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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E54CD7 it is the complementary color #1AB328. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E54CD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E54CD7 shade: #EA4CD2, #FB5EE5, #FF70F8, #FF82FF and #FF94FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E54CD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E54CD7 shade: #E54CD7, #D43AC4, #C328B1, #B2169E and #A1048B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E54CD7 shade: #E64DD8, #E64DAE, #E64D85, #E64D5C and #E64D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E54CD7 shade: #E64DD8, #CA4DE6, #A14DE6, #784DE6 and #4E4DE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E54CD7 shade matches the following richer shades: #E64DD8 and #F63CE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E54CD7 shade: #E64DD8, #D55DCA, #C46EBD, #B47EAF and #A38FA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E54CD7 shade: #A14DE6, #C94DE6, #E64DD9, #E64DB0 and #E64D87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E54CD7 shade: #C41CB4, #E028D0, #E64DD8, #EB71DF and #F095E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E54CD7 shade: #E54CD7, #E6784D and #4DE6B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E54CD7 shade: #E54CD7, #D9E64D and #4DD9E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E54CD7 shade: #E54CD7, #E6784D, #4DE659 and #4DBAE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E54CD7 shade: #E54CD7, #E6A64D, #4DE659 and #4D8CE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 6 / 10

HEX #E54CD7

RGB 229 76 215

HSL 305.49, 0.75%, 0.6%

LAB 58.73, 73.75, -41.24

 

Complementary color

CMYK 85 / 0 / 78 / 30

HEX #1AB328

RGB 26 179 40

HSL 125.49, 0.75%, 0.4%

LAB 63.85, -62.84, 56.01

 

CMYK 0 / 68 / 10 / 8

HEX #EA4CD2

RGB 234 76 210

HSL 309.11, 0.79%, 0.61%

LAB 59.26, 74.17, -37.51

 

CMYK 0 / 63 / 9 / 2

HEX #FB5EE5

RGB 251 94 229

HSL 308.41, 0.95%, 0.68%

LAB 65.1, 74.36, -38.88

 

CMYK 0 / 56 / 3 / 0

HEX #FF70F8

RGB 255 112 248

HSL 302.94, 1%, 0.72%

LAB 69.2, 70.94, -42.92

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 67 / 6 / 10

HEX #E54CD7

RGB 229 76 215

HSL 305.49, 0.75%, 0.6%

LAB 58.73, 73.75, -41.24

 

CMYK 0 / 73 / 8 / 17

HEX #D43AC4

RGB 212 58 196

HSL 306.23, 0.64%, 0.53%

LAB 52.96, 73.12, -39.65

 

CMYK 0 / 79 / 9 / 24

HEX #C328B1

RGB 195 40 177

HSL 306.97, 0.66%, 0.46%

LAB 47.36, 71.82, -37.61

 

CMYK 0 / 88 / 11 / 30

HEX #B2169E

RGB 178 22 158

HSL 307.69, 0.78%, 0.39%

LAB 42.01, 69.53, -34.94

 

CMYK 0 / 98 / 14 / 37

HEX #A1048B

RGB 161 4 139

HSL 308.41, 0.95%, 0.32%

LAB 36.98, 66.03, -31.52

 

CMYK 0 / 67 / 6 / 10

HEX #E64DD8

RGB 230 77 216

HSL 305.49, 0.75%, 0.6%

LAB 59.06, 73.77, -41.28

 

CMYK 0 / 67 / 24 / 10

HEX #E64DAE

RGB 230 77 174

HSL 321.96, 0.75%, 0.6%

LAB 57.26, 67.86, -20.02

 

CMYK 0 / 67 / 42 / 10

HEX #E64D85

RGB 230 77 133

HSL 338.04, 0.75%, 0.6%

LAB 55.91, 63.23, 2

 

CMYK 0 / 67 / 60 / 10

HEX #E64D5C

RGB 230 77 92

HSL 354.12, 0.75%, 0.6%

LAB 54.97, 59.88, 24.95

 

CMYK 0 / 67 / 67 / 10

HEX #E64D4D

RGB 230 77 77

HSL 0, 0.75%, 0.6%

LAB 54.73, 58.99, 33.34

 

CMYK 0 / 67 / 6 / 10

HEX #E64DD8

RGB 230 77 216

HSL 305.49, 0.75%, 0.6%

LAB 59.06, 73.77, -41.28

 

CMYK 12 / 67 / 0 / 10

HEX #CA4DE6

RGB 202 77 230

HSL 289.02, 0.75%, 0.6%

LAB 55.66, 69.8, -54.81

 

CMYK 30 / 67 / 0 / 10

HEX #A14DE6

RGB 161 77 230

HSL 272.94, 0.75%, 0.6%

LAB 50.21, 61.1, -63.86

 

CMYK 48 / 67 / 0 / 10

HEX #784DE6

RGB 120 77 230

HSL 256.86, 0.75%, 0.6%

LAB 45.65, 53.25, -71.47

 

CMYK 66 / 67 / 0 / 10

HEX #4E4DE6

RGB 78 77 230

HSL 240.39, 0.75%, 0.6%

LAB 42.22, 46.85, -77.23

 

CMYK 0 / 67 / 6 / 10

HEX #E64DD8

RGB 230 77 216

HSL 305.49, 0.75%, 0.6%

LAB 59.06, 73.77, -41.28

 

CMYK 0 / 76 / 7 / 4

HEX #F63CE5

RGB 246 60 229

HSL 305.48, 0.91%, 0.6%

LAB 60.32, 84.54, -46.44

 

CMYK 0 / 67 / 6 / 10

HEX #E64DD8

RGB 230 77 216

HSL 305.49, 0.75%, 0.6%

LAB 59.06, 73.77, -41.28

 

CMYK 0 / 56 / 5 / 16

HEX #D55DCA

RGB 213 93 202

HSL 305.5, 0.59%, 0.6%

LAB 58.26, 60.78, -34.76

 

CMYK 0 / 44 / 4 / 23

HEX #C46EBD

RGB 196 110 189

HSL 304.88, 0.42%, 0.6%

LAB 58.57, 45.4, -27.06

 

CMYK 0 / 30 / 3 / 29

HEX #B47EAF

RGB 180 126 175

HSL 305.56, 0.26%, 0.6%

LAB 59.64, 29, -17.59

 

CMYK 0 / 12 / 1 / 36

HEX #A38FA2

RGB 163 143 162

HSL 303, 0.1%, 0.6%

LAB 61.69, 10.96, -7.26

 

CMYK 30 / 67 / 0 / 10

HEX #A14DE6

RGB 161 77 230

HSL 272.94, 0.75%, 0.6%

LAB 50.21, 61.1, -63.86

 

CMYK 13 / 67 / 0 / 10

HEX #C94DE6

RGB 201 77 230

HSL 288.63, 0.75%, 0.6%

LAB 55.52, 69.58, -55.05

 

CMYK 0 / 67 / 6 / 10

HEX #E64DD9

RGB 230 77 217

HSL 305.1, 0.75%, 0.6%

LAB 59.1, 73.93, -41.77

 

CMYK 0 / 67 / 23 / 10

HEX #E64DB0

RGB 230 77 176

HSL 321.18, 0.75%, 0.6%

LAB 57.33, 68.11, -21.07

 

CMYK 0 / 67 / 41 / 10

HEX #E64D87

RGB 230 77 135

HSL 337.25, 0.75%, 0.6%

LAB 55.97, 63.43, 0.9

 

CMYK 0 / 86 / 8 / 23

HEX #C41CB4

RGB 196 28 180

HSL 305.71, 0.75%, 0.44%

LAB 46.79, 75.06, -40.25

 

CMYK 0 / 82 / 7 / 12

HEX #E028D0

RGB 224 40 208

HSL 305.22, 0.75%, 0.52%

LAB 53.94, 82.02, -44.87

 

CMYK 0 / 67 / 6 / 10

HEX #E64DD8

RGB 230 77 216

HSL 305.49, 0.75%, 0.6%

LAB 59.06, 73.77, -41.28

 

CMYK 0 / 52 / 5 / 8

HEX #EB71DF

RGB 235 113 223

HSL 305.9, 0.75%, 0.68%

LAB 65.59, 61.1, -34.93

 

CMYK 0 / 38 / 4 / 6

HEX #F095E7

RGB 240 149 231

HSL 305.93, 0.75%, 0.76%

LAB 73.41, 46.16, -27.23

 

CMYK 0 / 67 / 6 / 10

HEX #E54CD7

RGB 229 76 215

HSL 305.49, 0.75%, 0.6%

LAB 58.73, 73.75, -41.24

 

CMYK 0 / 48 / 67 / 10

HEX #E6784D

RGB 230 120 77

HSL 16.86, 0.75%, 0.6%

LAB 62.33, 39.2, 42.42

 

CMYK 67 / 0 / 21 / 10

HEX #4DE6B5

RGB 77 230 181

HSL 160.78, 0.75%, 0.6%

LAB 82.65, -51.47, 12.27

 

CMYK 0 / 67 / 6 / 10

HEX #E54CD7

RGB 229 76 215

HSL 305.49, 0.75%, 0.6%

LAB 58.73, 73.75, -41.24

 

CMYK 6 / 0 / 67 / 10

HEX #D9E64D

RGB 217 230 77

HSL 65.1, 0.75%, 0.6%

LAB 87.91, -23.18, 69.75

 

CMYK 67 / 6 / 0 / 10

HEX #4DD9E6

RGB 77 217 230

HSL 185.1, 0.75%, 0.6%

LAB 80.13, -33.06, -17.41

 

CMYK 0 / 67 / 6 / 10

HEX #E54CD7

RGB 229 76 215

HSL 305.49, 0.75%, 0.6%

LAB 58.73, 73.75, -41.24

 

CMYK 0 / 48 / 67 / 10

HEX #E6784D

RGB 230 120 77

HSL 16.86, 0.75%, 0.6%

LAB 62.33, 39.2, 42.42

 

CMYK 67 / 0 / 61 / 10

HEX #4DE659

RGB 77 230 89

HSL 124.71, 0.75%, 0.6%

LAB 81.23, -67.12, 55.74

 

CMYK 67 / 19 / 0 / 10

HEX #4DBAE6

RGB 77 186 230

HSL 197.25, 0.75%, 0.6%

LAB 71.15, -17.61, -31.11

 

CMYK 0 / 67 / 6 / 10

HEX #E54CD7

RGB 229 76 215

HSL 305.49, 0.75%, 0.6%

LAB 58.73, 73.75, -41.24

 

CMYK 0 / 28 / 67 / 10

HEX #E6A64D

RGB 230 166 77

HSL 34.9, 0.75%, 0.6%

LAB 72.65, 14.98, 54.04

 

CMYK 67 / 0 / 61 / 10

HEX #4DE659

RGB 77 230 89

HSL 124.71, 0.75%, 0.6%

LAB 81.23, -67.12, 55.74

 

CMYK 67 / 39 / 0 / 10

HEX #4D8CE6

RGB 77 140 230

HSL 215.29, 0.75%, 0.6%

LAB 58.08, 8.23, -51.59

 

Description

Color code: HEX #E54CD7 | qconv.com Color code: HEX #E54CD7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 76 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 76 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 6 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 6% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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