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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E57BF0 it is the complementary color #1A840F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E57BF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E57BF0 shade: #EA7BEB, #FB8DFE, #FF9FFF, #FFB1FF and #FFC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E57BF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E57BF0 shade: #E57BF0, #D469DD, #C357CA, #B245B7 and #A133A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E57BF0 shade: #E57AF0, #F07ADB, #F07ABC, #F07A9C and #F07A7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E57BF0 shade: #E57AF0, #C57AF0, #A57AF0, #857AF0 and #7A7AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E57BF0 shade matches the following richer shades: #E57AF0 and #EF6EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E57BF0 shade: #E57AF0, #DB86E4, #D292D8, #C89ECC and #BEAAC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E57BF0 shade: #A57AF0, #C57AF0, #E47AF0, #F07ADC and #F07ABD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E57BF0 shade: #D730E8, #DE55EC, #E57AF0, #EC9FF4 and #F4C4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E57BF0 shade: #E57BF0, #F0867A and #7AF0B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E57BF0 shade: #E57BF0, #F0E47A and #7AF0E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E57BF0 shade: #E57BF0, #F0867A, #86F07A and #7AE4F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E57BF0 shade: #E57BF0, #F0A97A, #86F07A and #7AC1F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 49 / 0 / 6

HEX #E57BF0

RGB 229 123 240

HSL 294.36, 0.8%, 0.71%

LAB 67.36, 57.65, -41.64

 

Complementary color

CMYK 80 / 0 / 89 / 48

HEX #1A840F

RGB 26 132 15

HSL 114.36, 0.8%, 0.29%

LAB 47.95, -49.77, 48.39

 

CMYK 0 / 48 / 0 / 8

HEX #EA7BEB

RGB 234 123 235

HSL 299.46, 0.74%, 0.7%

LAB 67.77, 58.13, -38.21

 

CMYK 1 / 44 / 0 / 0

HEX #FB8DFE

RGB 251 141 254

HSL 298.41, 0.98%, 0.77%

LAB 74.01, 57.47, -38.73

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 5 / 49 / 0 / 6

HEX #E57BF0

RGB 229 123 240

HSL 294.36, 0.8%, 0.71%

LAB 67.36, 57.65, -41.64

 

CMYK 4 / 52 / 0 / 13

HEX #D469DD

RGB 212 105 221

HSL 295.34, 0.63%, 0.64%

LAB 61.06, 58.26, -41.12

 

CMYK 3 / 57 / 0 / 21

HEX #C357CA

RGB 195 87 202

HSL 296.35, 0.52%, 0.57%

LAB 54.74, 58.75, -40.46

 

CMYK 3 / 62 / 0 / 28

HEX #B245B7

RGB 178 69 183

HSL 297.37, 0.45%, 0.49%

LAB 48.44, 59, -39.6

 

CMYK 2 / 69 / 0 / 36

HEX #A133A4

RGB 161 51 164

HSL 298.41, 0.53%, 0.42%

LAB 42.19, 58.85, -38.43

 

CMYK 5 / 49 / 0 / 6

HEX #E57AF0

RGB 229 122 240

HSL 294.41, 0.8%, 0.71%

LAB 67.18, 58.13, -41.93

 

CMYK 0 / 49 / 9 / 6

HEX #F07ADB

RGB 240 122 219

HSL 310.68, 0.8%, 0.71%

LAB 67.69, 57.62, -29.4

 

CMYK 0 / 49 / 22 / 6

HEX #F07ABC

RGB 240 122 188

HSL 326.44, 0.8%, 0.71%

LAB 66.58, 52.93, -13.76

 

CMYK 0 / 49 / 35 / 6

HEX #F07A9C

RGB 240 122 156

HSL 342.71, 0.8%, 0.71%

LAB 65.63, 48.79, 2.95

 

CMYK 0 / 49 / 48 / 6

HEX #F07A7C

RGB 240 122 124

HSL 358.98, 0.8%, 0.71%

LAB 64.88, 45.44, 20.07

 

CMYK 5 / 49 / 0 / 6

HEX #E57AF0

RGB 229 122 240

HSL 294.41, 0.8%, 0.71%

LAB 67.18, 58.13, -41.93

 

CMYK 18 / 49 / 0 / 6

HEX #C57AF0

RGB 197 122 240

HSL 278.14, 0.8%, 0.71%

LAB 63.41, 49.46, -48.12

 

CMYK 31 / 49 / 0 / 6

HEX #A57AF0

RGB 165 122 240

HSL 261.86, 0.8%, 0.71%

LAB 60.08, 41.08, -53.61

 

CMYK 45 / 49 / 0 / 6

HEX #857AF0

RGB 133 122 240

HSL 245.59, 0.8%, 0.71%

LAB 57.27, 33.33, -58.26

 

CMYK 49 / 49 / 0 / 6

HEX #7A7AF0

RGB 122 122 240

HSL 240, 0.8%, 0.71%

LAB 56.43, 30.89, -59.64

 

CMYK 5 / 49 / 0 / 6

HEX #E57AF0

RGB 229 122 240

HSL 294.41, 0.8%, 0.71%

LAB 67.18, 58.13, -41.93

 

CMYK 5 / 56 / 0 / 1

HEX #EF6EFC

RGB 239 110 252

HSL 294.51, 0.96%, 0.71%

LAB 66.92, 68.47, -48.84

 

CMYK 5 / 49 / 0 / 6

HEX #E57AF0

RGB 229 122 240

HSL 294.41, 0.8%, 0.71%

LAB 67.18, 58.13, -41.93

 

CMYK 4 / 41 / 0 / 11

HEX #DB86E4

RGB 219 134 228

HSL 294.26, 0.64%, 0.71%

LAB 67.81, 47.02, -34.42

 

CMYK 3 / 32 / 0 / 15

HEX #D292D8

RGB 210 146 216

HSL 294.86, 0.47%, 0.71%

LAB 68.91, 35.62, -26.17

 

CMYK 2 / 23 / 0 / 20

HEX #C89ECC

RGB 200 158 204

HSL 294.78, 0.31%, 0.71%

LAB 70.24, 23.51, -17.6

 

CMYK 1 / 11 / 0 / 25

HEX #BEAAC0

RGB 190 170 192

HSL 294.55, 0.15%, 0.71%

LAB 71.89, 11.2, -8.59

 

CMYK 31 / 49 / 0 / 6

HEX #A57AF0

RGB 165 122 240

HSL 261.86, 0.8%, 0.71%

LAB 60.08, 41.08, -53.61

 

CMYK 18 / 49 / 0 / 6

HEX #C57AF0

RGB 197 122 240

HSL 278.14, 0.8%, 0.71%

LAB 63.41, 49.46, -48.12

 

CMYK 5 / 49 / 0 / 6

HEX #E47AF0

RGB 228 122 240

HSL 293.9, 0.8%, 0.71%

LAB 67.05, 57.86, -42.13

 

CMYK 0 / 49 / 8 / 6

HEX #F07ADC

RGB 240 122 220

HSL 310.17, 0.8%, 0.71%

LAB 67.73, 57.78, -29.9

 

CMYK 0 / 49 / 21 / 6

HEX #F07ABD

RGB 240 122 189

HSL 325.93, 0.8%, 0.71%

LAB 66.61, 53.07, -14.27

 

CMYK 7 / 79 / 0 / 9

HEX #D730E8

RGB 215 48 232

HSL 294.46, 0.8%, 0.55%

LAB 54.44, 82.15, -57.79

 

CMYK 6 / 64 / 0 / 7

HEX #DE55EC

RGB 222 85 236

HSL 294.44, 0.8%, 0.63%

LAB 59.96, 72.16, -51.15

 

CMYK 5 / 49 / 0 / 6

HEX #E57AF0

RGB 229 122 240

HSL 294.41, 0.8%, 0.71%

LAB 67.18, 58.13, -41.93

 

CMYK 3 / 35 / 0 / 4

HEX #EC9FF4

RGB 236 159 244

HSL 294.35, 0.79%, 0.79%

LAB 75.55, 42.07, -31.05

 

CMYK 2 / 21 / 0 / 3

HEX #F4C4F8

RGB 244 196 248

HSL 295.38, 0.79%, 0.87%

LAB 84.74, 25.75, -19.12

 

CMYK 5 / 49 / 0 / 6

HEX #E57BF0

RGB 229 123 240

HSL 294.36, 0.8%, 0.71%

LAB 67.36, 57.65, -41.64

 

CMYK 0 / 44 / 49 / 6

HEX #F0867A

RGB 240 134 122

HSL 6.1, 0.8%, 0.71%

LAB 67.26, 39.21, 24.41

 

CMYK 49 / 0 / 25 / 6

HEX #7AF0B5

RGB 122 240 181

HSL 150, 0.8%, 0.71%

LAB 86.9, -46.66, 18.43

 

CMYK 5 / 49 / 0 / 6

HEX #E57BF0

RGB 229 123 240

HSL 294.36, 0.8%, 0.71%

LAB 67.36, 57.65, -41.64

 

CMYK 0 / 5 / 49 / 6

HEX #F0E47A

RGB 240 228 122

HSL 53.9, 0.8%, 0.71%

LAB 89.59, -9.71, 52.74

 

CMYK 49 / 0 / 5 / 6

HEX #7AF0E4

RGB 122 240 228

HSL 173.9, 0.8%, 0.71%

LAB 88, -36.23, -4.49

 

CMYK 5 / 49 / 0 / 6

HEX #E57BF0

RGB 229 123 240

HSL 294.36, 0.8%, 0.71%

LAB 67.36, 57.65, -41.64

 

CMYK 0 / 44 / 49 / 6

HEX #F0867A

RGB 240 134 122

HSL 6.1, 0.8%, 0.71%

LAB 67.26, 39.21, 24.41

 

CMYK 44 / 0 / 49 / 6

HEX #86F07A

RGB 134 240 122

HSL 113.9, 0.8%, 0.71%

LAB 86.4, -53.12, 47.37

 

CMYK 49 / 5 / 0 / 6

HEX #7AE4F0

RGB 122 228 240

HSL 186.1, 0.8%, 0.71%

LAB 84.95, -27.53, -15.33

 

CMYK 5 / 49 / 0 / 6

HEX #E57BF0

RGB 229 123 240

HSL 294.36, 0.8%, 0.71%

LAB 67.36, 57.65, -41.64

 

CMYK 0 / 30 / 49 / 6

HEX #F0A97A

RGB 240 169 122

HSL 23.9, 0.8%, 0.71%

LAB 75.02, 20.87, 34.61

 

CMYK 44 / 0 / 49 / 6

HEX #86F07A

RGB 134 240 122

HSL 113.9, 0.8%, 0.71%

LAB 86.4, -53.12, 47.37

 

CMYK 49 / 20 / 0 / 6

HEX #7AC1F0

RGB 122 193 240

HSL 203.9, 0.8%, 0.71%

LAB 75.18, -9.71, -30.18

 

Description

Color code: HEX #E57BF0 | qconv.com Color code: HEX #E57BF0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 123 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 123 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 49 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 49% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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