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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E578DA it is the complementary color #1A8725. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E578DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E578DA shade: #EA78D5, #FB8AE8, #FF9CFB, #FFAEFF and #FFC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E578DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E578DA shade: #E578DA, #D466C7, #C354B4, #B242A1 and #A1308E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E578DA shade: #E576DA, #E576BC, #E5769E, #E57680 and #E57676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E578DA shade: #E576DA, #D276E5, #B476E5, #9676E5 and #7876E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E578DA shade matches the following richer shades: #E576DA and #F269E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E578DA shade: #E576DA, #D883CF, #CA90C5, #BD9EBA and #B0ABB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E578DA shade: #B576E5, #D276E5, #E576DA, #E576BC and #E5769F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E578DA shade: #D831C7, #DE53D0, #E576DA, #EB99E3 and #F2BBED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E578DA shade: #E578DA, #E59776 and #76E5C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E578DA shade: #E578DA, #DAE576 and #76DAE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E578DA shade: #E578DA, #E59776, #76E581 and #76C4E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E578DA shade: #E578DA, #E5B876, #76E581 and #76A2E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 5 / 10

HEX #E578DA

RGB 229 120 218

HSL 306.06, 0.68%, 0.68%

LAB 65.87, 55.23, -31.78

 

Complementary color

CMYK 81 / 0 / 73 / 47

HEX #1A8725

RGB 26 135 37

HSL 126.06, 0.68%, 0.32%

LAB 49.11, -49.21, 42.26

 

CMYK 0 / 49 / 9 / 8

HEX #EA78D5

RGB 234 120 213

HSL 311.05, 0.73%, 0.69%

LAB 66.31, 55.86, -28.25

 

CMYK 0 / 45 / 8 / 2

HEX #FB8AE8

RGB 251 138 232

HSL 310.09, 0.93%, 0.76%

LAB 72.57, 55.19, -28.95

 

CMYK 0 / 39 / 2 / 0

HEX #FF9CFB

RGB 255 156 251

HSL 302.42, 1%, 0.81%

LAB 77.28, 50.62, -32

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 0 / 48 / 5 / 10

HEX #E578DA

RGB 229 120 218

HSL 306.06, 0.68%, 0.68%

LAB 65.87, 55.23, -31.78

 

CMYK 0 / 52 / 6 / 17

HEX #D466C7

RGB 212 102 199

HSL 307.09, 0.56%, 0.62%

LAB 59.55, 55.84, -31.07

 

CMYK 0 / 57 / 8 / 24

HEX #C354B4

RGB 195 84 180

HSL 308.11, 0.48%, 0.55%

LAB 53.21, 56.32, -30.19

 

CMYK 0 / 63 / 10 / 30

HEX #B242A1

RGB 178 66 161

HSL 309.11, 0.46%, 0.48%

LAB 46.89, 56.56, -29.08

 

CMYK 0 / 70 / 12 / 37

HEX #A1308E

RGB 161 48 142

HSL 310.09, 0.54%, 0.41%

LAB 40.64, 56.36, -27.6

 

CMYK 0 / 48 / 5 / 10

HEX #E576DA

RGB 229 118 218

HSL 305.95, 0.68%, 0.68%

LAB 65.5, 56.21, -32.36

 

CMYK 0 / 48 / 18 / 10

HEX #E576BC

RGB 229 118 188

HSL 322.16, 0.68%, 0.68%

LAB 64.36, 51.43, -17.25

 

CMYK 0 / 48 / 31 / 10

HEX #E5769E

RGB 229 118 158

HSL 338.38, 0.68%, 0.68%

LAB 63.41, 47.3, -1.6

 

CMYK 0 / 48 / 44 / 10

HEX #E57680

RGB 229 118 128

HSL 354.59, 0.68%, 0.68%

LAB 62.65, 43.88, 14.48

 

CMYK 0 / 48 / 48 / 10

HEX #E57676

RGB 229 118 118

HSL 0, 0.68%, 0.68%

LAB 62.44, 42.91, 19.89

 

CMYK 0 / 48 / 5 / 10

HEX #E576DA

RGB 229 118 218

HSL 305.95, 0.68%, 0.68%

LAB 65.5, 56.21, -32.36

 

CMYK 8 / 48 / 0 / 10

HEX #D276E5

RGB 210 118 229

HSL 289.73, 0.68%, 0.68%

LAB 63.6, 52.83, -41.61

 

CMYK 21 / 48 / 0 / 10

HEX #B476E5

RGB 180 118 229

HSL 273.51, 0.68%, 0.68%

LAB 60.17, 44.61, -47.25

 

CMYK 34 / 48 / 0 / 10

HEX #9676E5

RGB 150 118 229

HSL 257.3, 0.68%, 0.68%

LAB 57.17, 36.74, -52.2

 

CMYK 48 / 48 / 0 / 10

HEX #7876E5

RGB 120 118 229

HSL 241.08, 0.68%, 0.68%

LAB 54.67, 29.55, -56.35

 

CMYK 0 / 48 / 5 / 10

HEX #E576DA

RGB 229 118 218

HSL 305.95, 0.68%, 0.68%

LAB 65.5, 56.21, -32.36

 

CMYK 0 / 57 / 6 / 5

HEX #F269E4

RGB 242 105 228

HSL 306.13, 0.84%, 0.68%

LAB 65.42, 67.39, -37.91

 

CMYK 0 / 48 / 5 / 10

HEX #E576DA

RGB 229 118 218

HSL 305.95, 0.68%, 0.68%

LAB 65.5, 56.21, -32.36

 

CMYK 0 / 39 / 4 / 15

HEX #D883CF

RGB 216 131 207

HSL 306.35, 0.52%, 0.68%

LAB 66.01, 43.84, -25.56

 

CMYK 0 / 29 / 2 / 21

HEX #CA90C5

RGB 202 144 197

HSL 305.17, 0.35%, 0.68%

LAB 66.93, 30.54, -18.72

 

CMYK 0 / 16 / 2 / 26

HEX #BD9EBA

RGB 189 158 186

HSL 305.81, 0.19%, 0.68%

LAB 68.62, 16.33, -10.16

 

CMYK 0 / 3 / 0 / 31

HEX #B0ABB0

RGB 176 171 176

HSL 300, 0.03%, 0.68%

LAB 70.52, 2.72, -1.94

 

CMYK 21 / 48 / 0 / 10

HEX #B576E5

RGB 181 118 229

HSL 274.05, 0.68%, 0.68%

LAB 60.28, 44.88, -47.07

 

CMYK 8 / 48 / 0 / 10

HEX #D276E5

RGB 210 118 229

HSL 289.73, 0.68%, 0.68%

LAB 63.6, 52.83, -41.61

 

CMYK 0 / 48 / 5 / 10

HEX #E576DA

RGB 229 118 218

HSL 305.95, 0.68%, 0.68%

LAB 65.5, 56.21, -32.36

 

CMYK 0 / 48 / 18 / 10

HEX #E576BC

RGB 229 118 188

HSL 322.16, 0.68%, 0.68%

LAB 64.36, 51.43, -17.25

 

CMYK 0 / 48 / 31 / 10

HEX #E5769F

RGB 229 118 159

HSL 337.84, 0.68%, 0.68%

LAB 63.44, 47.43, -2.13

 

CMYK 0 / 77 / 8 / 15

HEX #D831C7

RGB 216 49 199

HSL 306.11, 0.68%, 0.52%

LAB 52.86, 77.02, -41.49

 

CMYK 0 / 63 / 6 / 13

HEX #DE53D0

RGB 222 83 208

HSL 306.04, 0.68%, 0.6%

LAB 58.29, 68.32, -38.03

 

CMYK 0 / 48 / 5 / 10

HEX #E576DA

RGB 229 118 218

HSL 305.95, 0.68%, 0.68%

LAB 65.5, 56.21, -32.36

 

CMYK 0 / 35 / 3 / 8

HEX #EB99E3

RGB 235 153 227

HSL 305.85, 0.67%, 0.76%

LAB 73.54, 41.82, -24.89

 

CMYK 0 / 23 / 2 / 5

HEX #F2BBED

RGB 242 187 237

HSL 305.45, 0.68%, 0.84%

LAB 82.13, 27.87, -17.21

 

CMYK 0 / 48 / 5 / 10

HEX #E578DA

RGB 229 120 218

HSL 306.06, 0.68%, 0.68%

LAB 65.87, 55.23, -31.78

 

CMYK 0 / 34 / 48 / 10

HEX #E59776

RGB 229 151 118

HSL 17.84, 0.68%, 0.68%

LAB 69.54, 25.7, 29.38

 

CMYK 48 / 0 / 14 / 10

HEX #76E5C4

RGB 118 229 196

HSL 162.16, 0.68%, 0.68%

LAB 83.9, -39.6, 6.33

 

CMYK 0 / 48 / 5 / 10

HEX #E578DA

RGB 229 120 218

HSL 306.06, 0.68%, 0.68%

LAB 65.87, 55.23, -31.78

 

CMYK 5 / 0 / 48 / 10

HEX #DAE576

RGB 218 229 118

HSL 65.95, 0.68%, 0.68%

LAB 88.09, -19.26, 52.41

 

CMYK 48 / 5 / 0 / 10

HEX #76DAE5

RGB 118 218 229

HSL 185.95, 0.68%, 0.68%

LAB 81.65, -26.39, -14.47

 

CMYK 0 / 48 / 5 / 10

HEX #E578DA

RGB 229 120 218

HSL 306.06, 0.68%, 0.68%

LAB 65.87, 55.23, -31.78

 

CMYK 0 / 34 / 48 / 10

HEX #E59776

RGB 229 151 118

HSL 17.84, 0.68%, 0.68%

LAB 69.54, 25.7, 29.38

 

CMYK 48 / 0 / 44 / 10

HEX #76E581

RGB 118 229 129

HSL 125.95, 0.68%, 0.68%

LAB 82.63, -52.17, 39.12

 

CMYK 48 / 14 / 0 / 10

HEX #76C4E5

RGB 118 196 229

HSL 197.84, 0.68%, 0.68%

LAB 75.44, -15.28, -23.86

 

CMYK 0 / 48 / 5 / 10

HEX #E578DA

RGB 229 120 218

HSL 306.06, 0.68%, 0.68%

LAB 65.87, 55.23, -31.78

 

CMYK 0 / 20 / 48 / 10

HEX #E5B876

RGB 229 184 118

HSL 35.68, 0.68%, 0.68%

LAB 77.43, 8.12, 39.53

 

CMYK 48 / 0 / 44 / 10

HEX #76E581

RGB 118 229 129

HSL 125.95, 0.68%, 0.68%

LAB 82.63, -52.17, 39.12

 

CMYK 48 / 29 / 0 / 10

HEX #76A2E5

RGB 118 162 229

HSL 216.22, 0.68%, 0.68%

LAB 66.02, 3.25, -38.4

 

Description

Color code: HEX #E578DA | qconv.com Color code: HEX #E578DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 120 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 120 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 5 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 5% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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