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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E58CD1 it is the complementary color #1A732E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E58CD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E58CD1 shade: #EA8CCC, #FB9EDF, #FFB0F2, #FFC2FF and #FFD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E58CD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E58CD1 shade: #E58CD1, #D47ABE, #C368AB, #B25698 and #A14485

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E58CD1 shade: #E58BD0, #E58BB8, #E58BA0 and #E58B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E58CD1 shade: #E58BD0, #E18BE5, #C88BE5, #B08BE5 and #988BE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E58CD1 shade matches the following richer shades: #E58BD0, #F07FD7 and #FC74DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E58CD1 shade: #E58BD0, #D996CA, #CDA2C4, #C2ADBD and #B6B9B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E58CD1 shade: #C88BE5, #E08BE5, #E58BD1, #E58BB9 and #E58BA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E58CD1 shade: #D547B5, #DD69C3, #E58BD0, #ECACDE and #F4CEEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E58CD1 shade: #E58CD1, #E5B08B and #8BE5D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E58CD1 shade: #E58CD1, #D1E58B and #8BD1E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E58CD1 shade: #E58CD1, #E5B08B, #8BE59E and #8BBFE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E58CD1 shade: #E58CD1, #E5CB8B, #8BE59E and #8BA4E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 9 / 10

HEX #E58CD1

RGB 229 140 209

HSL 313.48, 0.63%, 0.72%

LAB 69.48, 43.6, -21.23

 

Complementary color

CMYK 77 / 0 / 60 / 55

HEX #1A732E

RGB 26 115 46

HSL 133.48, 0.63%, 0.28%

LAB 42.27, -41.1, 30.51

 

CMYK 0 / 40 / 13 / 8

HEX #EA8CCC

RGB 234 140 204

HSL 319.15, 0.69%, 0.73%

LAB 69.9, 44.39, -17.76

 

CMYK 0 / 37 / 11 / 2

HEX #FB9EDF

RGB 251 158 223

HSL 318.06, 0.92%, 0.8%

LAB 76.25, 43.64, -18.42

 

CMYK 0 / 31 / 5 / 0

HEX #FFB0F2

RGB 255 176 242

HSL 309.87, 1%, 0.85%

LAB 81.14, 38.76, -21.26

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 0 / 39 / 9 / 10

HEX #E58CD1

RGB 229 140 209

HSL 313.48, 0.63%, 0.72%

LAB 69.48, 43.6, -21.23

 

CMYK 0 / 42 / 10 / 17

HEX #D47ABE

RGB 212 122 190

HSL 314.67, 0.51%, 0.65%

LAB 63.04, 44.35, -20.59

 

CMYK 0 / 47 / 12 / 24

HEX #C368AB

RGB 195 104 171

HSL 315.82, 0.43%, 0.59%

LAB 56.53, 45.1, -19.86

 

CMYK 0 / 52 / 15 / 30

HEX #B25698

RGB 178 86 152

HSL 316.96, 0.37%, 0.52%

LAB 49.96, 45.8, -18.98

 

CMYK 0 / 58 / 17 / 37

HEX #A14485

RGB 161 68 133

HSL 318.06, 0.41%, 0.45%

LAB 43.37, 46.37, -17.9

 

CMYK 0 / 39 / 9 / 10

HEX #E58BD0

RGB 229 139 208

HSL 314, 0.63%, 0.72%

LAB 69.24, 43.95, -21.04

 

CMYK 0 / 39 / 20 / 10

HEX #E58BB8

RGB 229 139 184

HSL 330, 0.63%, 0.72%

LAB 68.45, 40.15, -8.85

 

CMYK 0 / 39 / 30 / 10

HEX #E58BA0

RGB 229 139 160

HSL 346, 0.63%, 0.72%

LAB 67.77, 36.79, 3.62

 

CMYK 0 / 39 / 39 / 10

HEX #E58B8B

RGB 229 139 139

HSL 0, 0.63%, 0.72%

LAB 67.27, 34.24, 14.69

 

CMYK 0 / 39 / 9 / 10

HEX #E58BD0

RGB 229 139 208

HSL 314, 0.63%, 0.72%

LAB 69.24, 43.95, -21.04

 

CMYK 2 / 39 / 0 / 10

HEX #E18BE5

RGB 225 139 229

HSL 297.33, 0.63%, 0.72%

LAB 69.56, 46.4, -32.2

 

CMYK 13 / 39 / 0 / 10

HEX #C88BE5

RGB 200 139 229

HSL 280.67, 0.63%, 0.72%

LAB 66.83, 38.93, -36.66

 

CMYK 23 / 39 / 0 / 10

HEX #B08BE5

RGB 176 139 229

HSL 264.67, 0.63%, 0.72%

LAB 64.45, 31.9, -40.55

 

CMYK 34 / 39 / 0 / 10

HEX #988BE5

RGB 152 139 229

HSL 248.67, 0.63%, 0.72%

LAB 62.34, 25.19, -44.01

 

CMYK 0 / 39 / 9 / 10

HEX #E58BD0

RGB 229 139 208

HSL 314, 0.63%, 0.72%

LAB 69.24, 43.95, -21.04

 

CMYK 0 / 47 / 10 / 6

HEX #F07FD7

RGB 240 127 215

HSL 313.27, 0.79%, 0.72%

LAB 68.47, 54.56, -25.99

 

CMYK 0 / 54 / 12 / 1

HEX #FC74DD

RGB 252 116 221

HSL 313.68, 0.96%, 0.72%

LAB 68.32, 64.14, -29.42

 

CMYK 0 / 39 / 9 / 10

HEX #E58BD0

RGB 229 139 208

HSL 314, 0.63%, 0.72%

LAB 69.24, 43.95, -21.04

 

CMYK 0 / 31 / 7 / 15

HEX #D996CA

RGB 217 150 202

HSL 313.43, 0.47%, 0.72%

LAB 70.06, 33.19, -16.6

 

CMYK 0 / 21 / 4 / 20

HEX #CDA2C4

RGB 205 162 196

HSL 312.56, 0.3%, 0.72%

LAB 71.42, 21.52, -11.35

 

CMYK 0 / 11 / 3 / 24

HEX #C2ADBD

RGB 194 173 189

HSL 314.29, 0.15%, 0.72%

LAB 72.91, 10.39, -5.39

 

CMYK 2 / 0 / 1 / 27

HEX #B6B9B7

RGB 182 185 183

HSL 140, 0.02%, 0.72%

LAB 74.86, -1.42, 0.64

 

CMYK 13 / 39 / 0 / 10

HEX #C88BE5

RGB 200 139 229

HSL 280.67, 0.63%, 0.72%

LAB 66.83, 38.93, -36.66

 

CMYK 2 / 39 / 0 / 10

HEX #E08BE5

RGB 224 139 229

HSL 296.67, 0.63%, 0.72%

LAB 69.45, 46.1, -32.39

 

CMYK 0 / 39 / 9 / 10

HEX #E58BD1

RGB 229 139 209

HSL 313.33, 0.63%, 0.72%

LAB 69.27, 44.12, -21.54

 

CMYK 0 / 39 / 19 / 10

HEX #E58BB9

RGB 229 139 185

HSL 329.33, 0.63%, 0.72%

LAB 68.48, 40.3, -9.37

 

CMYK 0 / 39 / 30 / 10

HEX #E58BA1

RGB 229 139 161

HSL 345.33, 0.63%, 0.72%

LAB 67.8, 36.92, 3.09

 

CMYK 0 / 67 / 15 / 16

HEX #D547B5

RGB 213 71 181

HSL 313.52, 0.63%, 0.56%

LAB 54.02, 66.66, -29.31

 

CMYK 0 / 52 / 12 / 13

HEX #DD69C3

RGB 221 105 195

HSL 313.45, 0.63%, 0.64%

LAB 61.15, 56.36, -26.22

 

CMYK 0 / 39 / 9 / 10

HEX #E58BD0

RGB 229 139 208

HSL 314, 0.63%, 0.72%

LAB 69.24, 43.95, -21.04

 

CMYK 0 / 27 / 6 / 7

HEX #ECACDE

RGB 236 172 222

HSL 313.13, 0.63%, 0.8%

LAB 77.65, 31.22, -15.93

 

CMYK 0 / 16 / 4 / 4

HEX #F4CEEB

RGB 244 206 235

HSL 314.21, 0.63%, 0.88%

LAB 86.69, 18.13, -9.29

 

CMYK 0 / 39 / 9 / 10

HEX #E58CD1

RGB 229 140 209

HSL 313.48, 0.63%, 0.72%

LAB 69.48, 43.6, -21.23

 

CMYK 0 / 23 / 39 / 10

HEX #E5B08B

RGB 229 176 139

HSL 24.67, 0.63%, 0.72%

LAB 75.81, 14.53, 26.39

 

CMYK 39 / 0 / 7 / 10

HEX #8BE5D4

RGB 139 229 212

HSL 168.67, 0.63%, 0.72%

LAB 85.14, -30.84, -0.2

 

CMYK 0 / 39 / 9 / 10

HEX #E58CD1

RGB 229 140 209

HSL 313.48, 0.63%, 0.72%

LAB 69.48, 43.6, -21.23

 

CMYK 9 / 0 / 39 / 10

HEX #D1E58B

RGB 209 229 139

HSL 73.33, 0.63%, 0.72%

LAB 87.71, -20.55, 41.66

 

CMYK 39 / 9 / 0 / 10

HEX #8BD1E5

RGB 139 209 229

HSL 193.33, 0.63%, 0.72%

LAB 80.04, -16.92, -16.8

 

CMYK 0 / 39 / 9 / 10

HEX #E58CD1

RGB 229 140 209

HSL 313.48, 0.63%, 0.72%

LAB 69.48, 43.6, -21.23

 

CMYK 0 / 23 / 39 / 10

HEX #E5B08B

RGB 229 176 139

HSL 24.67, 0.63%, 0.72%

LAB 75.81, 14.53, 26.39

 

CMYK 39 / 0 / 31 / 10

HEX #8BE59E

RGB 139 229 158

HSL 132.67, 0.63%, 0.72%

LAB 83.96, -41.65, 26.37

 

CMYK 39 / 17 / 0 / 10

HEX #8BBFE5

RGB 139 191 229

HSL 205.33, 0.63%, 0.72%

LAB 75.08, -7.51, -24.32

 

CMYK 0 / 39 / 9 / 10

HEX #E58CD1

RGB 229 140 209

HSL 313.48, 0.63%, 0.72%

LAB 69.48, 43.6, -21.23

 

CMYK 0 / 11 / 39 / 10

HEX #E5CB8B

RGB 229 203 139

HSL 42.67, 0.63%, 0.72%

LAB 82.5, 0.31, 35.26

 

CMYK 39 / 0 / 31 / 10

HEX #8BE59E

RGB 139 229 158

HSL 132.67, 0.63%, 0.72%

LAB 83.96, -41.65, 26.37

 

CMYK 39 / 28 / 0 / 10

HEX #8BA4E5

RGB 139 164 229

HSL 223.33, 0.63%, 0.72%

LAB 67.8, 7.36, -35.54

 

Description

Color code: HEX #E58CD1 | qconv.com Color code: HEX #E58CD1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 140 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 140 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 9 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 9% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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