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Color name
HEX #E5475E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5475E it is the complementary color #1AB8A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5475E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5475E shade: #EA4759, #FB596C, #FF6B7F, #FF7D92 and #FF8FA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5475E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5475E shade: #E5475E, #D4354B, #C32338, #B21125 and #A10012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5475E shade: #E5485F and #E54848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5475E shade: #E5485F, #E54889, #E548B3, #E548DE and #C248E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5475E shade matches the following richer shades: #E5485F and #F63753

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5475E shade: #E5485F, #D4596B, #C36A77, #B27B83 and #A18C8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5475E shade: #E548B3, #E54889, #E54860, #E55A48 and #E58448

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5475E shade: #BF1B33, #E0243F, #E5485F, #EA6C7E and #EF909E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5475E shade: #E5475E, #DDE548 and #489EE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5475E shade: #E5475E, #60E548 and #4860E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5475E shade: #E5475E, #DDE548, #48E5CD and #5048E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5475E shade: #E5475E, #AEE548, #48E5CD and #7F48E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 59 / 10

HEX #E5475E

RGB 229 71 94

HSL 351.27, 0.75%, 0.59%

LAB 54, 62, 22.45

 

Complementary color

CMYK 86 / 0 / 13 / 28

HEX #1AB8A1

RGB 26 184 161

HSL 171.27, 0.75%, 0.41%

LAB 67.33, -43.16, 0.9

 

CMYK 0 / 70 / 62 / 8

HEX #EA4759

RGB 234 71 89

HSL 353.37, 0.8%, 0.6%

LAB 54.78, 63.21, 26.59

 

CMYK 0 / 65 / 57 / 2

HEX #FB596C

RGB 251 89 108

HSL 352.96, 0.95%, 0.67%

LAB 60.55, 62.79, 23.64

 

CMYK 0 / 58 / 50 / 0

HEX #FF6B7F

RGB 255 107 127

HSL 351.89, 1%, 0.71%

LAB 64.41, 57.92, 18.07

 

CMYK 0 / 51 / 43 / 0

HEX #FF7D92

RGB 255 125 146

HSL 350.31, 1%, 0.75%

LAB 68.02, 51.34, 12.32

 

CMYK 0 / 44 / 35 / 0

HEX #FF8FA5

RGB 255 143 165

HSL 348.21, 1%, 0.78%

LAB 71.97, 44.54, 7.29

 

CMYK 0 / 69 / 59 / 10

HEX #E5475E

RGB 229 71 94

HSL 351.27, 0.75%, 0.59%

LAB 54, 62, 22.45

 

CMYK 0 / 75 / 65 / 17

HEX #D4354B

RGB 212 53 75

HSL 351.7, 0.65%, 0.52%

LAB 48.32, 62.01, 25.82

 

CMYK 0 / 82 / 71 / 24

HEX #C32338

RGB 195 35 56

HSL 352.13, 0.7%, 0.45%

LAB 42.9, 61.37, 29.87

 

CMYK 0 / 90 / 79 / 30

HEX #B21125

RGB 178 17 37

HSL 352.55, 0.83%, 0.38%

LAB 37.84, 59.74, 34.62

 

CMYK 0 / 100 / 89 / 37

HEX #A10012

RGB 161 0 18

HSL 353.29, 1%, 0.32%

LAB 33.18, 57.05, 39.52

 

CMYK 0 / 69 / 59 / 10

HEX #E5485F

RGB 229 72 95

HSL 351.21, 0.75%, 0.59%

LAB 54.15, 61.7, 22.06

 

CMYK 0 / 69 / 69 / 10

HEX #E54848

RGB 229 72 72

HSL 0, 0.75%, 0.59%

LAB 53.77, 60.35, 35.01

 

CMYK 0 / 69 / 59 / 10

HEX #E5485F

RGB 229 72 95

HSL 351.21, 0.75%, 0.59%

LAB 54.15, 61.7, 22.06

 

CMYK 0 / 69 / 40 / 10

HEX #E54889

RGB 229 72 137

HSL 335.16, 0.75%, 0.59%

LAB 55.17, 65.22, -1.46

 

CMYK 0 / 69 / 22 / 10

HEX #E548B3

RGB 229 72 179

HSL 319.11, 0.75%, 0.59%

LAB 56.63, 70.07, -23.89

 

CMYK 0 / 69 / 3 / 10

HEX #E548DE

RGB 229 72 222

HSL 302.68, 0.75%, 0.59%

LAB 58.57, 76.23, -45.44

 

CMYK 15 / 69 / 0 / 10

HEX #C248E5

RGB 194 72 229

HSL 286.62, 0.75%, 0.59%

LAB 53.77, 69.87, -57.34

 

CMYK 0 / 69 / 59 / 10

HEX #E5485F

RGB 229 72 95

HSL 351.21, 0.75%, 0.59%

LAB 54.15, 61.7, 22.06

 

CMYK 0 / 78 / 66 / 4

HEX #F63753

RGB 246 55 83

HSL 351.2, 0.91%, 0.59%

LAB 55.02, 71.46, 30.86

 

CMYK 0 / 69 / 59 / 10

HEX #E5485F

RGB 229 72 95

HSL 351.21, 0.75%, 0.59%

LAB 54.15, 61.7, 22.06

 

CMYK 0 / 58 / 50 / 17

HEX #D4596B

RGB 212 89 107

HSL 351.22, 0.59%, 0.59%

LAB 54.24, 49.99, 14.62

 

CMYK 0 / 46 / 39 / 24

HEX #C36A77

RGB 195 106 119

HSL 351.24, 0.43%, 0.59%

LAB 55.32, 36.72, 8.7

 

CMYK 0 / 31 / 26 / 30

HEX #B27B83

RGB 178 123 131

HSL 351.27, 0.26%, 0.59%

LAB 57.34, 22.57, 4.31

 

CMYK 0 / 13 / 11 / 37

HEX #A18C8F

RGB 161 140 143

HSL 351.43, 0.1%, 0.59%

LAB 60.17, 8.4, 1.3

 

CMYK 0 / 69 / 22 / 10

HEX #E548B3

RGB 229 72 179

HSL 319.11, 0.75%, 0.59%

LAB 56.63, 70.07, -23.89

 

CMYK 0 / 69 / 40 / 10

HEX #E54889

RGB 229 72 137

HSL 335.16, 0.75%, 0.59%

LAB 55.17, 65.22, -1.46

 

CMYK 0 / 69 / 58 / 10

HEX #E54860

RGB 229 72 96

HSL 350.83, 0.75%, 0.59%

LAB 54.17, 61.76, 21.5

 

CMYK 0 / 61 / 69 / 10

HEX #E55A48

RGB 229 90 72

HSL 6.88, 0.75%, 0.59%

LAB 56.52, 52.94, 38.27

 

CMYK 0 / 42 / 69 / 10

HEX #E58448

RGB 229 132 72

HSL 22.93, 0.75%, 0.59%

LAB 64.67, 32.33, 47.59

 

CMYK 0 / 86 / 73 / 25

HEX #BF1B33

RGB 191 27 51

HSL 351.22, 0.75%, 0.43%

LAB 41.37, 61.89, 30.9

 

CMYK 0 / 84 / 72 / 12

HEX #E0243F

RGB 224 36 63

HSL 351.38, 0.75%, 0.51%

LAB 48.84, 69.3, 34.15

 

CMYK 0 / 69 / 59 / 10

HEX #E5485F

RGB 229 72 95

HSL 351.21, 0.75%, 0.59%

LAB 54.15, 61.7, 22.06

 

CMYK 0 / 54 / 46 / 8

HEX #EA6C7E

RGB 234 108 126

HSL 351.43, 0.75%, 0.67%

LAB 61.42, 50.33, 14.01

 

CMYK 0 / 40 / 34 / 6

HEX #EF909E

RGB 239 144 158

HSL 351.16, 0.75%, 0.75%

LAB 70.01, 37.52, 8.12

 

CMYK 0 / 69 / 59 / 10

HEX #E5475E

RGB 229 71 94

HSL 351.27, 0.75%, 0.59%

LAB 54, 62, 22.45

 

CMYK 3 / 0 / 69 / 10

HEX #DDE548

RGB 221 229 72

HSL 63.06, 0.75%, 0.59%

LAB 87.91, -21.35, 71.68

 

CMYK 69 / 31 / 0 / 10

HEX #489EE5

RGB 72 158 229

HSL 207.13, 0.75%, 0.59%

LAB 62.92, -3.39, -43.4

 

CMYK 0 / 69 / 59 / 10

HEX #E5475E

RGB 229 71 94

HSL 351.27, 0.75%, 0.59%

LAB 54, 62, 22.45

 

CMYK 58 / 0 / 69 / 10

HEX #60E548

RGB 96 229 72

HSL 110.83, 0.75%, 0.59%

LAB 81.29, -64.36, 62.81

 

CMYK 69 / 58 / 0 / 10

HEX #4860E5

RGB 72 96 229

HSL 230.83, 0.75%, 0.59%

LAB 46.18, 34.25, -70.2

 

CMYK 0 / 69 / 59 / 10

HEX #E5475E

RGB 229 71 94

HSL 351.27, 0.75%, 0.59%

LAB 54, 62, 22.45

 

CMYK 3 / 0 / 69 / 10

HEX #DDE548

RGB 221 229 72

HSL 63.06, 0.75%, 0.59%

LAB 87.91, -21.35, 71.68

 

CMYK 69 / 0 / 10 / 10

HEX #48E5CD

RGB 72 229 205

HSL 170.83, 0.75%, 0.59%

LAB 82.82, -45.98, -0.15

 

CMYK 65 / 69 / 0 / 10

HEX #5048E5

RGB 80 72 229

HSL 243.06, 0.75%, 0.59%

LAB 41.21, 49.64, -78.3

 

CMYK 0 / 69 / 59 / 10

HEX #E5475E

RGB 229 71 94

HSL 351.27, 0.75%, 0.59%

LAB 54, 62, 22.45

 

CMYK 24 / 0 / 69 / 10

HEX #AEE548

RGB 174 229 72

HSL 81.02, 0.75%, 0.59%

LAB 84.74, -39.85, 67.46

 

CMYK 69 / 0 / 10 / 10

HEX #48E5CD

RGB 72 229 205

HSL 170.83, 0.75%, 0.59%

LAB 82.82, -45.98, -0.15

 

CMYK 45 / 69 / 0 / 10

HEX #7F48E5

RGB 127 72 229

HSL 261.02, 0.75%, 0.59%

LAB 45.36, 56.76, -71.34

 

Description

Color code: HEX #E5475E | qconv.com Color code: HEX #E5475E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 71 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 71 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 59 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 59% 10% C M Y K

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Provide designers and agencies with accurate color values.

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