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Color name
HEX #E548304C

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E548304C it is the complementary color #1AB7CF4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #E548304C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E548304C shade: #EA482B4C, #FB5A3E4C, #FF6C514C, #FF7E644C and #FF90774C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #E548304C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E548304C shade: #E548304C, #D4361D4C, #C3240A4C, #B212004C and #A100004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E548304C shade: #E5462E and #E52E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E548304C shade: #E5462E, #E5782E, #E5A92E, #E5DB2E and #BFE52E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E548304C shade matches the following richer shades: #E5462E and #F8391B

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E548304C shade: #E5462E, #D25441, #BF6254, #AC7067 and #997E7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E548304C shade: #E52E7A, #E52E4A, #E5442E, #E5742E and #E5A52E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E548304C shade: #AC2915, #D0321A, #E5462E, #EA6753 and #EE8778

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E548304C shade: #E54830, #ABE52E and #2E62E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E548304C shade: #E54830, #2EE544 and #442EE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E548304C shade: #E54830, #ABE52E, #2ED0E5 and #682EE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E548304C shade: #E54830, #74E52E, #2ED0E5 and #9F2EE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 24 / 3

RGBA 229 72 48 0.3

HSLA 7.96, 0.78%, 0.54%, 0.3

LABA 53.5, 59.38, 47.76, 0.3

Complementary color

CMYK 26 / 3 / 0 / 6

RGBA 26 183 207 0.3

HSLA 187.96, 0.78%, 0.46%, 0.3

LABA 68.45, -28.89, -22.77, 0.3

Lighter colors

CMYK 0 / 21 / 24 / 2

RGBA 234 72 43 0.3

HSLA 9.11, 0.82%, 0.54%, 0.3

LABA 54.35, 60.83, 51.34, 0.3

CMYK 0 / 19 / 23 / 0

RGBA 251 90 62 0.3

HSLA 8.89, 0.96%, 0.61%, 0.3

LABA 60.04, 59.93, 48.55, 0.3

CMYK 0 / 17 / 20 / 0

RGBA 255 108 81 0.3

HSLA 9.31, 1%, 0.66%, 0.3

LABA 63.82, 54.37, 42.97, 0.3

CMYK 0 / 15 / 18 / 0

RGBA 255 126 100 0.3

HSLA 10.06, 1%, 0.7%, 0.3

LABA 67.35, 47.02, 37.02, 0.3

CMYK 0 / 13 / 16 / 0

RGBA 255 144 119 0.3

HSLA 11.03, 1%, 0.73%, 0.3

LABA 71.24, 39.46, 31.67, 0.3

Darker colors

CMYK 0 / 21 / 24 / 3

RGBA 229 72 48 0.3

HSLA 7.96, 0.78%, 0.54%, 0.3

LABA 53.5, 59.38, 47.76, 0.3

CMYK 0 / 22 / 26 / 5

RGBA 212 54 29 0.3

HSLA 8.2, 0.76%, 0.47%, 0.3

LABA 47.91, 59.94, 50.61, 0.3

CMYK 0 / 24 / 28 / 7

RGBA 195 36 10 0.3

HSLA 8.43, 0.9%, 0.4%, 0.3

LABA 42.59, 59.89, 52.53, 0.3

CMYK 0 / 27 / 30 / 9

RGBA 178 18 0 0.3

HSLA 6.07, 1%, 0.35%, 0.3

LABA 37.66, 58.88, 51.61, 0.3

CMYK 0 / 30 / 30 / 11

RGBA 161 0 0 0.3

HSLA 0, 1%, 0.32%, 0.3

LABA 33.09, 56.8, 47.21, 0.3

Warmer colors

CMYK 0 / 69 / 80 / 10

HSL 7.87, 0.78%, 0.54%

LAB 53.21, 60.07, 48.48

CMYK 0 / 80 / 80 / 10

HSL 0, 0.78%, 0.54%

LAB 50.46, 67.7, 45.78

Colder colors

CMYK 0 / 69 / 80 / 10

HSL 7.87, 0.78%, 0.54%

LAB 53.21, 60.07, 48.48

CMYK 0 / 48 / 80 / 10

HSL 24.26, 0.78%, 0.54%

LAB 61.9, 37.41, 56.76

CMYK 0 / 26 / 80 / 10

HSL 40.33, 0.78%, 0.54%

LAB 73.04, 11.56, 66.93

CMYK 0 / 4 / 80 / 10

HSL 56.72, 0.78%, 0.54%

LAB 85.77, -14.21, 78.12

CMYK 17 / 0 / 80 / 10

HSL 72.46, 0.78%, 0.54%

LAB 85.66, -34.57, 76.94

Richer colors

CMYK 0 / 69 / 80 / 10

HSL 7.87, 0.78%, 0.54%

LAB 53.21, 60.07, 48.48

CMYK 0 / 77 / 89 / 3

HSL 8.14, 0.94%, 0.54%

LAB 55.03, 69.68, 59.86

Paler colors

CMYK 0 / 69 / 80 / 10

HSL 7.87, 0.78%, 0.54%

LAB 53.21, 60.07, 48.48

CMYK 0 / 60 / 69 / 18

HSL 7.86, 0.62%, 0.54%

LAB 52.31, 48.62, 36.44

CMYK 0 / 49 / 56 / 25

HSL 7.85, 0.46%, 0.54%

LAB 52.34, 35.93, 25

CMYK 0 / 35 / 40 / 33

RGB 172 112 103

HSL 7.83, 0.29%, 0.54%

LAB 53.32, 22.66, 14.82

CMYK 0 / 18 / 20 / 40

RGB 153 126 122

HSL 7.74, 0.13%, 0.54%

LAB 55.17, 9.73, 6.07

Analogue colors

CMYK 0 / 80 / 47 / 10

HSL 335.08, 0.78%, 0.54%

LAB 51.86, 71.95, 2.67

CMYK 0 / 80 / 68 / 10

HSL 350.82, 0.78%, 0.54%

LAB 50.81, 68.78, 30.23

CMYK 0 / 70 / 80 / 10

HSL 7.21, 0.78%, 0.54%

LAB 52.94, 60.8, 48.22

CMYK 0 / 49 / 80 / 10

HSL 22.95, 0.78%, 0.54%

LAB 61.09, 39.44, 56

CMYK 0 / 28 / 80 / 10

HSL 39.02, 0.78%, 0.54%

LAB 72.07, 13.69, 66.06

Monochromatic colors

CMYK 0 / 76 / 88 / 33

HSL 7.95, 0.78%, 0.38%

LAB 38.57, 51.61, 43.39

CMYK 0 / 76 / 88 / 18

HSL 7.91, 0.78%, 0.46%

LAB 46.67, 59.95, 50.6

CMYK 0 / 69 / 80 / 10

HSL 7.87, 0.78%, 0.54%

LAB 53.21, 60.07, 48.48

CMYK 0 / 56 / 65 / 8

HSL 7.95, 0.78%, 0.62%

LAB 59.72, 49.37, 36.22

CMYK 0 / 43 / 50 / 7

RGB 238 135 120

HSL 7.63, 0.78%, 0.7%

LAB 67.17, 37.76, 25.35

Partial complementary colors

CMYK 0 / 69 / 79 / 10

HSL 7.96, 0.78%, 0.54%

LAB 53.5, 59.38, 47.76

CMYK 25 / 0 / 80 / 10

HSL 79.02, 0.78%, 0.54%

LAB 84.43, -42.3, 75.38

CMYK 80 / 57 / 0 / 10

HSL 222.95, 0.78%, 0.54%

LAB 45.6, 30.08, -71.2

Triadic colors

CMYK 0 / 69 / 79 / 10

HSL 7.96, 0.78%, 0.54%

LAB 53.5, 59.38, 47.76

CMYK 80 / 0 / 70 / 10

HSL 127.21, 0.78%, 0.54%

LAB 80.2, -73.51, 62.83

CMYK 70 / 80 / 0 / 10

HSL 247.21, 0.78%, 0.54%

LAB 35.67, 61.73, -87.47

Rectangular (tetradic) colors

CMYK 0 / 69 / 79 / 10

HSL 7.96, 0.78%, 0.54%

LAB 53.5, 59.38, 47.76

CMYK 25 / 0 / 80 / 10

HSL 79.02, 0.78%, 0.54%

LAB 84.43, -42.3, 75.38

CMYK 80 / 9 / 0 / 10

HSL 186.89, 0.78%, 0.54%

LAB 76.89, -32.61, -21.84

CMYK 55 / 80 / 0 / 10

HSL 259.02, 0.78%, 0.54%

LAB 38.82, 65.16, -82.17

Square colors

CMYK 0 / 69 / 79 / 10

HSL 7.96, 0.78%, 0.54%

LAB 53.5, 59.38, 47.76

CMYK 49 / 0 / 80 / 10

HSL 97.05, 0.78%, 0.54%

LAB 81.81, -60.79, 72.03

CMYK 80 / 9 / 0 / 10

HSL 186.89, 0.78%, 0.54%

LAB 76.89, -32.61, -21.84

CMYK 31 / 80 / 0 / 10

HSL 277.05, 0.78%, 0.54%

LAB 45.61, 72.66, -70.77

Description

Color code: HEX #E548304C | qconv.com

Color code: HEX #E548304C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 72 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 24 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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