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Color name
HEX #E58F20

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E58F20 it is the complementary color #1A70DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E58F20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E58F20 shade: #EA8F1B, #FBA12E, #FFB341, #FFC554 and #FFD767

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E58F20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E58F20 shade: #E58F20, #D47D0D, #C36B00, #B25900 and #A14700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E58F20 shade: #E58F1F, #E5591F, #E5241F and #E51F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E58F20 shade: #E58F1F, #E5C41F, #D0E51F, #9BE51F and #66E51F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E58F20 shade matches the following richer shades: #E58F1F and #F9910B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E58F20 shade: #E58F1F, #D18C34, #BC8948, #A8875C and #948470

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E58F20 shade: #E5231F, #E5571F, #E58C1F, #E5C11F and #D4E51F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E58F20 shade: #9F6213, #C47817, #E58F1F, #E9A144 and #EDB469

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E58F20 shade: #E58F20, #51E51F and #3D1FE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E58F20 shade: #E58F20, #1FE58C and #8C1FE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E58F20 shade: #E58F20, #51E51F, #1F78E5 and #B31FE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E58F20 shade: #E58F20, #1FE529, #1F78E5 and #E51FDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 86 / 10

HEX #E58F20

RGB 229 143 32

HSL 33.81, 0.79%, 0.51%

LAB 66.83, 25.01, 66.04

 

Complementary color

CMYK 88 / 50 / 0 / 13

HEX #1A70DF

RGB 26 112 223

HSL 213.81, 0.79%, 0.49%

LAB 48.43, 17.38, -63.23

 

CMYK 0 / 39 / 88 / 8

HEX #EA8F1B

RGB 234 143 27

HSL 33.62, 0.83%, 0.51%

LAB 67.44, 27, 68.16

 

CMYK 0 / 36 / 82 / 2

HEX #FBA12E

RGB 251 161 46

HSL 33.66, 0.96%, 0.58%

LAB 73.67, 25.08, 68.44

 

CMYK 0 / 30 / 75 / 0

HEX #FFB341

RGB 255 179 65

HSL 36, 1%, 0.63%

LAB 78.39, 18, 65.99

 

CMYK 0 / 23 / 67 / 0

HEX #FFC554

RGB 255 197 84

HSL 39.65, 1%, 0.66%

LAB 82.82, 9.54, 62.67

 

CMYK 0 / 16 / 60 / 0

HEX #FFD767

RGB 255 215 103

HSL 44.21, 1%, 0.7%

LAB 87.41, 1.45, 59.31

 

CMYK 0 / 38 / 86 / 10

HEX #E58F20

RGB 229 143 32

HSL 33.81, 0.79%, 0.51%

LAB 66.83, 25.01, 66.04

 

CMYK 0 / 41 / 94 / 17

HEX #D47D0D

RGB 212 125 13

HSL 33.77, 0.88%, 0.44%

LAB 60.51, 27.08, 64.89

 

CMYK 0 / 45 / 100 / 24

HEX #C36B00

RGB 195 107 0

HSL 32.92, 1%, 0.38%

LAB 54.15, 29.38, 61.88

 

CMYK 0 / 50 / 100 / 30

HEX #B25900

RGB 178 89 0

HSL 30, 1%, 0.35%

LAB 47.76, 31.83, 56.73

 

CMYK 0 / 56 / 100 / 37

HEX #A14700

RGB 161 71 0

HSL 26.46, 1%, 0.32%

LAB 41.35, 34.25, 51.59

 

CMYK 0 / 38 / 86 / 10

HEX #E58F1F

RGB 229 143 31

HSL 33.94, 0.79%, 0.51%

LAB 66.83, 24.98, 66.32

 

CMYK 0 / 61 / 86 / 10

HEX #E5591F

RGB 229 89 31

HSL 17.58, 0.79%, 0.51%

LAB 55.99, 51.91, 57.6

 

CMYK 0 / 84 / 86 / 10

HEX #E5241F

RGB 229 36 31

HSL 1.52, 0.79%, 0.51%

LAB 49.52, 69.69, 52.39

 

CMYK 0 / 86 / 86 / 10

HEX #E51F1F

RGB 229 31 31

HSL 0, 0.79%, 0.51%

LAB 49.18, 70.67, 52.11

 

CMYK 0 / 38 / 86 / 10

HEX #E58F1F

RGB 229 143 31

HSL 33.94, 0.79%, 0.51%

LAB 66.83, 24.98, 66.32

 

CMYK 0 / 14 / 86 / 10

HEX #E5C41F

RGB 229 196 31

HSL 50, 0.79%, 0.51%

LAB 79.75, -2.98, 76.71

 

CMYK 9 / 0 / 86 / 10

HEX #D0E51F

RGB 208 229 31

HSL 66.36, 0.79%, 0.51%

LAB 86.77, -28.17, 81.68

 

CMYK 32 / 0 / 86 / 10

HEX #9BE51F

RGB 155 229 31

HSL 82.42, 0.79%, 0.51%

LAB 83.5, -48.69, 77.63

 

CMYK 55 / 0 / 86 / 10

HEX #66E51F

RGB 102 229 31

HSL 98.48, 0.79%, 0.51%

LAB 81.27, -65.22, 74.85

 

CMYK 0 / 38 / 86 / 10

HEX #E58F1F

RGB 229 143 31

HSL 33.94, 0.79%, 0.51%

LAB 66.83, 24.98, 66.32

 

CMYK 0 / 42 / 96 / 2

HEX #F9910B

RGB 249 145 11

HSL 33.78, 0.95%, 0.51%

LAB 69.76, 31.93, 73.84

 

CMYK 0 / 38 / 86 / 10

HEX #E58F1F

RGB 229 143 31

HSL 33.94, 0.79%, 0.51%

LAB 66.83, 24.98, 66.32

 

CMYK 0 / 33 / 75 / 18

HEX #D18C34

RGB 209 140 52

HSL 33.63, 0.63%, 0.51%

LAB 63.8, 18.76, 55.17

 

CMYK 0 / 27 / 62 / 26

HEX #BC8948

RGB 188 137 72

HSL 33.62, 0.46%, 0.51%

LAB 60.83, 12.49, 41.89

 

CMYK 0 / 20 / 45 / 34

HEX #A8875C

RGB 168 135 92

HSL 33.95, 0.3%, 0.51%

LAB 58.44, 6.79, 27.84

 

CMYK 0 / 11 / 24 / 42

HEX #948470

RGB 148 132 112

HSL 33.33, 0.14%, 0.51%

LAB 56.06, 2.74, 13.02

 

CMYK 0 / 85 / 86 / 10

HEX #E5231F

RGB 229 35 31

HSL 1.21, 0.79%, 0.51%

LAB 49.45, 69.9, 52.33

 

CMYK 0 / 62 / 86 / 10

HEX #E5571F

RGB 229 87 31

HSL 16.97, 0.79%, 0.51%

LAB 55.66, 52.79, 57.34

 

CMYK 0 / 39 / 86 / 10

HEX #E58C1F

RGB 229 140 31

HSL 33.03, 0.79%, 0.51%

LAB 66.15, 26.57, 65.78

 

CMYK 0 / 16 / 86 / 10

HEX #E5C11F

RGB 229 193 31

HSL 49.09, 0.79%, 0.51%

LAB 78.98, -1.44, 76.09

 

CMYK 7 / 0 / 86 / 10

HEX #D4E51F

RGB 212 229 31

HSL 65.15, 0.79%, 0.51%

LAB 87.06, -26.53, 82.04

 

CMYK 0 / 38 / 88 / 38

HEX #9F6213

RGB 159 98 19

HSL 33.86, 0.79%, 0.35%

LAB 47.17, 18.93, 50.29

 

CMYK 0 / 39 / 88 / 23

HEX #C47817

RGB 196 120 23

HSL 33.64, 0.79%, 0.43%

LAB 57.3, 23.1, 59.24

 

CMYK 0 / 38 / 86 / 10

HEX #E58F1F

RGB 229 143 31

HSL 33.94, 0.79%, 0.51%

LAB 66.83, 24.98, 66.32

 

CMYK 0 / 31 / 71 / 9

HEX #E9A144

RGB 233 161 68

HSL 33.82, 0.79%, 0.59%

LAB 71.71, 18.42, 57.2

 

CMYK 0 / 24 / 56 / 7

HEX #EDB469

RGB 237 180 105

HSL 34.09, 0.79%, 0.67%

LAB 77.08, 12.38, 45.85

 

CMYK 0 / 38 / 86 / 10

HEX #E58F20

RGB 229 143 32

HSL 33.81, 0.79%, 0.51%

LAB 66.83, 25.01, 66.04

 

CMYK 65 / 0 / 86 / 10

HEX #51E51F

RGB 81 229 31

HSL 104.85, 0.79%, 0.51%

LAB 80.68, -70.11, 74.1

 

CMYK 73 / 86 / 0 / 10

HEX #3D1FE5

RGB 61 31 229

HSL 249.09, 0.79%, 0.51%

LAB 33.2, 67.18, -91.59

 

CMYK 0 / 38 / 86 / 10

HEX #E58F20

RGB 229 143 32

HSL 33.81, 0.79%, 0.51%

LAB 66.83, 25.01, 66.04

 

CMYK 86 / 0 / 39 / 10

HEX #1FE58C

RGB 31 229 140

HSL 153.03, 0.79%, 0.51%

LAB 80.86, -64.97, 30.93

 

CMYK 39 / 86 / 0 / 10

HEX #8C1FE5

RGB 140 31 229

HSL 273.03, 0.79%, 0.51%

LAB 41.55, 74.19, -77.52

 

CMYK 0 / 38 / 86 / 10

HEX #E58F20

RGB 229 143 32

HSL 33.81, 0.79%, 0.51%

LAB 66.83, 25.01, 66.04

 

CMYK 65 / 0 / 86 / 10

HEX #51E51F

RGB 81 229 31

HSL 104.85, 0.79%, 0.51%

LAB 80.68, -70.11, 74.1

 

CMYK 86 / 48 / 0 / 10

HEX #1F78E5

RGB 31 120 229

HSL 213.03, 0.79%, 0.51%

LAB 51.13, 14.94, -62.24

 

CMYK 22 / 86 / 0 / 10

HEX #B31FE5

RGB 179 31 229

HSL 284.85, 0.79%, 0.51%

LAB 47.26, 79.53, -67.95

 

CMYK 0 / 38 / 86 / 10

HEX #E58F20

RGB 229 143 32

HSL 33.81, 0.79%, 0.51%

LAB 66.83, 25.01, 66.04

 

CMYK 86 / 0 / 82 / 10

HEX #1FE529

RGB 31 229 41

HSL 123.03, 0.79%, 0.51%

LAB 79.89, -76.78, 70.86

 

CMYK 86 / 48 / 0 / 10

HEX #1F78E5

RGB 31 120 229

HSL 213.03, 0.79%, 0.51%

LAB 51.13, 14.94, -62.24

 

CMYK 0 / 86 / 4 / 10

HEX #E51FDB

RGB 229 31 219

HSL 303.03, 0.79%, 0.51%

LAB 54.82, 86.15, -49.7

 

Description

Color code: HEX #E58F20 | qconv.com Color code: HEX #E58F20 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 143 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 143 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 86 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 86% 10% C M Y K

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Provide designers and agencies with accurate color values.

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