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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E552CE it is the complementary color #1AAD31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E552CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E552CE: #EA52C9, #FB64DC, #FF76EF, #FF88FF and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E552CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E552CE: #E552CE, #D440BB, #C32EA8, #B21C95 and #A10A82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 10 / 10

HEX #E552CE

RGB 229 82 206

HSL 309.39, 0.74%, 0.61%

LAB 59.11, 70.14, -35.54

 

Complementary color

CMYK 85 / 0 / 72 / 32

HEX #1AAD31

RGB 26 173 49

HSL 129.39, 0.74%, 0.39%

LAB 61.94, -60.29, 50.89

 

CMYK 0 / 65 / 14 / 8

HEX #EA52C9

RGB 234 82 201

HSL 313.03, 0.78%, 0.62%

LAB 59.66, 70.65, -31.79

 

CMYK 0 / 60 / 12 / 2

HEX #FB64DC

RGB 251 100 220

HSL 312.32, 0.95%, 0.69%

LAB 65.59, 70.62, -33.1

 

CMYK 0 / 54 / 6 / 0

HEX #FF76EF

RGB 255 118 239

HSL 307.01, 1%, 0.73%

LAB 69.79, 66.86, -37.06

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 64 / 10 / 10

HEX #E552CE

RGB 229 82 206

HSL 309.39, 0.74%, 0.61%

LAB 59.11, 70.14, -35.54

 

CMYK 0 / 70 / 12 / 17

HEX #D440BB

RGB 212 64 187

HSL 310.14, 0.63%, 0.54%

LAB 53.22, 69.82, -34.03

 

CMYK 0 / 76 / 14 / 24

HEX #C32EA8

RGB 195 46 168

HSL 310.87, 0.62%, 0.47%

LAB 47.47, 68.91, -32.11

 

CMYK 0 / 84 / 16 / 30

HEX #B21C95

RGB 178 28 149

HSL 311.6, 0.73%, 0.4%

LAB 41.95, 67.14, -29.6

 

CMYK 0 / 94 / 19 / 37

HEX #A10A82

RGB 161 10 130

HSL 312.32, 0.88%, 0.34%

LAB 36.75, 64.12, -26.3

 

CMYK 0 / 64 / 10 / 10

HEX #E552CE

RGB 229 82 206

HSL 309.39, 0.74%, 0.61%

LAB 59.11, 70.14, -35.54

 

CMYK 0 / 65 / 21 / 10

HEX #E551B6

RGB 229 81 182

HSL 319.05, 0.74%, 0.61%

LAB 57.96, 67.11, -23.58

 

CMYK 0 / 65 / 31 / 10

HEX #E5519E

RGB 229 81 158

HSL 328.78, 0.74%, 0.61%

LAB 57.09, 64.07, -10.98

 

CMYK 0 / 65 / 42 / 10

HEX #E55185

RGB 229 81 133

HSL 338.92, 0.74%, 0.61%

LAB 56.32, 61.35, 2.58

 

CMYK 0 / 65 / 53 / 10

HEX #E5516C

RGB 229 81 108

HSL 349.05, 0.74%, 0.61%

LAB 55.71, 59.12, 16.48

 

CMYK 0 / 64 / 10 / 10

HEX #E552CE

RGB 229 82 206

HSL 309.39, 0.74%, 0.61%

LAB 59.11, 70.14, -35.54

 

CMYK 0 / 64 / 12 / 90

HEX #190916

RGB 25 9 22

HSL 311.25, 0.47%, 0.07%

LAB 4.15, 8.45, -4.48

 

CMYK 0 / 64 / 11 / 70

HEX #4C1B44

RGB 76 27 68

HSL 309.8, 0.48%, 0.2%

LAB 18.96, 29.05, -14.82

 

CMYK 0 / 65 / 10 / 50

HEX #7F2D72

RGB 127 45 114

HSL 309.51, 0.48%, 0.34%

LAB 33.14, 43.98, -22.36

 

CMYK 0 / 64 / 10 / 30

HEX #B240A0

RGB 178 64 160

HSL 309.47, 0.47%, 0.47%

LAB 46.54, 57.24, -29.03

 

CMYK 0 / 64 / 10 / 10

HEX #E552CE

RGB 229 82 206

HSL 309.39, 0.74%, 0.61%

LAB 59.11, 70.14, -35.54

 

CMYK 0 / 42 / 65 / 10

HEX #E58551

RGB 229 133 81

HSL 21.08, 0.74%, 0.61%

LAB 64.98, 32.33, 43.4

 

CMYK 65 / 0 / 16 / 10

HEX #51E5C0

RGB 81 229 192

HSL 165, 0.74%, 0.61%

LAB 82.7, -47.85, 6.56

 

CMYK 0 / 64 / 10 / 10

HEX #E552CE

RGB 229 82 206

HSL 309.39, 0.74%, 0.61%

LAB 59.11, 70.14, -35.54

 

CMYK 10 / 0 / 65 / 10

HEX #CFE551

RGB 207 229 81

HSL 68.92, 0.74%, 0.61%

LAB 86.95, -26.48, 66.99

 

CMYK 65 / 10 / 0 / 10

HEX #51CFE5

RGB 81 207 229

HSL 188.92, 0.74%, 0.61%

LAB 77.3, -27.93, -21.15

 

CMYK 0 / 64 / 10 / 10

HEX #E552CE

RGB 229 82 206

HSL 309.39, 0.74%, 0.61%

LAB 59.11, 70.14, -35.54

 

CMYK 0 / 42 / 65 / 10

HEX #E58551

RGB 229 133 81

HSL 21.08, 0.74%, 0.61%

LAB 64.98, 32.33, 43.4

 

CMYK 65 / 0 / 55 / 10

HEX #51E568

RGB 81 229 104

HSL 129.32, 0.74%, 0.61%

LAB 81.17, -64.23, 49.03

 

CMYK 65 / 23 / 0 / 10

HEX #51B1E5

RGB 81 177 229

HSL 201.08, 0.74%, 0.61%

LAB 68.64, -12.5, -34.44

 

CMYK 0 / 64 / 10 / 10

HEX #E552CE

RGB 229 82 206

HSL 309.39, 0.74%, 0.61%

LAB 59.11, 70.14, -35.54

 

CMYK 0 / 23 / 65 / 10

HEX #E5B151

RGB 229 177 81

HSL 38.92, 0.74%, 0.61%

LAB 75.26, 8.96, 55.04

 

CMYK 65 / 0 / 55 / 10

HEX #51E568

RGB 81 229 104

HSL 129.32, 0.74%, 0.61%

LAB 81.17, -64.23, 49.03

 

CMYK 65 / 42 / 0 / 10

HEX #5185E5

RGB 81 133 229

HSL 218.92, 0.74%, 0.61%

LAB 56.27, 12.75, -53.92

 

Description

Color code: HEX #E552CE | qconv.com Color code: HEX #E552CE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 82 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 82 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 10 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 10% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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