 139

HSL 21.33, 0.63%, 0.72%

LAB 74.6, 17.19, 24.77

 

CMYK 0 / 15 / 39 / 10

HEX #E5C38B

RGB 229 195 139

HSL 37.33, 0.63%, 0.72%

LAB 80.49, 4.48, 32.62

 

CMYK 0 / 4 / 39 / 10

HEX #E5DB8B

RGB 229 219 139

HSL 53.33, 0.63%, 0.72%

LAB 86.6, -7.88, 40.55

 

CMYK 7 / 0 / 39 / 10

HEX #D6E58B

RGB 214 229 139

HSL 70, 0.63%, 0.72%

LAB 88.06, -18.66, 42.19

 

CMYK 0 / 36 / 39 / 10

HEX #E5938B

RGB 229 147 139

HSL 5.33, 0.63%, 0.72%

LAB 69.03, 30.01, 17.15

 

CMYK 0 / 43 / 47 / 6

HEX #F0897F

RGB 240 137 127

HSL 5.31, 0.79%, 0.72%

LAB 67.98, 38.13, 22.6

 

CMYK 0 / 49 / 54 / 1

HEX #FC8074

RGB 252 128 116

HSL 5.29, 0.96%, 0.72%

LAB 67.57, 46.12, 28.44

 

CMYK 0 / 36 / 39 / 10

HEX #E5938B

RGB 229 147 139

HSL 5.33, 0.63%, 0.72%

LAB 69.03, 30.01, 17.15

 

CMYK 0 / 28 / 31 / 15

HEX #D99C96

RGB 217 156 150

HSL 5.37, 0.47%, 0.72%

LAB 69.99, 21.96, 12.18

 

CMYK 0 / 19 / 21 / 20

HEX #CDA6A2

RGB 205 166 162

HSL 5.58, 0.3%, 0.72%

LAB 71.46, 13.68, 7.47

 

CMYK 0 / 10 / 11 / 24

HEX #C2AFAD

RGB 194 175 173

HSL 5.71, 0.15%, 0.72%

LAB 72.99, 6.48, 3.5

 

CMYK 2 / 0 / 0 / 27

HEX #B6B9B9

RGB 182 185 185

HSL 180, 0.02%, 0.72%

LAB 74.92, -1.04, -0.37

 

CMYK 0 / 39 / 22 / 10

HEX #E58BB3

RGB 229 139 179

HSL 333.33, 0.63%, 0.72%

LAB 68.3, 39.42, -6.28

 

CMYK 0 / 39 / 32 / 10

HEX #E58B9B

RGB 229 139 155

HSL 349.33, 0.63%, 0.72%

LAB 67.64, 36.15, 6.24

 

CMYK 0 / 36 / 39 / 10

HEX #E5928B

RGB 229 146 139

HSL 4.67, 0.63%, 0.72%

LAB 68.81, 30.54, 16.84

 

CMYK 0 / 26 / 39 / 10

HEX #E5AA8B

RGB 229 170 139

HSL 20.67, 0.63%, 0.72%

LAB 74.36, 17.73, 24.45

 

CMYK 0 / 15 / 39 / 10

HEX #E5C28B

RGB 229 194 139

HSL 36.67, 0.63%, 0.72%

LAB 80.24, 5, 32.29

HEX #E5C28B

CMYK 0 / 61 / 67 / 16

HEX #D55447

RGB 213 84 71

HSL 5.49, 0.63%, 0.56%

LAB 52.89, 50, 33.86

 

CMYK 0 / 48 / 52 / 13

HEX #DD7369

RGB 221 115 105

HSL 5.17, 0.63%, 0.64%

LAB 60.47, 40.32, 24.44

 

CMYK 0 / 36 / 39 / 10

HEX #E5938B

RGB 229 147 139

HSL 5.33, 0.63%, 0.72%

LAB 69.03, 30.01, 17.15

 

CMYK 0 / 25 / 27 / 7

HEX #ECB2AC

RGB 236 178 172

HSL 5.62, 0.63%, 0.8%

LAB 77.67, 20.25, 11.28

 

CMYK 0 / 14 / 16 / 4

HEX #F4D1CE

RGB 244 209 206

HSL 4.74, 0.63%, 0.88%

LAB 86.65, 11.76, 6.01

 

CMYK 0 / 36 / 39 / 10

HEX #E5938B

RGB 229 147 139

HSL 5.33, 0.63%, 0.72%

LAB 69.03, 30.01, 17.15

 

CMYK 11 / 0 / 39 / 10

HEX #CBE58B

RGB 203 229 139

HSL 77.33, 0.63%, 0.72%

LAB 87.29, -22.81, 41.04

 

CMYK 39 / 27 / 0 / 10

HEX #8BA7E5

RGB 139 167 229

HSL 221.33, 0.63%, 0.72%

LAB 68.59, 5.67, -34.3

 

CMYK 0 / 36 / 39 / 10

HEX #E5938B

RGB 229 147 139

HSL 5.33, 0.63%, 0.72%

LAB 69.03, 30.01, 17.15

 

CMYK 39 / 0 / 36 / 10

HEX #8BE592

RGB 139 229 146

HSL 124.67, 0.63%, 0.72%

LAB 83.76, -43.63, 32.23

 

CMYK 36 / 39 / 0 / 10

HEX #928BE5

RGB 146 139 229

HSL 244.67, 0.63%, 0.72%

LAB 61.86, 23.58, -44.8

 

CMYK 0 / 36 / 39 / 10

HEX #E5938B

RGB 229 147 139

HSL 5.33, 0.63%, 0.72%

LAB 69.03, 30.01, 17.15

 

CMYK 11 / 0 / 39 / 10

HEX #CBE58B

RGB 203 229 139

HSL 77.33, 0.63%, 0.72%

LAB 87.29, -22.81, 41.04

 

CMYK 39 / 3 / 0 / 10

HEX #8BDDE5

RGB 139 221 229

HSL 185.33, 0.63%, 0.72%

LAB 83.37, -22.95, -11.81

 

CMYK 28 / 39 / 0 / 10

HEX #A48BE5

RGB 164 139 229

HSL 256.67, 0.63%, 0.72%

LAB 63.36, 28.5, -42.34

 

CMYK 0 / 36 / 39 / 10

HEX #E5938B

RGB 229 147 139

HSL 5.33, 0.63%, 0.72%

LAB 69.03, 30.01, 17.15

 

CMYK 23 / 0 / 39 / 10

HEX #B0E58B

RGB 176 229 139

HSL 95.33, 0.63%, 0.72%

LAB 85.57, -32.61, 38.49

 

CMYK 39 / 3 / 0 / 10

HEX #8BDDE5

RGB 139 221 229

HSL 185.33, 0.63%, 0.72%

LAB 83.37, -22.95, -11.81

 

CMYK 17 / 39 / 0 / 10

HEX #BF8BE5

RGB 191 139 229

HSL 274.67, 0.63%, 0.72%

LAB 65.9, 36.27, -38.17

 

Description

Color code: HEX #E5938BCE | qconv.com Color code: HEX #E5938BCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 147 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 147 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 32 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 32% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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