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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5581F it is the complementary color #1AA7E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5581F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5581F shade: #EA581A, #FB6A2D, #FF7C40, #FF8E53 and #FFA066

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5581F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5581F shade: #E5581F, #D4460C, #C33400, #B22200 and #A11000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5581F shade: #E5581F, #E5231F and #E51F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5581F shade: #E5581F, #E58D1F, #E5C31F, #D2E51F and #9CE51F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5581F shade matches the following richer shades: #E5581F and #F9500B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5581F shade: #E5581F, #D16134, #BC6948, #A8725C and #947A70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5581F shade: #E51F51, #E5231F, #E5571F, #E58C1F and #E5C11F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5581F shade: #9F3B13, #C44917, #E5581F, #E97444 and #ED8F69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5581F shade: #E5581F, #85E51F and #1F36E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5581F shade: #E5581F, #1FE557 and #571FE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5581F shade: #E5581F, #85E51F, #1FADE5 and #7F1FE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5581F shade: #E5581F, #4AE51F, #1FADE5 and #BA1FE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 86 / 10

HEX #E5581F

RGB 229 88 31

HSL 17.27, 0.79%, 0.51%

LAB 55.82, 52.35, 57.47

 

Complementary color

CMYK 88 / 25 / 0 / 12

HEX #1AA7E0

RGB 26 167 224

HSL 197.27, 0.79%, 0.49%

LAB 64.35, -14.86, -38.46

 

CMYK 0 / 62 / 89 / 8

HEX #EA581A

RGB 234 88 26

HSL 17.88, 0.83%, 0.51%

LAB 56.63, 54.01, 60.25

 

CMYK 0 / 58 / 82 / 2

HEX #FB6A2D

RGB 251 106 45

HSL 17.77, 0.96%, 0.58%

LAB 62.51, 52.46, 58.95

 

CMYK 0 / 51 / 75 / 0

HEX #FF7C40

RGB 255 124 64

HSL 18.85, 1%, 0.63%

LAB 66.55, 46.09, 54.56

 

CMYK 0 / 44 / 67 / 0

HEX #FF8E53

RGB 255 142 83

HSL 20.58, 1%, 0.66%

LAB 70.34, 38.04, 49.43

 

CMYK 0 / 37 / 60 / 0

HEX #FFA066

RGB 255 160 102

HSL 22.75, 1%, 0.7%

LAB 74.42, 29.95, 44.63

 

CMYK 0 / 62 / 86 / 10

HEX #E5581F

RGB 229 88 31

HSL 17.27, 0.79%, 0.51%

LAB 55.82, 52.35, 57.47

 

CMYK 0 / 67 / 94 / 17

HEX #D4460C

RGB 212 70 12

HSL 17.4, 0.89%, 0.44%

LAB 49.98, 53.77, 58.08

 

CMYK 0 / 73 / 100 / 24

HEX #C33400

RGB 195 52 0

HSL 16, 1%, 0.38%

LAB 44.32, 54.87, 56.45

 

CMYK 0 / 81 / 100 / 30

HEX #B22200

RGB 178 34 0

HSL 11.46, 1%, 0.35%

LAB 38.91, 55.31, 52.11

 

CMYK 0 / 90 / 100 / 37

HEX #A11000

RGB 161 16 0

HSL 5.96, 1%, 0.32%

LAB 33.87, 54.53, 47.68

 

CMYK 0 / 62 / 86 / 10

HEX #E5581F

RGB 229 88 31

HSL 17.27, 0.79%, 0.51%

LAB 55.82, 52.35, 57.47

 

CMYK 0 / 85 / 86 / 10

HEX #E5231F

RGB 229 35 31

HSL 1.21, 0.79%, 0.51%

LAB 49.45, 69.9, 52.33

 

CMYK 0 / 86 / 86 / 10

HEX #E51F1F

RGB 229 31 31

HSL 0, 0.79%, 0.51%

LAB 49.18, 70.67, 52.11

 

CMYK 0 / 62 / 86 / 10

HEX #E5581F

RGB 229 88 31

HSL 17.27, 0.79%, 0.51%

LAB 55.82, 52.35, 57.47

 

CMYK 0 / 38 / 86 / 10

HEX #E58D1F

RGB 229 141 31

HSL 33.33, 0.79%, 0.51%

LAB 66.37, 26.04, 65.96

 

CMYK 0 / 15 / 86 / 10

HEX #E5C31F

RGB 229 195 31

HSL 49.7, 0.79%, 0.51%

LAB 79.49, -2.47, 76.5

 

CMYK 8 / 0 / 86 / 10

HEX #D2E51F

RGB 210 229 31

HSL 65.76, 0.79%, 0.51%

LAB 86.92, -27.35, 81.86

 

CMYK 32 / 0 / 86 / 10

HEX #9CE51F

RGB 156 229 31

HSL 82.12, 0.79%, 0.51%

LAB 83.55, -48.33, 77.7

 

CMYK 0 / 62 / 86 / 10

HEX #E5581F

RGB 229 88 31

HSL 17.27, 0.79%, 0.51%

LAB 55.82, 52.35, 57.47

 

CMYK 0 / 68 / 96 / 2

HEX #F9500B

RGB 249 80 11

HSL 17.39, 0.95%, 0.51%

LAB 57.94, 62.11, 66.4

 

CMYK 0 / 62 / 86 / 10

HEX #E5581F

RGB 229 88 31

HSL 17.27, 0.79%, 0.51%

LAB 55.82, 52.35, 57.47

 

CMYK 0 / 54 / 75 / 18

HEX #D16134

RGB 209 97 52

HSL 17.2, 0.63%, 0.51%

LAB 54.4, 41.43, 45.61

 

CMYK 0 / 44 / 62 / 26

HEX #BC6948

RGB 188 105 72

HSL 17.07, 0.46%, 0.51%

LAB 53.24, 30.09, 32.85

 

CMYK 0 / 32 / 45 / 34

HEX #A8725C

RGB 168 114 92

HSL 17.37, 0.3%, 0.51%

LAB 53.09, 18.64, 20.81

 

CMYK 0 / 18 / 24 / 42

HEX #947A70

RGB 148 122 112

HSL 16.67, 0.14%, 0.51%

LAB 53.37, 8.44, 9.24

 

CMYK 0 / 86 / 65 / 10

HEX #E51F51

RGB 229 31 81

HSL 344.85, 0.79%, 0.51%

LAB 49.78, 72.42, 24.71

 

CMYK 0 / 85 / 86 / 10

HEX #E5231F

RGB 229 35 31

HSL 1.21, 0.79%, 0.51%

LAB 49.45, 69.9, 52.33

 

CMYK 0 / 62 / 86 / 10

HEX #E5571F

RGB 229 87 31

HSL 16.97, 0.79%, 0.51%

LAB 55.66, 52.79, 57.34

 

CMYK 0 / 39 / 86 / 10

HEX #E58C1F

RGB 229 140 31

HSL 33.03, 0.79%, 0.51%

LAB 66.15, 26.57, 65.78

 

CMYK 0 / 16 / 86 / 10

HEX #E5C11F

RGB 229 193 31

HSL 49.09, 0.79%, 0.51%

LAB 78.98, -1.44, 76.09

 

CMYK 0 / 63 / 88 / 38

HEX #9F3B13

RGB 159 59 19

HSL 17.14, 0.79%, 0.35%

LAB 38.8, 39.73, 43.45

 

CMYK 0 / 63 / 88 / 23

HEX #C44917

RGB 196 73 23

HSL 17.34, 0.79%, 0.43%

LAB 47.7, 47.06, 51.7

 

CMYK 0 / 62 / 86 / 10

HEX #E5581F

RGB 229 88 31

HSL 17.27, 0.79%, 0.51%

LAB 55.82, 52.35, 57.47

 

CMYK 0 / 50 / 71 / 9

HEX #E97444

RGB 233 116 68

HSL 17.45, 0.79%, 0.59%

LAB 61.85, 41.89, 46.63

 

CMYK 0 / 40 / 56 / 7

HEX #ED8F69

RGB 237 143 105

HSL 17.27, 0.79%, 0.67%

LAB 68.51, 31.95, 35.26

 

CMYK 0 / 62 / 86 / 10

HEX #E5581F

RGB 229 88 31

HSL 17.27, 0.79%, 0.51%

LAB 55.82, 52.35, 57.47

 

CMYK 42 / 0 / 86 / 10

HEX #85E51F

RGB 133 229 31

HSL 89.09, 0.79%, 0.51%

LAB 82.45, -56.19, 76.32

 

CMYK 86 / 76 / 0 / 10

HEX #1F36E5

RGB 31 54 229

HSL 233.03, 0.79%, 0.51%

LAB 35.18, 55.65, -88.35

 

CMYK 0 / 62 / 86 / 10

HEX #E5581F

RGB 229 88 31

HSL 17.27, 0.79%, 0.51%

LAB 55.82, 52.35, 57.47

 

CMYK 86 / 0 / 62 / 10

HEX #1FE557

RGB 31 229 87

HSL 136.97, 0.79%, 0.51%

LAB 80.19, -73.03, 55.22

 

CMYK 62 / 86 / 0 / 10

HEX #571FE5

RGB 87 31 229

HSL 256.97, 0.79%, 0.51%

LAB 35.33, 68.86, -87.99

 

CMYK 0 / 62 / 86 / 10

HEX #E5581F

RGB 229 88 31

HSL 17.27, 0.79%, 0.51%

LAB 55.82, 52.35, 57.47

 

CMYK 42 / 0 / 86 / 10

HEX #85E51F

RGB 133 229 31

HSL 89.09, 0.79%, 0.51%

LAB 82.45, -56.19, 76.32

 

CMYK 86 / 24 / 0 / 10

HEX #1FADE5

RGB 31 173 229

HSL 196.97, 0.79%, 0.51%

LAB 66.39, -16.04, -38.02

 

CMYK 45 / 86 / 0 / 10

HEX #7F1FE5

RGB 127 31 229

HSL 269.09, 0.79%, 0.51%

LAB 39.83, 72.66, -80.41

 

CMYK 0 / 62 / 86 / 10

HEX #E5581F

RGB 229 88 31

HSL 17.27, 0.79%, 0.51%

LAB 55.82, 52.35, 57.47

 

CMYK 68 / 0 / 86 / 10

HEX #4AE51F

RGB 74 229 31

HSL 106.97, 0.79%, 0.51%

LAB 80.51, -71.49, 73.89

 

CMYK 86 / 24 / 0 / 10

HEX #1FADE5

RGB 31 173 229

HSL 196.97, 0.79%, 0.51%

LAB 66.39, -16.04, -38.02

 

CMYK 19 / 86 / 0 / 10

HEX #BA1FE5

RGB 186 31 229

HSL 286.97, 0.79%, 0.51%

LAB 48.36, 80.58, -66.13

 

Description

Color code: HEX #E5581F | qconv.com Color code: HEX #E5581F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 88 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 88 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 86 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 86% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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