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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E55A5F it is the complementary color #1AA5A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E55A5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E55A5F shade: #EA5A5A, #FB6C6D, #FF7E80, #FF9093 and #FFA2A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E55A5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E55A5F shade: #E55A5F, #D4484C, #C33639, #B22426 and #A11213

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E55A5F shade: #E55B60 and #E55B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E55A5F shade: #E55B60, #E55B85, #E55BAB, #E55BD0 and #D55BE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E55A5F shade matches the following richer shades: #E55B60 and #F44C52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E55A5F shade: #E55B60, #D66B6E, #C67A7D, #B7898B and #A89899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E55A5F shade: #E55BAC, #E55B87, #E55B62, #E5795B and #E59E5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E55A5F shade: #CE2026, #DF383E, #E55B60, #EB7F83 and #F0A3A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E55A5F shade: #E55A5F, #D0E55B and #5B99E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E55A5F shade: #E55A5F, #62E55B and #5B62E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E55A5F shade: #E55A5F, #D0E55B, #5BE5DE and #705BE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E55A5F shade: #E55A5F, #A7E55B, #5BE5DE and #995BE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 59 / 10

HEX #E55A5F

RGB 229 90 95

HSL 357.84, 0.73%, 0.63%

LAB 56.88, 54.33, 25.66

 

Complementary color

CMYK 84 / 0 / 3 / 35

HEX #1AA5A0

RGB 26 165 160

HSL 177.84, 0.73%, 0.37%

LAB 61.37, -34.96, -7.32

 

CMYK 0 / 62 / 62 / 8

HEX #EA5A5A

RGB 234 90 90

HSL 0, 0.77%, 0.64%

LAB 57.6, 55.67, 29.63

 

CMYK 0 / 57 / 57 / 2

HEX #FB6C6D

RGB 251 108 109

HSL 359.58, 0.95%, 0.7%

LAB 63.62, 54.72, 27.14

 

CMYK 0 / 51 / 50 / 0

HEX #FF7E80

RGB 255 126 128

HSL 359.07, 1%, 0.75%

LAB 67.83, 49.17, 22.17

 

CMYK 0 / 44 / 42 / 0

HEX #FF9093

RGB 255 144 147

HSL 358.38, 1%, 0.78%

LAB 71.77, 42.05, 17

 

CMYK 0 / 36 / 35 / 0

HEX #FFA2A6

RGB 255 162 166

HSL 357.42, 1%, 0.82%

LAB 75.98, 34.93, 12.44

 

CMYK 0 / 61 / 59 / 10

HEX #E55A5F

RGB 229 90 95

HSL 357.84, 0.73%, 0.63%

LAB 56.88, 54.33, 25.66

 

CMYK 0 / 66 / 64 / 17

HEX #D4484C

RGB 212 72 76

HSL 358.29, 0.62%, 0.56%

LAB 50.87, 55.12, 28.45

 

CMYK 0 / 72 / 71 / 24

HEX #C33639

RGB 195 54 57

HSL 358.72, 0.57%, 0.49%

LAB 44.99, 55.59, 31.76

 

CMYK 0 / 80 / 79 / 30

HEX #B22426

RGB 178 36 38

HSL 359.15, 0.66%, 0.42%

LAB 39.35, 55.49, 35.63

 

CMYK 0 / 89 / 88 / 37

HEX #A11213

RGB 161 18 19

HSL 359.58, 0.8%, 0.35%

LAB 34.1, 54.44, 39.76

 

CMYK 0 / 60 / 58 / 10

HEX #E55B60

RGB 229 91 96

HSL 357.83, 0.73%, 0.63%

LAB 57.06, 53.96, 25.32

 

CMYK 0 / 60 / 60 / 10

HEX #E55B5B

RGB 229 91 91

HSL 0, 0.73%, 0.63%

LAB 56.97, 53.62, 28.09

 

CMYK 0 / 60 / 58 / 10

HEX #E55B60

RGB 229 91 96

HSL 357.83, 0.73%, 0.63%

LAB 57.06, 53.96, 25.32

 

CMYK 0 / 60 / 42 / 10

HEX #E55B85

RGB 229 91 133

HSL 341.74, 0.73%, 0.63%

LAB 57.88, 57.15, 4.82

 

CMYK 0 / 60 / 25 / 10

HEX #E55BAB

RGB 229 91 171

HSL 325.22, 0.73%, 0.63%

LAB 59.05, 61.55, -15.58

 

CMYK 0 / 60 / 9 / 10

HEX #E55BD0

RGB 229 91 208

HSL 309.13, 0.73%, 0.63%

LAB 60.51, 66.83, -34.49

 

CMYK 7 / 60 / 0 / 10

HEX #D55BE5

RGB 213 91 229

HSL 293.04, 0.73%, 0.63%

LAB 59.24, 66.33, -48.47

 

CMYK 0 / 60 / 58 / 10

HEX #E55B60

RGB 229 91 96

HSL 357.83, 0.73%, 0.63%

LAB 57.06, 53.96, 25.32

 

CMYK 0 / 69 / 66 / 4

HEX #F44C52

RGB 244 76 82

HSL 357.86, 0.88%, 0.63%

LAB 57.09, 64.04, 33.93

 

CMYK 0 / 60 / 58 / 10

HEX #E55B60

RGB 229 91 96

HSL 357.83, 0.73%, 0.63%

LAB 57.06, 53.96, 25.32

 

CMYK 0 / 50 / 49 / 16

HEX #D66B6E

RGB 214 107 110

HSL 358.32, 0.57%, 0.63%

LAB 57.98, 42.24, 18.04

 

CMYK 0 / 38 / 37 / 22

HEX #C67A7D

RGB 198 122 125

HSL 357.63, 0.4%, 0.63%

LAB 59.35, 29.99, 10.97

 

CMYK 0 / 25 / 24 / 28

HEX #B7898B

RGB 183 137 139

HSL 357.39, 0.24%, 0.63%

LAB 61.5, 17.84, 5.78

 

CMYK 0 / 10 / 9 / 34

HEX #A89899

RGB 168 152 153

HSL 356.25, 0.08%, 0.63%

LAB 64.23, 6.07, 1.61

 

CMYK 0 / 60 / 25 / 10

HEX #E55BAC

RGB 229 91 172

HSL 324.78, 0.73%, 0.63%

LAB 59.08, 61.68, -16.1

 

CMYK 0 / 60 / 41 / 10

HEX #E55B87

RGB 229 91 135

HSL 340.87, 0.73%, 0.63%

LAB 57.93, 57.35, 3.73

 

CMYK 0 / 60 / 57 / 10

HEX #E55B62

RGB 229 91 98

HSL 356.96, 0.73%, 0.63%

LAB 57.1, 54.1, 24.21

 

CMYK 0 / 47 / 60 / 10

HEX #E5795B

RGB 229 121 91

HSL 13.04, 0.73%, 0.63%

LAB 62.58, 39.2, 35.18

 

CMYK 0 / 31 / 60 / 10

HEX #E59E5B

RGB 229 158 91

HSL 29.13, 0.73%, 0.63%

LAB 70.78, 19.73, 45.12

 

CMYK 0 / 84 / 82 / 19

HEX #CE2026

RGB 206 32 38

HSL 357.93, 0.73%, 0.47%

LAB 44.65, 64.47, 42.82

 

CMYK 0 / 75 / 72 / 13

HEX #DF383E

RGB 223 56 62

HSL 357.84, 0.72%, 0.55%

LAB 50.53, 63.65, 36.64

 

CMYK 0 / 60 / 58 / 10

HEX #E55B60

RGB 229 91 96

HSL 357.83, 0.73%, 0.63%

LAB 57.06, 53.96, 25.32

 

CMYK 0 / 46 / 44 / 8

HEX #EB7F83

RGB 235 127 131

HSL 357.78, 0.73%, 0.71%

LAB 65.34, 41.8, 16.63

 

CMYK 0 / 32 / 31 / 6

HEX #F0A3A5

RGB 240 163 165

HSL 358.44, 0.72%, 0.79%

LAB 74.47, 28.78, 10.61

 

CMYK 0 / 61 / 59 / 10

HEX #E55A5F

RGB 229 90 95

HSL 357.84, 0.73%, 0.63%

LAB 56.88, 54.33, 25.66

 

CMYK 9 / 0 / 60 / 10

HEX #D0E55B

RGB 208 229 91

HSL 69.13, 0.73%, 0.63%

LAB 87.1, -25.42, 63.12

 

CMYK 60 / 33 / 0 / 10

HEX #5B99E5

RGB 91 153 229

HSL 213.04, 0.73%, 0.63%

LAB 62.22, 2.69, -44.45

 

CMYK 0 / 61 / 59 / 10

HEX #E55A5F

RGB 229 90 95

HSL 357.84, 0.73%, 0.63%

LAB 56.88, 54.33, 25.66

 

CMYK 57 / 0 / 60 / 10

HEX #62E55B

RGB 98 229 91

HSL 116.96, 0.73%, 0.63%

LAB 81.51, -62.09, 55.34

 

CMYK 60 / 57 / 0 / 10

HEX #5B62E5

RGB 91 98 229

HSL 236.96, 0.73%, 0.63%

LAB 47.77, 35.9, -67.56

 

CMYK 0 / 61 / 59 / 10

HEX #E55A5F

RGB 229 90 95

HSL 357.84, 0.73%, 0.63%

LAB 56.88, 54.33, 25.66

 

CMYK 9 / 0 / 60 / 10

HEX #D0E55B

RGB 208 229 91

HSL 69.13, 0.73%, 0.63%

LAB 87.1, -25.42, 63.12

 

CMYK 60 / 0 / 3 / 10

HEX #5BE5DE

RGB 91 229 222

HSL 176.96, 0.73%, 0.63%

LAB 83.72, -38.66, -7.76

 

CMYK 51 / 60 / 0 / 10

HEX #705BE5

RGB 112 91 229

HSL 249.13, 0.73%, 0.63%

LAB 47.73, 43.79, -67.56

 

CMYK 0 / 61 / 59 / 10

HEX #E55A5F

RGB 229 90 95

HSL 357.84, 0.73%, 0.63%

LAB 56.88, 54.33, 25.66

 

CMYK 27 / 0 / 60 / 10

HEX #A7E55B

RGB 167 229 91

HSL 86.96, 0.73%, 0.63%

LAB 84.49, -41.02, 59.51

 

CMYK 60 / 0 / 3 / 10

HEX #5BE5DE

RGB 91 229 222

HSL 176.96, 0.73%, 0.63%

LAB 83.72, -38.66, -7.76

 

CMYK 33 / 60 / 0 / 10

HEX #995BE5

RGB 153 91 229

HSL 266.96, 0.73%, 0.63%

LAB 51.74, 52.28, -60.88

 

Description

Color code: HEX #E55A5F | qconv.com Color code: HEX #E55A5F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 90 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 90 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 59 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 59% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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