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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E53F663F it is the complementary color #1AC0993F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E53F663F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E53F663F shade: #EA3F613F, #FB51743F, #FF63873F, #FF759A3F and #FF87AD3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E53F663F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E53F663F shade: #E53F663F, #D42D533F, #C31B403F, #B2092D3F and #A1001A3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E53F663F shade: #E53E65 and #E53E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E53F663F shade: #E53E65, #E53E92, #E53EBF, #DD3EE5 and #B03EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E53F663F shade matches the following richer shades: #E53E65 and #F62C5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E53F663F shade: #E53E65, #D3506F, #C16178, #AF7381 and #9E858B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E53F663F shade: #E53EC1, #E53E94, #E53E68, #E5413E and #E56D3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E53F663F shade: #B7193E, #DC1E4A, #E53E65, #EA6282 and #EF879F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E53F663F shade: #E53F66, #E5DC3E and #3EAAE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E53F663F shade: #E53F66, #68E53E and #3E68E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E53F663F shade: #E53F66, #E5DC3E, #3EE5BB and #3E46E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E53F663F shade: #E53F66, #BBE53E, #3EE5BB and #683EE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 14 / 3

HEX #E53F663F

RGBA 229 63 102 0.25

HSLA 345.9, 0.76%, 0.57%, 0.25

LABA 53.14, 65.39, 16.52, 0.25

 

Complementary color

CMYK 22 / 0 / 5 / 6

HEX #1AC0993F

RGBA 26 192 153 0.25

HSLA 165.9, 0.76%, 0.43%, 0.25

LABA 69.63, -48.61, 8.59, 0.25

 

CMYK 0 / 18 / 15 / 2

HEX #EA3F613F

RGBA 234 63 97 0.25

HSLA 348.07, 0.8%, 0.58%, 0.25

LABA 53.93, 66.48, 20.74, 0.25

 

CMYK 0 / 17 / 13 / 0

HEX #FB51743F

RGBA 251 81 116 0.25

HSLA 347.65, 0.96%, 0.65%, 0.25

LABA 59.58, 66.46, 17.68, 0.25

 

CMYK 0 / 15 / 12 / 0

HEX #FF63873F

RGBA 255 99 135 0.25

HSLA 346.15, 1%, 0.69%, 0.25

LABA 63.29, 62.07, 11.92, 0.25

 

CMYK 0 / 14 / 10 / 0

HEX #FF759A3F

RGBA 255 117 154 0.25

HSLA 343.91, 1%, 0.73%, 0.25

LABA 66.76, 55.94, 5.99, 0.25

 

CMYK 0 / 12 / 8 / 0

HEX #FF87AD3F

RGBA 255 135 173 0.25

HSLA 341, 1%, 0.76%, 0.25

LABA 70.6, 49.48, 0.84, 0.25

 

CMYK 0 / 18 / 14 / 3

HEX #E53F663F

RGBA 229 63 102 0.25

HSLA 345.9, 0.76%, 0.57%, 0.25

LABA 53.14, 65.39, 16.52, 0.25

 

CMYK 0 / 20 / 15 / 4

HEX #D42D533F

RGBA 212 45 83 0.25

HSLA 346.35, 0.66%, 0.5%, 0.25

LABA 47.62, 64.88, 20.05, 0.25

 

CMYK 0 / 22 / 17 / 6

HEX #C31B403F

RGBA 195 27 64 0.25

HSLA 346.79, 0.76%, 0.44%, 0.25

LABA 42.39, 63.55, 24.33, 0.25

 

CMYK 0 / 24 / 19 / 8

HEX #B2092D3F

RGBA 178 9 45 0.25

HSLA 347.22, 0.9%, 0.37%, 0.25

LABA 37.57, 61.09, 29.47, 0.25

 

CMYK 0 / 25 / 21 / 9

HEX #A1001A3F

RGBA 161 0 26 0.25

HSLA 350.31, 1%, 0.32%, 0.25

LABA 33.25, 57.24, 35.22, 0.25

 

CMYK 0 / 73 / 56 / 10

HEX #E53E65

RGB 229 62 101

HSL 345.99, 0.76%, 0.57%

LAB 53, 65.65, 16.93

 

CMYK 0 / 73 / 73 / 10

HEX #E53E3E

RGB 229 62 62

HSL 0, 0.76%, 0.57%

LAB 52.34, 63.47, 39.01

 

CMYK 0 / 73 / 56 / 10

HEX #E53E65

RGB 229 62 101

HSL 345.99, 0.76%, 0.57%

LAB 53, 65.65, 16.93

 

CMYK 0 / 73 / 36 / 10

HEX #E53E92

RGB 229 62 146

HSL 329.82, 0.76%, 0.57%

LAB 54.22, 69.6, -8.22

 

CMYK 0 / 73 / 17 / 10

HEX #E53EBF

RGB 229 62 191

HSL 313.65, 0.76%, 0.57%

LAB 55.95, 75, -31.88

 

CMYK 3 / 73 / 0 / 10

HEX #DD3EE5

RGB 221 62 229

HSL 297.13, 0.76%, 0.57%

LAB 56.56, 78.91, -52.65

 

CMYK 23 / 73 / 0 / 10

HEX #B03EE5

RGB 176 62 229

HSL 280.96, 0.76%, 0.57%

LAB 49.9, 70.1, -63.71

 

CMYK 0 / 73 / 56 / 10

HEX #E53E65

RGB 229 62 101

HSL 345.99, 0.76%, 0.57%

LAB 53, 65.65, 16.93

 

CMYK 0 / 82 / 63 / 4

HEX #F62C5C

RGB 246 44 92

HSL 345.74, 0.92%, 0.57%

LAB 54.2, 74.69, 24.49

 

CMYK 0 / 73 / 56 / 10

HEX #E53E65

RGB 229 62 101

HSL 345.99, 0.76%, 0.57%

LAB 53, 65.65, 16.93

 

CMYK 0 / 62 / 47 / 17

HEX #D3506F

RGB 211 80 111

HSL 345.8, 0.6%, 0.57%

LAB 52.66, 54.07, 10

 

CMYK 0 / 50 / 38 / 24

HEX #C16178

RGB 193 97 120

HSL 345.63, 0.44%, 0.57%

LAB 53.21, 40.79, 5.07

 

CMYK 0 / 34 / 26 / 31

HEX #AF7381

RGB 175 115 129

HSL 346, 0.27%, 0.57%

LAB 55.03, 25.62, 2.1

 

CMYK 0 / 16 / 12 / 38

HEX #9E858B

RGB 158 133 139

HSL 345.6, 0.11%, 0.57%

LAB 57.95, 10.54, 0.32

 

CMYK 0 / 73 / 16 / 10

HEX #E53EC1

RGB 229 62 193

HSL 312.93, 0.76%, 0.57%

LAB 56.04, 75.27, -32.89

 

CMYK 0 / 73 / 35 / 10

HEX #E53E94

RGB 229 62 148

HSL 329.1, 0.76%, 0.57%

LAB 54.28, 69.81, -9.3

 

CMYK 0 / 73 / 55 / 10

HEX #E53E68

RGB 229 62 104

HSL 344.91, 0.76%, 0.57%

LAB 53.06, 65.86, 15.22

 

CMYK 0 / 72 / 73 / 10

HEX #E5413E

RGB 229 65 62

HSL 1.08, 0.76%, 0.57%

LAB 52.71, 62.45, 39.43

 

CMYK 0 / 52 / 73 / 10

HEX #E56D3E

RGB 229 109 62

HSL 16.89, 0.76%, 0.57%

LAB 59.84, 43.55, 47.29

 

CMYK 0 / 86 / 66 / 28

HEX #B7193E

RGB 183 25 62

HSL 345.95, 0.76%, 0.41%

LAB 39.77, 60.68, 21.73

 

CMYK 0 / 86 / 66 / 14

HEX #DC1E4A

RGB 220 30 74

HSL 346.11, 0.76%, 0.49%

LAB 47.8, 69.96, 26.08

 

CMYK 0 / 73 / 56 / 10

HEX #E53E65

RGB 229 62 101

HSL 345.99, 0.76%, 0.57%

LAB 53, 65.65, 16.93

 

CMYK 0 / 58 / 44 / 8

HEX #EA6282

RGB 234 98 130

HSL 345.88, 0.76%, 0.65%

LAB 59.74, 55.35, 9.34

 

CMYK 0 / 44 / 33 / 6

HEX #EF879F

RGB 239 135 159

HSL 346.15, 0.76%, 0.73%

LAB 68.15, 42.28, 4.89

 

CMYK 0 / 72 / 55 / 10

HEX #E53F66

RGB 229 63 102

HSL 345.9, 0.76%, 0.57%

LAB 53.14, 65.39, 16.52

 

CMYK 0 / 4 / 73 / 10

HEX #E5DC3E

RGB 229 220 62

HSL 56.77, 0.76%, 0.57%

LAB 86.1, -14.12, 73.62

 

CMYK 73 / 26 / 0 / 10

HEX #3EAAE5

RGB 62 170 229

HSL 201.2, 0.76%, 0.57%

LAB 66.08, -11.48, -38.47

 

CMYK 0 / 72 / 55 / 10

HEX #E53F66

RGB 229 63 102

HSL 345.9, 0.76%, 0.57%

LAB 53.14, 65.39, 16.52

 

CMYK 55 / 0 / 73 / 10

HEX #68E53E

RGB 104 229 62

HSL 104.91, 0.76%, 0.57%

LAB 81.47, -63.14, 66.67

 

CMYK 73 / 55 / 0 / 10

HEX #3E68E5

RGB 62 104 229

HSL 224.91, 0.76%, 0.57%

LAB 47.73, 27.96, -67.7

 

CMYK 0 / 72 / 55 / 10

HEX #E53F66

RGB 229 63 102

HSL 345.9, 0.76%, 0.57%

LAB 53.14, 65.39, 16.52

 

CMYK 0 / 4 / 73 / 10

HEX #E5DC3E

RGB 229 220 62

HSL 56.77, 0.76%, 0.57%

LAB 86.1, -14.12, 73.62

 

CMYK 73 / 0 / 18 / 10

HEX #3EE5BB

RGB 62 229 187

HSL 164.91, 0.76%, 0.57%

LAB 82.19, -51.77, 8.42

 

CMYK 73 / 69 / 0 / 10

HEX #3E46E5

RGB 62 70 229

HSL 237.13, 0.76%, 0.57%

LAB 39.68, 48.8, -80.86

 

CMYK 0 / 72 / 55 / 10

HEX #E53F66

RGB 229 63 102

HSL 345.9, 0.76%, 0.57%

LAB 53.14, 65.39, 16.52

 

CMYK 18 / 0 / 73 / 10

HEX #BBE53E

RGB 187 229 62

HSL 75.09, 0.76%, 0.57%

LAB 85.48, -35.45, 71.95

 

CMYK 73 / 0 / 18 / 10

HEX #3EE5BB

RGB 62 229 187

HSL 164.91, 0.76%, 0.57%

LAB 82.19, -51.77, 8.42

 

CMYK 55 / 73 / 0 / 10

HEX #683EE5

RGB 104 62 229

HSL 255.09, 0.76%, 0.57%

LAB 41.29, 58.07, -78.11

 

Description

Color code: HEX #E53F663F | qconv.com Color code: HEX #E53F663F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 63 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 63 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 14 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 14% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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