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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E55980 it is the complementary color #1AA67F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E55980. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E55980 shade: #EA597B, #FB6B8E, #FF7DA1, #FF8FB4 and #FFA1C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E55980. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E55980 shade: #E55980, #D4476D, #C3355A, #B22347 and #A11134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E55980 shade: #E5577F, #E55759 and #E55757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E55980 shade: #E5577F, #E557A5, #E557CB, #D857E5 and #B257E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E55980 shade matches the following richer shades: #E5577F and #F54878

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E55980 shade: #E5577F, #D56786, #C5778D, #B68694 and #A6969B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E55980 shade: #E557CB, #E557A5, #E5577F, #E5575A and #E57B57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E55980 shade: #CA204F, #DF3463, #E5577F, #EA7B9A and #F09FB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E55980 shade: #E55980, #E5D957 and #57B8E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E55980 shade: #E55980, #7FE557 and #577FE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E55980 shade: #E55980, #E5D957, #57E5BD and #5763E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E55980 shade: #E55980, #C6E557, #57E5BD and #7657E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 44 / 10

HEX #E55980

RGB 229 89 128

HSL 343.29, 0.73%, 0.62%

LAB 57.43, 57.52, 7.11

 

Complementary color

CMYK 84 / 0 / 23 / 35

HEX #1AA67F

RGB 26 166 127

HSL 163.29, 0.73%, 0.38%

LAB 60.8, -44.49, 10.38

 

CMYK 0 / 62 / 47 / 8

HEX #EA597B

RGB 234 89 123

HSL 345.93, 0.78%, 0.63%

LAB 58.1, 58.63, 11.11

 

CMYK 0 / 57 / 43 / 2

HEX #FB6B8E

RGB 251 107 142

HSL 345.42, 0.95%, 0.7%

LAB 64.14, 57.98, 9.02

 

CMYK 0 / 51 / 37 / 0

HEX #FF7DA1

RGB 255 125 161

HSL 343.38, 1%, 0.75%

LAB 68.39, 52.93, 4.38

 

CMYK 0 / 44 / 29 / 0

HEX #FF8FB4

RGB 255 143 180

HSL 340.18, 1%, 0.78%

LAB 72.36, 46.37, -0.48

 

CMYK 0 / 37 / 22 / 0

HEX #FFA1C7

RGB 255 161 199

HSL 335.74, 1%, 0.82%

LAB 76.6, 39.77, -4.73

 

CMYK 0 / 61 / 44 / 10

HEX #E55980

RGB 229 89 128

HSL 343.29, 0.73%, 0.62%

LAB 57.43, 57.52, 7.11

 

CMYK 0 / 67 / 49 / 17

HEX #D4476D

RGB 212 71 109

HSL 343.83, 0.62%, 0.55%

LAB 51.39, 57.95, 9.44

 

CMYK 0 / 73 / 54 / 24

HEX #C3355A

RGB 195 53 90

HSL 344.37, 0.57%, 0.49%

LAB 45.48, 58.01, 12.3

 

CMYK 0 / 80 / 60 / 30

HEX #B22347

RGB 178 35 71

HSL 344.9, 0.67%, 0.42%

LAB 39.79, 57.43, 15.88

 

CMYK 0 / 89 / 68 / 37

HEX #A11134

RGB 161 17 52

HSL 345.42, 0.81%, 0.35%

LAB 34.45, 55.83, 20.39

 

CMYK 0 / 62 / 45 / 10

HEX #E5577F

RGB 229 87 127

HSL 343.1, 0.73%, 0.62%

LAB 57.08, 58.28, 7.2

 

CMYK 0 / 62 / 61 / 10

HEX #E55759

RGB 229 87 89

HSL 359.15, 0.73%, 0.62%

LAB 56.28, 55.23, 28.36

 

CMYK 0 / 62 / 62 / 10

HEX #E55757

RGB 229 87 87

HSL 0, 0.73%, 0.62%

LAB 56.25, 55.11, 29.47

 

CMYK 0 / 62 / 45 / 10

HEX #E5577F

RGB 229 87 127

HSL 343.1, 0.73%, 0.62%

LAB 57.08, 58.28, 7.2

 

CMYK 0 / 62 / 28 / 10

HEX #E557A5

RGB 229 87 165

HSL 327.04, 0.73%, 0.62%

LAB 58.22, 62.48, -13.36

 

CMYK 0 / 62 / 11 / 10

HEX #E557CB

RGB 229 87 203

HSL 310.99, 0.73%, 0.62%

LAB 59.7, 67.71, -32.92

 

CMYK 6 / 62 / 0 / 10

HEX #D857E5

RGB 216 87 229

HSL 294.51, 0.73%, 0.62%

LAB 59.04, 68.74, -48.76

 

CMYK 22 / 62 / 0 / 10

HEX #B257E5

RGB 178 87 229

HSL 278.45, 0.73%, 0.62%

LAB 53.96, 59.91, -57.15

 

CMYK 0 / 62 / 45 / 10

HEX #E5577F

RGB 229 87 127

HSL 343.1, 0.73%, 0.62%

LAB 57.08, 58.28, 7.2

 

CMYK 0 / 71 / 51 / 4

HEX #F54878

RGB 245 72 120

HSL 343.35, 0.9%, 0.62%

LAB 57.47, 68.25, 12.25

 

CMYK 0 / 62 / 45 / 10

HEX #E5577F

RGB 229 87 127

HSL 343.1, 0.73%, 0.62%

LAB 57.08, 58.28, 7.2

 

CMYK 0 / 52 / 37 / 16

HEX #D56786

RGB 213 103 134

HSL 343.09, 0.57%, 0.62%

LAB 57.62, 46.39, 3.56

 

CMYK 0 / 40 / 28 / 23

HEX #C5778D

RGB 197 119 141

HSL 343.08, 0.4%, 0.62%

LAB 58.96, 33.31, 1.17

 

CMYK 0 / 26 / 19 / 29

HEX #B68694

RGB 182 134 148

HSL 342.5, 0.25%, 0.62%

LAB 60.9, 20.53, -0.24

 

CMYK 0 / 10 / 7 / 35

HEX #A6969B

RGB 166 150 155

HSL 341.25, 0.08%, 0.62%

LAB 63.58, 6.8, -0.48

 

CMYK 0 / 62 / 11 / 10

HEX #E557CB

RGB 229 87 203

HSL 310.99, 0.73%, 0.62%

LAB 59.7, 67.71, -32.92

 

CMYK 0 / 62 / 28 / 10

HEX #E557A5

RGB 229 87 165

HSL 327.04, 0.73%, 0.62%

LAB 58.22, 62.48, -13.36

 

CMYK 0 / 62 / 45 / 10

HEX #E5577F

RGB 229 87 127

HSL 343.1, 0.73%, 0.62%

LAB 57.08, 58.28, 7.2

 

CMYK 0 / 62 / 61 / 10

HEX #E5575A

RGB 229 87 90

HSL 358.73, 0.73%, 0.62%

LAB 56.3, 55.3, 27.8

 

CMYK 0 / 46 / 62 / 10

HEX #E57B57

RGB 229 123 87

HSL 15.21, 0.73%, 0.62%

LAB 62.94, 37.9, 37.79

 

CMYK 0 / 84 / 61 / 21

HEX #CA204F

RGB 202 32 79

HSL 343.41, 0.73%, 0.46%

LAB 44.45, 65.18, 17.94

 

CMYK 0 / 77 / 56 / 13

HEX #DF3463

RGB 223 52 99

HSL 343.51, 0.73%, 0.54%

LAB 50.74, 66.96, 14.87

 

CMYK 0 / 62 / 45 / 10

HEX #E5577F

RGB 229 87 127

HSL 343.1, 0.73%, 0.62%

LAB 57.08, 58.28, 7.2

 

CMYK 0 / 47 / 34 / 8

HEX #EA7B9A

RGB 234 123 154

HSL 343.24, 0.73%, 0.7%

LAB 64.96, 46.01, 3.02

 

CMYK 0 / 34 / 25 / 6

HEX #F09FB5

RGB 240 159 181

HSL 343.7, 0.73%, 0.78%

LAB 73.97, 33.04, 1.09

 

CMYK 0 / 61 / 44 / 10

HEX #E55980

RGB 229 89 128

HSL 343.29, 0.73%, 0.62%

LAB 57.43, 57.52, 7.11

 

CMYK 0 / 5 / 62 / 10

HEX #E5D957

RGB 229 217 87

HSL 54.93, 0.73%, 0.62%

LAB 85.49, -11.3, 63.53

 

CMYK 62 / 20 / 0 / 10

HEX #57B8E5

RGB 87 184 229

HSL 199.01, 0.73%, 0.62%

LAB 70.85, -15.23, -31.02

 

CMYK 0 / 61 / 44 / 10

HEX #E55980

RGB 229 89 128

HSL 343.29, 0.73%, 0.62%

LAB 57.43, 57.52, 7.11

 

CMYK 45 / 0 / 62 / 10

HEX #7FE557

RGB 127 229 87

HSL 103.1, 0.73%, 0.62%

LAB 82.51, -54.67, 58.45

 

CMYK 62 / 45 / 0 / 10

HEX #577FE5

RGB 87 127 229

HSL 223.1, 0.73%, 0.62%

LAB 54.93, 17.43, -56.04

 

CMYK 0 / 61 / 44 / 10

HEX #E55980

RGB 229 89 128

HSL 343.29, 0.73%, 0.62%

LAB 57.43, 57.52, 7.11

 

CMYK 0 / 5 / 62 / 10

HEX #E5D957

RGB 229 217 87

HSL 54.93, 0.73%, 0.62%

LAB 85.49, -11.3, 63.53

 

CMYK 62 / 0 / 17 / 10

HEX #57E5BD

RGB 87 229 189

HSL 163.1, 0.73%, 0.62%

LAB 82.77, -47.55, 8.27

 

CMYK 62 / 57 / 0 / 10

HEX #5763E5

RGB 87 99 229

HSL 234.93, 0.73%, 0.62%

LAB 47.76, 34.63, -67.59

 

CMYK 0 / 61 / 44 / 10

HEX #E55980

RGB 229 89 128

HSL 343.29, 0.73%, 0.62%

LAB 57.43, 57.52, 7.11

 

CMYK 14 / 0 / 62 / 10

HEX #C6E557

RGB 198 229 87

HSL 73.1, 0.73%, 0.62%

LAB 86.37, -29.64, 63.79

 

CMYK 62 / 0 / 17 / 10

HEX #57E5BD

RGB 87 229 189

HSL 163.1, 0.73%, 0.62%

LAB 82.77, -47.55, 8.27

 

CMYK 48 / 62 / 0 / 10

HEX #7657E5

RGB 118 87 229

HSL 253.1, 0.73%, 0.62%

LAB 47.4, 47.19, -68.07

 

Description

Color code: HEX #E55980 | qconv.com Color code: HEX #E55980 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 89 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 89 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 44 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 44% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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