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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5489F it is the complementary color #1AB760. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5489F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5489F shade: #EA489A, #FB5AAD, #FF6CC0, #FF7ED3 and #FF90E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5489F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5489F shade: #E5489F, #D4368C, #C32479, #B21266 and #A10053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5489F shade: #E5489F, #E54875, #E5484A and #E54848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5489F shade: #E5489F, #E548C9, #D648E5, #AC48E5 and #8248E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5489F shade matches the following richer shades: #E5489F and #F637A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5489F shade: #E5489F, #D4599D, #C36A9B, #B27B99 and #A18C98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5489F shade: #D548E5, #E548CB, #E548A1, #E54877 and #E5484D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5489F shade: #BF1B76, #E0248C, #E5489F, #EA6CB2 and #EF90C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5489F shade: #E5489F, #E5AB48 and #48E0E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5489F shade: #E5489F, #A1E548 and #48A1E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5489F shade: #E5489F, #E5AB48, #48E58C and #4882E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5489F shade: #E5489F, #E5DA48, #48E58C and #4852E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 31 / 10

HEX #E5489F

RGB 229 72 159

HSL 326.75, 0.75%, 0.59%

LAB 55.88, 67.61, -13.38

 

Complementary color

CMYK 86 / 0 / 48 / 28

HEX #1AB760

RGB 26 183 96

HSL 146.75, 0.75%, 0.41%

LAB 65.69, -57.38, 33.62

 

CMYK 0 / 69 / 34 / 8

HEX #EA489A

RGB 234 72 154

HSL 329.63, 0.79%, 0.6%

LAB 56.55, 68.39, -9.37

 

CMYK 0 / 64 / 31 / 2

HEX #FB5AAD

RGB 251 90 173

HSL 329.07, 0.95%, 0.67%

LAB 62.37, 68.45, -11.38

 

CMYK 0 / 58 / 25 / 0

HEX #FF6CC0

RGB 255 108 192

HSL 325.71, 1%, 0.71%

LAB 66.36, 64.46, -16.13

 

CMYK 0 / 51 / 17 / 0

HEX #FF7ED3

RGB 255 126 211

HSL 320.47, 1%, 0.75%

LAB 70.1, 58.91, -21.11

 

CMYK 0 / 44 / 10 / 0

HEX #FF90E6

RGB 255 144 230

HSL 313.51, 1%, 0.78%

LAB 74.14, 53.11, -25.41

 

CMYK 0 / 69 / 31 / 10

HEX #E5489F

RGB 229 72 159

HSL 326.75, 0.75%, 0.59%

LAB 55.88, 67.61, -13.38

 

CMYK 0 / 75 / 34 / 17

HEX #D4368C

RGB 212 54 140

HSL 327.34, 0.65%, 0.52%

LAB 50.13, 67.1, -11.07

 

CMYK 0 / 82 / 38 / 24

HEX #C32479

RGB 195 36 121

HSL 327.92, 0.69%, 0.45%

LAB 44.58, 65.88, -8.16

 

CMYK 0 / 90 / 43 / 30

HEX #B21266

RGB 178 18 102

HSL 328.5, 0.82%, 0.38%

LAB 39.34, 63.62, -4.47

 

CMYK 0 / 100 / 48 / 37

HEX #A10053

RGB 161 0 83

HSL 329.07, 1%, 0.32%

LAB 34.4, 60.32, 0.07

 

CMYK 0 / 69 / 31 / 10

HEX #E5489F

RGB 229 72 159

HSL 326.75, 0.75%, 0.59%

LAB 55.88, 67.61, -13.38

 

CMYK 0 / 69 / 49 / 10

HEX #E54875

RGB 229 72 117

HSL 342.8, 0.75%, 0.59%

LAB 54.63, 63.37, 9.64

 

CMYK 0 / 69 / 68 / 10

HEX #E5484A

RGB 229 72 74

HSL 359.24, 0.75%, 0.59%

LAB 53.8, 60.45, 33.9

 

CMYK 0 / 69 / 69 / 10

HEX #E54848

RGB 229 72 72

HSL 0, 0.75%, 0.59%

LAB 53.77, 60.35, 35.01

 

CMYK 0 / 69 / 31 / 10

HEX #E5489F

RGB 229 72 159

HSL 326.75, 0.75%, 0.59%

LAB 55.88, 67.61, -13.38

 

CMYK 0 / 69 / 12 / 10

HEX #E548C9

RGB 229 72 201

HSL 310.7, 0.75%, 0.59%

LAB 57.57, 73.09, -35.1

 

CMYK 7 / 69 / 0 / 10

HEX #D648E5

RGB 214 72 229

HSL 294.27, 0.75%, 0.59%

LAB 56.67, 74.11, -52.54

 

CMYK 25 / 69 / 0 / 10

HEX #AC48E5

RGB 172 72 229

HSL 278.22, 0.75%, 0.59%

LAB 50.76, 65.33, -62.34

 

CMYK 43 / 69 / 0 / 10

HEX #8248E5

RGB 130 72 229

HSL 262.17, 0.75%, 0.59%

LAB 45.69, 57.29, -70.81

 

CMYK 0 / 69 / 31 / 10

HEX #E5489F

RGB 229 72 159

HSL 326.75, 0.75%, 0.59%

LAB 55.88, 67.61, -13.38

 

CMYK 0 / 78 / 35 / 4

HEX #F637A1

RGB 246 55 161

HSL 326.7, 0.91%, 0.59%

LAB 56.98, 77.46, -12.62

 

CMYK 0 / 69 / 31 / 10

HEX #E5489F

RGB 229 72 159

HSL 326.75, 0.75%, 0.59%

LAB 55.88, 67.61, -13.38

 

CMYK 0 / 58 / 26 / 17

HEX #D4599D

RGB 212 89 157

HSL 326.83, 0.59%, 0.59%

LAB 55.66, 55.57, -12.81

 

CMYK 0 / 46 / 21 / 24

HEX #C36A9B

RGB 195 106 155

HSL 326.97, 0.43%, 0.59%

LAB 56.36, 41.54, -10.82

 

CMYK 0 / 31 / 14 / 30

HEX #B27B99

RGB 178 123 153

HSL 327.27, 0.26%, 0.59%

LAB 57.97, 26.04, -7.48

 

CMYK 0 / 13 / 6 / 37

HEX #A18C98

RGB 161 140 152

HSL 325.71, 0.1%, 0.59%

LAB 60.43, 10.03, -3.46

 

CMYK 7 / 69 / 0 / 10

HEX #D548E5

RGB 213 72 229

HSL 293.89, 0.75%, 0.59%

LAB 56.52, 73.9, -52.78

 

CMYK 0 / 69 / 11 / 10

HEX #E548CB

RGB 229 72 203

HSL 309.94, 0.75%, 0.59%

LAB 57.66, 73.38, -36.1

 

CMYK 0 / 69 / 30 / 10

HEX #E548A1

RGB 229 72 161

HSL 325.99, 0.75%, 0.59%

LAB 55.95, 67.84, -14.44

 

CMYK 0 / 69 / 48 / 10

HEX #E54877

RGB 229 72 119

HSL 342.04, 0.75%, 0.59%

LAB 54.68, 63.54, 8.52

 

CMYK 0 / 69 / 66 / 10

HEX #E5484D

RGB 229 72 77

HSL 358.09, 0.75%, 0.59%

LAB 53.84, 60.61, 32.22

 

CMYK 0 / 86 / 38 / 25

HEX #BF1B76

RGB 191 27 118

HSL 326.71, 0.75%, 0.43%

LAB 43.02, 66.61, -8.73

 

CMYK 0 / 84 / 38 / 12

HEX #E0248C

RGB 224 36 140

HSL 326.81, 0.75%, 0.51%

LAB 50.69, 74.66, -10.01

 

CMYK 0 / 69 / 31 / 10

HEX #E5489F

RGB 229 72 159

HSL 326.75, 0.75%, 0.59%

LAB 55.88, 67.61, -13.38

 

CMYK 0 / 54 / 24 / 8

HEX #EA6CB2

RGB 234 108 178

HSL 326.67, 0.75%, 0.67%

LAB 62.87, 56.35, -13.75

 

CMYK 0 / 40 / 18 / 6

HEX #EF90C5

RGB 239 144 197

HSL 326.53, 0.75%, 0.75%

LAB 71.1, 42.87, -12.02

 

CMYK 0 / 69 / 31 / 10

HEX #E5489F

RGB 229 72 159

HSL 326.75, 0.75%, 0.59%

LAB 55.88, 67.61, -13.38

 

CMYK 0 / 25 / 69 / 10

HEX #E5AB48

RGB 229 171 72

HSL 37.83, 0.75%, 0.59%

LAB 73.71, 11.62, 57.4

 

CMYK 69 / 2 / 0 / 10

HEX #48E0E5

RGB 72 224 229

HSL 181.91, 0.75%, 0.59%

LAB 82.03, -37.29, -14.04

 

CMYK 0 / 69 / 31 / 10

HEX #E5489F

RGB 229 72 159

HSL 326.75, 0.75%, 0.59%

LAB 55.88, 67.61, -13.38

 

CMYK 30 / 0 / 69 / 10

HEX #A1E548

RGB 161 229 72

HSL 85.99, 0.75%, 0.59%

LAB 84.01, -44.62, 66.48

 

CMYK 69 / 30 / 0 / 10

HEX #48A1E5

RGB 72 161 229

HSL 205.99, 0.75%, 0.59%

LAB 63.77, -5.09, -42.06

 

CMYK 0 / 69 / 31 / 10

HEX #E5489F

RGB 229 72 159

HSL 326.75, 0.75%, 0.59%

LAB 55.88, 67.61, -13.38

 

CMYK 0 / 25 / 69 / 10

HEX #E5AB48

RGB 229 171 72

HSL 37.83, 0.75%, 0.59%

LAB 73.71, 11.62, 57.4

 

CMYK 69 / 0 / 39 / 10

HEX #48E58C

RGB 72 229 140

HSL 145.99, 0.75%, 0.59%

LAB 81.46, -60.26, 31.83

 

CMYK 69 / 43 / 0 / 10

HEX #4882E5

RGB 72 130 229

HSL 217.83, 0.75%, 0.59%

LAB 55.07, 13.15, -55.85

 

CMYK 0 / 69 / 31 / 10

HEX #E5489F

RGB 229 72 159

HSL 326.75, 0.75%, 0.59%

LAB 55.88, 67.61, -13.38

 

CMYK 0 / 5 / 69 / 10

HEX #E5DA48

RGB 229 218 72

HSL 55.8, 0.75%, 0.59%

LAB 85.64, -12.66, 69.64

 

CMYK 69 / 0 / 39 / 10

HEX #48E58C

RGB 72 229 140

HSL 145.99, 0.75%, 0.59%

LAB 81.46, -60.26, 31.83

 

CMYK 69 / 64 / 0 / 10

HEX #4852E5

RGB 72 82 229

HSL 236.18, 0.75%, 0.59%

LAB 42.87, 42.82, -75.61

 

Description

Color code: HEX #E5489F | qconv.com Color code: HEX #E5489F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 72 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 72 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 31 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 31% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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