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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E582CF it is the complementary color #1A7D30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E582CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E582CF shade: #EA82CA, #FB94DD, #FFA6F0, #FFB8FF and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E582CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E582CF shade: #E582CF, #D470BC, #C35EA9, #B24C96 and #A13A83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E582CF shade: #E580CF, #E580B3, #E58098 and #E58080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E582CF shade: #E580CF, #E080E5, #C580E5, #AA80E5 and #8F80E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E582CF shade matches the following richer shades: #E580CF, #F174D5 and #FE67DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E582CF shade: #E580CF, #D98CC8, #CC99C1, #C0A5BA and #B3B2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E582CF shade: #C580E5, #E080E5, #E580CF, #E580B4 and #E58099

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E582CF shade: #D73CB4, #DE5EC1, #E580CF, #ECA2DC and #F3C4E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E582CF shade: #E582CF, #E5AA80 and #80E5D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E582CF shade: #E582CF, #CFE580 and #80CFE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E582CF shade: #E582CF, #E5AA80, #80E596 and #80BBE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E582CF shade: #E582CF, #E5C880, #80E596 and #809DE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 10 / 10

HEX #E582CF

RGB 229 130 207

HSL 313.33, 0.66%, 0.7%

LAB 67.37, 48.41, -23.33

 

Complementary color

CMYK 79 / 0 / 62 / 51

HEX #1A7D30

RGB 26 125 48

HSL 133.33, 0.66%, 0.3%

LAB 45.77, -44.49, 33.6

 

CMYK 0 / 44 / 14 / 8

HEX #EA82CA

RGB 234 130 202

HSL 318.46, 0.71%, 0.71%

LAB 67.82, 49.17, -19.81

 

CMYK 0 / 41 / 12 / 2

HEX #FB94DD

RGB 251 148 221

HSL 317.48, 0.93%, 0.78%

LAB 74.13, 48.43, -20.54

 

CMYK 0 / 35 / 6 / 0

HEX #FFA6F0

RGB 255 166 240

HSL 310.11, 1%, 0.83%

LAB 78.94, 43.61, -23.52

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 43 / 10 / 10

HEX #E582CF

RGB 229 130 207

HSL 313.33, 0.66%, 0.7%

LAB 67.37, 48.41, -23.33

 

CMYK 0 / 47 / 11 / 17

HEX #D470BC

RGB 212 112 188

HSL 314.4, 0.54%, 0.64%

LAB 60.97, 49.13, -22.61

 

CMYK 0 / 52 / 13 / 24

HEX #C35EA9

RGB 195 94 169

HSL 315.45, 0.46%, 0.57%

LAB 54.52, 49.8, -21.76

 

CMYK 0 / 57 / 16 / 30

HEX #B24C96

RGB 178 76 150

HSL 316.47, 0.4%, 0.5%

LAB 48.05, 50.35, -20.72

 

CMYK 0 / 64 / 19 / 37

HEX #A13A83

RGB 161 58 131

HSL 317.48, 0.47%, 0.43%

LAB 41.6, 50.65, -19.4

 

CMYK 0 / 44 / 10 / 10

HEX #E580CF

RGB 229 128 207

HSL 313.07, 0.66%, 0.7%

LAB 66.98, 49.42, -23.94

 

CMYK 0 / 44 / 22 / 10

HEX #E580B3

RGB 229 128 179

HSL 329.7, 0.66%, 0.7%

LAB 66.02, 45.1, -9.66

 

CMYK 0 / 44 / 34 / 10

HEX #E58098

RGB 229 128 152

HSL 345.74, 0.66%, 0.7%

LAB 65.25, 41.49, 4.49

 

CMYK 0 / 44 / 44 / 10

HEX #E58080

RGB 229 128 128

HSL 0, 0.66%, 0.7%

LAB 64.69, 38.79, 17.3

 

CMYK 0 / 44 / 10 / 10

HEX #E580CF

RGB 229 128 207

HSL 313.07, 0.66%, 0.7%

LAB 66.98, 49.42, -23.94

 

CMYK 2 / 44 / 0 / 10

HEX #E080E5

RGB 224 128 229

HSL 297.03, 0.66%, 0.7%

LAB 67.23, 51.74, -35.82

 

CMYK 14 / 44 / 0 / 10

HEX #C580E5

RGB 197 128 229

HSL 280.99, 0.66%, 0.7%

LAB 64.13, 43.97, -40.89

 

CMYK 26 / 44 / 0 / 10

HEX #AA80E5

RGB 170 128 229

HSL 264.95, 0.66%, 0.7%

LAB 61.34, 36.38, -45.47

 

CMYK 38 / 44 / 0 / 10

HEX #8F80E5

RGB 143 128 229

HSL 248.91, 0.66%, 0.7%

LAB 58.91, 29.19, -49.47

 

CMYK 0 / 44 / 10 / 10

HEX #E580CF

RGB 229 128 207

HSL 313.07, 0.66%, 0.7%

LAB 66.98, 49.42, -23.94

 

CMYK 0 / 52 / 12 / 5

HEX #F174D5

RGB 241 116 213

HSL 313.44, 0.82%, 0.7%

LAB 66.52, 59.79, -27.86

 

CMYK 0 / 59 / 13 / 0

HEX #FE67DC

RGB 254 103 220

HSL 313.51, 0.99%, 0.7%

LAB 66.47, 70.17, -31.69

 

CMYK 0 / 44 / 10 / 10

HEX #E580CF

RGB 229 128 207

HSL 313.07, 0.66%, 0.7%

LAB 66.98, 49.42, -23.94

 

CMYK 0 / 35 / 8 / 15

HEX #D98CC8

RGB 217 140 200

HSL 313.25, 0.5%, 0.7%

LAB 67.78, 38.19, -18.93

 

CMYK 0 / 25 / 5 / 20

HEX #CC99C1

RGB 204 153 193

HSL 312.94, 0.33%, 0.7%

LAB 69.09, 25.56, -13.2

 

CMYK 0 / 14 / 3 / 25

HEX #C0A5BA

RGB 192 165 186

HSL 313.33, 0.18%, 0.7%

LAB 70.64, 13.52, -7.13

 

CMYK 0 / 1 / 0 / 30

HEX #B3B2B3

RGB 179 178 179

HSL 300, 0.01%, 0.7%

LAB 72.68, 0.54, -0.39

 

CMYK 14 / 44 / 0 / 10

HEX #C580E5

RGB 197 128 229

HSL 280.99, 0.66%, 0.7%

LAB 64.13, 43.97, -40.89

 

CMYK 2 / 44 / 0 / 10

HEX #E080E5

RGB 224 128 229

HSL 297.03, 0.66%, 0.7%

LAB 67.23, 51.74, -35.82

 

CMYK 0 / 44 / 10 / 10

HEX #E580CF

RGB 229 128 207

HSL 313.07, 0.66%, 0.7%

LAB 66.98, 49.42, -23.94

 

CMYK 0 / 44 / 21 / 10

HEX #E580B4

RGB 229 128 180

HSL 329.11, 0.66%, 0.7%

LAB 66.05, 45.24, -10.18

 

CMYK 0 / 44 / 33 / 10

HEX #E58099

RGB 229 128 153

HSL 345.15, 0.66%, 0.7%

LAB 65.28, 41.62, 3.96

 

CMYK 0 / 72 / 16 / 16

HEX #D73CB4

RGB 215 60 180

HSL 313.55, 0.66%, 0.54%

LAB 52.92, 70.88, -30.4

 

CMYK 0 / 58 / 13 / 13

HEX #DE5EC1

RGB 222 94 193

HSL 313.59, 0.66%, 0.62%

LAB 59.33, 61.37, -27.87

 

CMYK 0 / 44 / 10 / 10

HEX #E580CF

RGB 229 128 207

HSL 313.07, 0.66%, 0.7%

LAB 66.98, 49.42, -23.94

 

CMYK 0 / 31 / 7 / 7

HEX #ECA2DC

RGB 236 162 220

HSL 312.97, 0.66%, 0.78%

LAB 75.35, 36.18, -18.3

 

CMYK 0 / 19 / 4 / 5

HEX #F3C4E9

RGB 243 196 233

HSL 312.77, 0.66%, 0.86%

LAB 84.18, 22.72, -11.97

 

CMYK 0 / 43 / 10 / 10

HEX #E582CF

RGB 229 130 207

HSL 313.33, 0.66%, 0.7%

LAB 67.37, 48.41, -23.33

 

CMYK 0 / 26 / 44 / 10

HEX #E5AA80

RGB 229 170 128

HSL 24.95, 0.66%, 0.7%

LAB 74.17, 16.54, 30.09

 

CMYK 44 / 0 / 8 / 10

HEX #80E5D2

RGB 128 229 210

HSL 168.71, 0.66%, 0.7%

LAB 84.63, -34.04, 0.05

 

CMYK 0 / 43 / 10 / 10

HEX #E582CF

RGB 229 130 207

HSL 313.33, 0.66%, 0.7%

LAB 67.37, 48.41, -23.33

 

CMYK 10 / 0 / 44 / 10

HEX #CFE580

RGB 207 229 128

HSL 73.07, 0.66%, 0.7%

LAB 87.42, -22.53, 46.65

 

CMYK 44 / 10 / 0 / 10

HEX #80CFE5

RGB 128 207 229

HSL 193.07, 0.66%, 0.7%

LAB 78.97, -18.61, -18.47

 

CMYK 0 / 43 / 10 / 10

HEX #E582CF

RGB 229 130 207

HSL 313.33, 0.66%, 0.7%

LAB 67.37, 48.41, -23.33

 

CMYK 0 / 26 / 44 / 10

HEX #E5AA80

RGB 229 170 128

HSL 24.95, 0.66%, 0.7%

LAB 74.17, 16.54, 30.09

 

CMYK 44 / 0 / 34 / 10

HEX #80E596

RGB 128 229 150

HSL 133.07, 0.66%, 0.7%

LAB 83.35, -46.12, 29.57

 

CMYK 44 / 18 / 0 / 10

HEX #80BBE5

RGB 128 187 229

HSL 204.95, 0.66%, 0.7%

LAB 73.41, -8.15, -26.93

 

CMYK 0 / 43 / 10 / 10

HEX #E582CF

RGB 229 130 207

HSL 313.33, 0.66%, 0.7%

LAB 67.37, 48.41, -23.33

 

CMYK 0 / 13 / 44 / 10

HEX #E5C880

RGB 229 200 128

HSL 42.77, 0.66%, 0.7%

LAB 81.58, 0.71, 39.69

 

CMYK 44 / 0 / 34 / 10

HEX #80E596

RGB 128 229 150

HSL 133.07, 0.66%, 0.7%

LAB 83.35, -46.12, 29.57

 

CMYK 44 / 31 / 0 / 10

HEX #809DE5

RGB 128 157 229

HSL 222.77, 0.66%, 0.7%

LAB 65.25, 8.52, -39.57

 

Description

Color code: HEX #E582CF | qconv.com Color code: HEX #E582CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 130 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 130 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 10 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 10% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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