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Color name
HEX #E55327

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E55327 it is the complementary color #1AACD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E55327. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E55327 shade: #EA5322, #FB6535, #FF7748, #FF895B and #FF9B6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E55327. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E55327 shade: #E55327, #D44114, #C32F01, #B21D00 and #A10B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E55327 shade: #E65428 and #E62828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E55327 shade: #E65428, #E68728, #E6BA28, #DEE628 and #ABE628

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E55327 shade matches the following richer shades: #E65428 and #F94A15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E55327 shade: #E65428, #D25F3C, #BF694F, #AC7463 and #987E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E55327 shade: #E62864, #E62832, #E65128, #E68428 and #E6B628

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E55327 shade: #A83614, #CD4218, #E65428, #EA724D and #EE8F72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E55327 shade: #E55327, #97E628 and #284BE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E55327 shade: #E55327, #28E651 and #5128E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E55327 shade: #E55327, #97E628, #28BDE6 and #7728E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E55327 shade: #E55327, #5EE628, #28BDE6 and #B028E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 83 / 10

HEX #E55327

RGB 229 83 39

HSL 13.89, 0.79%, 0.53%

LAB 55.06, 54.69, 53.52

 

Complementary color

CMYK 88 / 20 / 0 / 15

HEX #1AACD8

RGB 26 172 216

HSL 193.89, 0.79%, 0.47%

LAB 65.5, -20.3, -32.27

 

CMYK 0 / 65 / 85 / 8

HEX #EA5322

RGB 234 83 34

HSL 14.7, 0.83%, 0.53%

LAB 55.88, 56.28, 56.68

 

CMYK 0 / 60 / 79 / 2

HEX #FB6535

RGB 251 101 53

HSL 14.55, 0.96%, 0.6%

LAB 61.72, 54.94, 54.66

 

CMYK 0 / 53 / 72 / 0

HEX #FF7748

RGB 255 119 72

HSL 15.41, 1%, 0.64%

LAB 65.69, 48.83, 49.75

 

CMYK 0 / 46 / 64 / 0

HEX #FF895B

RGB 255 137 91

HSL 16.83, 1%, 0.68%

LAB 69.4, 41.02, 44.29

 

CMYK 0 / 39 / 57 / 0

HEX #FF9B6E

RGB 255 155 110

HSL 18.62, 1%, 0.72%

LAB 73.43, 33.11, 39.27

 

CMYK 0 / 64 / 83 / 10

HEX #E55327

RGB 229 83 39

HSL 13.89, 0.79%, 0.53%

LAB 55.06, 54.69, 53.52

 

CMYK 0 / 69 / 91 / 17

HEX #D44114

RGB 212 65 20

HSL 14.06, 0.83%, 0.45%

LAB 49.29, 55.85, 55.23

 

CMYK 0 / 76 / 99 / 24

HEX #C32F01

RGB 195 47 1

HSL 14.23, 0.99%, 0.38%

LAB 43.71, 56.58, 55.86

 

CMYK 0 / 84 / 100 / 30

HEX #B21D00

RGB 178 29 0

HSL 9.78, 1%, 0.35%

LAB 38.45, 56.61, 51.92

 

CMYK 0 / 93 / 100 / 37

HEX #A10B00

RGB 161 11 0

HSL 4.1, 1%, 0.32%

LAB 33.6, 55.32, 47.52

 

CMYK 0 / 63 / 83 / 10

HEX #E65428

RGB 230 84 40

HSL 13.89, 0.79%, 0.53%

LAB 55.4, 54.64, 53.44

 

CMYK 0 / 83 / 83 / 10

HEX #E62828

RGB 230 40 40

HSL 0, 0.79%, 0.53%

LAB 50.09, 69.28, 48.61

 

CMYK 0 / 63 / 83 / 10

HEX #E65428

RGB 230 84 40

HSL 13.89, 0.79%, 0.53%

LAB 55.4, 54.64, 53.44

 

CMYK 0 / 41 / 83 / 10

HEX #E68728

RGB 230 135 40

HSL 30, 0.79%, 0.53%

LAB 65.2, 29.85, 62.11

 

CMYK 0 / 19 / 83 / 10

HEX #E6BA28

RGB 230 186 40

HSL 46.11, 0.79%, 0.53%

LAB 77.34, 2.85, 72.54

 

CMYK 3 / 0 / 83 / 10

HEX #DEE628

RGB 222 230 40

HSL 62.53, 0.79%, 0.53%

LAB 88.1, -22.66, 81.36

 

CMYK 26 / 0 / 83 / 10

HEX #ABE628

RGB 171 230 40

HSL 78.63, 0.79%, 0.53%

LAB 84.69, -42.95, 77.1

 

CMYK 0 / 63 / 83 / 10

HEX #E65428

RGB 230 84 40

HSL 13.89, 0.79%, 0.53%

LAB 55.4, 54.64, 53.44

 

CMYK 0 / 70 / 92 / 2

HEX #F94A15

RGB 249 74 21

HSL 13.95, 0.95%, 0.53%

LAB 57.16, 64.42, 63.43

 

CMYK 0 / 63 / 83 / 10

HEX #E65428

RGB 230 84 40

HSL 13.89, 0.79%, 0.53%

LAB 55.4, 54.64, 53.44

 

CMYK 0 / 55 / 71 / 18

HEX #D25F3C

RGB 210 95 60

HSL 14, 0.63%, 0.53%

LAB 54.25, 43.16, 41.38

 

CMYK 0 / 45 / 59 / 25

HEX #BF694F

RGB 191 105 79

HSL 13.93, 0.47%, 0.53%

LAB 53.75, 31.82, 29.67

 

CMYK 0 / 33 / 42 / 33

HEX #AC7463

RGB 172 116 99

HSL 13.97, 0.31%, 0.53%

LAB 54.2, 19.95, 18.34

 

CMYK 0 / 17 / 22 / 40

HEX #987E76

RGB 152 126 118

HSL 14.12, 0.14%, 0.53%

LAB 54.97, 8.69, 8.09

 

CMYK 0 / 83 / 57 / 10

HEX #E62864

RGB 230 40 100

HSL 341.05, 0.79%, 0.53%

LAB 50.99, 71.98, 14.81

 

CMYK 0 / 83 / 78 / 10

HEX #E62832

RGB 230 40 50

HSL 356.84, 0.79%, 0.53%

LAB 50.18, 69.56, 43.4

 

CMYK 0 / 65 / 83 / 10

HEX #E65128

RGB 230 81 40

HSL 12.95, 0.79%, 0.53%

LAB 54.93, 55.9, 53.02

 

CMYK 0 / 43 / 83 / 10

HEX #E68428

RGB 230 132 40

HSL 29.05, 0.79%, 0.53%

LAB 64.55, 31.43, 61.54

 

CMYK 0 / 21 / 83 / 10

HEX #E6B628

RGB 230 182 40

HSL 44.84, 0.79%, 0.53%

LAB 76.33, 4.95, 71.69

 

CMYK 0 / 68 / 88 / 34

HEX #A83614

RGB 168 54 20

HSL 13.78, 0.79%, 0.37%

LAB 39.6, 45.29, 44.36

 

CMYK 0 / 68 / 88 / 20

HEX #CD4218

RGB 205 66 24

HSL 13.92, 0.79%, 0.45%

LAB 48.19, 53.19, 52.37

 

CMYK 0 / 63 / 83 / 10

HEX #E65428

RGB 230 84 40

HSL 13.89, 0.79%, 0.53%

LAB 55.4, 54.64, 53.44

 

CMYK 0 / 51 / 67 / 8

HEX #EA724D

RGB 234 114 77

HSL 14.14, 0.79%, 0.61%

LAB 61.71, 43.73, 41.84

 

CMYK 0 / 40 / 52 / 7

HEX #EE8F72

RGB 238 143 114

HSL 14.03, 0.78%, 0.69%

LAB 68.78, 33.08, 30.77

 

CMYK 0 / 64 / 83 / 10

HEX #E55327

RGB 229 83 39

HSL 13.89, 0.79%, 0.53%

LAB 55.06, 54.69, 53.52

 

CMYK 34 / 0 / 83 / 10

HEX #97E628

RGB 151 230 40

HSL 84.95, 0.79%, 0.53%

LAB 83.61, -50.22, 75.73

 

CMYK 83 / 67 / 0 / 10

HEX #284BE6

RGB 40 75 230

HSL 228.95, 0.79%, 0.53%

LAB 39.91, 44.4, -81.09

 

CMYK 0 / 64 / 83 / 10

HEX #E55327

RGB 229 83 39

HSL 13.89, 0.79%, 0.53%

LAB 55.06, 54.69, 53.52

 

CMYK 83 / 0 / 65 / 10

HEX #28E651

RGB 40 230 81

HSL 132.95, 0.79%, 0.53%

LAB 80.54, -73.21, 58.13

 

CMYK 65 / 83 / 0 / 10

HEX #5128E6

RGB 81 40 230

HSL 252.95, 0.79%, 0.53%

LAB 35.95, 65.52, -87.56

 

CMYK 0 / 64 / 83 / 10

HEX #E55327

RGB 229 83 39

HSL 13.89, 0.79%, 0.53%

LAB 55.06, 54.69, 53.52

 

CMYK 34 / 0 / 83 / 10

HEX #97E628

RGB 151 230 40

HSL 84.95, 0.79%, 0.53%

LAB 83.61, -50.22, 75.73

 

CMYK 83 / 18 / 0 / 10

HEX #28BDE6

RGB 40 189 230

HSL 192.95, 0.79%, 0.53%

LAB 71.25, -23.42, -31.02

 

CMYK 48 / 83 / 0 / 10

HEX #7728E6

RGB 119 40 230

HSL 264.95, 0.79%, 0.53%

LAB 39.84, 69.31, -81

 

CMYK 0 / 64 / 83 / 10

HEX #E55327

RGB 229 83 39

HSL 13.89, 0.79%, 0.53%

LAB 55.06, 54.69, 53.52

 

CMYK 59 / 0 / 83 / 10

HEX #5EE628

RGB 94 230 40

HSL 102.95, 0.79%, 0.53%

LAB 81.36, -67.19, 72.87

 

CMYK 83 / 18 / 0 / 10

HEX #28BDE6

RGB 40 189 230

HSL 192.95, 0.79%, 0.53%

LAB 71.25, -23.42, -31.02

 

CMYK 23 / 83 / 0 / 10

HEX #B028E6

RGB 176 40 230

HSL 282.95, 0.79%, 0.53%

LAB 47.57, 77.21, -68.04

 

Description

Color code: HEX #E55327 | qconv.com Color code: HEX #E55327 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 83 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 83 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 83 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 83% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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