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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E58C25 it is the complementary color #1A73DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E58C25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E58C25 shade: #EA8C20, #FB9E33, #FFB046, #FFC259 and #FFD46C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E58C25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E58C25 shade: #E58C25, #D47A12, #C36800, #B25600 and #A14400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E58C25 shade: #E58C24, #E55824 and #E52424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E58C25 shade: #E58C24, #E5C024, #D7E524, #A2E524 and #6EE524

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E58C25 shade matches the following richer shades: #E58C24 and #F98D10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E58C25 shade: #E58C24, #D18A38, #BE894C, #AA875F and #968673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E58C25 shade: #E52424, #E55724, #E58B24, #E5BF24 and #D8E524

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E58C25 shade: #A46113, #C87618, #E58C24, #EA9F49 and #EEB36E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E58C25 shade: #E58C25, #57E524 and #3E24E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E58C25 shade: #E58C25, #24E58B and #8B24E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E58C25 shade: #E58C25, #57E524, #247EE5 and #B224E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E58C25 shade: #E58C25, #24E52A, #247EE5 and #E524DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 84 / 10

HEX #E58C25

RGB 229 140 37

HSL 32.19, 0.79%, 0.52%

LAB 66.17, 26.72, 63.93

 

Complementary color

CMYK 88 / 47 / 0 / 15

HEX #1A73DA

RGB 26 115 218

HSL 212.19, 0.79%, 0.48%

LAB 48.94, 13.53, -59.58

 

CMYK 0 / 40 / 86 / 8

HEX #EA8C20

RGB 234 140 32

HSL 32.08, 0.83%, 0.52%

LAB 66.79, 28.68, 66.27

 

CMYK 0 / 37 / 80 / 2

HEX #FB9E33

RGB 251 158 51

HSL 32.1, 0.96%, 0.59%

LAB 73.02, 26.8, 66.1

 

CMYK 0 / 31 / 73 / 0

HEX #FFB046

RGB 255 176 70

HSL 34.38, 1%, 0.64%

LAB 77.73, 19.78, 63.31

 

CMYK 0 / 24 / 65 / 0

HEX #FFC259

RGB 255 194 89

HSL 37.95, 1%, 0.67%

LAB 82.14, 11.38, 59.74

 

CMYK 0 / 17 / 58 / 0

HEX #FFD46C

RGB 255 212 108

HSL 42.45, 1%, 0.71%

LAB 86.72, 3.33, 56.23

 

CMYK 0 / 39 / 84 / 10

HEX #E58C25

RGB 229 140 37

HSL 32.19, 0.79%, 0.52%

LAB 66.17, 26.72, 63.93

 

CMYK 0 / 42 / 92 / 17

HEX #D47A12

RGB 212 122 18

HSL 32.16, 0.84%, 0.45%

LAB 59.85, 28.75, 63.39

 

CMYK 0 / 47 / 100 / 24

HEX #C36800

RGB 195 104 0

HSL 32, 1%, 0.38%

LAB 53.5, 30.97, 61.47

 

CMYK 0 / 52 / 100 / 30

HEX #B25600

RGB 178 86 0

HSL 28.99, 1%, 0.35%

LAB 47.13, 33.41, 56.36

 

CMYK 0 / 58 / 100 / 37

HEX #A14400

RGB 161 68 0

HSL 25.34, 1%, 0.32%

LAB 40.75, 35.78, 51.26

 

CMYK 0 / 39 / 84 / 10

HEX #E58C24

RGB 229 140 36

HSL 32.33, 0.79%, 0.52%

LAB 66.17, 26.69, 64.25

 

CMYK 0 / 62 / 84 / 10

HEX #E55824

RGB 229 88 36

HSL 16.17, 0.79%, 0.52%

LAB 55.85, 52.46, 55.5

 

CMYK 0 / 84 / 84 / 10

HEX #E52424

RGB 229 36 36

HSL 0, 0.79%, 0.52%

LAB 49.55, 69.79, 50.05

 

CMYK 0 / 39 / 84 / 10

HEX #E58C24

RGB 229 140 36

HSL 32.33, 0.79%, 0.52%

LAB 66.17, 26.69, 64.25

 

CMYK 0 / 16 / 84 / 10

HEX #E5C024

RGB 229 192 36

HSL 48.5, 0.79%, 0.52%

LAB 78.74, -0.8, 74.73

 

CMYK 6 / 0 / 84 / 10

HEX #D7E524

RGB 215 229 36

HSL 64.35, 0.79%, 0.52%

LAB 87.3, -25.18, 81.34

 

CMYK 29 / 0 / 84 / 10

HEX #A2E524

RGB 162 229 36

HSL 80.83, 0.79%, 0.52%

LAB 83.89, -46, 77.1

 

CMYK 52 / 0 / 84 / 10

HEX #6EE524

RGB 110 229 36

HSL 96.99, 0.79%, 0.52%

LAB 81.56, -62.91, 74.16

 

CMYK 0 / 39 / 84 / 10

HEX #E58C24

RGB 229 140 36

HSL 32.33, 0.79%, 0.52%

LAB 66.17, 26.69, 64.25

 

CMYK 0 / 43 / 94 / 2

HEX #F98D10

RGB 249 141 16

HSL 32.19, 0.95%, 0.52%

LAB 68.92, 34.04, 72.49

 

CMYK 0 / 39 / 84 / 10

HEX #E58C24

RGB 229 140 36

HSL 32.33, 0.79%, 0.52%

LAB 66.17, 26.69, 64.25

 

CMYK 0 / 34 / 73 / 18

HEX #D18A38

RGB 209 138 56

HSL 32.16, 0.62%, 0.52%

LAB 63.36, 20.03, 52.99

 

CMYK 0 / 28 / 60 / 25

HEX #BE894C

RGB 190 137 76

HSL 32.11, 0.47%, 0.52%

LAB 61.1, 13.64, 40.22

 

CMYK 0 / 21 / 44 / 33

HEX #AA875F

RGB 170 135 95

HSL 32, 0.31%, 0.52%

LAB 58.7, 7.96, 26.56

 

CMYK 0 / 11 / 23 / 41

HEX #968673

RGB 150 134 115

HSL 32.57, 0.14%, 0.52%

LAB 56.85, 2.87, 12.44

 

CMYK 0 / 84 / 84 / 10

HEX #E52424

RGB 229 36 36

HSL 0, 0.79%, 0.52%

LAB 49.55, 69.79, 50.05

 

CMYK 0 / 62 / 84 / 10

HEX #E55724

RGB 229 87 36

HSL 15.85, 0.79%, 0.52%

LAB 55.69, 52.9, 55.36

 

CMYK 0 / 39 / 84 / 10

HEX #E58B24

RGB 229 139 36

HSL 32.02, 0.79%, 0.52%

LAB 65.94, 27.22, 64.06

 

CMYK 0 / 17 / 84 / 10

HEX #E5BF24

RGB 229 191 36

HSL 48.19, 0.79%, 0.52%

LAB 78.49, -0.28, 74.52

 

CMYK 6 / 0 / 84 / 10

HEX #D8E524

RGB 216 229 36

HSL 64.04, 0.79%, 0.52%

LAB 87.37, -24.76, 81.43

 

CMYK 0 / 41 / 88 / 36

HEX #A46113

RGB 164 97 19

HSL 32.28, 0.79%, 0.36%

LAB 47.61, 21.73, 50.92

 

CMYK 0 / 41 / 88 / 22

HEX #C87618

RGB 200 118 24

HSL 32.05, 0.79%, 0.44%

LAB 57.37, 25.93, 59.23

 

CMYK 0 / 39 / 84 / 10

HEX #E58C24

RGB 229 140 36

HSL 32.33, 0.79%, 0.52%

LAB 66.17, 26.69, 64.25

 

CMYK 0 / 32 / 69 / 8

HEX #EA9F49

RGB 234 159 73

HSL 32.05, 0.79%, 0.6%

LAB 71.4, 20.16, 54.66

 

CMYK 0 / 25 / 54 / 7

HEX #EEB36E

RGB 238 179 110

HSL 32.34, 0.79%, 0.68%

LAB 77.01, 13.72, 43.27

 

CMYK 0 / 39 / 84 / 10

HEX #E58C25

RGB 229 140 37

HSL 32.19, 0.79%, 0.52%

LAB 66.17, 26.72, 63.93

 

CMYK 62 / 0 / 84 / 10

HEX #57E524

RGB 87 229 36

HSL 104.15, 0.79%, 0.52%

LAB 80.85, -68.63, 73.26

 

CMYK 73 / 84 / 0 / 10

HEX #3E24E5

RGB 62 36 229

HSL 248.08, 0.79%, 0.52%

LAB 33.86, 65.45, -90.48

 

CMYK 0 / 39 / 84 / 10

HEX #E58C25

RGB 229 140 37

HSL 32.19, 0.79%, 0.52%

LAB 66.17, 26.72, 63.93

 

CMYK 84 / 0 / 39 / 10

HEX #24E58B

RGB 36 229 139

HSL 152.02, 0.79%, 0.52%

LAB 80.89, -64.78, 31.48

 

CMYK 39 / 84 / 0 / 10

HEX #8B24E5

RGB 139 36 229

HSL 272.02, 0.79%, 0.52%

LAB 41.86, 72.76, -77.02

 

CMYK 0 / 39 / 84 / 10

HEX #E58C25

RGB 229 140 37

HSL 32.19, 0.79%, 0.52%

LAB 66.17, 26.72, 63.93

 

CMYK 62 / 0 / 84 / 10

HEX #57E524

RGB 87 229 36

HSL 104.15, 0.79%, 0.52%

LAB 80.85, -68.63, 73.26

 

CMYK 84 / 45 / 0 / 10

HEX #247EE5

RGB 36 126 229

HSL 212.02, 0.79%, 0.52%

LAB 52.9, 11.55, -59.39

 

CMYK 22 / 84 / 0 / 10

HEX #B224E5

RGB 178 36 229

HSL 284.15, 0.79%, 0.52%

LAB 47.47, 78.3, -67.62

 

CMYK 0 / 39 / 84 / 10

HEX #E58C25

RGB 229 140 37

HSL 32.19, 0.79%, 0.52%

LAB 66.17, 26.72, 63.93

 

CMYK 84 / 0 / 82 / 10

HEX #24E52A

RGB 36 229 42

HSL 121.87, 0.79%, 0.52%

LAB 79.94, -76.31, 70.68

 

CMYK 84 / 45 / 0 / 10

HEX #247EE5

RGB 36 126 229

HSL 212.02, 0.79%, 0.52%

LAB 52.9, 11.55, -59.39

 

CMYK 0 / 84 / 3 / 10

HEX #E524DF

RGB 229 36 223

HSL 301.87, 0.79%, 0.52%

LAB 55.33, 85.87, -51.15

 

Description

Color code: HEX #E58C25 | qconv.com Color code: HEX #E58C25 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 140 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 140 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 84 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 84% 10% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Hjem - GreyBird
Link: http://www.greybird.dk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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