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Color name
HEX #E58F2ACE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E58F2ACE it is the complementary color #1A70D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E58F2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E58F2ACE shade: #EA8F25CE, #FBA138CE, #FFB34BCE, #FFC55ECE and #FFD771CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E58F2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E58F2ACE shade: #E58F2ACE, #D47D17CE, #C36B04CE, #B25900CE and #A14700CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E58F2ACE shade: #E58F2A, #E55C2A and #E52A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E58F2ACE shade: #E58F2A, #E5C12A, #D6E52A, #A3E52A and #71E52A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E58F2ACE shade matches the following richer shades: #E58F2A and #F89016

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E58F2ACE shade: #E58F2A, #D18D3D, #BE8C50, #AA8A64 and #978877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E58F2ACE shade: #E52A2A, #E55C2A, #E58D2A, #E5BF2A and #D8E52A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E58F2ACE shade: #A76415, #CC7A19, #E58F2A, #E9A24E and #EEB573

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E58F2ACE shade: #E58F2A, #5CE52A and #432AE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E58F2ACE shade: #E58F2A, #2AE58D and #8D2AE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E58F2ACE shade: #E58F2A, #5CE52A, #2A81E5 and #B32AE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E58F2ACE shade: #E58F2A, #2AE530, #2A81E5 and #E52ADE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 66 / 8

HEX #E58F2ACE

RGBA 229 143 42 0.81

HSLA 32.41, 0.78%, 0.53%, 0.81

LABA 66.88, 25.27, 62.82, 0.81

 

Complementary color

CMYK 71 / 38 / 0 / 13

HEX #1A70D5CE

RGBA 26 112 213 0.81

HSLA 212.41, 0.78%, 0.47%, 0.81

LABA 47.77, 13.49, -58.63, 0.81

 

CMYK 0 / 32 / 68 / 7

HEX #EA8F25CE

RGBA 234 143 37 0.81

HSLA 32.28, 0.82%, 0.53%, 0.81

LABA 67.48, 27.22, 65.28, 0.81

 

CMYK 0 / 29 / 63 / 1

HEX #FBA138CE

RGBA 251 161 56 0.81

HSLA 32.31, 0.96%, 0.6%, 0.81

LABA 73.73, 25.4, 64.87, 0.81

 

CMYK 0 / 24 / 57 / 0

HEX #FFB34BCE

RGBA 255 179 75 0.81

HSLA 34.67, 1%, 0.65%, 0.81

LABA 78.47, 18.45, 61.95, 0.81

 

CMYK 0 / 18 / 51 / 0

HEX #FFC55ECE

RGBA 255 197 94 0.81

HSLA 38.39, 1%, 0.68%, 0.81

LABA 82.91, 10.12, 58.34, 0.81

 

CMYK 0 / 13 / 45 / 0

HEX #FFD771CE

RGBA 255 215 113 0.81

HSLA 43.1, 1%, 0.72%, 0.81

LABA 87.51, 2.16, 54.82, 0.81

 

CMYK 0 / 30 / 66 / 8

HEX #E58F2ACE

RGBA 229 143 42 0.81

HSLA 32.41, 0.78%, 0.53%, 0.81

LABA 66.88, 25.27, 62.82, 0.81

 

CMYK 0 / 33 / 72 / 14

HEX #D47D17CE

RGBA 212 125 23 0.81

HSLA 32.38, 0.8%, 0.46%, 0.81

LABA 60.54, 27.24, 62.66, 0.81

 

CMYK 0 / 37 / 79 / 19

HEX #C36B04CE

RGBA 195 107 4 0.81

HSLA 32.36, 0.96%, 0.39%, 0.81

LABA 54.16, 29.42, 61.09, 0.81

 

CMYK 0 / 41 / 81 / 24

HEX #B25900CE

RGBA 178 89 0 0.81

HSLA 30, 1%, 0.35%, 0.81

LABA 47.76, 31.83, 56.73, 0.81

 

CMYK 0 / 45 / 81 / 30

HEX #A14700CE

RGBA 161 71 0 0.81

HSLA 26.46, 1%, 0.32%, 0.81

LABA 41.35, 34.25, 51.59, 0.81

 

CMYK 0 / 38 / 82 / 10

HEX #E58F2A

RGB 229 143 42

HSL 32.41, 0.78%, 0.53%

LAB 66.88, 25.27, 62.82

 

CMYK 0 / 60 / 82 / 10

HEX #E55C2A

RGB 229 92 42

HSL 16.04, 0.78%, 0.53%

LAB 56.56, 50.84, 53.55

 

CMYK 0 / 82 / 82 / 10

HEX #E52A2A

RGB 229 42 42

HSL 0, 0.78%, 0.53%

LAB 50.07, 68.59, 47.5

 

CMYK 0 / 38 / 82 / 10

HEX #E58F2A

RGB 229 143 42

HSL 32.41, 0.78%, 0.53%

LAB 66.88, 25.27, 62.82

 

CMYK 0 / 16 / 82 / 10

HEX #E5C12A

RGB 229 193 42

HSL 48.45, 0.78%, 0.53%

LAB 79.02, -1.16, 73.39

 

CMYK 7 / 0 / 82 / 10

HEX #D6E52A

RGB 214 229 42

HSL 64.81, 0.78%, 0.53%

LAB 87.24, -25.42, 79.93

 

CMYK 29 / 0 / 82 / 10

HEX #A3E52A

RGB 163 229 42

HSL 81.18, 0.78%, 0.53%

LAB 83.96, -45.43, 75.8

 

CMYK 51 / 0 / 82 / 10

HEX #71E52A

RGB 113 229 42

HSL 97.22, 0.78%, 0.53%

LAB 81.68, -61.83, 72.91

 

CMYK 0 / 38 / 82 / 10

HEX #E58F2A

RGB 229 143 42

HSL 32.41, 0.78%, 0.53%

LAB 66.88, 25.27, 62.82

 

CMYK 0 / 42 / 91 / 3

HEX #F89016

RGB 248 144 22

HSL 32.39, 0.94%, 0.53%

LAB 69.44, 32.17, 71.64

 

CMYK 0 / 38 / 82 / 10

HEX #E58F2A

RGB 229 143 42

HSL 32.41, 0.78%, 0.53%

LAB 66.88, 25.27, 62.82

 

CMYK 0 / 33 / 71 / 18

HEX #D18D3D

RGB 209 141 61

HSL 32.43, 0.62%, 0.53%

LAB 64.11, 18.65, 51.52

 

CMYK 0 / 26 / 58 / 25

HEX #BE8C50

RGB 190 140 80

HSL 32.73, 0.46%, 0.53%

LAB 61.9, 12.29, 39.1

 

CMYK 0 / 19 / 41 / 33

HEX #AA8A64

RGB 170 138 100

HSL 32.57, 0.29%, 0.53%

LAB 59.56, 6.85, 24.92

 

CMYK 0 / 10 / 21 / 41

HEX #978877

RGB 151 136 119

HSL 31.88, 0.13%, 0.53%

LAB 57.58, 2.77, 11.18

 

CMYK 0 / 82 / 82 / 10

HEX #E52A2A

RGB 229 42 42

HSL 0, 0.78%, 0.53%

LAB 50.07, 68.59, 47.5

 

CMYK 0 / 60 / 82 / 10

HEX #E55C2A

RGB 229 92 42

HSL 16.04, 0.78%, 0.53%

LAB 56.56, 50.84, 53.55

 

CMYK 0 / 38 / 82 / 10

HEX #E58D2A

RGB 229 141 42

HSL 31.76, 0.78%, 0.53%

LAB 66.42, 26.33, 62.42

 

CMYK 0 / 17 / 82 / 10

HEX #E5BF2A

RGB 229 191 42

HSL 47.81, 0.78%, 0.53%

LAB 78.51, -0.12, 72.95

 

CMYK 6 / 0 / 82 / 10

HEX #D8E52A

RGB 216 229 42

HSL 64.17, 0.78%, 0.53%

LAB 87.39, -24.6, 80.12

 

CMYK 0 / 40 / 87 / 35

HEX #A76415

RGB 167 100 21

HSL 32.47, 0.78%, 0.37%

LAB 48.74, 21.43, 51.37

 

CMYK 0 / 40 / 88 / 20

HEX #CC7A19

RGB 204 122 25

HSL 32.51, 0.78%, 0.45%

LAB 58.81, 25.5, 60.31

 

CMYK 0 / 38 / 82 / 10

HEX #E58F2A

RGB 229 143 42

HSL 32.41, 0.78%, 0.53%

LAB 66.88, 25.27, 62.82

 

CMYK 0 / 30 / 67 / 9

HEX #E9A24E

RGB 233 162 78

HSL 32.52, 0.78%, 0.61%

LAB 72.04, 18.42, 53

 

CMYK 0 / 24 / 52 / 7

HEX #EEB573

RGB 238 181 115

HSL 32.2, 0.78%, 0.69%

LAB 77.56, 13.09, 41.42

 

CMYK 0 / 38 / 82 / 10

HEX #E58F2A

RGB 229 143 42

HSL 32.41, 0.78%, 0.53%

LAB 66.88, 25.27, 62.82

 

CMYK 60 / 0 / 82 / 10

HEX #5CE52A

RGB 92 229 42

HSL 103.96, 0.78%, 0.53%

LAB 81.01, -67.24, 72.04

 

CMYK 71 / 82 / 0 / 10

HEX #432AE5

RGB 67 42 229

HSL 248.02, 0.78%, 0.53%

LAB 35.02, 63.39, -88.56

 

CMYK 0 / 38 / 82 / 10

HEX #E58F2A

RGB 229 143 42

HSL 32.41, 0.78%, 0.53%

LAB 66.88, 25.27, 62.82

 

CMYK 82 / 0 / 38 / 10

HEX #2AE58D

RGB 42 229 141

HSL 151.76, 0.78%, 0.53%

LAB 80.99, -63.89, 30.61

 

CMYK 38 / 82 / 0 / 10

HEX #8D2AE5

RGB 141 42 229

HSL 271.76, 0.78%, 0.53%

LAB 42.73, 71.26, -75.58

 

CMYK 0 / 38 / 82 / 10

HEX #E58F2A

RGB 229 143 42

HSL 32.41, 0.78%, 0.53%

LAB 66.88, 25.27, 62.82

 

CMYK 60 / 0 / 82 / 10

HEX #5CE52A

RGB 92 229 42

HSL 103.96, 0.78%, 0.53%

LAB 81.01, -67.24, 72.04

 

CMYK 82 / 44 / 0 / 10

HEX #2A81E5

RGB 42 129 229

HSL 212.09, 0.78%, 0.53%

LAB 53.87, 10.19, -57.83

 

CMYK 22 / 82 / 0 / 10

HEX #B32AE5

RGB 179 42 229

HSL 283.96, 0.78%, 0.53%

LAB 48.13, 76.98, -66.55

 

CMYK 0 / 38 / 82 / 10

HEX #E58F2A

RGB 229 143 42

HSL 32.41, 0.78%, 0.53%

LAB 66.88, 25.27, 62.82

 

CMYK 82 / 0 / 79 / 10

HEX #2AE530

RGB 42 229 48

HSL 121.93, 0.78%, 0.53%

LAB 80.04, -75.39, 69.18

 

CMYK 82 / 44 / 0 / 10

HEX #2A81E5

RGB 42 129 229

HSL 212.09, 0.78%, 0.53%

LAB 53.87, 10.19, -57.83

 

CMYK 0 / 82 / 3 / 10

HEX #E52ADE

RGB 229 42 222

HSL 302.25, 0.78%, 0.53%

LAB 55.67, 84.55, -50.04

 

Description

Color code: HEX #E58F2ACE | qconv.com Color code: HEX #E58F2ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 143 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 143 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 66 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 66% 8% C M Y K

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Provide designers and agencies with accurate color values.

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